A pencil signed etching, 8 3/4" by 10 1/2" inside the mat, 13 1/2" by 17" in simple strip frame, circa 1920, titled "The Bailers" (bailing out a water-filled, sinking dinghy at the docks), by Massachusetts-born American impressionist artist GEORGE ELMER BROWNE (1871-1946). Browne was born in the sea-going town of Gloucester, which was later to evolve into a famous art colony that was noted for the impressionism that flourished there...

Joseph Pennell, 1857-1926, American, "The Thames at Richmond," etching, image size 8 5/8 x 11 inches, pencil signed.

Leonard Russell Squirrell 1893-1979 British This is an oriignal aquatint etching by British artist Leonard R. Squirrell, this etching was created and printed in 1924 in an edition of 75 signed proofs. The image measures 11X16 1/4 inches. Pencil signed by the artist in pencil lower right border. Fine use of highlight and shadow making a dramatic composition. Printed on a medium weight wove type paper. A rare image only found in Museums.

Ruth Doris Swett 1901- Member of Southern Printmakers This is an original drypoint etching by American Southern artist Ruth Doris Swett. The title of this etching is Deer Isle Spruces, created when she was summering up in Maine. This etching is pencil signed, titled and dedicated to: Margarest Strong. The image measures 12X8 7/8 inches. Printed on a medium weight wove type paper in an edition of 50.

Original etching and aquatint with sugar lift by Michael Mazur (USA, 1935-2009). Artist Proof. Titled "Bench and Chair" in pencil l.m. Signed and dated 72 in pencil by the artist l.r. From an edition of about 12 impressions. Paper: Fabriano Murillo. Printed by Robert Townsend and the artist; plate preparation by the artist. cf: The Prints of Michael Mazur with a Catalogue Raisonne 1956-1999 (this work is illustrated on p.192 of the catalogue raisonne.)

Fine etching, of desirable subject matter, titled at lower left margin "Marble Game", signed at lower right margin and numbered there 15/40 by the noted American artist WILLIAM WOLFSON (1894-1966). This is a wonderful image of boys playing their very basic game in the middle of a gritty urban street, by an artist who is generally grouped with the Ashcan School of social realism of the early part of the 20th century...

Original etching by Alfred Hutty (USA, SC, 1877-1954). This work is titled "St. Michael's in Sunlight" and dates from 1933. Signed in pencil l.r. and with the snail cypher. In excellent condition. Provenance: Childs Gallery Boston.

Charles Mielatz, American, 1864-1919, etching, Chinese Carp, image size 20 x 9 inches, 1887, remarque lower left, pencil signed lower right, published by Klackner, New York.

Large colored etching, posthumous printing, after the circa 1914 original print of the famous Austrian landmark on the Danube west of Vienna, the 18th century-built Melk Abbey (sometimes called Melk Monastery), signed in pencil at lower center by the son of the artist, Robert (the actual signature is preceded by "nl" which indicates Nachlass, or Studio, of the artist). The image is by the well-known painter and printmaker LUIGI KASIMIR (1881-1962)...

An etching of a Native American brave on horseback, by important California and western American artist EDWARD BOREIN (1872-1945). The print is a restrike, likely made from the original plates at some point after the artist's death. Measurements are 7" by 8 3/4" inside the plate line (the sheet 11" by 15 1/4", and 16" by 18" as framed in worn black painted oak circa 1920 frame). Borein's place in the hierarchy of western American art is secure...

For the collector of Ashcan School/The Eight, or early 20th century American art, here is a special work: a pencil signed print by JOHN SLOAN (1871-1951), titled "Man Monkey", and inscribed "100 proofs". This special piece, which dates to the year 1905, came from the personal collection of Peter Morse, who wrote the catalog raisonne of Sloan's graphic work. There is a charming typed letter in a sleeve on the reverse side, on the letterhead of Morse in Washington, D.C., dated Christmas 1966...

Original etching RICIULINA AND METZETIN by Jacques Callot printed in 1621 from the series BALLI DI SFESSANIA. Series depict one of the most delightful festivals of Commedia dell’Arte based on fertility dances held in the Tuscan village of Sfessania. Pairs of popular entertainers are framed against the scenes of a fairground. One print from the series of 24 etchings, Lieure catalog number 386, first state of two, on laid paper, cut to the plate. Paper size 72x93mm...

A 19th century plate etching of an original etching by Rembrandt 1606-1669 measuring 22” x 17”, image size 9“ x 7“

**ONE OF TWO OF THIS PRINT IN MY SHOP (this one in better condition). **Etching of Victorian children playing in an interior, 10 1/2" by 8 1/4" inside the mat, 16" by 13" framed, pencil signed "R. Ernst" at lower right. This is an unusual medium for the artist, best known for his highly finished and detailed oil paintings of Orientalist subjects of North Africa and the Middle East. These oils regularly bring hundreds of thousands of dollars at auction...

Original oversize etching by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell. In excellent original unframed condition. Titled and numbered 7/25 l.l. Signed and dated '61 l.r. 23 1/2" by 35 1/4", image alone. For information regarding the works of Wendell H. Black currently offered on this website please contact us, or check "The Lost Prints of Wendell H. Black" by Henry Sayre.

Joseph Pennell, American, 1857-1926, "Up to the Woolworth," etching, image size 11 3/4 x 7 3/8 inches, 1915, edition of 75, pencil signed "J Pennell imp".

Dorsey Potter Tyson 1891-1969 American This is a very fine original hand colored drypoint etching by American artist Dorsey Potter Tyson. The title is: Dragon Boat Festival, this etching was created and printed in 1929 in an edition of 100, this one is numbered as 42/100. This pencil signed etching measures an image of 11 7/8X9 7/8 inches. It is nicely framed in an orientalist frame with french matting.

Luigi Kasimir Open Luigi Kasimir configuration options 1881-1962 Austrian This is an original color aquatint etching by Austrian artist Luigi Kasimir. The title of this work is: "Fleet Street,London", circa 1930, one of his best works. The view is of St.Pauls and Ludgate Hill from Fleet Street. The image measures 21 1/4X17 inches. very nice condition, pencil signed in the lower left border, printed on a wove type paper. It appears in the Kasimir catalog as image number 10.

Sir William Russell Flint 1880-1969 British This is a fine expressive drypoint etching by British artist Sir William Russell Flint. The title is: Clatter and Whirl, Granada, it was created and printed in 1931 in an edition of 75. This image is hand signed, with sepia ink, numbered as XV and inscribed as using An antique laid type sheet from 1744, "D.R." The image measures 8 1/4X13 7/8 inches, printed with a brown toned ink, a very rich impression.

Color etching titled "La Mare" ("the pond"), featuring a whitewashed two story country house or inn by a dirt road next to a pond, signed in pencil below the image "de Croisset". There is a printed label on the backing stating that this is a limited edition. A search by this name does not reveal a listed artist; I suggest that this might be a pen name/pseudonym. The date is probably circa 1930's to about 1950 at the latest...

John Taylor Arms, American, 1887-1953, "Amiens". This 1926 etching by the American artist, John Taylor Arms, measures 10 3/4 x 9 7/8 inches, pencil signed and dated, also called "The Cathedral of Notre Dame, From the Lower Town", edition of 100, from his French Church Series #8, cat: Fletcher 181, printed by Frederick Reynolds. This etching won the "John G. Agar Prize, Fifth Annual Exhibition by Living American Etchers, National Arts Club, New York, N.Y." in 1927.

Print of the ruins of the Mayan city of Uxmal in Yucatan, Mexico.
The general views were designed by Jean Arnould Leveil (1806-1866) and engraved by Jean Baptiste Marie Bury and Joseph Durond.
The print was edited as first of twelve depictions of the ruins of Uxmal in the appendix of volume 4 in: Jules Gailhabaud. Monuments anciens et modernes: Collection formant une histoire de l'architecture des différents peuples à toutes les époques...

Arthur J. T. Briscoe, British, 1873-1943, "Flooded Decks". This incredible image by the British etcher, Arthur Briscoe, measures 8 1/8 x 15 3/8 inches, inked signed and numbered, 73/75, created in 1931. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast...

William Lee Hankey, British, 1869-1952, "Light in the Cottage," Etching, image size 8 7/8 x 5 3/4 inches, 1909, edition of 9, cat: Hardie-55, pencil signed l.r, "W Lee Hankey", plate initialed l.r. and artist seal l.c.

A PAIR of very clean French artist 19th century etchings, the subject of both upper class women, one by CHARLES WALTNER (1846-1925), the second by ERNEST JOSEPH LAURENT (1859-1929)...

Louis Orr, American, 1879-1961, etching, "The United Nations", image size: 15 18 1/2 inches, pencil signed, plate signed and inscribed copyright Webb & Knapp Inc., 1953.

John Taylor Arms, American, 1887-1953, "Église Saint Gervais, Gisors," etching, 10 x 8 1/4 inches on 18 x 11 1/4 inch watermarked laid-type paper. Pencil signed and dated. Ed. 100 in pencil in the lower left. Cat: Fletcher 249. C. 1932 French Church series #35.

William Lee Hankey, 1869-1952 British, "Woman in Thought", etching, image size 8 3/4X5 inches, pencil signed and artists blind stamp monogram

Arthur Briscoe, British, 1893-1963, "Oyster Dreckers," etching, plate measures 6 1/2 x 10 inches on 8 1/2 x 11 1/4 inch laid paper. C. 1924. Catalog: Hurst 87. Edition of 75. The scene depicts some oyster dredgers on Buzzon (or Besom) Creek, near Briscoe's home in Colchester. The oyster industry there is now endangered, but Briscoe has captured it well. Signed in ink in the lower right, numbered "39" in the lower left. A fine impression with good use of plate toning. Briscoe studied at the Slade...

Contemporary Japanese limited edition etching titled “Twilight” by Ryoko Hirone depicting a woman drinking a cup of tea observing a scene outside her window with a coyote and rabbit among leafless trees. Pencil-signed, titled, and numbered 7/30 in the lower margin. Paper size: 9 5/8" x 13 7/8" (image: 7 1/2" x 6 3/4"). Very good overall condition. An exhibit of mezzotints and etchings by Ryoko Hirone was held in Japan at Gallery Saoh & Tomos in 2003. This etching is estimated to date from ...

Paul Cesar Helleu 1859-1927 French This is a fine hand colored drypoint etching by French artist Paul Cesar Helleu. This portrait is of the artist's daughter Ellen. Created and printed in 1897 this etching measures 13X12 inches. Hand signed in pencil lower left border. Printed in a sepia toned ink and some touches of hand coloring.

" The Prisoner " by Johan Vincenz Cissarz 1922 German Expressionism . Fine early German print from the Kamberg collection sold 1979. Plate 10" 8"

A Fine and Rare 1893 Etching and Aquatint by the Well Regarded Belgian Artist, Felicien Rops (1833-1898). Image size is about 3 1/2" by 4 1/4", sheet size about 7" by 10 1/2". Monogramed lightly F.R. in red pencil under image.

This is a small etching (6 1/2" by 4 1/2", 12 1/4" by 10 1/4" in metal frame with black mat) by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left "Flower Stand" and pencil signed at lower right by the artist. Roudebush was born in Portland, Oregon and moved to Sacramento as a youth. Art education in the Bay Area followed, in the late 1920's, and by 1932 she was producing etchings, generally of familiar Bay Area scenes. She worked until at least the 1970's. Thes...

Ryohei Tanaka
Soaring Birds (Titled in Japanese at lower left)
Medium: Japanese Etching
Date: 1982.
Edition: 78/100.
Signed "T. Ryohei" and dated in pencil.
Paper size: 23.75 x 14.375 inches.
Condition: Outer margin has slight toning.

William Lee Hankey, British, 1869-1952, "Evening," etching, image size 9 x 9 7/8 inches on 10 7/8 x 11 7/8 wove-type paper C 1919. Pencil signed. Artist blindstamp, plate initialed in the lower right.