Scene from a Noh play, published 1922-1926

Signed Kogyo on lower left, fan-shaped publisher’s seal, fine impression and color, visible woodgrain, lacquer printing on lower stage platform, light mica dust on edge of mountains, very slight wrinkles to lower corners, overall good condition

Oban tate-e: 10 x 14 ¾ in.

A “modern” print collage design depicting fragments of ancient temple roof tiles; a stylized Shinto shrine compound all overlaying a background scene of samurai warriors, issued ca. 1930s

Excellent impression and color including bronze powder printing—clouds and warrior highlights, very slight creasing to upper corners, not backed.

Overall size: 11 3/8 x 14 in.

Print by Helen Hyde titled "Daikon and the Baby", dated 1903, woodblock print on very thin, fine paper, size of printed area: 6" high x 3" wide.

¡°This print was prepared in the mid-thirties, a few rare proofs exist¡­¡­This imposing portrait is the equivalent in technical complexity of Les Perles and L¡¯Etoile de Gobi¡­¡­The Mandarin¡¯s sleeve is printed in three shades of gray with urushi stripes, and silver metallics. Note the mica of the lenses, made by using crushed pink pearls¡­¡­¡± Richard Miles, The Prints of Paul Jacoulet. P.113, Robert G. Sawers Publishing, 1982...

Japanese limited edition woodblock print by Morihiro Sato (b. 1943) depicting white bellflowers. A student of Joichi Hoshi who was influenced by Hoshi's use of metallic pigments, the artist set the flowers and partial moon (or sun) against a metallic background. Depending upon the lighting conditions (see image taken with flash) the background appears either golden or silver. The print is pencil-titled in kanji "Autumn (Bellflowers)" and numbered 3/55 at the lower left...

Print by Birger Sandzen (Swedish American Artist 1871-1954), titled "The Sentinels", a well known image by this revered artist, done with what is described as Nailhead print making, similar to his woodblock and linoleum prints, though having much more precise definition and detail. Measures: Sheet size (actual size of sheet minus edge losses) 10 7/8" x 8 5/8", image is 4 3/4" x 7". Signed on lower right in pencil, his initials BS in the lower right of the print, titled "The Sentinels" on low...

Poem 71-71 is a Maki depiction of 子 Child and is one of those large red kanji on a black background that Daniel Tretiak valled a Big Red. This one measures 12in W by 17.5in H and is no.13 of an edition of 153. It is in excellent condition.

Clifton Karhu (1927-2007)
Tominaga-cho, Gion
Date: 1993.
Edition: 55/75.
Size: 24.25 x 17.75 inches.
Signed, titled, numbered, and dated in pencil by the artist in lower margin.
Medium: Japanese woodblock print.
Condition: Slight toning in margin due to former matte. Left and right outside margins each have a dot of foxing. Print has never been adhered to a backing.

A Very Fine Haku Maki (1924-2000) Japanese Woodblock Print with Persimmon This print is a striking reddish orange persimmon with leaves tipped with a special Japanese lacquerand the thin and thick contrasted dark back ground. Title: 81-10, Persimmon, Signed Haku Maki, sealed Haku Maki in red seal Edition: 86/190 on the bottom margin. It’s in very good condition with full margins and a frame without any lay down with glue.( it just has been made a frame with a cardboard back with a ...

Large limited-edition Japanese woodblock print by Joshua Rome (b. 1953) titled “Amawaku no Harusame” dated 4/15/1981. The bottom margin is titled, dated, numbered 70/100 and signed in pencil. The artist's red seal is beside the signature. At the bottom margin edge in pencil is "Spring Rain," the artist's name in English, and the original purchase price of $225. Paper: 18 3/8" x 25" (image: 15 3/4” x 21 5/8"). Very good overall condition...

This is a block print on an unusual paper, the subject a mounted Native American banging his drum while on a white horse, signed in the block by the important "dean of Arizona artists", LON MEGARGEE (1883-1960). The striking image might be after a painting by the artist, who, the story goes, was passed one day in the desert by a warrior in a dreamy trance-like reverie state, working his drum in this manner, barely noticing the white man watching him pass...

Japanese Woodblock by Tomio Kinoshita, "Red" 1971, 21/150. Large abstract square head over a square body with hands done in a curved space...

Paul Binnie
Snow at Asakusa (Shitamachi Snow, Moon, and Flower) Date: 1998
Size: Oban. Approximately 16.5 x 11.5 inches.
Edition no.: 36/100
Medium: Japanese woodblock print.
Condition: Excellent. Circle in lower foreground is fiber within the paper.

Masao Ido
Zuihou-In III (Rock garden)
Date: 1990.
Size: Approximately 18 x 13 inches.
Edition: 27/180
Signed in pencil and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Faint matte line in margin.
Zuihoin is part of Daitoku-ji Temple in Kyoto.

Ca. 1950s

Original Japanese black lacquer and brocade frame. Postcard size print with borders likely trimmed. Print in good condition, but not examined outside frame.

Print: 3 ¾ in. x 5 ½ in., Frame: 9 in. x 7 ¼ in.

Ca. 1950s

Original Japanese black lacquer and brocade frame. Postcard size print with borders likely trimmed. Print in good condition, but not examined outside frame.

Print: 3 ¾ in. x 5 ½ in., Frame: 9 in. x 7 ¼ in.

Ca. 1950s

Original Japanese black lacquer and brocade frame. Postcard size print with borders likely trimmed. Print in good condition, but not examined outside frame.

Print: 3 ¾ in. x 5 ½ in., Frame: 9 in. x 7 ¼ in.

A print by the Japanese print maker Haku Maki, 1924-2000. He began in a career as a kamikaze pilot during world war 2. The surrender by Japan saved his life. He became a teacher and learned print making. His prints are unusual as they start with a woodblock which is carved then pressed with cement. When the cement is dried, it is carved further. A wet paper is placed on the woodblock and left to dry. The resulting image has a wonderful texture and unique embossed finish...