A colorful original work, NOT A PRINT, the subject four palms at the beach, signed at lower left margin in pencil by noted California contemporary artist SALLY HUSS (1940-). The work, art itself 15" by 24" and 23" by 32 1/2" as framed, is typical of the artist's output----always colorful in the extreme, and whimsical, the subjects landscape, florals, or fantasy. Her designs are often available as prints or on merchandise, but original works are more scarce. Condition is excellent.

Oil on canvas painting, 14" by 18", (22" by 26" in circa 1950's quality frame), the subject several traditional Jewish musicians at their craft, signed at lower left by the well listed Jewish artist MAX BAND (1900-1974). Band was born in Lithuania and spent much of his earlier life in Paris, after study at the Berlin Academy. His works often feature Judaic themes, though subject matter can range from florals to European urban vistas to genre and portraits...

An oil on canvasboard of a Victorian era house in all its splendor, the work titled on reverse "The Lennox House" (along with its' $50 original price), and signed at lower right, by well listed California artist WILFRID TAYLOR MILLS (1912-1988). The work, on canvasboard, measures 20" by 16" (29 1/2" by 25 1/2" as framed). Mills was born in California...

Oil on canvas painting completely in the distinctive sepia tones manner often employed by the artist, 14" by 18" (19 1/2" by 23 1/2" as framed), the subject the famous aspen and mountains of northern New Mexico, signed at lower left and notated there "Taos" by well listed artist THOMAS L. LEWIS (1907-1978). Lewis was born near Houston and was already a professional artist by age 19...

A finely painted still life masterpiece, 23" by 28" (31 1/2" by 36 1/2" as framed), circa 1950's, signed at lower left by Hungarian artist ROMEK ARPAD (1883-1960). The work features copper pots and a number of glass vessels, some broken, painted in the artist's signature naturalistic, realistic style. Arpad was born in Budapest and studied at the Academy of Fine Arts there under Ede Bello and Laszlo Hegedus...

Oil on canvasboard, 16" by 20" and 3" of frame and liner, circa 1950's or 1960's I believe, signed at lower left by artist "G. Diehl". At one time I thought there was some possibility that this was a work by Finnish artist Gosta Diehl. The daughter of that artist, Franciska Sundholm, wrote me to say that this is definitely not a work by her father. So this is offered as simply a competently executed modernistic still life painting...

Oil on canvas, 22" by 18" and 2 1/2" wide frame, unsigned, showing the famous Mountain of the Holy Cross in central Colorado, 100 miles west of Denver and 15 miles from Vail. This is a late 19th century painting, evidently one of many copies, by many artists, of the iconic 7' by 5' work by famous American artist Thomas Moran, which was completed in the year 1875. The painting is in compromised condition, with soiling, paint loss, punctures, and scrapes, but, I believe it worth restoring...

Painting on board, 17 1/2" by 19 7/8" (24" by 28" as framed), signed at lower right "BIZLEY" (artist RICHARD BIZLEY, 1959-, of Dorset, England). Auctions of items relating to natural history are seeing intense interest from museums and individuals, and record prices are set regularly. This highly detailed and imaginative work brings the viewer to the Jurassic period (206 to 144 million years ago) with its depth and imagery...

Oil on canvas landscape with a home and small out building, possibly but not at all necessarily a California scene, measuring 10" by 14" (12 1/4" by 16 1/4" as framed), signed at lower right (I think in ink) "....... E. Miller" and dated there '32. The actual first part of the signature is difficult to read, but on the stretcher in pencil is written "E. E. Miller"...

Oil on canvas painting, 16" by 12", the subject a young Jewish boy holding the Torah, signed at lower right by the well listed Jewish artist MAX BAND (1900-1974). Band was born in Lithuania and spent much of his earlier life in Paris, after study at the Berlin Academy. His works often feature Judaic themes, though subject matter can range from florals to European urban vistas to genre and portraits...

By the hand of early Plein Air master artist GEORGE KENNEDY BRANDRIFF (1890-1936), a small but pretty and highly impressionistic painting, "San-Bernardino--Mt. Baldy", circa late 1920's. The oil on canvas laid on board measures 10 1/4" by 12" (15" by 16 1/2" in contemporary gold frame). The artist's estate stamp signature appears at lower left; on the reverse is written in old hand "Brandriff/San Bernardino"; and the rectangular David & Sons estate stamp for Brandriff is at left...

A surrealistic oil on canvasboard scene of dream-like bizarre figures, several of which have fish-like characteristics, 11" by 14" (15 1/4" by 18 1/4" in attractive older frame), signed at lower right corner "Victor Brauner" and dated below "25.3.1949"...

An elegant, impressive, impressionist painting on canvas of a park scene with figures, signed at lower right by listed Polish artist TADEUSZ ROMAN (1906-1993). The 28" by 31 1/4" work (33 1/2" by 37" nicely framed) features an elegant, monochromatic, subdued palette for the most part, but the artist has chosen to feature intense bright color in the various figures, thereby creating a simply beautiful and artistic work that borrows from the "Ecole de Paris". The whimsical modern style and color...

Oil on canvas painting, 30" by 20", unframed, of two deer in a silent forest of towering redwoods, shafts of light penetrating to the forest floor, signed twice at lower left by the noted Northern California artist CHARLES DORMON ROBINSON (1847-1933). This is a classic old painting of the northern part of the Golden State, by one of its most appreciated historical painters. Robinson was born in Maine but was in San Francisco during the Gold Rush days. As a youth, he returned to the east for educ...

Acrylic on canvas, 23" by 35" plus 5/8" wide black simple frame, signed on reverse with what could be "Tamworth" or "Ramworth" plus copyright symbol (unsigned on front). This is an op-art type piece with a definite three dimensionality to it.......the dots "float" over the rest of the pattern, casting "shadows".......it's quite the contemporary work and would look great in any modern setting. If anyone can identify the artist, please let me know. I would imagine from the professional handlin...

Oil on canvas, 24" by 36" (33" by 45" as framed), signed at lower left "Cantrell". This is a good sized oil of a peaceful scene with tree and a house against the setting sun. I date the work to the 1970's or 1980's. Condition good with some light craquelure and very slight dimpling, but no holes. The frame upper left corner is separating just a little bit.

A circa turn of the century oil on canvas painting of a creek and surrounding woods in the autumn of the year, 11 1/2" by 22 1/2", on canvas, and 17 1/2" by 29" in likely original frame, apparently unsigned. The work has survived over a century in excellent condition. No punctures or problems. There are a few chips missing from the frame. A pleasing, easy to live with scene that brings a sense of calm and reflection.

An unframed oil on canvas painting of a dreamy waterfall, the deep and mysterious gorge featuring palm trees and at left a small flower-bedecked modest home, the 24" by 18" work signed at lower right "Carolyn". Condition is excellent, the work needing only a frame. The rendering of the palms reminds a bit of the way Filipino artist Romeo Tabuena painted such scenes.

An impressionist oil on canvasboard painting of coastal cliffs, rocks and waves, likely California, signed at lower left in red by listed American painter DAVID SPURLIN JR. (1923-2009). The 11" by 14" work (18 1/2" by 21 1/2" in distressed style wood frame) features strong wave and action, and the five shorebirds at lower right, and their reflections in the wet sand are all beautifully handled. The painting could used a cleaning to remove smoke and yellowed varnish, and there is a hairline 2 1...

Oil on canvas laid on masonite, 14" by 11" and 3 1/2" wide frame, signed at lower right "C. DE VRIES". This is a pleasing work showing a young woman of central or alpine regions of Europe, holding in her hand a typical felt hat of the area, a window at rear letting in natural light that beautifully illuminates the subject. I have researched this name and find one listing that appears to correspond to the signature, one Belgian artist CAMILLE DE VRIES (1854-after 1924). Nevertheless, the work...

Large unframed oil on canvas painting of three central figures chatting, other figures in the distance, 24" by 36", painted in a highly impressionist manner, and signed at lower left with the familiar "Buenaventura" signature. The artist is either ALFREDO BUENAVENTURA (1942-1982) or his uncle CESAR BUENAVENTURA (1922-1983). I cannot be certain because their works often look very similar, as do their signatures, and in this case the beginning of the signature is difficult to discern. Cesar was...

Very subtle and elegant oil on canvas, 24 1/2" by 30" (27 1/2" by 33 1/2" as framed) signed at lower right by listed Midwest artist MARY C. PETERSON and dated "31", showing an Asian inspired still life scene in monochromatic minimalist tones of beige, gray and tan. The artist added just a spot of color at lower left where two iris are in full flower. This is a particularly easy to live with painting---I enjoyed it on my wall for quite some time. It bears an old label on the reverse: "THE ART...

Oil on canvas large painting of an interior, 40" by 30", approximately 46" by 34" in white frame, signed at lower right by the artist ERWIN WENDING (1914-1993), and dated there "58". The image and colors used are rather expressionist, in the manner typical of the few Wending works that have appeared on the market. According to an online biography, Wending was born in Freiberg, Germany in 1914, the year in which World War One began. After completing art studies at the Dresden Art Academy in 19...

Oil on canvas, 17" by 9" and thin original wood frame, signed lower left "M Stuart", depicting a young woman in greenish gray paint. This is more a work of figural art, really, than mere portrait. The sitter is unknown, as is the artist; there is a listing for a Mimi Stuart (1959-) but I am not convinced this is by that artist. Signature looks as if it could be by a British hand, judging from the style of writing. It is a professional signature, though, and this is not a work by an amateur....

Oil on canvas, 14" by 21" (20" by 27" as framed), the subject a landscape near the sunset of a winter day in the Netherlands. Classic elements of the scene include bare trees, billowing gray clouds, a distant windmill, modest waterside homes, small boats, and a figure with her back turned towards the viewer. The painting is signed at lower right with a signature that resembles that of noted Dutch painter EVERT PIETERS (1856-1932), but I am not representing this as a work by that important pain...

‏Oil on canvas painting of snowy high mountain framed by a lake and trees, unusually large size for the artist's works at 20" by 36" (24 1/2" by 40 1/2" framed). Although unsigned (and Detreville's output frequently WAS unsigned), the handling, subject matter and color palette almost certainly suggest the hand of the noted California painter. I have owned and sold other unsigned paintings as being by Detreville, and I will stand by this one being by him as well. Detreville was born in South C...

Oil on canvas painting of fruits in a shallow dish, 6" by 12" (10" by 16" nicely framed), signed at lower right by the well-known American artist ALEXANDER BROOK (1898-1980). The subdued colors and careful arrangement suggest familiarity with the great Italian still life master Giorgio Morandi. There is a coldness, a stillness, that is quite monumental. Brook was born in Brooklyn, and studied at the Art Students League from 1914-1918. He married painter Peggy Bacon, and was divorced from her...

This is a work squarely in the Hudson River style by a talented landscape artist of the second half of the century, DANIEL CHARLES GROSE (1838-1900). The scene is a significant river winding among steep green bluffs, a feathery tree at left, the only sign of the hand of man a split rail fence. Signed at lower left and dated there 1874, the work measures 8" by 12" (12 3/4" by 17" in its original attractive old gilded frame). The work is smoky and could benefit greatly from professional cleanin...

“Venice” oil on canvas 20 x 24 Claudio Simonetti was born in Rome, January 29, 1929, into a family of artists. From his father he inherited his love for art and interest in colors. He began his studies at the Rome School of Art, and after these studies, he traveled extensively throughout Italy and France, where he painted from nature and learned from his associations with other artists. He still paints and exhibits regularly in Rome, Venice, Naples, Milan and Paris. His landscapes of...

***One of two very similar works by the artist in my shop, that should truly be kept together as a pair (see item JB0437)***Oil on canvas 19th century landscape with gnarled old tree, fence and birds, 15 3/4" by 12 3/4" (19 1/2" by 16 1/2" as framed), signed at lower left by well listed artist PIERRE LOUIS JOSEPH DE CONINCK (1828-1910). This French artist's works appear with some regularity at European auctions, the more important examples in the past having brought to over $30,000. This is a ...

Oil on canvas painting of a young woman knitting on a grassy slope in a glade, 25" by 18", 32" by 25" framed, signed at lower right in red by a talented, though little-known, apparently Argentine painter who worked in the early years of the twentieth century, A. MORENO DE TORRES. This is a fine work by a very skilled hand. Were it by a better-known artist, the price would be multiples higher. I have searched extensively and can only find a brief early 20th century mention of the painter, in a...

**One of two very similar works by the artist in my shop, preferably to be kept together- Oil on canvas, 16 1/4" by 12 3/4", in an old master style but of mid to late 19th century date, teaturing a house, tree and dogs and travelers, signed at lower left by noted, auctioned artist PIERRE LOUIS JOSEPH DE CONINCK (1828-1910). This is an almost monochromatic, very understated, subtle painting; perhaps a study for a larger, highly finished work. The artist's works have sold into five figures at So...

This is an American painting from the first half of the 20th century, the subject gulls in flight. The unsigned oil on canvas measures 24" by 36", plus 2 1/2" of interesting Deco style weathered black painted wood frame on a side. I purchased this in Miami some years back, thinking the work bore considerable resemblance to the Florida-period works of JANE PETERSON (1876-1965), a major American artist who painted in South Florida for some time. Her works of that time are distinctive for this k...

Oil on canvas Italian scene of the famous Bay of Naples with smoking Vesuvius volcano, unsigned, circa 1880 to 1900, measuring 18" by 28" (23 1/2" by 33 1/2" as framed). This is a charming scene, painted many times since the 17th century, of fishing boats in the bay, the backdrop being an ornate tower at left, distant houses on hillsides, and at right the curling smoke plume of simmering Mount Vesuvius. The painting is somewhat primitive, not painted by a listed artist, most likely, but he o...

Oil on canvas laid on old board of a country landscape with an apple tree at left and a split rail fence surrounding a clearing, 14" by 21 3/4" (18" by 26 1/4" as framed), apparently unsigned, but dated 1885 in the lower right corner. I feel the painting could be by a listed artist but the painting is not talking. The predominating greens and browns and the old gold frame make for a Hudson River style painting. The painting is soiled commensurate with its advanced age; a cleaning would be ver...

Oil on canvas painting of an extensive mountain landscape, 16" by 20", unsigned, unframed. This is a decorative work that needs a cleaning and a frame. Note how the extreme upper right edge, which had evidently been hidden under a frame, shows the true colors of the work. A regular size, framing this should not be expensive, and it's possible that a careful cleaning to remove the soiling might not have to be done by a professional.

Oil on canvas, somewhat spontaneous and sketchy image of a formally dressed couple at a social event, circa "fin de siecle", 14" by 10 3/4" (20" by 17" as framed), signed at lower right with the distinctive signature of French early to mid century artist YVES DIEY (1892-1984). Diey is well known in France particularly, where his pastels and oil paintings of nude, or semi-clothed attractive women, sometimes in exotic settings, make frequent appearances at public auction. Diey was part of the mo...

Oil on canvas laid on board, 7" by 11" and 1 1/2" wide beautiful original pie crust frame in good condition, unsigned, but without a doubt the distinctive work of noted and prolific Northern California painter RICHARD DETREVILLE (one of several works by the artist in my shop). Detreville was born in South Carolina in 1864, and by the early years of the new century, he was in Stockton publishing a magazine. Shortly thereafter he was in San Francisco, represented by a gallery. The artist painte...

Oil on canvas, unframed, 30" by 40", the subject large boulders and rocks surrounding a small pool of water, executed in a photo-realist style in muted colors, signed at lower left with the artist's name, copyright symbol, and date 1985, and titled "Slow Water" and signed again on the reverse. This is a relatively early work by the noted Twentynine Palms, California contemporary artist and muralist CHUCK CAPLINGER. Caplinger's website details his rise in art circles from NASA illustrator, comm...

Oil on canvas painting, the subject a ranchette of the Southwest, likely Arizona or New Mexico, 16" by 20" (24" by 28" framed), signed at lower right corner in the paint by the noted, well-listed American impressionist plein air painter (and National Academician) PAUL STRISIK (1918-1998). The artist was born in Brooklyn and received art training at the Art Students League with Frank Vincent DuMond in the late 1940's. By 1955 he had settled in Rockport, Massachusetts, becoming a fixture in the ...

Oil on canvas luminous landscape of a peaceful Highlands lake ("loch") in late afternoon, 20" by 30" (27" by 37" as framed), signed at lower right by prolific Scottish and English artist FRANK E. JAMIESON (1834-1899). Jamieson painted a lot of paintings, and they are widely dispersed, and though not all are masterpieces, they are very satisfying and easy to live with, and a lot less expensive than those of masters like Alfred DeBreanski. Although there is not much known about either, I recall ...

Oil on wood panel still life painting of wilting yellow roses in a bluish-green vase on a brown vaguely defined table top, signed at lower right by artist M. Verberckmoes and dated there 1902. There does not appear to be a listing for this particular artist but the name is Belgian in origin. The work, 12" by 16 1/2" (19" by 24" in frame) could use a light cleaning, as there is surface dirt throughout, and there are some surface abrasions that show as white areas in the photos. In addition the...

Measuring 16 1/4" by 21 1/4" (23 1/2" by 28 1/2" in its attractive and clean modern gold frame with liner), this is a beautiful impressionistic painting in oil by the noted orientalist French painter LOUIS MICHEL BERNARD (1885-1962). The subject could be a sunwashed port in the mountainous south of France, or, possibly, in Algeria or elsewhere in coastal North Africa, where Bernard spent much time. The artist was a student of Cauvy at the Ecole des Beaux Arts in Algiers. He exhibited at the Sa...

This is a rather large oil on canvas work, 30" by 39" (43" by 34" as framed), signed at lower right "DeShazo", the subject a landscape with houses, church, and lonely leaning telephone pole. The work is not titled and the artist is not apparently listed. I originally thought this might be an early or atypical work by the noted painter William DeShazo, but the wife of the artist has stated that this is absolutely not by his hand, so, I am offering it as a decorative work, The painting probabl...

Oil on canvas, 16" by 20", unframed, the subject a cut watermelon, peaches, grapes, a pear and strawberries, signed at lower right "Mabel Lemos" and dated there 1948. This appears to me to be a work by the noted long-time citizen of Santa Cruz, MABEL LEMOS, the wife of painter William Lemos and mother of artist Sydney Lemos. I say apparently because the painting is signed with what looks like Mabel "Lemus" and it is clearly dated 1948, yet the Hughes biography and online information shows her ...

Oil on canvas, 13" by 16" (17" by 20" as framed), the subject a glass compote filled with purple plums, the base surrounded by clusters of white and red currants, signed at lower left with a signature that appears to be "Bielard", "Bichard", or "Beclard" or possibly "Bulard". I don't see a listing for any such name but the artist was talented. I'd guess the age as circa 1920 to 1930's or so, judging from the technique, materials etc. The painting is in good condition, with just a pinpoint los...

Oil on canvasboard, 18" by 24", the subject dramatic, fluted, snowy mountain ridges pictured perhaps in late fall, as autumnal colors dominate the creekside grasses in the foreground, the painting signed at lower left "A. Nebeker" and dated there 1966. The location might be but I feel it could be most likely somewhere like Utah or Colorado in the intermountain West, or possibly the eastern slope of the Sierra in California. The only possible hint is an Oakland, California art supply stamp on t...

Oil on canvas, 20" by 14 3/4" (29" by 24" as framed) signed at lower left with the signature of well listed Danish artist NILS H. CHRISTIANSEN (1850-1922), the subject a setting sun behind trees in a thinning forest. The artist seems to have been very interested in depicting the effects of light on landscapes, as many paintings seem to include his trademark round sun or moon somewhere in the sky. The painting has a certain Hudson River school look, what with the trees and luminosity, but this ...

PAIR of framed Paris scenes on board, one showing Notre Dame and the Seine, the other a street scene with a 1930's car and figures, each signed "Montal" at lower right. I would guess these are tourist pieces in the Montmartre painters tradition, probably dating to the 1950's or so. At 13 1/2" by 7 1/2" framed they are identical in size, and they are framed identically as well, though there is wear to each frame, showing as gold areas against a darker background. These are quite decorative and...

By the Danish-American sculptor and painter who between the late 1920's and his death created the famous portraits of the presidents on a South Dakota mountain, is this impressionist seascape painting on board, in a delightful range of blues and whites, 20 1/2" by 28 3/4" (28 1/4" by 37 1/4" in the old frame in which I acquired this), signed at lower right by GUTZON BORGLUM (JOHN GUTZON BORGLUM, 1867-1941). This is a work possibly painted from a California memory of the artist, at a later date...

Oil on masonite painting of many Haitian traditional dancers in a street scene, not dated but likely 1960s or 1970s, unframed, measuring 24" by 32", signed at lower right "G. E. DUCASSE" and inscribed at lower center "Les Droguistes y les Drogues/BANDE MASCARON ZIZIPAN". This is a colorful work by a significant artist from Haiti. According to online biographies, he was born in Port-au-Prince and despite natural talent for art, worked for the government for many years, in agriculture. By 1948 ...

Oil on an old board, the subject a snowy high mountain peak at left framed by a forested ridge in the middle ground. 9 1/2" by 13 1/2", the frame 2 3/4" wide on a side, signed at extreme right by the noted Hungarian impressionist painter LASZLO NEOGRADY (1896-1962). Neogrady's later works, such as forested mountains under heavy snow, being much more impressionistic in style, are more familiar to the art buying public. This work likely dates to the 1920's to 1940's period, judging from the b...

This is a skillfully executed painting on canvas, 9 1/2" by 13" (14 1/2" by 18" in its distressed style white/gold frame), the subject several large ripening pears and apples, a pair of plums in the foreground. At lower left is written "A Mr. Caubert/Souvenir Amical/H. Camus". I believe that's what the names appear to be; more research might reveal the full identity of the artist. To date I cannot match this to a listed name. This vintage painting, at least 100 years old, is ready for the wal...

Oil on linen laid on board, 16 1/4" by 23 1/4", the simple modern frame about 1 1/4" wide, signed at lower right by listed California woman artist M.E. HODGDON, not dated but likely before 1920. The painting recently came out of Maine, where it had possibly resided for decades, perhaps brought east by an early day traveler wanting a souvenir. The artist, MARY E. HODGDON, is said by Hughes in his dictionary of California artists to have been a resident of Los Angeles between 1912 and 1922. Not...

Oil on canvas painting of many pink asters of various shades in a ceramic vase on a tabletop against a greenish curtained background, 18" by 22", 22 1/2" by 26 1/2" as framed, signed at lower right with the distinctive conjoined signature of HARRY HAMBRO HOWE (1886-1966). Howe was a prolific New England artist known for his coastal and White Mountain (New Hampshire) scenes, though he was known to have created still life works as well. He was the son of sea captain T. Bailey Howe, who was appar...

Oil on canvas, 15" by 19" (22" by 25 1/2" as framed), the subject the famous Taos Pueblo of northern New Mexico, an iconic scene of the Great Southwest, the painting signed at lower right "Stowell". Included in this picture is a stormy dark sky, the pueblo itself bathed in a ray of sun, and no less than eight figures and one saddled horse. I have researched the signature and cannot definitively tie this to any particular artist, listed or otherwise. There IS a Sherman Stowell, who painted in ...

This is a work with a real WPA 1930's feeling to it, but it is dated 1965. The artist was IDA HANSGEN, or possibly, HANSGREN. (There's a little writing on the frame on reverse that suggests there might have been an "r" in her name). Very surprisingly, I cannot find a listing or any information on her. The painting's subject is a courthouse with "1877" over the door, the building artistically placed in a contrived and constricted space, a classic butte type mountain filling the upper left cor...

Oil on masonite painting of a reclining nude woman, 24" by 36" (30" by 42" as framed), signed at upper right "W. R. Shulgold" and dated there "75". This is a beautiful work by a well listed painter who was born in Russia and spent much time in the Pittsburgh area, as well as New York, before settling in Southern California later in life. Shulgold's biography tells of stints as a watchmaker and worker in a bottling plant, before yielding to the desire to create art. He was trained at Carnegie ...

Large oil on canvas, 30" by 40", unframed, signed at lower left by the artist and dated there "30", the subject a snowy, rugged mountain range with autumnal colors and evergreens, a small lake in the middle ground. The artist, RICHARD DEY DE RIBCOWSKY (1880-1936) was a prolific painter, and a well traveled one, at that. For his time he was truly an adventurous traveler. Born in Bulgaria, he was in Paris by age 13, and Florence and St. Petersburg after that. By 1904 De Ribcowsky found himself...

Oil on canvas laid on board, 19 1/2" by 14 1/2" (22 1/2" by 17 1/2" in simple wood frame), the subject a courtyard of the Vieux Carre (French Quarter) of old New Orleans. The painting is a fine impressionist rendition and is larger than many of Kinsey's typical courtyard and street scene studies. The artist, ALBERTA KINSEY (1875-1952) is considered one of the founders of the New Orleans art colony. Born in Ohio, she undertook formal study at the Art Institute of Chicago, then became an art in...