The Artist: Michael Young
The title: Sunset Splash
The size of Sheet:44"W x35"H
The size of Image:39"W x30"H
Medium: Serigraph on paper
The year of creation: 1990's Edition No. 266/300 in lower left.
Signed: Lower right, signed, Michael Young in pencil
The conditon of Serigraph Excellent, never been framed.
This is great Serigraph done by renown artist, Michael
Young. His architectural nostalgic perspective is superb,
as well as figure painting...

This is a dramatic rendering of the Chinese character for stone 石 by the Japanese artist Haku Maki. It's a large print, a Big Green, in the words of Daniel Ttretiak, who called Maki's large red depictions of characters (kanji) Big Reds. Please contact ldtnbj@gmail.com

Proportion 10 is an exciting Maki offering—white kanji on bright yellow. This use of yellow was fairly rare in Maki’s work. It is a square print—13.625 sq inches—in excellent condition. A ray of sunshine in any collection, on any wall.

A hand colored lithograph showing in the distance the fortress of Kalat-i-Ghilzaiin Afghanistan. In the foreground to the left are a group of women seated on the ground and to the right a group with two camels, one with a rider, a goat and a man with a rifle. The lithograph is after a drawing by Lt. James Rattray who helped relieve the besieged garrison of Kalat-i-Ghilzaiin in 1842...

Large limited-edition Japanese woodblock print by Joshua Rome (b. 1953) titled “Amawaku no Harusame” dated 4/15/1981. The bottom margin is titled, dated, numbered 70/100 and signed in pencil. The artist's red seal is beside the signature. At the bottom margin edge in pencil is "Spring Rain," the artist's name in English, and the original purchase price of $225. Paper: 18 3/8" x 25" (image: 15 3/4” x 21 5/8"). Very good overall condition...

Original etching on BFK Rives paper, "Issachar", from the Twelve Tribes of Israel series, 1973, signed by the artist SALVADOR DALI (1904-1989) at lower right margin and numbered 21/195 at lower left. The work is generally clean and comes with quality gold leaf framing, but no glass. There is slight oxidation within the mat opening. Print is taped at top edge only. Measurements are 22 1/2" by 15 1/2" inside the mat; sheet measures 25 1/2" by 19 3/4"; and finally, 32" by 25" framed.

A hand colored aquatint titled at the bottom, “A VIEW OUSCOTTAH, FROM AN EADGAH.” Underneath the title is, “Sold & Published June 4. 1804, Edw.d Orme, His Majesty’s Printseller, 59. New Bond Street, London.” In the lower left, “lieu.t James Hunter Delin.” and in the lower right, “Harraden Aquatinta.” This plate, numbered 26 in the upper right corner, is from “Picturesque Scenery in the Kingdom of Mysore,” by James Hunter...

This is a rather early landscape etching in brown ink, signed at lower right in pencil by the renowned southwestern artist MICHAEL B. COLEMAN (1946-). The work is numbered 20/20 at lower left margin. Judging from the auction record, which shows that oils have exceeded $50,000, the number of etchings by Coleman's hand is apparently rather limited. This one probably dates to early in his career, perhaps the late 1970's or early 1980's. Coleman was born in Utah and still lives there...

Offset poster (not a lithograph) of the July to September 1968 exhibition of works by the famous French Cubist master artist Georges Braque at the prestigious Galerie Beyeler in Basel, Switzerland. Measures 28 3/4" by 20 1/2". Photos were taken in glass poster framing as found (allow for reflections)...

This is a block print on an unusual paper, the subject a mounted Native American banging his drum while on a white horse, signed in the block by the important "dean of Arizona artists", LON MEGARGEE (1883-1960). The striking image might be after a painting by the artist, who, the story goes, was passed one day in the desert by a warrior in a dreamy trance-like reverie state, working his drum in this manner, barely noticing the white man watching him pass...

Japanese Woodblock by Tomio Kinoshita, "Red" 1971, 21/150. Large abstract square head over a square body with hands done in a curved space...

Woodblock print "Face" 1978 signed Tomio Kinoshita, printing 1/50, three oval heads over cylindrical necks with faint rounded shoulders, each inscribed with interior lines over a quite orange/gray, exterior surrounded by a dark somber color.
Tomio Kinoshita has a distinct contemporary stye of abstract heads done in line images of angular, square, and oval shapes. He was born 1923in the Mie Prefecture, Japan...

This is a wall-ready unusually fresh and clean lithograph, hand colored, titled "Millard Fillmore/Whig Candidate for Vice President", by New York competitors to Nathaniel Currier, J. Baillie and Company. The coloring is green in the curtains and just a hint of blush on the cheeks. Size is 13" by 9" inside the double mat. There is clean double matting (rich forest green matching the curtains and inner mat is tan), and the black frame with a bit of gold inner edge...

This is a lithograph, apparently signed in the plate only, by the noted American artist RAPHAEL SOYER (1899-1987). Soyer, one of several brothers who became significant figures in American art during the WPA and mid century period, became known for his sensitive studies of human figures in urban settings and interiors. Paintings sell at major auctions, and prints, some hand signed and some not, are regularly encountered. This one is in clean condition and is ready for the wall.

Paul Binnie
Snow at Asakusa (Shitamachi Snow, Moon, and Flower) Date: 1998
Size: Oban. Approximately 16.5 x 11.5 inches.
Edition no.: 36/100
Medium: Japanese woodblock print.
Condition: Excellent. Circle in lower foreground is fiber within the paper.

Haku Maki's print Maki Poem 69-66 78 of 154

The size of Book: 12 1/4" x 9 1/2" x 1 1/8", Weight of Book 3 Lbs. Louis Icart, "The Complete Etchings"...

The size of Book:14 3/4" W x 17 3/8" L x 7/8" Thick. The art page sheet size: 14 1/8" W x 17 1/8" L. This book has 32 reproduction of mixed media art works by Leonor Fini. Each page was printed on fine heavy high quality quality sheet. The book weighs almost 7 pounds. Each page has the signature of Leonor Fini on the plate, at lower right as close up photo showing. Original works has been done in mixed media. We have a copy of #1901/4690 which has numbered in the book. It came with protective sl...

Japanese lithograph print by Toko Shinoda (born 1913) entitled "Arrived Wind". Signed in pencil. Undated. Edition number 27 of 35. Frame: 33" high x 27" wide Inside archival mat: 23 1/2" high x 17 1/2" wide

Japanese lithograph print and sumi ink brush strokes by Toko Shinoda (born 1913) entitled "Snow". From her series of prints also entitled "Snow". Undated. Print number 4 of 45.

Frame: 28 1/2" high x 22 1/2" wide

Inside archival mat: 13 1/2" high x 9 1/2" wide

A large contemporary print by artist Tanaka Ryohei. Scene of a garden gate opening to the rising morning sun, a green grasshopper crawling along the latch. Signed in pencil, numbered 69/100 in it series, dated 2001.

Dimensions: 26" x 26 1/2" H (entire frame) 15" x 15 1/4" H (artwork only)

An interesting color printed engraving of George Washington published in London in 1798 by Robert Cribb, Holborn, engraved by William Nutter after a painting by Gilbert Stuart purported to belong to J.S. DeFranca of Devonshire Place. Devonshire Place is a part of London, but a quick search did not turn up a J.S. DeFranca and it is possible that this print is a copy of another print of Washington, based on the Lansdowne portrait by Gilbert Stuart. It is printed on laid paper and the fact that it ...

From the set of lithographs, Paris dans sa Splenour, published in 1861, this one is titled, “TOUR St. JAQUES – LA BOUCHERIE ET RUE DE RIVOLIE.” The printer and lithographer are shown in details of the lower left and right corners. The image without printing is 9 1/4 by 14 1/8 inches (23.5 x 36 cm), the page 12 ¾ by 18 ½ inches (32.5 x 47 cm).

Condition: some staining, roughness around the margins and some rubbing of the surface. Matted and backed with acid free matboard.

Great ...

Toko Shinoda (b. 1913)
Title: Autumnal
Size: Approximately 28.5 x 20.5 inches.
Date: 1990s-2000s.
Edition: 16/38.
Medium: Lithograph with brushstrokes.
Condition: A very slight difference in the tone of the white outside the image area. The print was once matted.

"Barn and House" framed etching and aquatint print by Tanaka Ryohei. The Japanese artist is best known for his intricate prints of rural Japan. This print is most striking in it's simplified, dramatic composition. The roofs are pictured from the side against the black sky. Signed in pencil and numbered 60 of 120. Dated 1993.

Framed: 24" high x 29" wide

Size of artwork: 18" high x 14" wide

Masao Ido
Zuihou-In III (Rock garden)
Date: 1990.
Size: Approximately 18 x 13 inches.
Edition: 27/180
Signed in pencil and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Faint matte line in margin.
Zuihoin is part of Daitoku-ji Temple in Kyoto.

Leon Dolice American (1892-1960) etching printed in green of Washington Square Park in the Village in New York city. Signed in pencil lower right, “Dolice” and located in pencil lower left, “Washington Square N.Y.” Good crisp print, overall size 13 1/8 by 9 5/8 inches. The image 11 by 8 inches. Including mat 15 7/8 bb 12 3/8. The website for this artist lists the print as done in 1932.

Condition: No tears, but it has light mat burn and more seriously has been laid down on grey c...

Ca. 1950s

Original Japanese black lacquer and brocade frame. Postcard size print with borders likely trimmed. Print in good condition, but not examined outside frame.

Print: 3 ¾ in. x 5 ½ in., Frame: 9 in. x 7 ¼ in.

Ca. 1950s

Original Japanese black lacquer and brocade frame. Postcard size print with borders likely trimmed. Print in good condition, but not examined outside frame.

Print: 3 ¾ in. x 5 ½ in., Frame: 9 in. x 7 ¼ in.

Ca. 1950s

Original Japanese black lacquer and brocade frame. Postcard size print with borders likely trimmed. Print in good condition, but not examined outside frame.

Print: 3 ¾ in. x 5 ½ in., Frame: 9 in. x 7 ¼ in.

A large etching titled, “Veduta della Gran Curia Innocenziana,” (View of the Palazzo di Monetcitorio) part of Giovanni Battista Piranesi’s folio of Views of Rome, first published in 1752. The etchings were often reproduced, but this one has both the correct heavy laid paper with appropriate watermark and the center crease where it was folded into the original folio. It has good margins beyond the plate mark. Sheet size 21 ¼ x 29 ¾ inches (54 x 75.4 cm). Image (to plate marks) 15 7/8 x ...

Original silk screen print of sunflowers by the Japanese artist, Yukio Katsuda. The use of very thick ink was part of Katsuda's technique lending the finished image a pointalist effect. Born in Japan in 1941, Katsuda has worked and exhibited extensively in both Japan and in the United States. This print is signed Y. Katsuda in pencil and dated '81. It is numbered 35 of 100 in this series. Katsuda also gave each of his print series a number. This series number is 139, also written in penci...

Charming original print by the famed artitst Mayumi Oda. Entitled "Meet the Lord of Obstacle II" and numbered 27 in the series. The image depicts a green goddess (perhaps Green Tara, the Goddess of Compassion) in tantric embrace with a white Ganesha, the Hindu Remover of Obstacles. The Sun and Moon inhabit the sky at the same time above them. 1998. Signed by Mayumi Oda in pencil. Framed. Total size in frame: 29 1/4" high x 23 1/4" wide. Size of art: 17 1/2" high x 10 3/4" wide.

One of 12 lithographs published by Ackermann London, in 1840/41 as part of a portfolio, “12 Views in the Interior of Guiana.” The original sketches were made by John Morrison who accompanied Sir Robert Hermann Schomburgk on the exploration into what would become British Guiana. The sketches were developed by Charles Bentley into the drawings that were the basis for the lithographs. Printed in black with hand coloring.

Esmeralda is the site of a Spanish mission that is now part of the Ven...

A print by the Japanese print maker Haku Maki, 1924-2000. He began in a career as a kamikaze pilot during world war 2. The surrender by Japan saved his life. He became a teacher and learned print making. His prints are unusual as they start with a woodblock which is carved then pressed with cement. When the cement is dried, it is carved further. A wet paper is placed on the woodblock and left to dry. The resulting image has a wonderful texture and unique embossed finish. He often printed...

A Very Rare Korean Young Lady Woodblock Print by Sul-Chon-Korean/Japanese: Korea, Korean calender dated 4287 (1954), Oban, tate-e, 37.5cm x 28cm. Title: series #4: a Portrai of Choson’s young lady. Artist: Sul-Chon. Signature: Sul-Chon in black seal and incense burner shapped real seal. Printed and publushed: 1954 Condition: an excellent condition with bright color, full margins and cleans without any stains, crease or any damages at all. Please Note: This pri...