Manuel Robbe
French
This is a fine original color aquatint etching by French artist Manuel Robbe. The title of this work is: La Coquette. It was created and printed circa 1905. It is hand signed with pen and ink in the lower right border. Printed on a medium weight laid type paper. The image measures 14 1/8X10 3/16 inches. This image appears in the Merrill Chase catalog as image number 22. A fine example of his "belle epoque" style of expression.In a fine gilt foster brothers frame.
Manuel Robbe
French
This is an original aquatint etching by French artist Manuel Robbe. The title is; Fleur d'Automne, created and printed in 1903 in an edition of 65, this one is numbered as 55/65 lower left border and hand signed in pencil lower right border. The image measures 19 1/2X14 7/8 inches. Printed on a medium weight laid type paper. This image appears in the Merrill Chase catalog as image number 46. Fine rich impression.
Thomas W. Nason
1889-1971
New England
This is an original chiaroscuro wood engraving, done in two blocks, black and grey. The title is Eggemoggin Reach, created and printed in 1940 in an edition of 250 signed proofs. The image measures 6X10 inches, hand signed lower right in pencil. This wood engraving was published by Associated American Artists in New York. Very fine condition.
Kyra Markham
American, 1891–1967
This is an original lithograph by American artist Kyra Markham. The title is: In the Wings, created and printed in 1936, a back stage view of the performers on stage. The image measures 13 1/2X10 inches, pencil signed,dated and titled in the lower border. A rare image by this well known New York artist.
Original etching by Jacques Callot LE MASSACRE DES INNOCENTS printed in 1618 in Florence, powerful violent biblical scene represented in a European city setting. Lieure catalog number 278, second state of two, excellent impression of this important print. In excellent condition, framed and glazed, not examined outside of frame. Plate size 13,5 x 107 mm (5 3/8 x 4 3/16 inches), frame size 11 x 9 inches.
Six original 32 etchings by Jacques Callot comprising the full series LES PENITENTS ET PENITENTES, Lieure catalog numbers 1315-1319, second state of two except for the frontispiece, which is the first state. Wonderful designs, excellent clean prints. Framed and glazed, not examined outside of frame. Average print size 65 x 43 mm (2 1/2 x 1 3/4 inches), frame size 12 x 14 inches.
Original 1618 etching by Jacques Callot LE GRAND ROCHER (The Great Rock) from his series “Paysages Graves pour Jean de Medicis”, Lieure catalog number 276, second state of two. Powerful design, excellent clean print. Framed and glazed, not examined outside of frame. Print size 109 x 243 mm (9 9/16 x 4 1/4 inches), frame size 10.5 x 18 inches.
Original 1627 etching by Jacques Callot L'ENTREE DE MONSIEUR LE PRINCE DE PFALTZBOURG from LE COMBAT A LA BARRIERE, Lieure catalog number 576, the only state. From a series of 10 etchings by Callot to commemorate a tournament sponsored by Charles IV of Lorraine in honor of the Duchess de Chevreuse. The print depicts chariots and processions for one of the participants - the Prince of Pfaltzbourg...
Six original etchings from LES MYSTERES DE LA PASSION by Jacques Callot printed in 1631. Scenes represented are (upper row left to right, lower row right to left): Adoration of the Sheperds, Visitation, Adoration of the Kings, Entombment, Descent of the Holy Spirit and Descent to the Limbo. Lieure catalog numbers 685-690 (images and descriptions in Lieure catalog are mismatched, I used numbers from descriptions), second state of two...
Original etching LA REVUE (The Review) by Jacques Callot printed in 1627, second state of two, Lieure catalog number 592. The print was done just before Callot started working on a huge print “Le Siege de Breda” and must have been done for better understanding of military formations. The print is in excellent condition, framed and glazed, not inspected outside of frame. Plate size 12.0 x 16.0 cm (4 3/4 x 6 5/16 inches), frame size 8 3/4 x 11 3/4 inches...
Original etching RICIULINA AND METZETIN by Jacques Callot printed in 1621 from the series BALLI DI SFESSANIA. Series depict one of the most delightful festivals of Commedia dell’Arte based on fertility dances held in the Tuscan village of Sfessania. Pairs of popular entertainers are framed against the scenes of a fairground. One print from the series of 24 etchings, Lieure catalog number 386, first state of two, on laid paper, cut to the plate. Paper size 72x93mm...
V. Epstein is an Israel born artist who works in Europe. This work is a hand colored lithograph signed and numbered
This pieces is a signed work number 221/285 Patrick Nagel (November 25, 1945 – February 4, 1984) was an American artist and illustrator. He created popular illustrations on board, paper, and canvas, most of which emphasize the female form in a distinctive style, descended from Art Deco and Pop art...
Beautiful signed lithograph measuring 31 in. Square Depicting trees in a forest in the post modernist style. The print is round measuring 30 inches diameter
ONE OF A NUMBER BY THE ARTIST IN MY SHOP**This is a small etching, 7 3/8" by 5 1/4" inside the mat, 15" by 11 3/4" as simply framed, by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left margin "Carmel cypress trees" and pencil signed at lower right by the artist. The imagery features stately, classic Monterey Cypress trees on the famous foggy coastline. Roudebush was born in Portland, Oregon and moved to Sacramento as a youth...
A clean example of "Whosoever Believeth", circa 1992, a limited edition print after a painting by the well known contemporary artist, who signs "G. Harvey" (GERALD HARVEY JONES, born 1933). The work features a Russian Orthodox church in the late afternoon of a gray winter day, painted in the artist's typically realistic style...
A dramatic early black and white photo of the Empire State Building in Manhattan, photographer unknown, the structure featuring prominently at center of the image, surrounded by the lower buildings from which it emerges. The building was completed in 1931. Some information I saw online suggests the antenna was not placed until as late as 1952. The photo dates from somewhere in that period, and very likely to the early/mid 1930's...
This horizontal print, created in 1973, is Work 73-14A, a dramatic depiction of the kanji for Dragon. It is 17 of 103 and measures 16.25inW x 11.5inH. Maki did perhaps a dozen dragons and this is one of the most striking.
Etching "Jewish Market Tangier" by the noted Swedish-born American artist BROR JULIUS OLSSON NORDFELDT (1878-1955), measuring 7 1/2" by 8 1/4" inside the mat and 13 1/2" by 15 3/4" in black strip frame. There is an old label on the backing from The Print Rooms, Inc., 540 Sutter Street, San Francisco. Nordfeldt lived an interesting life, moving rather frequently...
Vintage poster, 27 1/2" by 19 3/4" in present metal frame, the subject a woman in profile holding flowers, doves in the composition as well, titled "This poster was presented to the Egyptian Delegation on the occasion of President Sadat's Peace Mission to Jerusalem November 1977", the artwork by IRENE AWRET (1921-2014) and her husband AZRIEL AWRET (1910-2010), both noted Holocaust survivor artists. Sadat of course, sadly, was assassinated in 1981. The print is published by Jerusalem Art Prints...
A wood engraving on thin paper, the sheet unframed and measuring 8 1/2" by 11", pencil titled "Wadcroft, Kettering, Northants", and pencil signed at lower right and numbered 71/100, by the artist, American artist LEONARD THIESSEN (1902-1989). This is a mid 1940's work by the Nebraska-born artist. Thiessen's father worked in printing in Omaha. The young Thiessen went to work for an architectural firm, and studied at university in Nebraska. He became an interior designer and decorator...
A color print of the year 1930, issued by Frost and Reed of Bristol and London, titled "The Pytchley Huntsman--Frank Freeman on Pilot", after a painting by the famous English equestrian artist ALFRED JAMES MUNNINGS (1878-1959), measuring 20" by 19 3/4" inside the existing linen mat and 31" by 30 1/2" in the wood framing. The print is NOT pencil signed. Munnings is perhaps the pre-eminent painter of all things horses, at least among 20th century artists. Oils have exceeded three million dollars a...
A color print of the year 1932, issued by Frost and Reed of Bristol and London, titled "Going Out at Epsom", after a painting by the famous English equestrian artist ALFRED JAMES MUNNINGS (1878-1959), measuring 20" by 19 3/4" inside the existing linen mat and 31" by 30 1/2" in the wood framing. The print is NOT pencil signed. Munnings is perhaps the pre-eminent painter of all things horses, at least among 20th century artists. Oils have exceeded three million dollars at auctions of sporting a...
During the 1970s, Haku Maki liked occasionally to do haniwa, depictions of terracotta figures that were funerary objects used during the 3rd to 6th centuries in Japan. This one—71-2—is a face rather than a complete figure.
Created in 1971, the print is 50 of an edition of 151. It measures 5.75in x 8.5in.
The print is in very good condition, with faint tape residue on the two top corners of the back, with no impact on the face.
2nd Ed. wood cut page #108 printed by Schoensperger.
size page 9" by 13.5" mat 14" by 19.5" good condition see images. The work celebrates the exploits and heroic feats of the Emperor Maximilian I in overcoming the difficulties he faced on his journey to seek the hand in marriage of Queen Ernreich (Mary of Burgundy) in 1478.The fraktur type used in the Theuerdank was based on letter forms from a manuscript writing book compiled between about 1507 and 1517 by Leonhard Wagner, possibly for prese...
By the noted American photographer CHRISTOPHER FAUST (born 1955) is this black and white silver print photograph "Seattle Art Museum", 1995, measuring 5" by 12 1/2" (21 1/2" by 25 1/2" in contemporary-looking black frame under Plexi). The motorized sculpture in the plaza, "The Working Man", is by Jonathan Borofsky. It is today an iconic piece of the downtown Seattle scene. The photographer was born in Fort Riley, Kansas and is today closely associated with Minnesota. He is best known for his ...
Pencil signed 1986 color print "The Buffalo Hunters", numbered at lower left margin 214/1000 and pencil signed at lower right margin by the well-known contemporary western American art master FRED FELLOWS (1934-). The large print (18" by 34" inside the double mat), 24" by 40" as framed, is a typical example of the work of this realist western and cowboy genre artist, known for both sculpture and painting. Fellows was born in Ponca City, Oklahoma during the Dust Bowl, which sent his family head...
By the German woman artist Meta Pluckebaum (1876-1945) is this **HAND SIGNED IN PENCIL** etching of two Scottish Terriers, the sheet measuring 5 1/2" by 8 1/4" inside the old mat. At lower left the artist has titled this "Zwei Rowdies". Pluckebaum was born in Germany and studied with Hermann Emil Pohle. Her subjects included child and animal portraits (the latter, mostly cats and dogs), and still life. She was also an illustrator of children's books. Judging from the work she left behind, s...
An original 19th century hand-colored lithograph print, "Tallulah Falls--Georgia", by the noted Currier & Ives firm, unframed, the sheet 10" by 13 3/4". Tallulah Falls is a scenic location in far northeast Georgia's mountains, now a part of Tallulah Gorge State Park. This print retains its rich hand coloring. Most of the condition issues, commonly encountered with old Currier prints, are contained within the margins. These include staining, torn or dog-eared corners, short edge tear, tape re...
Lorenzi 1880-1969 was know for his Japanese inspired work and woodblocks
Alberto Lorenzi 1880-1969 Italian born artist known for his work in the early nineteenth century. This work is a colorful woodblock done in the Japanese style in a frame with a fan shape opening
L'Ermitage has been lauded by modern commentators as the exemplar par excellence of the Art Nouveau movement, especially with respect to posters which played a significant role in publicizing and glamourizing its artistic expressions. One of its leading practitioners and exponents was Paul Berthon (1872-1934), a French commercial artist who supplied 3 prints, including his masterpiece l'Ermitage, for the highly acclaimed subscription based French serialization of Art Nouveau lithographed posters...
Contemporary Foliage abstract Photography image with Mat board signed. Un readable signature but very good image and unknown type of print its extremely glossy and bright signed on the mat board. 16" by 20" mat sight 16" by 13"
Unframed 1959 lithograph print 'Card Players', numbered in pencil lower left 100/100, and pencil signed lower right. The print is now in a protective sleeve with clear plastic sheet (through which a few photos were taken---allow for reflections). The sheet size is 20" by 26". The print is reverse-taped at top edge, in three places, as shown, and is NOT laid down. Condition is very clean overall; there are some black printing ink smudges apparently as issued, at right near signature and lower...
An example of a black and white poster (29" by 24") of the 1971 work "Canal, Netherlands", by important American photographer BRETT WESTON (1911-1993), the poster published by the Photography West Gallery, Carmel, California. The poster is HAND SIGNED in marker by the photographer above the large printed signature. Brett Weston (1911–1993) was born in Los Angeles, the second son of renowned photographer Edward Weston. In 1925, Edward removed Brett from school so the thirteen year old could be...
A beautiful multi-plate color etching by master printmaker LUIGI KASIMIR (1881-1962), dated lower right 1922, and pencil signed there in the margin by the artist. The subject could be mistaken for Paris, what with the advertising kiosk, but this is in fact the Vienna Opera House in Austria. Kasimir was born in present-day Slovenia into a family of poets and artists. He attended the Vienna Academy of Art, studying under William Unger, who introduced him to color etching; previous to the perfec...