who dunnit? in the style of tanaka ryohei etching
In 1968 Haku Maki completed his Animal Song series. It was 12 different prints, one for each year of the Chinese/Japanese zodiac. Each print had the title Animal Song and the kanji for the animal, which was not translated. This print, Animal Song [dragon], 14/50, is a beautiful Maki red. The dragon of the image is a very traditional Chinese character for dragon. In this print Maki used the theme dragon for the first time. This dashing abstract kanji seems to almost swirl out of the paper...
In late 2011, I received several Maki prints of 1981. These all have leather-like surfaces. I thought this was a phenomenon of that year. I was wrong. Maki actually used this surface in 1971 for a few Persimmon prints and then not again until 1981. I show here copies from my Maki archives. When we filed those images a long time ago, they were not clear enough, are still not. But I think they are with that leather-like finish. Any views most gratefully received...
William Lee Hankey, British, 1869-1952, "Light in the Cottage," Etching, image size 8 7/8 x 5 3/4 inches, 1909, edition of 9, cat: Hardie-55, pencil signed l.r, "W Lee Hankey", plate initialed l.r. and artist seal l.c.
Haku Maki was a prolific artist of modern Japanese prints in the second half of the 20th century. Many of his prints are known but quite a few remain unseen, even in the Internet age. The Emanation series was large: Maki probably produced more than 100 different prints in the series. At this advanced age, I have only seen about 30 of the Emanation prints—-and have only managed to acquire a few...
Andre Dunoyer de Segonzac, French, 1884-1974, "The Beach at Saint Tropez," Etching with drypoint, image size 9 1/4 x 11 1/2, 1934, edition of 40, pencil signed and numbered. This print is also in the MoMA collection.
Jacques Villon (French, 1875-1963) original, signed silkscreen print - Petite Peinture Cubiste (Little Cubist Painting). Sheet size: 25 inches x 19 inches. Image size: 18.5 inches x 12.5 inches. Circa 1953. "Petite Peinture Cubiste" was originally painted by Jacques Villon in 1921...
The Title: "La Jolla"
Artist: Thomas McKnight (1941- )
Medium: Original Serigraph on arches paper, unframed
The size of Sheet: 32 1/2" x 35"
The size of Image: 26" x 29"
The year made: 1987
Publisher: Chalk & Vermillion
Edition No.: CIV/CL in roman numerals (115/150)
Signed: Lower right by artist, McKnight in pencil
The condition: Excellent, never been framed
Beautiful Serigraph by Thomas McKnight. Very crisp colors...
Albert W. Barker, American, 1874-1947, "Beyond Paul Point," Lithograph, image size 11 7/8 x 8 7/8 inches, 1930, edition of 125, initialed and dated within the plate, pencil signed and editioned.
Jacques Reich, American, 1852-1923, "Portrait of Whistler," Etching by Jacques Reich after the painting by Giovanni Boldini, image size 20 5/8 x 11 1/2 inches, 1916, pencil signed. Whistler's signature is etched below the image, Boldini's in the lower left corner of the image.
5.75 x 8.5 in. ai in Japanese
The white background is punctuated by a yellow sun and a red splash --true Maki style.
Frame 5 shows Sanae’s careful translation and explanation of this print – and her intuition as to what Maki-san may have meant when he created this image 41 years ago. Copyright 2012 Sanae Nakajima Chambers and Daniel Tretiak
Stephen Parrish, American, 1846-1938, "Evening- Gloucester," Etching, image size 8 5/8 x 14 inches, 1883, cat: Schneider-77, plate signed "Stephen Parrish" l.l. "77"(reversed) l.r.
Peter Moran, American, 1842-1914, "Crossing the Ford," Etching, image size 15 3/4 x 23 3/4 inches, c. 1886-87, cat: Wright-98, pencil signed l.r, remarque of a hay wagon l.l.
Louis Auguste Mathieu Legrand, French, 1863-1951, "Frio," Etching, aquatint and drypoint, image size 7 1/2 x 12 inches, 4th state, "Louis Legrand" pencil and plate signed l.r., Arwas A74.
William Woollett, British, 1735-1785, "Solitude," Engraving by William Woollett after the painting by R. Wilson, image size 15 1/4 x 21 inches, published June 4 1778, titled "Solitude" with a remarque of a shield in the lower center margin. This is a rare early proof before additional lettering.
In 1976 Haku Maki did three pairs of prints in which the black and white were reversed. One set is shown here. The cement blocks were used to print the white on black, then cleaned to do black on white. These were done in such themes as Mind Wind and Cloud. These are strong sweeping images in rather large prints. The two Wind images here are typical of the type. They are all about 15" x 20" and in editions of 150.
Ovesized Japanese limited edition copperplate etching titled “Takafune Village” by Tanaka Ryohei (1933-2019). Pencil-signed, dated 2004, and numbered 8/100 in the lower margin. Paper size: 22 1/8" x 14 3/4" (image: 18 1/4" x 10 3/4"). This etching was never framed and is in excellent condition.
Haku Maki did a wide range of works: prints of many sizes, book plates, greeting cards, and postcards. Here are four postcards that he did in 1999. They are lithographs, each signed and with a Maki seal. They also appeared as prints at the same time. Haku Maki or his family produced them in the last year or so of his life.
Poem 72-47 (road) 32 X 21.5 inches textured paper The sun is the inner part of the kanji for road.
This is a very big and stunning Maki print It was done in 1972 at the height of his artistic powers. It depicts the kanji for Road or Way, e.g.the Way of Taoism (Daoism). As if done with a brush, the character whooshes across the well-textured paper. At the middle of the print, Maki has added a White Sun.
A mid-Victorian chromolithographic print c1860-80 in a period gilt frame depicting two kissing children with a doll. This unsigned 7-1/4 x 5-1/2" print is mounted on a lined mat and encased on a period 11 x 9" gilt wood frame with original glass; it is in excellent original condition with no rips, tears, foxing, staining, fading, losses, damage or repairs other than a small water stain to the mat on the lower right corner and some minor scrapes to the gilding on the frame...
In 1960 Maki did the image shown. It is called Symbol. In all the years of collecting Maki prints and images I have never seen this one again. It is quite large but seems cluttered. Forty years later he did it as a print and a post card even as one friend has suggested he did the print before 1999, the date on the print. The seals are authentic not printed, and they are original Maki seals from well-used chops.
Joseph Pennell, American, 1857-1926, "Up to the Woolworth," etching, image size 11 3/4 x 7 3/8 inches, 1915, edition of 75, pencil signed "J Pennell imp".
persimmons galore. 81-3 added. * means I own it.
Wolgfang Roth - 20th century German/American
Color lithograph entitled "Elephant Ballerina" from the "Circus Suite" c...
Lovis Corinth, German, 1858-1925, "Dame im Gartenstuhl," Etching and drypoint, early proof of this rare image, image size 7 7/8 x 11 7/8 inches, 1911, cat: Schwartz-76, inscribed "probedruck" (test print) l.l. and signed l.r. both in red crayon, blindstamp l.l. just below image. Corinth began his art career studying at the Academy of Fine Arts Munich and went on to study under Bouguereau at the Academie Julian in Paris...
Haku Maki did many prints some with interesting backgrounds some not. This modest run of rather large pints had a special black background: it is the texture of old leather.
. Maki created and used this technique only in 1981 prints and mainly in persimmons. The persimmons are plump and meaty the green leaves of the fruit are nicely proportioned...
Work 73-12A is a firm and strong dragon not fierce not wimpy. The central kanji is offset by a small yellow Maki sun at the top left and a red splash on the right. They counterbalance each other and give color and verve to the whole print.
Maki's Emanation series may well have been 100 different images. This is an early one. It shows a young man ready to grope a woman’s breasts. Who is the man and who is the woman? Adam and Eve?
Maki and his wife? Maki and another woman? It measures 16" x 16". Here I show images of the current emanation and single images of other prints in the Emanation series. The last frame is Emanation 100.
In 1970 Japanese print maker Haku Maki (1921 – 2000) produced this large Wind image. It is 84c x 84 cm; 33 " x 33" . Provenance; Maki produced this print and this copy was sold to a Japanese buyer it stayed in Japan until it came to me last week in Beijing this is one of the few times I have been able to obtain a Maki print from Japan not through a dealer. When the previous owner decided to sell he did so through an auction in Japan; then it was fully restore in Tokyo and I acquired it. Becaus...
Albert Decaris, French, 1901-1989, "Paris Construction," engraving, image size 16 1/8 x 21 1/8 inches, c. 1940s, edition of 100, pencil signed and editioned.
A Hand Colored Botanical Print Portraying Four Varieties of Watsonia. The Artist is the Victorian Jane Webb Loudon (1807-1858), and the Print is from the book “The Ladies Flower Garden of Ornamental Bulbous Plants” (plate 9), published in 1841 by Day and Haghe London, Lithographer to Queen Victoria. The print is triple matted and elegantly framed. Dimensions; 19.5" x 18". Excellent condition. See also item number 601990 (1542A).
A Hand Colored Botanical Print Portraying Gladiolas. The Artist is the Victorian Jane Webb Loudon (1807-1858), and the Print is from the book “The Ladies Flower Garden of Ornamental Bulbous Plants” (plate 12), published in 1841 by Day and Haghe London, Lithographer to Queen Victoria. The print is triple matted and elegantly framed. Dimensions; 19.5" x 18". Excellent condition. See also item number 601985 (1542B).
Maki Poem 616 earluy print still with single layer of paper.
The image is of a Bird and Moon. This print has been fully restored
Peter Moran, American, 1842-1914, "On the Road to Santa Fe," etching, image size 11 1/2 x 17 1/2 inches, 1884, cat: Wright-72, plate signed, l.r. Published in "Selected Etchings by American Artists", Philadelphia, 1884.
Edgar Chahine, French, 1874-1947, "Quartier Du Combat," Etching, image size 7 7/8 x 10 inches, pencil signed l.l. This work is also know as "Boulevard de la Villette"
The sheet size: 35"x43"
The image size: 28" x 37"
The title: "Sierra Glow"
Artist: Mrk King(American)
Medium: 100% Arches paper, Unframed.
Signed by artist: Lower right in pencil
Edition Numbered : 12/295, total 550 exist.
The year made: 1988
Publisher: Martin Lawrence Limited Edition
The condition: Mint, never been framed.
The serigraph was stored away last 33 years.
We supply the certificate of authenticity.
It will be shipped ...
Joseph Pennell, American, 1857-1926, "Hudson Avenue Foundations," etching, image size 8 13/16 x 11 7/8 inches, Wuerth 807, printed on Arches wove paper, plate signed "JPennell 1923" pencil signed "J Pennell" l.c., private plate, etched for the Brooklyn Edison Co.
A Fumio Tamura 1969 Nokemono framed litho print 2/7. This evocative semi-erotic colour lithograph print entitled "Nokemono" (translated from Japanese - outcast) was produced in 1969 by Fumio Tamura (Japan, 1941-). Fumio Tamura was born in the Nagano prefecture, and he graduated from Tokyo Art College in 1968, so this 1969 litho dates from early in his career. It is in a metal frame, and it measures 24-1/2" x 21", with an image size of 18" x 14-1/2". It is a very small edition issue, inscribed...
One of Maki’s favorite themes was the image shown here. Some outstanding ones are shown in the listing. I reckon Maki did about 25 different prints with the theme Child. Several little children can be seen swimming in the image in frame 9. The child in the right of this list panel is the image imprinted in the cover of Festive Wine, to which Maki contributed 21 images in 1969.
Max Libermann, 1847-1935, German, "Simson und Delila," etching and dry point, image size 8 1/2 x 11 1/8 inches, 1906, cat. Schiefler- 55, pencil signed.
Haku Maki was a major creative Japanese print maker of the second half of the 20th century. His major output from 1965 to 1990 consisted to several different themes of prints Kanji was the main theme for the first 15 years of that period. Then.
Ceramics was second. But he also did a large number of prints with persimmon on theme. Most of the persimmon prints showed just one fruit. A few showed two Only two showed 3. These are shown here
Both prints are serene no jarring colors or edges...
From our European Collection, a very good 17th century copper plate engraving, most likely English circa 1650-1700, depicting a Chinese official accompanied by his entourage, with subjects kowtowing in the foreground and a crowd of spectators to the rear.
Size and Condition: 7 inches by 5 1/4 inches, very well preserved with only slight creasing.
The sheet size: 41 1/2"x 32 3/4"
The image size: 35" x 26 1/2"
The title: "Taos Shop"
Artist: Lorna Patrick (American)
Medium: 100% Arches paper, Unframed.
Signed by artist: Lower right in pencil
Edition Numbered : HC8/50, Artist Proof in pencil, total 595 exist.
The year made: 1990
Publisher: Martin Lawrence Limited Edition
The condition: Mint, never been framed.
The serigraph was stored away last 20 years.
It came with the certific...
18th Century Dutch School, "Pastoral Scene", Ink and wash, image size 9 3/4 x 13 7/8 inches, inscribed "J. Bosch 1773 in de manier van N. Berchem met stoffazie na A.v.d.Velde.", In the manner of Nicolae Berchem (Dutch, 1620-1683) and Adriaen van de Velde (Dutch, 1636-1672)on reverse, framed.
Raphael Sabatini - Cabaret black face performer
1927
Sheet size - 12 1/2" x 9 1/2"
Unframed
Pencil signed
Raphael Sabatini, 1898 – 1985, Philadelphia, Pa.
Professional life –
Professor of Painting and Sculpture at the Tyler School of Art at Temple University from 1936 to 1966
President of the Philadelphia Art Alliance in Philadelphia.
Sabatini studied at the Pennsylvania Academy of Fine Arts with Arthur Carles,...
The sheet size: 29 7/8" x 22"
The image size: 25 3/4" x 19 1/4"
The title: "Jardin a Antibes"
Medium: 100% Arches paper.
Artist: Paul Guiramand (1926-2008)
Made year: July 1985
Edition Number; 167/175, in pencil
Signed: Guiramand signed in pencil lower right.
The condition: Excellent, never been framed.
The lithograph was stored away last 30 years.
It came with the Certificate of authenticity.
Paul Guiramand (1926-2008)
Paul Guira...
A pen and ink print signed W.V.V.T in the lower right corner. There is a small white spot in the right area (see photos) and dark spot above that... there is also rippling in the upper left corner-- the paper may have been pasted to a background but we have not examined it out of the frame. 12" x 16"
Original monotype by Matt Phillips (American, born in 1927 in New York City). Signed "Phillips" and dated '82 in pencil l.r. Also indistinctly titled or dedicated l.l. ("For Dede"?) 4 1/2" by 4 1/4" image alone. The full sheet measures roughly 12" by 12". In original never framed condition. Matt Phillips is a master printmaker who taught in Paris, and at Bard College in NYC. He is credited with reviving the monotype technique in the second half of the 20th century. His works are in the ...
Sir Frank Short, 1857-1945, British, "The New Moon," Aquatint, image size 10 1/2 x 16 1/4 inches, 1918, cat. Hardie-163, pencil signed. One of Short's largest aquatints, this scene depicts two fishermen on the Bure at Stokesby Ferry near Acle in Norfolk.
John Stockton deMartelly, 1877-1947, American, "Ride-a-Cock-Horse," Lithograph, image size 9 1/4 x 12 1/8 inches, 1940, AAA edition, cat. Zink-56, pencil signed.
Herman Armour Webster, 1878-1970, American, "Capodimonte, Italy," etching, image size 5 1/2 x 10 inches, 1927, pencil signed.
The size of Sheet: 22" x 16 1/2"
The size of Image: 20" x 14"
The Artist: Dennis Schmidt(1950- ).
The title: "Calling a Flush".
The year of made: 1980.
Signed and numbered in lower left, Edition numbered: 39/900
This is limited edition print done by Texas artist, Dennis Schmidt who was self taught artist. You can view his profile from the following site, www.swgallery.com/bio.aspx?artist_id=119 This print was specailly made for one of company which showing in Certificate. The p...
Joseph Pennell, 1857-1926, American, "Olympia," etching, image size 10 3/8 x 18 1/8 inches, 1913, cat. Wuerth-655, pencil signed.
These are three images of a very rarely seen Maki series,the Drop series.If any friend can send me images of Drop 1, 4, or 5, I would appreciate it.
Joseph Pennell, 1857-1926, American, "The Thames at Richmond," etching, image size 8 5/8 x 11 inches, pencil signed.
Joseph Pennell, 1857-1926, American, Chelsea Church, unpublished Artist's Proof, etching, Artist's Proof with numerous fingerprints left during printing, image size 8 3/8 x 10 3/4 inches, not included in the Wuerth catalogue, inscribed in the plate lower left "Chelsea Church," pencil signed.
Jerome Myers, 1867-1940, American, Figures in a Park at Night, etching, image size 6 3/4 x 9 3/4 inches, numbered 5/50, pencil signed.
Yuji Abe passed away in Tokyo on 15 May. Japan art leader
Abe-san was 86 He was a dean of the modern a Japanese print world from his base at Yoseido Gallery in Ginza. He tutored many young and not so young gaijin to learn about Japanese modern prints He was a dashing suave figure in his 50s. He had been in ill health for a number of years I attach a recently restored 1961 Maki print he may have handled way back then. This print was done 50 years ago.
In a visit to Yoseido in the mid-70s ...
Gertrude Partington Albright, 1874-1959, American, "Young Lady in Fur Stole and Hat",
Drypoint etching with hand coloring (lips), image size 19 3/4 x 12 inches, 1907, pencil signed lower right.
Around 1960 Haku Maki probably did the Ox as a woodblock print. He was then a young artist in Tokyo. He may have done some Ox images before James Michener did his now wellknown book, but probably not many: 510 were used in the book The Modern Japanese Print". The prints of Japanese artists included in the book are large-ish, it is not embossed. The print is in excellent shape--it is still tipped onto the original archival backing that was in the book.
In 1999 toward the end of his life, Ma...