Samuel Chamberlain, American, 1895-1975, etching, "Amalfi", image size: 7 x 7 inches, numbered 88/100, 1925, cat. Chamberlain and Kingsland-8, pencil signed lower right, framed.

Arthur Heintzelman, American, 1891-1965, drypoint etching, "Adolphe Appia, Jeune Artiste Philosophe", drypoint etching, image size: 12 3/8 x 8 1/4 inches, 1934, cat. Smith-92, edition of 100, pencil signed.

Sold together as a group, three early copper engravings on heavy paper, one titled "Deuil D'une Personne Qui Vient de Mourir" (20" by 24" framed), another "Mort. Le Passage de Caron, Le Fleuve du Styx, et les tourmens de L'enfer" (20" by 24" framed) and finally a smaller print, "Sepulcre ou Mausolee" (18" by 12 1/2" framed). The engraver was PIETRO SANTI BARTOLI (1635-1700), a noted Italian engraver, draftsman and painter. Born in Perugia, he studied briefly with the great Poussin...

Aquatint on paper laid on board, 1924, "Le Village d'Herouville", 18 3/4 " by 24" inside the mat, and 26 1/4" by 31" framed, after an original by the famous and important French modern artist MAURICE de VLAMINCK (1876-1958), adopted for reproduction by equally noted artist Jacques Villon (11875-1963). Vlaminck is known as a Fauvist and later simply as an expressionist. At auctions, his works in oil bring from the low hundreds of thousands of dollars to the low millions...

Early Japanese limited edition sosaku hanga “kappa-ban” (stencil print) by Yoshitoshi Mori (1898-1992) titled “Okeya” depicting two barrel makers at work. This image is from a 1973 series of prints featuring artisans. The series is illustrated in a 1985 exhibition catalogue titled “Mori Yoshitoshi Kappa-ban.” The print is pencil-signed “Y. Mori” at the lower right, with the artist’s red seal above. It is dated ’73 and numbered 66/70...

Arthur William Heintzelman, American, 1891-1965, "Ma Petite Voisine", drypoint etching, image size: 11 1/8 x 7 3/4 inches, ed. 80, 1935 cat. Smith-204, pencil signed lower right

Joseph Simpson, British, 1879-1939, etching, "Lucy in Galloway," image size 11 7/8 x 8 1/2 inches, 1927, edition of 75, pencil signed. Provenance: The Blanton Museum of Art, Austin, Texas.

Arthur Heintzelman, American, 1891-1965, etching, "Planche Aux Cinq Croquis", 1925, edition 100, image size: 4 1/8 x 5 5/8 inches, pencil signed

A highly decorative original pochoir print of flowers in a vase, within a blue circle, singed in the print by the noted French artist and fashion illustrator GEORGES LEPAPE (1887-1971). The print measures 15 1/4" by 12" inside the double mat, and 25 3/4" by 21 3/4" as framed. Lepape was born in Paris. He was educated at the Ecole des Beaux Arts 1908-1910. The young artist met Paul Poiret around this time as well as Georges Braque and Marie Laurencin...

**FOUR** identically framed early (1830) color aquatint engraving prints of classic English sporting art subject, the Grand Leicestershire Steeple Chase, 1829, printed by the noted R. Ackermann Jr. of Regent Street, London. The plates are from a series, though this is not a complete series; the group includes Plate 1, Plate 5, Plate 6, and Plate 7. They all measure 14" by 17 1/4" inside the framing (18 1/2" by 21 1/2" framed)...

Charles Wheeler Locke, American, 1899-1953, Lithograph, "Tramp Steamer", AAA, image size: 9 1/4X12 1/4", pencil signed

Decorative lithograph in colors, 13 1/4" by 19 3/4" (22" by 28" as framed), unsigned, with The Collector's Guild label affixed to the backing, 1973, (titled there as "Homecoming", but from what I can determine, "Monumental" is the title in common use). This is a decorative print in excellent condition, the paper white and fresh and colors unfaded...

Jean Louis Forain, French, 1852-1931, Etching, "L' Imploration Devant la Grotte, Lordes", image size 10 1/2 x 7 3/4, third plate - first state, circa 1900, pencil signed

Simka Simkhovitch, Russian-American, 1893-1949, Lithograph, "Late Afternoon", 1946, AAA, edition of 250, image size: 14X8 1/4 inches, pencil signed

Leo Meissner, American, 1895-1977, wood engraving, "Hannah," image size 10 x 8 inches, numbered "Trial Proof 10," signed in pencil.

Maurice de Vlaminck, French, 1876-1958, Lithograph, "L' Epave II", image size: 7 1/2 x 5 3/4 inches, from "Les Hommes Abandonnes"

Large folio size print, sheet measuring 18 1/4" by 24 1/2" inside the mat, 27 1/4" by 33 1/2" as framed, titled at bottom. This image was produced by Currier in 1868, but I believe this example to be a high quality hand colored RESTRIKE of a later date. It's a great image, with grandparents in their snug Victorian 1860's New England interior, a roaring fire and their granddaughter indicating the other seasons of life. The print is in excellent fresh condition; allow for reflections in glass...

Japanese limited edition copperplate etching titled “Lake Landscape” by Tanaka Ryohei (1933-2019). Pencil-signed, dated '99, and numbered 37/150 in the lower margin. The title in kanji and the number 630 is at the bottom left margin. Paper: 10 3/16" x 11 7/8" (image: 6 1/2" x 8"). Very good overall condition with only a tiny bend in the very edge of the upper left margin. Never framed.

Original lithograph print, "Les Soliloques du Pauvre" for the jacket of the book of poems by the noted French poet Gabriel Randon (1867-1933), who went by the pen name "Jehan Rictus". The print measures 7 5/8" by 12 7/8" inside the mat, and as framed measurements are 16 1/2" by 21". Steinlen (1859-1923) of course was the major Swiss artist known for his drawings and prints during the late years of the 19th century and early years of the twentieth...

Carl Pickhardt, American, 1908- , Lithograph, "Center Ring", 1936, image size: 11 1/2X8 1/8", pencil signed

Description: Wonderful gilt etching and aquatint of a sailing ship, superbly and delicately executed, early 19th century era, securely housed in a fine wood frame and since I didn't want to cause any damages to this nice frame, therefore I couldn't examine the item out of frame, but it looks fabulous and condition is great. Dimensions: sight 6" x 5", frame 12" x 10". Shipping is FREE within the U.S.

Etching, circa 1930, "Saleswomen", 5" by 6 1/8" inside the mat (12" by 14 3/4" as framed), pencil signed at lower right "Hayes Miller" and bearing "40 - prints" at lower right, by the important American artist and teacher, KENNETH HAYES MILLER (1876-1952). Hayes Miller was a familiar figure on the New York art circuit for decades. Although he was an accomplished painter and printmaker, he is perhaps best remembered today for the influence he wielded as a teacher...

Original Currier and Ives lithograph print "The Straw-Yard, Winter", 12 3/4" by 15 1/2" inside the overmat, 20" by 22 1/2" as framed, the subject quite desirable: a white horse, a dark brown horse in the center, surrounded by a veritable menagerie of a winter barnyard in the country, including contented pigs eating their turnips at left, ducks and pigeons pecking away underneath and around the horses, and a pigeon even perched on a snowy fence post, face to face with the white horse, as other h...

Etching,1942,image size 2 1/4X2 15/16 inches, edition of 365,pencil signed,Excellent Condition

Pieter Stevens van Gunst, 1659-1724, Dutch, engraving after van Dyck, "Charles the First, King of Great Britain", image size 18 x 11 5/8, plate size 20 1/4 x 13 inches, sheet size 22 3/4 x 16 inches

Original lithograph print "The Great East River Suspension Bridge" (the Brooklyn Bridge), 1881, by the noted American printmakers Currier and Ives. The image shows the bridge, sailing and steam craft around it, including a steam paddlewheeler. The bridge was an engineering marvel of the world at the time and a point of great civic pride...

Leon Louis Dolice, American, 1892-1960, Etching with Aquatint, "New York Monument at Night", 1924, image size 10 3/8 x 7 1/4 inches, pencil signed and dedicated

Gordon Grant, American, 1875-1962, Lithograph, "The Whale Hunt", AAA, image size: 9 1/2X12 3/8", pencil signed

An Original and numbered 70/100 Serigraph Painting "LAMBDA" on thick paper by the artist BOB STADIUS. Signed and dated 1997, on the back by the artist, including the title "LAMBDA" and 70/100. Excellent condition as kept in a sealed roll.

Vaugham Trowbridge, American, 1869-?, Etching, "Arles", 1912, 11/12, image size: 7 7/8 x 11 3/4 inches, artists proof, pencil signed and titled

Edith Penman, American, 1860-1929, etching with remarque, "On the Shoreline", image size: 4 7/8 x 7 3/4 inches, pencil signed

Ruth Doris Swett 1901- Member of Southern Printmakers This is an original drypoint etching by American Southern artist Ruth Doris Swett. The title of this etching is Deer Isle Spruces, created when she was summering up in Maine. This etching is pencil signed, titled and dedicated to: Margarest Strong. The image measures 12X8 7/8 inches. Printed on a medium weight wove type paper in an edition of 50.

The Original Serigraph by Mark King
The artist: Mark King
Title: "Putting Green" from Golf Series II Unframed.
I had this Serigraph since 1990, it never been framed.
The condition: Mint Condition, Sold Out Edition
The Paper size: 21"X 25" Image size: 15"x20"
Signed by artist: Lower right, Edition numbered: lower left by pencil. CI/CXLV
The publisher: Martin Lawrence Limited Edition, 1990
Printed on 100 % Arches paper. The title of this serigraph is "Put...

Arthur Heintzelman, American, 1891-1965, Etching, "Le Bibliophile", 1929, image size: 10X8 inches, edition of 60, Cat. Bpl 147, pencil signed

Max Slevogt, German, 1868-1932, drypoint etching, "Two Tigers", image size: 4 1/8 x 5 1/2 inches, 1913, edition of 35, pencil signed. From "10 Radierte Tierstudien von Max Slevogt."

Very decorative truly antique, 1770's print of an elegant lady standing, in the sanguine color, crayon technique (also known as "chalk-manner") perfected by talented eighteenth century artist GILLES DEMARTEAU (1722-1776). The print, executed after a painting by the great French Rococo master Jean-Honore Fragonard, measures 15" by 10 5/8" inside the fine French matting, with gilt border and numerous outlines, that in turn housed in a gold leaf antique frame measuring 22" by 18". Fragonard's nam...

A set of FOUR framed circa 1836 engravings of exotic Australian birds, with hand coloring, by EDWARD LEAR (1812-1888). Lear was an English artist, illustrator, author, and poet, renowned today primarily for his literary nonsense, in poetry and prose, and especially his limericks, a form that he popularized. As a highly talented watercolorist, and a widely traveled figure, for his day, he created now-prized works featuring the Mediterranean region and the Holy Land. The birds depicted here are...

Charles P. Renouard, French, 1845-1924, Etching, "Bathers", image size: 4 7/8X6 3/4", pencil signed

Martin Hardie, American, 1875-1952, Etching, "Sunset", image size 8 3/8 x 9 7/8 inches, signed in pen

Chester B. Price, American, 1885-1962, Etching and Drypoint, "Architectural Study of a Church, image size 9 7/8 x 7 1/2 inches, pencil signed

Joseph Simpson, British, 1879-1939, etching, "Betty," image size 12 x 9 7/8 inches, 1927, edition of 75, pencil signed. Provenance: The Blanton Museum of Art, Austin, Texas.

Gerard Audran, European, 1640-1703, Engraving after Mignard, "Ego Sum Pastor Bonus", image size: 12 1/4 x 8 7/8 inches, sheet size: 18 1/2 x 12 3/4 inches, Fogg Museum provenance, Randall collection #4065

The Latin text discusses the origins of Turkish people and shows a man wearing a kaftan-like garment and a pointed hat. He is armed with a scimitar suspended from his twisted belt.
On top the hand-colored woodcut of king Pepin the Short (714-768 AD) holding sceptre and globe. Pepin was the first Carolingian king and father of Charlemagne.
Below is the figure of St. Eucherius with the insignia of a bishop.
The foregoing sheet portrays the early medieval antipope Constantinus...

Antique Photo of Cairo Egypt Suk ,Circa 1900 Sepia 8x10”…..in excellent condition

Ca 1950 Ten collectible Italian scenes of ancient Rome. Each etching/print is in excellent condition in the original folder. January 1950 is noted in Italian in the right corner. All measure 11-1/2" x17"

One of a number of prints by this artist in my inventory, this is a fresh and clean rather early example of one of William Russell Flint's fine color reproductions issued in limited editions for collectors over a period of decades. This one is signed by the artist in pencil at lower right and bears the characteristic embossed Fine Art Trade Guild blind stamp in lower left margin. The title of this image, which was issued in the year 1942 in an edition of 500 examples, is "Mirror at the Ballet". ...

Lithograph on paper, 8 3/4" by 12 3/8" inside the mat, 13 3/4" by 17 3/4" as framed, by American artist STOW WENGENROTH (1905-1978), pencil signed at lower right by the artist. Titled "Woodland Ledge" (created 1960 in an edition of approximately 50 examples for associate members of the Print Makers Society of California), this is a typical work of Wengenroth, who is today best known for his fine lithography work consisting mostly of scenes of the Northeast coast from Long Island to Maine, and a...

One of a number of fresh and clean examples of William Russell Flint prints in my shop, this is a fine photolithograph, published in 1956 in a limited edition of 700 examples, titled "Le Quatorze Juillet". Flint was in the southern French town of Mauvezin on Bastille Day 1954, and it is thought possible that the sketch he made from his hotel room of the scene he saw in front of him ultimately became this image. The print is signed in pencil at lower right and bears the characteristic embossed b...

One of a number in my shop inventory, this is a fresh and clean example of one of William Russell Flint's fine color photolithographs issued for collectors over a period of decades. This example, published in 1961 in an edition of 750, is signed in pencil at lower right and bears the characteristic embossed blindstamp in lower left margin. The title is "The Shower". The print measures 17 3/4" by 22 1/2" inside the mat and 26 1/2" by 30 1/2" as framed. The models, artistically placed in a rising ...

A beautifu Eighteenth Century, hand colored Etching exotic monkey 10 x 8“ Frame size 16 x 14 framed and mat

Isaac Friedlander, Latvian-American, 1890-1968, etching, "Over the Village," image size 11 1/4 x 12 1/4 inches, titled and signed in pencil, framed.

This is a true lithograph, numbered 170/200 at lower left margin, pencil signed by the artist at lower right, the title of the work given on reverse label as "My Beloved is Like a Roe". The lithograph is by the important Jewish artist THEO(DORE) TOBIASSE (1927-2012). Tobiasse has often been compared to Chagall and Picasso, with his figure-based, personal, dreamy interpretations of themes like the exploration of one's heritage, exile, and Biblical and erotic fantasy. He was born in Israel, moved...

A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition etchings, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This lithograph on Arches paper is from a 1994 portfolio titled “Constitutional Fantasy”, vol. 1 (憲法幻想その壱...

A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition etchings, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This lithograph on Arches paper is from a 1994 portfolio titled “Constitutional Fantasy”, vol. 1 (憲法幻想その壱...

Original 1618 etching by Jacques Callot LE GRAND ROCHER (The Great Rock) from his series “Paysages Graves pour Jean de Medicis”, Lieure catalog number 276, second state of two. Powerful design, excellent clean print. Framed and glazed, not examined outside of frame. Print size 109 x 243 mm (9 9/16 x 4 1/4 inches), frame size 10.5 x 18 inches.

Italian lithograph titled TABULA VII showing an ancient mythology scene on fine laid paper with a strong impression Also see #1181

A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition etchings, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This lithograph on Arches paper is from a 1994 portfolio titled “Constitutional Fantasy”, vol. 1 (憲法幻想その壱...

**(TWO EXAMPLES OF THIS PARTICULAR PRINT AVAILABLE)**one of a number of Flint signed color prints in my inventory**, this is a fresh and clean example of the 1967 print "Interlude", one of an edition of only 850 examples, signed in pencil at lower right and bearing the characteristic embossed blindstamp in lower left margin, and, in the image, "F & R (Frost and Reed) and "1967" at lower left. The print measures 13 1/2" by 22 1/2" inside the fancy hand decorated mat and (24" by 33 3/4" as fra...

Original stone lithograph, not an offset print, 23 3/4" by 26 3/4" inside the mat (not examined out of frame), signed in the plate by the artist Jan TOOROP and dated in the plate 1915. Executed primarily in black, note the color----pale orange in the cap and shirt, blue in the trousers. Toorop is a major Dutch artist, one of whose works (painting) just exceeded $700,000 at auction. His prints and posters are much more affordable. I don't see that this one is pencil signed. CONDITION: Note ...

By the highly important German impressionist and expressionist artist LOVIS CORINTH (1858-1925) is this rare lithograph of 1921/1922, "Die Markgrafin von Bayreuth" (translating as "Countess of Bayreuth"). The sheet measures 8" by 5" inside the mat opening, and 9" by 6" in total. This print is signed in pencil by the artist at lower right. Corinth is considered one of the giants of German 20th century art. One work has exceeded $1 million at auction and many have sold in the multiple hundreds ...