Engraving with German head line reading: Survey of silver pagan tableware and coins, so found in 1633 at Wettingen under the earth and excavated.
The treasure was hidden in the wake of the Alemannic incursions of the 3rd century AD.
Matthaeus Merian was commissioned to document the finds before they were melted down and distributed among the Swiss cantons of the time.
The large size plates were carefully decorated and inscribed...

A highly detailed etching in brown ink, featuring canal-side classic old architecture of Amsterdam, 12 1/2" by 9 3/4" plus narrow wood frame, pencil signed at lower left margin by the very important Dutch-born 20th century artist WILLEM GERARD HOFKER (1902-1981). At right in pencil is "epreuve d'artiste" and "no. 24" in ink. Hofker was born in The Hague and received early art instruction from his father's friend, the famous artist Isaac Israel...

A group of THREE 19th century English botanical prints, two framed identically in gold with closed corners, the third framed in a different gold frame with beading. The matching pair measure 19 1/2" by 17 1/2" in the frames; the final piece slightly smaller at 19" by 16". The print in that latter piece, by artist Fitch, has horizontal creases, one sharp; the year "1846" is written in pencil at bottom edge...

This is an original etching, 11" by 16 1/2" (17" by 21" as framed), by American artist Kerr Eby (1889-1946). The title of the work is "Cattle Ford", and it was executed in 1945, in an edition of 100 apparently. Eby was born in Tokyo to Canadian missionaries but was in the United States by age 3. At 18 he went to New York City for art education, working for a lithographic firm to enhance his financial situation, gaining valuable experience that served him well later in life...

Classic mid 19th century print of a large bird perched on a branch, 20 5/8" by 14 7/8" inside a hand drawn ornate mat, 27" by 20 3/4" framed, with hand coloring of the subject. This print reminds of the Audubon period of ornithological art---in style and overall presentation. There is no indication as to artist, engraver or printer. The print, like many old Audubon examples, has been in a humid environment, as it is heavily foxed, especially at top right, but, really overall...

Samuel Colman (1832-1920, sometimes misspelled as "Coleman") is today regarded as an important American artist of the nineteenth century, some of his works selling into the six figures at major auction. A traveler, he strayed far from his New England roots, taking in exotic locales in the Mediterranean, continental Europe, Mexico, and, notably, the American West. After training under Asher B...

Japanese sosaku hanga “kappa-ban” (stencil print) by Yoshitoshi Mori (1898-1992) depicting Zenzoji Temple in Asakusa, Tokyo. The print is pencil-signed “Yoshitoshi Mori” at the lower right. The artist’s red seal is above the signature. The paper measures 16 3/8”V x 12 1/4”H and dates circa 1980s. This print has never been framed and is in very good overall condition.

An elegantly understated print featuring somewhat Hopperesque houses framed by trees, the imagery generally appearing as monochromatic and grayish, with some light green and pinkish color, signed in pencil at lower right corner and numbered 76/90 at lower left, by the noted American contemporary artist ROBERT KIPNISS (1931-). Kipniss is known for his graphic art and for his paintings, which have gone into five figures at auction...

"William Hogarth" The Bench and Five Orders of Perriwigs The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

Unusually large detailed engraving, 31 1/4" by 20 1/8", laid down on board, of Christ coming down off the Cross, this example engraved by Nicolaus Dorigny (1657-1776), and possibly after Daniel Ricciarelli (1509-1566), in turn after a painting by Raphael. The work is dated 1720 at lower left. There's a lot of text in Latin at bottom, and a close look reveals the names of the two above artists...

"William Hogarth" Taste in High Life The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

This is a fine, limited edition wood engraving by the highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971). The print is signed in pencil at lower right and dated there 1956, when the artist was 67 years old. At lower left in pencil is "Ed. 100". Nason was a Boston-born artist who by the late 1920's had taught himself the fine art of creating prints in the wood engraving process...

Rare and complete book and portfolio with text and loose prints by famous late Japanese print maker Tokio Miyashita 宮下登喜雄 (1930-2011). Text is in Japanese. Title: Inu to kurashita jūninen: aiken Jun no shogai [犬と暮した十二年 : 愛犬ジュンの生涯 ] (Twelve Years of Living with a Dog: The Life of Beloved Dog June) Publisher: Gohachi Shobō (吾八書房) Year: 1996 Edition: 136/170 Number of prints: 6 (plus woodblock printed title slip) Technique: 2 woodblock prin...

An elegantly understated print featuring a bare foreground tree in a strangely empty landscape with just one small structure at the edge of a large clearing or field, signed in pencil at lower right corner and numbered 230/260 at lower left, by the noted American contemporary artist ROBERT KIPNISS (1931-). Kipniss is known for his graphic art and for his paintings, which have gone into five figures at auction. He was born in Brooklyn and was taking art classes at the Art Students League as early...

A scarce lithograph print, the sheet 10 3/8" by 6 3/4" (13 1/2" by 10 1/2" in inexpensive modern framing) signed in the plate and dated 1893 by the noted French artist PAUL-ALBERT BESNARD (1849-1934). The image is a self-portrait of the Paris-born artist, who initially worked in the academic tradition before changing over around 1880 to an impressionist style. Besnard was commissioned to execute a number of murals at significant venues around Paris. This print shows the artist at age 45 (who ...

Original lithograph print, 7 1/4" by 10 3/8" inside the mat opening, the sheet 8 1/4" by 12 3/4", the title "Greeting Card for Aime Maeght", printed by Mourlot in the year 1960 in an unknown edition, on heavy Arches paper. The print is taped at top on the reverse. I note some abrasions: a diagonal scored pressure line at upper right, which extends into the mat, suggesting contact with something sharp; a comma-shaped abrasion in center to the left of the woman, only visible from an angle; a ti...

Adolphe M.T. Beaufrere 1876-1960 This is an original drypoint etching by French artist Adolphe Beaufrere (1876-1960) The title of this etching is "Cottages by the Stream", it was created and printed circa 1930. It is editioned as 19/60. The image measures 8 1/2X8 3/4 inches. Hand signed in pencil in the lower margin.

An elegantly understated print featuring spindly trees in a strangely empty landscape with one small structure, signed in pencil at lower right corner and numbered 146/260 at lower left, by the noted American contemporary artist ROBERT KIPNISS (1931-). Kipniss is known for his graphic art and for his paintings, which have gone into five figures at auction. He was born in Brooklyn and was taking art classes at the Art Students League as early as 1947. In the late forties he studied at Wittenberg ...

This is a color print after the work of California-based Neo-Romantic, surrealist painter ROBERT WATSON (1923-2004), measuring approximately 19" by 24" and 33" by 39" in 1980's style black and silver framing). The work is numbered 15/400 at lower left margin, and at lower right in the margin is a complete, initialed pencil drawing by Watson, adjacent to his full pencil signature. Watson, born near San Francisco, studied in New York and in Wisconsin with Frederic Taubes, before his first one-man ...

An etching of a Native American brave on horseback, by important California and western American artist EDWARD BOREIN (1872-1945). The print is a restrike, likely made from the original plates at some point after the artist's death. Measurements are 7" by 8 3/4" inside the plate line (the sheet 11" by 15 1/4", and 16" by 18" as framed in worn black painted oak circa 1920 frame). Borein's place in the hierarchy of western American art is secure. He was born near Oakland, California not all that ...

An elegantly understated print of flowers appearing to be carnations, and dahlias, the imagery generally appearing as monochromatic and grayish, with some light green and yellow color, signed in pencil at lower right corner and numbered 139/150 at lower left, by the noted American contemporary artist ROBERT KIPNISS (1931-). Kipniss is known for his graphic art and for his paintings, which have gone into five figures at auction. He was born in Brooklyn and was taking art classes at the Art Stu...

Dramatic linocut print, the sheet 13" by 20", unframed, numbered at lower left 6/12 and pencil signed at lower right and dated there 1971, the "HB" blind stamp adjacent, by the important and still highly underrated Swiss-California modernist HANS GUSTAV BURKHARDT (1904-1994). The subject is somewhat uncertain; perhaps a look at a catalogue raisonne of the artist's graphic works would provide the title, but skulls and other references to death seem to predominate, and the ink is black. At lower l...

"William Hogarth" The Sleeping Congregation The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 i...

Poem 71-76 is a yellow-gold print with a bit of a paisley influence. It is number 28 of an edition of 154. Created in 1971, it measures 13in wide x 19.5in high. It is in very good condition. There is tape residue on the back but the front is perfect. .

"William Hogarth" Scholars at a Lecture and The Company of Undertakers The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

A circa 1940 lithograph, signed in the plate, and bearing pencil signature of the printer in margin under the mat, by the noted California Scene artist PHIL PARADISE (1905-1997). This seems to be a scarce work, as I see only two other examples after an online search. Those two were pencil signed by the artist and numbered out of an edition of 100. So we can assume that this was a limited edition. Perhaps this particular example was a proof, accounting for its being signed by the printer, "P,...

By the Liege, Belgium-born artist ARMAND HENRION (1875-1958), a fine color etching in oval shape, of two clowns in full makeup, pencil signed and numbered 19/500. The artist is known today for his wonderfully expressive depictions of the clown, as well as mime reactions. Most of the works are actually self portraits. The depictions in these portraits reveals an affinity for humanity rarely captured in portraiture. He worked generally in oil but also created a number of prints similar to thi...

78-2 (Water) In 1978 Haku Maki was nearing the end of his artistic effort using kanji (Chinese characters) as the main theme of his work. This print is one bold kanji, for Water. To make it easier for his gaijin admirers to know what it meant, he wrote "water' in the bottom margin. The effect if the print is bold, the character stretches across the paper; it has a gold Sun (akin to a splash for accent and decoration, near the center of the print), and the characteristic Maki seal in the lower r...

This is a work by highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971). Nason was a Boston-born artist who by the late 1920's had taught himself the fine art of creating prints in the wood engraving process. This process was popular for illustrating books in the 19th century but by the twentieth it had fallen from favor. He revived the medium and truly excelled at it. By the early 1930's he had been exhibited at Boston's prestigious landmark Goodspeeds book store. His reputat...

Peter Moran, American, 1842-1914, etching, "Church of San Miguel, Santa Fe", image size 4 15/16 x 6 3/4 inches, plate signed lower left

An example of a black and white poster (29" by 24") of the 1971 work "Canal, Netherlands", by important American photographer BRETT WESTON (1911-1993), the poster published by the Photography West Gallery, Carmel, California. The poster is HAND SIGNED in marker by the photographer above the large printed signature. Brett Weston (1911–1993) was born in Los Angeles, the second son of renowned photographer Edward Weston. In 1925, Edward removed Brett from school so the thirteen year old could be...

The main woodcut shows the enchantress Circe in front of Odysseus and one of his crew members changed into a swine. Circe holds a beaker, which stands for her vast knowledge of potions and herbs.
The woodcut below depicts Samson with remains of the Philistine temple. Further vignettes show the descendants of Eli, and depictions of four Jewish judges. The verso with five priests of the House of Eli.
Beautiful late Gothic style.
Woodcut leaf extracted from the small Latin edit...

Dramatic linocut print, the sheet 26 1/4" by 17 7/8", unframed, numbered at lower left 3/6 and pencil signed at lower right and dated there 1971, the "HB" blind stamp adjacent, by the important and still highly underrated Swiss-California modernist HANS GUSTAV BURKHARDT (1904-1994). The subject is somewhat uncertain; perhaps a look at a catalogue raisonne of the artist's graphic works would provide the title. Burkhardt was born in Switzerland and arrived in America in 1924. He attended Cooper...

Through his career, Haku Maki did a wide array of Chinese characters used in the Japanese language as well (kanji). The large prints that Daniel Tretiak called Big Reds were such kanji. Among Maki’s depictions were black kanji on white backgrounds, some stark, some playful, some easily decipherable, others with which he took great liberties. The artistic possibilities that kanji offered were a fascination of his. This broad-brushed embossed print, Poem 72-55, was done in 1972. It measures ...

This horizontal print, created in 1973, is Work 73-14A, a dramatic depiction of the kanji for Dragon. It is 17 of 103 and measures 16.25inW x 11.5inH. Maki did perhaps a dozen dragons and this is one of the most striking.

This is an attractive and elegant poster, issued in 1954 for an exhibition of the works of the ultra famous and important Swiss sculptor, painter and printmaker, ALBERTO GIACOMETTI (1901-1966). Measuring 29" by 20 1/2", it is simply framed in modern metal with glass and no mat. The edition size of this particular poster, titled "Rue d'Alesia", is unknown. It is signed in the stone at lower right. Giacometti was born near the Italian border, studied in Paris with the famous sculptor Antoine B...

ONE OF TWO OF THIS SAME PRINT IN MY SHOP, lithograph print in elegant gray and white on black paper, 27" by 22", (and 33 1/2" by 27" in silvery modern frame), pencil signed at lower right, and numbered 5/100 at lower left. The title is "Daphne and Apollo", the imagery consisting of idealized male and female figures with leafy trees in the background, creating a most interesting and modern composition that looks almost like a "solarized" photo. Considering the complexity of this image, it is no w...

A beautiful Romantic Victorian Garden Scene circa 1900 lithograph 18x13” in its original frame

Beautiful floral print full color framed and matted 13x10” In a gilt frame

A 6x12 vintage glass negative original print photo on canvas by artist Jim Zell view of 14th street NW at New York Avenue

Original etching LA REVUE (The Review) by Jacques Callot printed in 1627, second state of two, Lieure catalog number 592. The print was done just before Callot started working on a huge print “Le Siege de Breda” and must have been done for better understanding of military formations. The print is in excellent condition, framed and glazed, not inspected outside of frame. Plate size 12.0 x 16.0 cm (4 3/4 x 6 5/16 inches), frame size 8 3/4 x 11 3/4 inches. Excellent design, wonderful Callot etc...

A PAIR of lithographs, one of a male, another of a woman, the larger work 24" by 17 3/4" inside the mat (28 1/2" by 22 1/4" framed), the other 19" by 16 3/4" (23 1/2" by 21" framed), both signed in Hebrew in the plate, the larger print numbered 1/50 at lower left in pencil. The works are in black ink though the larger piece exhibits faint blue in the background and light red in the cap. The larger piece has two short edge tears, one at upper left (about 2"), the other at top (about 3/4").

This is an engraving of the year 1821, measuring 13" by 10 1/2" (23" by 20" framed), formerly thought to depict Jeanne d'Aragon but now believed to be Dona Isabel de Requesens y Enriques de Cardon-Anglesona, the image developed by Pierre Bouillon (1776-1831), engraved by Raphael Morghen (1758-1833), after a circa 1500 painting with elements by Raphael Sanzio and Giulio Romano. The lady of means is seen in 3/4 view, her royal garments shown in impressive detail, a view to a loggia beyond, and ca...

Engraving on paper, the sheet 16" by 13 /4" (23 3/4" by 20" as framed), the subject man's cruelty to animals. This work, part of a series of images dealing with the subject, has become over time a landmark commentary on man's cruelty to his fellow creatures. This print is by one of the most famous satirists and social commentators of all time, WILLIAM HOGARTH of England (1697-1764). Hogarth was a painter as well, but it is for his satirical, widely distributed prints focusing on social misdeed...

A group of three etchings of New York City subject matter, each pencil signed and titled by the artist LEON LOUIS DOLICE (1892-1960). The three titles are "Fish Market", "Metropolitan Tower", and "NJ Waterfront". "Metropolitan Tower" is the largest, the printed area measuring 10 1/4" by 7 1/4"; the other two are 7 1/2" by 6" (printed area). Interestingly the prints are all printed off-center or otherwise at irregular angles on the sheets. The artist, LEON DOLICE (1892-1960) was a prolific wor...

Six original etchings from LES MYSTERES DE LA PASSION by Jacques Callot printed in 1631. Scenes represented are (upper row left to right, lower row right to left): Adoration of the Sheperds, Visitation, Adoration of the Kings, Entombment, Descent of the Holy Spirit and Descent to the Limbo. Lieure catalog numbers 685-690 (images and descriptions in Lieure catalog are mismatched, I used numbers from descriptions), second state of two. Excellent design, 6 scenes printed on the same sheet, beautifu...

A piece for your vacation or ski home or rustic country cabin: three panels framed in wood, with color prints featuring Native American Indians. In one panel, a brave fires an arrow as his dogs watch; in the middle panel, Indians around a camp fire watch as one of their members fires a flaming arrow to the sky; and in the final panel, a brave with headdress sits, cradling a rifle in his lap. The prints were made by 1905 by the Taber-Prang Art Company of Springfield, Massachusetts (as seen at ...

Luigi Kasimir (1881-1962)
Corvara, in the Dolomite Alps, South Tyrol, Austria
Titled and dated in pencil, "Corvara 11 Feb. 1916".
Medium: Etching.
Size: 15 x 15 inches.
Signed in pencil by artist at lower margin.
Condition: Tape remnants at outer margin.

Etching featuring a church campanile type tower in an urban setting, signed faintly in the plate on front right corner and signed in pencil in lower right margin "Messick". The print measures 9 1/2" by 7 1/4" inside the existing mat and 13" by 10 1/2" in simple black strip frame. The artist is apparently BENJAMIN MESSICK (1891-1981). I say that with slight hesitation because I have been unable to locate other etchings by the artist, who created many lithographs, but apparently, not etchings, wh...

Carl Bert Albert (May 10, 1908 – February 4, 2000) was an American lawyer and politician who served as the 46th speaker of the United States House of Representatives from 1971 to 1977 and represented Oklahoma's 3rd congressional district as a Democrat from 1947 to 1977. At 5 feet 4 inches (1.63 metres) tall, Albert was affectionately known as the "Little Giant from Little Dixie", and held the highest political office of any Oklahoman in American history. This work is signed and dedicated...

A rare and beautiful 18th century lithograph in Hebrew and Latin

A framed woodblock print by the hand of one of the masters of 20th century Japanese printmaking, 8 1/2" by 11 1/4" inside the existing mat, 15" by 18" framed, signed in pencil by the artist at lower right and numbered 43/120 at lower left margin in pencil. The image is of a nighttime snowfall in front of a traditional Japanese structure. Sekino was creating art before age 20. He knew Shiko Munakata, the famous printmaker, while still young, as they were from the same area. By 1932 Sekino was exh...

This is a fine print on a puckery, soft, Japan-like very delicate paper, the image featuring an obviously Orientalist figure and a greyhound-like dog. The print is after the original 1865 painting by the artist, that painting having been offered at Sotheby's auction in 2009. JEAN LEON GEROME (1824-1904) was a major French academic painter and sculptor and educator of legions of artists in the 19th century in France. Today his historical subject and Orientalist works sell into the millions . ...

Oversized limited-edition Japanese woodblock print by Joshua Rome (b. 1953) titled “Fuyu no Hi (Winter's Day)” dated 2/15/1981. The bottom margin is titled, dated, numbered 30/100 and signed in pencil. The artist's red seal is beside the signature. Paper: 9" x 24 5/8" (image: 6 11/16” x 21 5/8"). Very good overall condition. The print is very lightly sunstruck and there are tiny brown spots about the size of the tip of a pin scattered throughout the paper.

One of an identically framed pair of Currier trotter horse prints in my shop, this example, "The Grand Horse ST. JULIEN, the 'King of Trotters'." (measuring 11 1/2" by 14 1/2" inside the mat, and 19" by 23" framed), is in very good condition. The print is after a painting by the noted American artist Scott Leighton. I have not examined it out of the frame but for the most part, the kinds of problems that most Currier and Ives print acquire over time are not present. There is light browning of...

An image of Mohatma Gandhi after the original 1965 now scarce, low-edition serigraph print by Shahn, , reproduced here on a magazine page, and signed and inscribed in faded ballpoint pen at lower left by the well-known American Social Realist artist, BEN SHAHN (1898-1969). The work was acquired in 2010 from the estate of a relative of Alice and Theodore Himelstein of Marina del Rey, California, along with several original prints signed by Shahn. The Himelsteins, originally of New York, were pe...

This small lively print depicts two generations of small children playing. It measures 6.25in x 8 3/16in.

Shirley Tattersfield, Phila. 20th century. Muralist, Lithographs.

Studied - The George School in Newtown; and graduated in 1949 from the Philadelphia Museum School of Art, now the University of the Arts.

Exhibited - Phila. Print Club.

Lithograph - entitled 'Mannequins'.

Pencil signed and dated

Image - 12 1/2" x 8 5/8", Full sheet - 16" x 11".

Condition - excellent, unframed.

"William Hogarth" Finis The Bathos The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches se...

Circa 1940's vintage period original lithograph print of the famous Alamo fort in San Antonio, Texas, pencil signed in the margin at lower right and dedicated "To Sally & Stan--M. Crittenden", and titled at lower left "The Alamo". The work measures 12 1/2" by 9 3/4" inside the mat, and 18 1/2" by 15 1/4" as framed. I have opened this up to take a peek inside, and have found that the mat is permanently affixed to the margins of the print. There is some browning around the mat edges but bas...