FAT BANISHED ALWAYS STAY THIN HEALTH poster circa 1880 Measuring 16x12 inch in a fine black lacquered frame

A most interesting Mid-Century, as late as 1980's perhaps, multiple: a so-called "cast stencil", "cast paper", or "relief" print, therefore three dimensional, featuring a grid pattern of elongated shapes, with air brush paint application on the striking blue and red sections, signed at lower right in pencil and numbered 34/250 in pencil at lower left by noted Arkansas-associated artist PAUL MAXWELL (1925-2015). This is typical imagery by the artist and sculptor...

Etching on thin laid paper, 3 3/4" by 2 3/4" (14" by 11" in modern day frame), from the series "Beggars and other low life", by the noted early Dutch artist JAN GILLISZ VAN VLIET (1605-1668). The etching is one image out of a series of ten or eleven similar views by the artist, who, despite information to the contrary, was not strictly a pupil/student of Rembrandt...

Lithograph with hand coloring from the Imperial folio quadrupeds series circa 1846, plate number 85, depicting the species Meriones americanus, Barton (the jumping mouse), by the important American naturalist artist and lithographer JOHN JAMES AUDUBON (1785-1851). Audubon was assisted by his son John Woodhouse Audubon, and the printing was by J. T. Bowen of Philadelphia...

Figure 1 is one of a large group of prints that were themselves usually large in size and in subject—one Chinese character in red on a black background. Daniel Tretiak called these prints Big Reds. Maki tended to insert one or more of such prints in the Figure, Poem and Work series. This Figure is number 8 of an edition of 50. It measures 14in wide X 21.75in high. There is tape residue on all four sides of the back—it has no impact on the front...

Original etching with aquatint by Wendell H. Black (American, 1919-1972), first edition, posthumously printed by Berkley Chappell. Excellent original unframed condition. Titled and numbered 7/25 l.l. Signed and dated "65" l.r. 4" by 6" image alone. For information regarding this artist please see "The Lost Prints of Wendell H. Black" by Henry Sayre. (this work is plate 1 in "The Lost Prints...)

Jean Louis Forain, French, 1852-1931, lithograph, "En Greece", image size: 11 x 16 1/2 inches, edition of 100, signed in ink

Barry Moser, American, 1940-, "Timing Devices". A dramatic triptych wood engraving, the three images are individually titled, "The Dump", "The Burying Ground", and "The Eucharist". The overall image size is 8 x 9 3/8 inches, 1977, pencil signed.

North York Militia 1814 ham colored aquatint 13 x 9“, leads England March 1, 1814

A rare Ephemera is this intaglio engraved bond from 1903 for 1000 rubles which was issued by Czarist Russia Royal Government. A beautiful piece of history as well as Art. Framed

Village scene, possibly Nara, issued ca. 1950s, non-limited edition.

Pencil signed in the image beneath red artist’s seal, very good impression and color, untrimmed, full margins, light toning in margins, white tape residue on back of margins, printer’s seal on back of margin.

Overall size: 11 ½ x 17 in., image size: 10 ½ x 15 1/8 in.

Original engraving on copper by Wendell H. Black )American, 1919-1972), first edition, printed posthumously by Berkley Chappell. 6 1/4" by 8 1/4" image alone. Titled an numbered 7/25 l.l. Signed and dated 1965 l.r. This etching is illustrated (plate 3) in "The Lost Works of Wendell H. Black" by Henry Sayre.

East York Militia hand colored aquatint “Robinson” measuring 13 x 19“ dated April 1, 1814 Leeds England

Lithograph print "The Tyresmith", 1890, featuring a Chelsea (London) wheelwright's shop, by JAMES ABBOTT McNEIL WHISTLER (1834-1903). Forges and smithies are said to have been a lifelong favorite subject of Whistler. My research online suggests that this example is one of the 500 to 1000 examples printed from a transfer stone, to be published in The Whirlwind 2, no. 20, issue of November 15, 1890...

Wenceslaus Hollar Hanns Holbein Portrait c 1647 Self-portrait of Hans Holbein as 45-years old in 1543. This copy was engraved by Hollar in 1647. Fair condition mounted corners on left side may have restoration . good image a bit over 5.5" and a bit under 4.5"

An etching on paper, measuring 14 1/2" by 10 1/4" inside the mat (21 1/2" by 16 1/2" as framed), signed in pencil at lower left margin and numbered 29/150 at lower right margin, with a dedication (in the plate) at upper left and date 5 November 1906, by the noted German Jewish artist HERMANN STRUCK (1876-1944). The subject is a bearded man wearing a yarmulke. Struck was born in Berlin of Orthodox Jewish parentage...

This is a landscape work by highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971). The print is signed in pencil at lower right and dated there 1937, when the artist was 48 years old, at mid-career. Nason was a Boston-born artist who by the late 1920's had taught himself the fine art of creating prints in the wood engraving process. This process was popular for illustrating books in the 19th century but by the twentieth it had fallen from favor...

An unframed woodblock print by the hand of one of the masters of 20th century Japanese printmaking, 12 1/2" by 17 3/4" inside the existing mat (the full sheet 16 5/8" by 21 1/2", as permanently laid down on a board), signed in pencil by the artist at lower right and bearing his red seal. The image is of a major traditional multi-tiered temple, perhaps the famous one at Himeji on Honshu, shown in winter with snow on the nearby pines. Sekino was creating art before age 20...