Percival Gaskell, Etching, "In the Garden," This very fine impression with its deep rich tones measures 11 3/4 x 7 3/4 inches, c. 1930. Presented on cream wove paper, this original drypoint has wide margins with a sheet size of 15 1/2 x 10 1/4 inches and is pencil signed on the lower border. Born in England and educated in Cambridge, Gaskell studied art in London and Italy before studying under Sir Frank Short at the Royal College of Art.

Leonard Baskin, American, 1922-2000, "Portrait of a Man," Wood engraving, image size 20 x 13 1/2 inches, c. 1950s. This is a very rare unsigned proof, which does not appear in the Fern & O'Sullivan catalog. We believe this portrait to be of 17th century French artist Jacques Callot, whom Baskin greatly admired and included in his series of etchings, "Portraits of Ten Artists" in 1964.

Large limited-edition Japanese woodblock print by Joshua Rome (b. 1953) titled “Inawara” dated 12/20/1982. The bottom margin is titled, dated, numbered 28/100 and signed in pencil. The artist's red seal is beside the signature. Paper: 18 1/8" x 25" (image: 15 1/2” x 21 5/8"). Very good overall condition. The print is very lightly sunstruck. The bottom margin corners are a little wrinkled and the paper at the back upper edge is slightly distressed from tape removal.

Original etching on copper by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell. In excellent original condition, titled and numbered 9/25 l.l. and signed and dated l.r. Also signed and inscribed "imp" by Berkley Chappell. cf: "The Lost Prints of Wendell H. Black" by Henry Sayre.

Eighteenth Century Lithograph “Four In Hnad” 24x27” by Courier and Ives from 1861

Napoleanonic War Figures in Russia, Russian Town of Tcherkask Lithograph circa 1800 21x18 inches

Beautiful geometric print after Sonya or Robert Delaunay measuring 10x8”

Limited edition print of two sumo wrestlers titled TACHIAI by Clifton Karhu. The print is perfectly rectangular - any distortions of the paper are from photography. The tachi-ai (a combination of two Japanese words that mean “stand” and “meet”) is the initial charge between two sumo wrestlers at the beginning of a bout. Clifton Karhu (1927 – 007) was an American artist who settled in Japan after serving there in the U.S. military during WW II and returning as a missionary...

Ernest W. Watson Biography Excerpted and adapted by Thomas A. D. Watson from the National Cyclopedia of American Biography Ernest William Watson, artist and author, was born in Conway, Mass., Jan 14, 1884, the son of Daniel and Lucinda (Moody) Watson, who came to this country from England. His father was a weaver. Ernest W...

Original woodcut (white pine) by Wendell H. Black (USA, 1919-1972). Titled and numbered 7/25 l.l. Signed and dated "Wendell Black 58 by Elaine" l.r. From the first edition of 25, posthumously printed by Berkley Chappell and signed by Black's widow Elaine. No lifetime edition exists. 11 1/2" by 18". cf. The Lost Works of Wendell H. Black. This woodcut is illustrated plate 11 in this volume.

A beautiful piece of nineteenth Century comedy, depicting a merchant throwing out a patron. Measuring 6x8”

Lithograph with hand coloring from the Imperial folio quadrupeds series circa 1846, plate number 85, depicting the species Meriones americanus, Barton (the jumping mouse), by the important American naturalist artist and lithographer JOHN JAMES AUDUBON (1785-1851). Audubon was assisted by his son John Woodhouse Audubon, and the printing was by J. T. Bowen of Philadelphia...

North York Militia 1814 ham colored aquatint 13 x 9“, leads England March 1, 1814

Maroni Sherman “A Kashmiri Peasant” Drypoint 10x8” Fine quality and beautiful work framed signed and mounted

Figure 1 is one of a large group of prints that were themselves usually large in size and in subject—one Chinese character in red on a black background. Daniel Tretiak called these prints Big Reds. Maki tended to insert one or more of such prints in the Figure, Poem and Work series. This Figure is number 8 of an edition of 50. It measures 14in wide X 21.75in high. There is tape residue on all four sides of the back—it has no impact on the front...

Original monotype by Matt Phillips (American, born in 1927 in New York City). Signed "Phillips" and dated '82 in pencil l.r. Also indistinctly titled or dedicated l.l. ("For Dede"?) 4 1/2" by 4 1/4" image alone. The full sheet measures roughly 12" by 12". In original never framed condition. Matt Phillips is a master printmaker who taught in Paris, and at Bard College in NYC. He is credited with reviving the monotype technique in the second half of the 20th century...

This is an original 1924 etching, from the series of 55 etchings by the artist, in the book "Dingo", published that year by Ambroise Vollard Editeur. The edition was 350. "Dingo" featured dogs and their unique habits and characteristics. This image is adorable, and accurately illustrates how dogs interact with one another---the black dog at left lifting his right paw, the white sheep dogs on their guard, sniffing out the newcomer to their territory...

Colored etching, 7 3/4" by 4 3/8" inside the mat, 13 1/4" by 9 3/4" framed, pencil signed at lower right margin, with "No. 18" notation, by the famous French artist, JEAN-FRANCOIS RAFFAELLI (1850-1924). This is a sympathetic depiction of a common woman of the lower class, gathering sticks on a chilly day for her cooking fire or hearth. Raffaelli found the common, the poor, the working class, and the underprivileged people of Paris and its industrial suburbs to be his favorite subjects...

A lovely 1920 dated etching of the Tower of London, signed FR lower left.

Original lithograph poster issued in 1974 in an edition of 5,000, for the unveiling of a mural by Marc Chagall at the Four Seasons, Chicago. The colors are bright and unfaded. Measurements are 33 1/2" by 22 1/2" (42" by 30" framed) . Due to the danger posed by shipping glass, even when taped, this will be shipped flat or if preferred by buyer, can be rolled in a hard plastic tube (at a significantly lower shipping cost). Email to discuss.

Original etching on copper by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell. In excellent original condition, roughly 4' by 6". Titled and numbered 7/25 l.l. Also signed and dated '61 l.r. This work is also signed and marked "imp" by Berk Chappell. cf: "The Lost Works of Wendell H. Black" by Henry Sayre, plates 7 and 8--plates are misattributed in the book, since GH III should be plate 8, and GH IV should be plate 7.

Early early 19th century “The Prodigal Son In Misery” Eighteenth Century Print 12x10”

A black and white photograph of a man supine on a bed in a simple or even stark interior, signed and stamped on the reverse, and with edition information (6/25) by the noted, widely exhibited American contemporary photographer, MARSHA BURNS (1945-). The photograph is untitled and not dated. Burns was born in Seattle and received early training in the fine arts at the University of Washington, which was followed by study at the University of Massachusetts Amherst...

Possibly purchased at the Chicago 1893 Worlds Fair Exposition.,where photographs were sold of Egypt at the pavilion This work shows the famous entrance to the Souk market

Original engraving on copper by Wendell H. Black (American, 1919-1972), first edition of 25 printed posthumously by Berkley Chappell, and signed by Elaine Black the artist's wife. In excellent unframed condition. Titled in pencil l.l. and numbered 7/25. Signed and dated in pencil l.r. :Wendell Black '54 by Elaine. Also signed by Berkley Chappell and marked "imp". 7 3/4 by 13 1/2 image alone. For information regarding this artist and this print please see "The Lost Prints of Wendell H. Bl...

If you admire the work of Norman Rockwell, and millions do, as evidenced by spectacular auction records over $30 million, but you cannot quite afford that-----yet, would love to own something that Rockwell touched, then consider this beautiful print, (**ONE OF TWO SIMILAR PRINTS I HAVE CURRENTLY IN MY SHOP**), the title being "Springtime in Stockbridge", measuring 16 1/2" by 32". The original was painted for LOOK magazine and this poster was issued in 1971 by Cowles Communications, Inc. Rockwell...

East York Militia hand colored aquatint “Robinson” measuring 13 x 19“ dated April 1, 1814 Leeds England

Lithograph print "The Tyresmith", 1890, featuring a Chelsea (London) wheelwright's shop, by JAMES ABBOTT McNEIL WHISTLER (1834-1903). Forges and smithies are said to have been a lifelong favorite subject of Whistler. My research online suggests that this example is one of the 500 to 1000 examples printed from a transfer stone, to be published in The Whirlwind 2, no. 20, issue of November 15, 1890. It is printed on wove paper and has been laid down to a board so it has not been possible to sea...

A fine detailed engraved scene of a Arab Fortress, possibly North Africa signed E. pieroth, circa 1880s

Original etching with aquatint by Wendell H. Black (American, 1919-1972), first edition, posthumously printed by Berkley Chappell. Excellent original unframed condition. Titled and numbered 7/25 l.l. Signed and dated "65" l.r. 4" by 6" image alone. For information regarding this artist please see "The Lost Prints of Wendell H. Black" by Henry Sayre. (this work is plate 1 in "The Lost Prints...)

Jean Louis Forain, French, 1852-1931, lithograph, "En Greece", image size: 11 x 16 1/2 inches, edition of 100, signed in ink

Etching on thin laid paper, 3 3/4" by 2 3/4" (14" by 11" in modern day frame), from the series "Beggars and other low life", by the noted early Dutch artist JAN GILLISZ VAN VLIET (1605-1668). The etching is one image out of a series of ten or eleven similar views by the artist, who, despite information to the contrary, was not strictly a pupil/student of Rembrandt. It is said that he was working as an independent etcher with Rembrandt, collaborating with the latter on translating paintings to ...

FAT BANISHED ALWAYS STAY THIN HEALTH poster circa 1880 Measuring 16x12 inch in a fine black lacquered frame

A most interesting Mid-Century, as late as 1980's perhaps, multiple: a so-called "cast stencil", "cast paper", or "relief" print, therefore three dimensional, featuring a grid pattern of elongated shapes, with air brush paint application on the striking blue and red sections, signed at lower right in pencil and numbered 34/250 in pencil at lower left by noted Arkansas-associated artist PAUL MAXWELL (1925-2015). This is typical imagery by the artist and sculptor. The online Encyclopedia of Arkans...

An interesting and unique illustration of a comic scene lithograph from the nineteenth century measuring 6x8” more info coming soon

A rare Ephemera is this intaglio engraved bond from 1903 for 1000 rubles which was issued by Czarist Russia Royal Government. A beautiful piece of history as well as Art. Framed