SALE The scarf is probably NH and is dated and also has an initial, Al. It is handwoven and is 38" on two sides and then 47" across the back. It is 1/2 of a square, triangle. It is in perfect condition. The colors are beige, brown, and tan. This is a museum-quality Shaker scarf.

Japanese mid-century sosaku hanga woodblock print depicting a horse in a stable by Kiyoshi Saito (1907-1997). Signed in black ink at the lower left and with the artist's red seal above. Unlimited edition dating circa 1960. Paper size: 11 1/2" x 17 1/8" (image: 10 1/8" x just over 15"). The print was never framed and is in very good overall condition and color with full margins. There is some waviness to the paper and a couple of the margin corners have creases.

Japanese print by Hiroto Norikane (b. 1949-), aquatint of puffer fish lanterns in a basket with one fish lantern hanging overhead by a string. Numbered 97/120, titled, signed in pencil. With red chop.

Dated 1980.

Dimensions: 10" x 13" H (artwork 5" x 6 1/4" H)

Antique Japanese pottery Kiyomizu bowl made by the 3rd Rokubei Kiyomizu (1820-1883). The seal of the potter is stamped on the bottom.

The Rokubei family is one of the most influential pottery clan from Kyoto leaded by 8th generation now with over 240 years of history.
Rokubei III became the head of the family business in 1838 after his father, Rokubei II, retired.
He is known to revive Kyoto ceramic industry after 1868 when the capital moved to Tokyo.
In 1879, he was...

Japanese shin hanga woodblock print depicting two beauties walking with umbrellas down a rainy evening street lined with storefronts titled "Evening at Ushigome Kagurazaka" from the series "Sketches of Famous Places in Japan" by Tsuchiya Koitsu (1870-1949) dated in the right margin "8th month of Showa 14" (1939). A prominent lantern holding the name of the publisher Doi hangs at the left. The title is above the date in the right margin...

Japanese chuban format shin hanga woodblock print by Takahashi Shotei, also known as Hiroaki (1871 - 1945) depicting two figures walking in the snow in the foreground, one holding a parasol walking toward a hut, the second crossing a bridge over a stream. A snow laden tree and torii gate are at the left. Titled "Snow at Ozawa; Torii Gate and a Cottage" the print was published by Watanabe prior to 1930. The title and artist's red Shotei seal are at the upper left...

Boro futonji whose ground cloth and most of the mending patches are hand-spun and natural indigo dyed cotton. It used to be a futon cover so that it still has cotton dust. Late 19th to mid 20th century. 63cm x 144cm

Beautiful vintage Japanese sodenashi (work vest) made with indigo sakiori (rag weave) cotton, woven with multicolor areas to create a lovely patchwork effect, edged in solid indigo cotton, reinforced along the back, sides, and back of the neck in sashiko stitching. These vests were traditionally worn by workers in mountainous regions.

Early Showa period

Size: 13" W x 29" H

Kawase Hasui
Farmhouse in Snow
Date: 1930s.
Print size: Approximately 6 x 4 inches.
A woodblock print tipped along its top edge to an original blank holiday card.
Publisher: Watanabe Shozaburo.
Hasui seal lower right.
Medium: Japanese woodblock print.
Condition: Excellent.

Japanese shin hanga woodblock print titled "Temple in the Wood" depicting deer at a shrine deep in the woods around Nara by Hiroshi Yoshida (1876-1950) dated Showa 15 (1940). Posthumous memorial edition as marked in the upper left margin. The artist's black ink stamped signature and red seal is at the lower left. The print is block titled and signed in the lower margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #237...

Tsuchiya Koitsu
Twilight in Suzukawa
Publisher: Takemura
Date: 1930s.
Size: Chuban. Approximately 10.5 x 7.5 inches.
Koitsu's "Kiyoshi" seal at lower right. Takemura publisher's seal at left.
Koitsu catalog no.: TK-TM-75.
Medium: Japanese woodblock print.
Condition: Light foxing has been cleaned and stabilized. Repairs to paper thinning in sky. Two pinholes at top corners of image.

Sakiori sodenashi (vest) handwoven of cotton strips recycled from old kimono for weft and asa (hemp) yarn for warp. It has beautiful mixed color of indigo, brown, purple etc. In good condition. The first half of the 20th century. W:48cm, L:73cm

Stoneware vase by Arne Bang around 1940, with an applied twig of flowers and a very light matte glaze. Signed with the AB monogram and 184, the model number in Bang's sketch book. Height "3 ½ / 9 cm: Condition: some roughness to the underside of the second flower, otherwise fine.

A Chinese hardwood stand crafted in the style of some examples of Ming dynasty furniture and in the preference of the literati. The simplicity of the stand compliments objects placed on top. Age: 20th century Size: Length 18" Width 12.5" Height 6.6"

Ohara Shoson (Koson)
Kingfisher on Snow-Covered Reeds
Size: Approximately 7 x 4.75 inches.
Date: ca. 1930s.
Shoson seal at lower left.
Publisher: Watanabe Shozaburo.
Reference: AS.13 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Excellent.
Note: Embossed snow on this rarely seen design.

Sakiori sodenashi (vest) whose weft is cotton strips recycled from old indigo dye kimono. warp is asa (hemp) yarn. It has beautiful mixed vegetable indigo color. In good condition but has some wear. The first half of the 20th century. 43cm x 75cm

Ohara Koson
Eagle watching small bird (Eagle with outspread wings)
This example has a Matsumoto Print Works tag on the back (#105). The ca. 1910 Matsumoto catalog lists the print as "Eagle on a Tree."
Size: Ko-tanzaku. Approximately 7.75 x 3.75 inches.
Date: ca. 1900s-1923.
Koson seal at lower right.
References: Matsumoto #105...

A very handsome Art Deco champagne and cocktail stirrer set of imposing size. Each stirrer has a torpedo-shaped finial complete with fins. The stirrers would be inserted with finial down for aerating a glass of champagne or with the thin end down for stirring a cocktail. The underside of the base is stamped the hallmark of B. Borhmann, a silverplate manufacturer in Frankfurt Germany until the mid-1920s...