Catalog: Antiques: Regional Art: Asian (459)

This lacquer serving tray from Burma now called Myanmar) depicts an elaborate palace garden scene populated with nobles in court costumes. The tray is 14.5 inches across. The top surface is somewhat dulled from age end exposure. There is one small area of lost which is irregular in shape, approximately 1/4inch and is locate on toward the rim of the platter and a second area of loss approx 1/8 inch at the widest and follows the curve border rim design for about 1 inch(see pics 2 and 3.

After hand-weaving their home spun yarn, the Miao women of Na Dan would use contrasting thread colors to create an intricate embroidery of geometric patterns on their precious baby carriers. These pieces were highly prized, used primarily for festival, and were handed down through succeeding generations.

The pouch at the top of the tassel most likely contains various herbs to bring health and good fortune to the baby...

This lovely small woman's purse was made from silk satin fabric and embroidered with silk thread useing the satin stitch. The purse still has the original silk ribbon attached to the bottom, and belt loop attached at the top.

This rare antique bag was made and used by the Yi ethnic minority... It was made from hand corded plant fiber,tied into a series of knots to form a shallow sack. Originally there would have been a fabric shoulder strap which would have been tied around the loops on either side of the top of the bag... The front of the bag is decorated with a traditional silver ornament depicting a butterfly. The bag is in tact: no holes, or rips but is dirty from use and age....

This is a pair of old chinese handmade boots which were brought back to the US by an American missionary. In China, it was a woman's responsibility to make shoes for the entire family. This pair was made of cotton fabric, using traditional Chinese techniques. Being slightly padded, they were probably for winter use. They are in excellent condition...an authentic and interesting artifact of old China.

This Meiji period Japanese netsuke is hand carved and represents a mask of Okame aka Ko-omote the young girl of the Noh theater. Material appears to be ivory.

This antique pair of spectacles folds into the space of a single eyeglass for easy carrying. Lacking ear pieces, they rest on the nose, hence the name pince nez. The rims are tortoise shell.

He is charming...well detailed leaning on a pillows ...a few nicks and bruises to the finish as to be expected at this age...roughly 4 inches tall and 6 inches wide...

This home made traditional (old fashioned) would have been hung on furniture door pulls for added decoration in Han Chinese home...full lenght is 30 inches...upper disc is 2 inches diameter 3 dimensional ball ia 3 inches diameter...made from fine silk fabric scrapes

The face of this Japanese Boy's Day Doll, musha ningyo, would certainly scare away any demons...strands of his unkept hair tends to drift across the face, and his costume is elaborately detailed. Without the stand he is 11 inches tall...the stand adds another 2 inches to the height.

Condition excellant with the exception of a couple of small surface paint chips on face reveal white undercoat (clears shown in pictures)

There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

This embroidery panel was originally the front bodice of a dress...Hand embroidered over several layers of heavy fabric and using mirrors and silver and gold metallic threads...this dress bodice was a show piece probably used only for important occasions i.e. weddings etc. Very ornately embroidered, this panel measures 19 x 22 inches. the picture of the back side of the bodice indicates serious wear and age...

All along the four edges of this bone toggle, there is a carved circular pattern design. This pattern is very similiar to a Yao Ethnic Minority pattern and would be unusual in a Han piece.

The last picture enlargement shows how the toggle would have been used to secure the cords of a hat. The bead would be moved up the cords so that the toggle would be tight under the chin...

This old wooden dragon was hand carved with an expressive face and large black eyes. He balances nicely with his tail on a short pedestal. Gripping his prized pineapple in his paws, he licks it with his tongue, clearly relishing the sweet taste. The pineapple has a short hollow plug on top to provide for an incense stick.

The name Zhang Feng Chao is carved on the underside of the pedestal. This old dragon is a wonderful example of an old Chinese folk art artifact...

The black stone tile has mosaic inlay of mother of pearl Taj Mahal detailed with black pen ink lines. This Anglo Indian Victorian piece from the Raj era would have come from the Visagapatam region of India, which was known for its finely detailed black pen ink designs.

Pristine condition and very beautiful. Measured top to bottom and side to side 6 inches each way...measured point to point 6.5 inches

Possibly made from an old kimono, this sweet drawstring purse charming painted and appliqued scenes of trees, rocks and flowers going around the body of the purse. The bottom shows a country gentleman sitting on a rock under a tree enjoying the mountain view. overall condition is very good, however the fabric sleeve for the drawstring is deteriorated. Purse measures 7" across bottom

This is a heavy Chines necklace which was worn by the Dong ethnic minority women. It can be worn and also makes a very impressive display artifact.

The bib front and back are domed to a thickness of about 1 inch at the center and the piece spans over 10 inches side to side. The weight of the piece (approx 2 lbs)indicates that the piece is definately not hollow

This antique lamp was sourced from an old Buddhist Temple in Mongolia. It would have been used as a light source, commonly using fat but also occasionally using oil for fuel. The surfaces are rusted and corroded from centuries of use and weather, which gives the piece character and shows it to be an ethnographic artifact of cultures past and passing. Approx 8 inches wide across the rim of the base and approx 12 inches high. Weight is approx 4.5 lbs