Catalog (603)

This is a traditional style full length silk robe, aka Chapan, from Uzbekistan/Tajikistan area. The pattern was made using an ikat dye technique, and the robe is padded and machine quilted. Excellent condition, shows very little wear...stunning

This box is covered with unusually fine cloisonne work. the four sides and top all have the same design motif. Nicely hinged at the back and sits on 4 separate ball feet. excellent condition, measured 4.5 inches x 2.5 inches x 1.5 inches.

This is a beautifully detailed Japanese lacquer screen with exceptional quality Maki-e work used to highlight the details. The front depicts a landscape shore scene, complete with a crab stretching upward, a monkey after the fruit in the tree, and the makers signature. The rear has 3 cranes in flight.

Excellent condition, no loses. 7 inches high and 9.5 wide including the stand.

Made from burl wood, this elegant Chinese brush pot stands almost a foot (12 inches) tall and 6 inches in diameter. The walls are thick with a repeated rib design and the interior lip has a deep bevel...

Many pieces of turkmen "jewelry" were sewn to clothing as amulets. This rare teke turkomen pendant was originally worn as a necklace and still has the original leather neckstrap. This piece has 5 flat carnelians and gold wash or "fireguilded" detail. The pendant is 6 inches across and 10 inches long.

This tea set was brought back by American missionary who was in China 1920-1948...She was repatriated to the US immediately after WW2 and returned by way of Japan. Considering condition of Japan when she was there, set was probably made sometime before WW2. The 4 piece set was probably used to accompany hina doll display The Habachi has separate lid, food bowl, cup/saucer, netsume has removable top, each piece hand turned wood...

Made and used by the tribal indigenous Aborigine people of Australia, this old Mulga wood boomerang was smoothed using a stone adz...no sandpaper in the outback when this was made... the traditional decorative surface markings were made by pressing a hot poker and wire onto the wood surface forming the running kangaroo and border lines...

This traditional Miao Chinese Minority hair pin would have been worn by young woman for festival. The butterfly motif is in reference to the Miao creation myth. The hair pin is 5 inches long.

This was the traditional jacket used by girls of the Yi Chinese ethnic Minority. Girls wore this style until they were married. This garment is small and was most likely worn by a child between 7-10 years old. Condition considered good...intricate batik work, original silver buttons,hand embroidered detailing around collar,front closure,sleeve and bottom borders... wonderful display item...

This warrior vest from Indonesian is made of bone and plant fibers from the Toraja people of Sulawesi front measures 20 inches long back measures 26 inches long width across ta under arm 19 inches

This large traditional Suriname Maroon wood comb has identical carvings on both sides and would have been worn for ceremonies. The Suriname Maroons were originally sub Saharan African slaves that were brought to and escaped from the Caribbean plantations. They fled to the hills where they established their own villages far beyond the the Spanish "authorities"who then ruled the Caribbean Islands at the time. The comb is 14.5 inches tall and 3.5 inches at the widest. It dates from the ...

beautifully matched strand of large and med sized beads separated by very small metalic beads...silver filigree clasp marked 925... total length of strand is just over 29 iches

This vest made by Chinese Miao ethnic minority....from region of Huang Ping. It is roughly 50 years old... The amount and skill of the hand stitching embroidery and applique animal characters is wonderful...Cotton fabric appears to be homespun...The Miao of the region grew and harvested their own cotton Great wall piece..and will fit an average size man...

Before Contact, the eastern region of Canada was populated with the MicMac (aka Mic Mac, Mi'kmaq) tribal group of the Algonquian Nation. This traditional vintage circular trinket box is made from birch bark and decorated with porcupine quill work. There are a some broken/missing quills around the side of the box. measure 4.5 inches diameter and 2.5 inches high

This vintage/antique lapis lazuli beaded necklace has lapis stones which are both variagated in color and graduated in size. At each end of the necklace is a silver ball next to the barrel clasp. This strand of perfectly matched graduated beads measures 20 inches long.

This old vintage brass pendant has a seated Buddha detailed on the front with good stone work. The back of the pendant depicts a double has dorjie. Measured on the diagonals...2.5 inches x 2.75 inches.

Oval shaped pendant decorated with surface decoratrion and bits of gold detailing, all circling a large lapis lazula stone... This pendant was brought out of China sometime in th 60s/70s...along with many other vintage bits and pieces of old jewelry collected thoughout of China. It looks like it was originally from somewhere in the middle east...silk road transport... It is 2 inches wide x 1.5 inches high...and 3/16ths wide... this piece is assumed to be hollow...It may have been used as...

Probably used once and then packed away for another generation, this vintage silk traditional sari from Varanasi is a vibrant as the day it was loomed. A small leaf pattern of gold metallic thread dots the entire length of the deep green silk field. There is a 2 inch brocaded border on each side which also runs the length of the sari. The end panel is ornately patterned brocaded silk and makes extensive use of gold metallic threads. Throughout India, Varanasi sari are highly prized as wedd...

In Tibetan Buddhism, the Kartika, or Drigug, is a ritual flaying knife used in burial rituals, with the handle crafted as a dorje. A tool of the wrathful female deities known as Dakinis, the kartika symbolizes the cutting of all things material, symbolized by the human body. The blade is left dull (never sharpened) because it was used in a ritual representing the flaying of flesh and not for the actual purpose.

Wonderful patina covers this vintage backpack from the Philippines. A bamboo frame supports the basket woven of plant vines which was made and used by one of the indigenous tribal island groups. The woven straps can be adjusted into position and it is actually a light weight and comfortable. Excellent condition...large 22 inches high, 16 inches across and 10 inches deep.

This antique traditional tribal dagger was made and used by the Manding people who are indigenous to the Western Sudan region of Africa. The dagger is 10 inches long and has a leather covered pommel. The blade is dulled and rusted with a small bend at the tip. The original matching scabbard has traditionally woven worked leather decoration with belt loop and tassel.

This blanket shaped Miao ethnic minority baby carrier is from Jian He and is a good example of the whorl pattern which was so significant to the Chinese Minority. Made from hand-loomed plant fibers (maybe cotton, maybe bast fibers) the surface is heavily decorated with appliques edged with chain stitching. This carrier is in good condition showing a minimum of wear and dirt and it 80+ years old

This traditional Chinese woman's headband was made and worn during the Qing Dynasty toward the end of the 19th century. It has an applique embroidered butterfly on each end and a large full kingfisher feathered medallion in the center. The lotus shaped kingfisher is 4 inches x 2 inches. The entire headband in 16 inches in length.

Old wooden Phurba...nicely aged patina from handling and use... Faces topped with diadems, 3 side "blade"section has carved scroll design almost 11 inches long high. Alternative spelling...phurpa,phurbha, Pronunciation: Fur-bah The Phurba is a special triple sided Tibetan ritual dagger or stake, patterned after an ancient Vedic tool. Originated as a stake that tethered sacrificial animals. It is used ritually to create stability and areas of protected space, often staked into the gro...

This antique carved wooden temple Buddha retains much of his original gilded paint. He sits on a tall base covered with the old Mon Khmer script which had been formed by scratching through the golden paint. The Buddha's head is topped with a stupa-shaped "flame" called usnisa, which symbolizes the realization of Nirvana. Perhaps that explains the soft smile and meditative expression on his face. He appears to be a Buddha from the Tai Lue ethnic group in Burma, the country currently known as...

This is an old traditional style top shirt which would have been worn by a young girl of the Yi Chinese ethnic minority from Yunnan Province. the fabric is made from home grown cotton, hand spun, and hand woven. The collar surround and cuffs are trimmed with an intricate batik pattern and the tiniest embroidery stitched I have ever seen. The shirt has its original buttons. Good size for framing 14 inches across the chest.

The Zhuang are one of the larger of the Chinese Ethnic Minority groups. This is a rare old baby carrier from Yunnan Province. Because silk was not readily available in the rural areas, the use of silk as the background fabric indicates that this carrier came from a wealthy family. The central panel uses several colors of fabric appliqued into a large stylized lotus flower. Silk thread is used for the delicate satin stitched embroidery of butterflies and flowers. The upper border uses multip...