Catalog: Antiques: Regional Art: Asian (239)

Extra large Japanese Edo to Meiji period single section kaidan (step) tansu with six steps, three storage compartments of various sizes with sliding doors, and three fitted drawers. Original iron handcrafted hardware and dovetail construction. 19th century. 71 1/2” high x 68 1/2” wide x 35 1/2” deep. Very solid overall condition. There are typical signs of natural wear from use. The wood has some shrinkage and cracks from the Arizona dry climate...

Japanese Meiji period Sendai style zelkova (keyaki) wood single-section tansu with characteristic rectangular carved lockplate on the upper drawer, Mokko-style (melon) drawer handles, and hinged door on the right side opening to two drawers. Two side carrying handles. Late 19th century (circa 1880). 46 3/4” wide x 18” deep x 34 1/2” high. Very good overall condition with typical wear, some separations in the wood, and shrinkage to the drawers...

Antique anonymous Korean eight-panel screen decorated in ink and color on paper with scenes of Mongol horsemen in a hilly landscape hunting tigers, wild boar, deer, birds, and rabbits with a variety of weapons. The mounting is green silk brocade. Early 20th century to possibly late Joseon dynasty. Full screen: 52” high x 138” long (painting size per panel: 14.5" high x 17” wide (two end panels: 14.5” square). Very good overall condition with no tears or punctures on the front...

Japanese "zelkova" (keyaki) wood Yonezawa style two-section tansu with round iron lock plates engraved in a butterfly motif and rimmed with a thin band of silvery "hakudo" (nickel alloy). "Mokko" (melon style) drawer pulls and four side carrying handles. Circa 1880. 38"H x 38 3/4"W x 17 1/2"D. The tansu is in very good sturdy condition and has the original lacquered finish. There is a slight warp in the case at the lower lower left side of the drawers and a crack extends across the top...

Chinese late Ming dynasty Wanli period porcelain kendi with a compressed globular body and mammiform spout decorated on the globular body in underglaze cobalt blue with flowers and scrolling foliage. Leafy peaches and ribboned lozenges decorate the spout and a band around the shoulder. The tubular neck, which flares to a wide disk shaped mouth, is painted with a stiff leaf band. The base is glazed and the foot rim is unglazed. Measures about 7 1/8" high x 6 1/2" diameter. Early 17th century...

19th century Japanese single-section lacquered wood merchant tansu with black iron hardware and locks with floriate buttons, bronze hirute handles, and featuring fourteen drawers of assorted sizes. Each side has one iron side lift carrying handle. 36" wide x 30 3/4" high x 16" deep. Very good overall condition with the original lacquer finish and intact hardware...

Chinese Han dynasty (206 BC – 220 AD) earthenware statue of a man, commonly referred to as a “stick man.” These figures were modeled after wooden examples. The arms, which likely were wood, and the clothing have disappeared over time. A custom-made acrylic stand is included. Stands about 23” high (about 24” including the stand)...

Large 42-drawer Chinese lacquered elm wood apothecary (medicine) chest. The interior of each drawer is separated into three parts. The names of three different Chinese medicinal substances or herbs are written in white calligraphy on each drawer front...

Chinese late Qing to early Repubic period muted iron red and black lacquered provincial wood chest or cabinet painted with gold bamboo and flowers. The interior is embellished with red flowers on black lacquer. Two sets of double-doors each open to reveal a drawer and an open storage area. A panel below the open area slides up to reveal a hidden storage compartment at the bottom. The chest appears to have the original distressed lacquer finish and hardware. 42 1/2"L x 15"D x 40"H (42"H at t...

Tall Japanese sectional patinated bronze tripod censer, or incense burner, on a pedestal base decorated on the vertically ribbed body with a relief motif of birds perched on blossoming, leafy branches. The lid has a Buddhist lion-dog (shishi) finial and there is an elaborate animal mask form handle on each side. The base holds a square apochryphal Chinese Ming dynasty Xuande reign mark. Late 19th century. 19 1/2” high x about 10 1/2” diameter. Very good overall condition with an apparen...

Chinese Qing dynasty ink and color on paper painting executed in three sections to represent the protectors of Heaven, the world of humans, and the earth. The top features three Buddhas seated cross-legged on lotus thrones among clouds with their hands held in various mudra positions. The midsection holds four Bodhisattvas. On the left are Puxian holding a ruyi scepter astride an elephant and Wenshu holding a sutra scroll atop a lion. On the right riding mythical creatures are Guanyin holding a ...

13"H buff-colored earthenware Yangshao type funerary urn decorated on the shoulders with bold black and red geometric designs. The symbolic significance of this decoration is apparently unknown. Ovoid form with a wide body extending to its widest girth at the mid-section and tapering to a narrow base. Two strap handles at the sides. Neck ending in an everted rim with evenly spaced tiny holes. Machang type (circa 2200 B.C.) of the Majiayao culture, Gansu Province. Machang type wares are nam...

Large Han Dynasty (206 BC - 220 AD) stoneware jar with two loop handles incised with a leaf pattern. Above each handle is a rectangular appliqued ogre mask cartouche. Circa 1st century B.C. Measures about 9"H x 9 1/2" diameter. Above the waist, the vase is decorated with three sets of three raised incised line bands running around the circumference. A mottled olive green glaze accents the upper section of the vase. The lower portion of the vase is an unglazed light terracotta-brown color w...

Korean Joseon Dynasty to a few years later dark stained walnut wood rectangular form coin chest with heavy black iron hardware including metal top hinges, rectangular front plate, iron lock, floral accents along the top at the two narrow sides, and carrying handles on three sides. The top front section lifts to reveal a white papered interior with plenty of storage space. Included is the original authentication certificate from Mr. Lee's Antique Co. in Seoul dated 1989. 37 3/8" wide x 16 1/2"...

24” high Chinese late Qing dynasty Guangxu period baluster form geyao style crackle glazed porcelain vase decorated in underglaze blue with a central panel featuring a deer and crane in a landscape on a white ground. Blue pine branches extend from the central panel to the front of the golden neck. A cream-colored crackled glaze lines the base and interior of the wide dish-form mouth. The rim is dressed brown. The splayed base holds blue and white huts among mountains in front and a celadon...

Pair of large Chinese Qing dynasty lidded ginger jars decorated in underglaze blue with Buddhist lion dogs among flames and clouds set against a white porcelain ground. Glazed base and interior. Including the lid, each jar measures about 11 1/4" - 11 1/2" height and diameter with one jar slightly larger than the other. 19th century. Very good overall condition with no chips, cracks, or repairs. Typical production imperfections. There are scratches in the glaze (particularly on the lids) fr...

Mirrored pair of Chinese late Qing to early Republic period porcelain reticulated marriage lamps. Each of the six-sided shades is painted in famille rose enamels with mirror image floral roundels set against perforated panels which are bordered with a yellow enamel ground decorated with scrolling leaves and flowers. Horizontal bands with perforated flower head silhouettes surrounded by scrolling foliage and flowers set against a blue background border the top and bottom of the panels as well a...

Large Western Han Dynasty (206 BC - 9 AD) hu form earthenware jar with a flaring mouth embellished with a wide raised collar. The chalky painted mineral pigment decoration on this type of jar was designed to imitate the inlaid decoration on Chinese bronze vases. According to the Metropolitan Museum, the swirling cloud-like designs covering the vessel are thought to represent celestial mists through which the deceased would travel to join the immortals. Dates circa 1st century B.C. Measures ab...

Thai Rattanakosin period gilded and lacquered bronze Sakyamuni Buddha figure seated cross-legged in meditation on a plinth with hands in dhyana mudra. The figure is modeled with the characteristic serene face and downcast almond eyes, elongated ears, curled headdress, and flaming usnisa. He wears an elaborately patterned robe draped with one shoulder bare. 19th century. 17 3/8" high; base: 12" wide x 7 1/2" deep; 8 1/2" from edge of knee to edge of knee. Weighs 16 lbs. The base has a casting ...

Japanese Edo to Meiji period Kanto style personal wood clothing chest (isho-dansu) with a single drawer on top and hinged burlwood doors opening to three additional drawers below. The top drawer has a rectangular black iron lockplate. The burlwood doors (referred to as "kannon-biraki do") are supported by five iron hinges on each side and a horizontal iron strap with a central round lockplate to secure and lock the doors. Edo to Meiji period (19th century). 29 7/8" wide x 26 3/4" high x 14" ...

Massive Meiji period Japanese Satsuma globular form tripod jar or “koro” (incense burner) in the form of a gathered pouch (Daikoku's bag), the bulbous body elaborately decorated in overglaze enamels and gilt highlights with “karako” (Chinese children) and other figures engaged in various leisure and scholarly activities in a garden setting. Late 19th century. 17” high x 16 1/2" diameter. Good overall condition with some typical rubbing of the enamels and gilt. Fine quality profess...

Chinese Han dynasty lidded gray earthenware hu-form jar with globular body and slightly flaring neck divided into horizontal grooved bands holding incised decoration of various animals. Two opposing applied taotie mask handles are at the shoulder. The circular domed lid has three loops at the edge. 14 3/4" high. 206 BC – 220 AD. This form was designed to imitate the shape of a bronze hu vase. Very good overall condition for its age and type with typical wear, soiling, and minor chips evi...

Chinese late Qing to Republic period camphor wood trunk densely carved with relief lotus flowers. Incised brass circular front lock plate. Circa 1900 to early 20th century. 31" long x 14" wide x 13" high. Very good, solid overall condition. There is a small separation in the wood at one of the front edges and a minor loss at one back corner revealing the tip of a tiny old nail (see closeup images). This piece is from the Manning family collection and was originally housed in the historic M...

Massive Japanese Arita porcelain punch bowl decorated in underglaze blue with four alternating dragon and phoenix panels surrounded by a dense background of floral and geometric forms set against a white ground. The center features a treasure ship among kiri (pawlonia) crests, flaming pearls, and patterned balls. The outer wall holds four floral sprays set between bands at the rim and foot. A double foot ring base dates the bowl to circa 1870 (early Meiji period). 20 1/4" diameter x 7 1/4" high...

Large Chinese Han dynasty (206 BC - 220 AD) iridescent green glazed tapering ovoid form burial jar decorated with a band of well moulded animal forms extending around the upper circumference of the jar. Measures 7" high x 8" diameter. The mouth and base have the typical indications of the Han firing process. Small remnants of the clay support from the kiln are visible at the lower base and at the mouth where the jar was detached from supports. Very good overall condition. There are a few small ...

Large Chinese late Qing dynasty export porcelain punch bowl decorated around the circumference in famille rose enamels with birds, flowers, and butterflies. A dense polychrome enamel border extends around the interior and exterior of the top. A few blue bats are scattered on the exterior border and gilt highlights the rim. 14 1/4" diameter x 6 1/2" high. Late 19th century. Very good overall condition with no chips, cracks, or repairs. There are typical production irregularities and there i...

Pair of Korean late Joseon Dynasty square form wood wedding chests on fixed stands with metal loop handles on three sides. The lids open to reveal a nice sized storage space. A white brass rectangular plate is on the front and and holds a fish lock. Brass and white brass (nickel) hardware accents decorate the edges. Late 19th century. Each measures about 17 1/4" high x 18 1/4" wide x 17 1/2" deep. Very good overall condition with typical wear from use. One of the chests has a few cracks i...

Chinese Qing dynasty Tongzhi mark and period (1862-1874) cylindrical food container decorated around the circumference with four overglaze iron-red five-clawed dragons in profile above a band of underglaze blue waves. Each dragon is among underglaze blue clouds and separated from each other by a pair of vertical blue cloud bands shaped like opposing bats. A geometric blue band extends along the top. Each side has twisted metal handles supported by two animal mask lugs with gilt highlights. W...

Chinese elm wood square low table in a natural finish with two deep drawers each on two alternating sides. Brass hardware appears to be original. Late 19th century. 19 5/8"H x 31 3/4" square. There is an old narrow moon shaped burn on the top (see enlargement 3) and there are a few small separations in the wood on the top from shrinkage. This piece is from a Tucson collection and was purchased by expatriates to Taiwan in the 1980's.

Very large Japanese Meiji period Imari porcelain charger decorated in underglaze blue and overglaze polychrome enamels and gilt highlights with a background of rich brocade geometric forms. A scroll unrolls from the right to reveal the Gods of Good Fortune. At the left, moriage flowers in piled enamel rise behind a fence. A foliate form cartouche at the bottom holds the three friends of the garden (pine, prunus, and bamboo). Three blue and orange-red floral sprays encircle the back rim. The base...

18” high Japanese Meiji period cloisonne vase featuring a pheasant and dove among maples leaves and flowers set against a pale blue background. The neck is decorated in a dense butterfly and floral pattern highlighted with goldstone. Blue counter enamel to the interior mouth and base. Copper substrate, base, and rims. Dates 1885-1895. 18" high. Good overall condition with some minor age discoloration to the background, a few fine old brown hairlines, and a few small blemishes (see images). ...

An example of Taiwan country furniture, this Chinese antique wood trunk sits on a custom-made stand and is finely decorated in panels of black ink painted flowers. It was purchased in Peitou, Taiwan in 1987. It was refinished at that time and the custom stand was made for it. The dealer in Taiwan dated the trunk to circa 1920 and described the wood as machilus. When the lid is opened, the interior is very fragrant. On the stand, the trunk measures 15” high x 25” long x 17” deep. Very...

“Kinokuni Hill and Distant View of Akasaka Tameike” from the series “One Hundred Views of Famous Places of Edo” by Ando Hiroshige (1797-1858) dated 9/1857. The print depicts the forward guards of a daimyo procession with the houses of Akasaka district in the background. The print measures 13 5/8”V x 9 3/8”H (image: 13 ¼”V x 8 5/8”H). Signed within a red cartouche at the left. The title and subtitle cartouches are at the upper right. The seal of the publisher Uoya Eikichi is...

Chinese Western to Eastern Jin dynasty (ca. 4th century) Yue ware dish-mouth vase (pan kou hu) with wide shoulders tapering to a flat, slightly concave unglazed base. Two double-strand lug handles are at the top of the shoulder connecting to the bottom of the short neck. It is covered in a thin, light buff-celadon colored glaze that extends down toward the unglazed base. The glaze becomes more buff-tan in coloration in a patch on one shoulder and in some areas of the neck and mouth. 11" high...

Japanese Edo period woodblock print depicting a young salt-water gatherer by Kikugawa Eizan (1787-1867) from the series "Seiro Niwaka" (Yoshiwara Nikawa festival). Eizan, who was the master of Eisen, specialized in designing prints of beautiful women. The "kiwame" censor's seal and the seal of the publisher Yamaguchiya Tobei are at the lower right. The artist's signature is at the lower left. Dates from the 1810s to 1820s. Vertical oban print measuring 13 5/8"V x 9 1/8"H. Very good overall co...

Japanese Edo period woodblock print kakemono (vertical diptych) by Utagawa Kuniyoshi (1797-1861) depicting a full figure Heian beauty, Lady Shizuka-gozen, dressed in shirabyoshi (court dancer) costume appearing under a rolled screen, preparing to dance before Yoritomo. Published by Izumiya Ichibei circa 1840. Signed Kochoro Kuniyoshi ga. The publisher's seal is at the bottom of the image. The assembled size is about 28” x 9 3/4" (top sheet: 13 7/8" x 9 3/4"; bottom sheet: x 14 1/4" x 9 3/4....