An antique Tibetan religious storage cabinet used for food preparation with lift-off cover. Hand painted front panel depicting a scene featuring a seated Buddha with worshippers, a temple, elephants, a deer, a monkey, ducks, horse, a rabbit, and a wise man surrounded by attendants. The panel is framed with an arabesque design.

Age: 18th Century

Dimensions: 48" Wide by 27 1/4" High by 13 3/4" Deep

A very good quality antique Himalayan Nepalese large ritual bronze lamp Sukunda, 18th century, Nepal, Newar tribe Kathmandu Valley.

The lamp consists of an oil storage pitcher with a shaped handle with a finial in the form of a five -headed cobra. Nestled within the hooded canopy is an image of a Hindu deity, Vishnu, wearing a tall crown.

The pitcher holds fuel made of clarified yak butter for use during rituals...

18th century Tibetan thangka depicting Ekadasamukha - Boddhisattva Avalokiteshvara manifesting its form with 11 faces. Boddhisattva is holding various implements in his 6 hands, there is Tsongkhapa surrounded by 2 lamas depicted above him and 3 deities (White Tara, Mahakala and Green Tara) below. Beautifully painted with natural mineral pigments on cotton, original mounts lost its silk front but retained cotton backing, the thangka can be displayed hanging...

Good size late 18th to early 19th century Tibetan thangka depicting Buddha Amitabha presiding over Sukhavati, the Western paradise. Amitabha - the Buddha of Infinite Light - sits in his palace surrounded by pious men dwelling in the land of bliss. There are flying Buddhist angels above the palace, and before it there is a lake in which devotees are reborn on lotus flowers with two rowing boats carrying believers to the Amitabha’s paradise...

Antique 16th-18th century Tibetan Buddhist gilt bronze Shrine including, base and mandorla for Buddhist deities, also known as 'parikara' or 'prabha' (aureole). The base is decorated with a row of lotus petals and a mandorla chiseled with a flaming pattern.

Since gold was more expensive centuries ago than in modern times, gilding is found only on the front.

CONDITION: It shows its age and use. It has an old patina and gilding with age-related wear...

Superbly cast bird perch, of curved shape, with two dragon heads and two bird heads in the round. Bronze, with fine greenish patina. Himalayan Region, 18th century. Dimensions: length: 3 3/4" (9,5 cm), height: 2 7/8" (7,3 cm). Excellent condition. A rare and fine piece. Collected In Nepal in 1974 by its former owner.

Excellent quality antique Himalayan Nepalese large ritual bronze Buddhist oil lamp Sukunda, 18th century, Nepal, Newar tribe Kathmandu Valley.

The lamp consists of an oil storage pitcher with a dragon-shaped handle made of several elements of copper alloy, hand-forged, repoussé, and engraved, soldered, riveted, and hinged together.

The pitcher holds oil for use during rituals...

Hand written Nepalese manuscript. Undated estimated to be 17/18th century or earlier. Anointing marks on cover, one illustration, 70 sides of text, each 20x 7.5 cm. No loose pages. Can be viewed in central London and shipped worldwide.

An antique bronze Yama Dharmaraja. Yama Dharmaraja is an emanation of Manjushri and is a Tantric Buddhist deity and a protector deity. The name means 'Lord of Death, King of the Law. Dharma is the law of cause and effect (karma).

Date: 18th Century (early to mid 1700's)

Dimensions: 6.5" tall X 5" wide X 2" deep

Superbly cast bird perch, of curved shape, with four dragon heads in the round. Bronze, with fine greenish patina. Himalayan Region, 18th century. Dimensions: length: 3 5/8" (9 cm), height: 3 1/8" (8 cm). Excellent condition. A rare and fine piece. Collected in Nepal in 1974 by its former owner.

Tibetan or Mongolian Rare Buddhist Tantric painting of sets of offerings (rgyan tshogs). Undated, estimated to be 18th century Inks and colours on cloth. 54cm square

A seal made of bronze, decorated in relief with one of the eight Buddhist symbols -- the Two Fish --- on its top, and the Buddhist Banner around its body, and finally with one of the eight Buddhist symbols --- the Eternal Knot --- beneath. Leather cord. Fine reddish-green patina. Tibet, 18th century. Height: 51 mm. Very good condition.

17th Century Tibetan Thangka of Avalokitesvara with original silk mount and silk cover from a renowned and published collection. Mount: 46 x 28 inches (117 x 71 cm), Painting: 28 x 20 inches (71 x 51 cm).

Architectural element, of triangular form, finely carved in relief to represent a celestial being, half chimera half human, carrying a banner and surrounded by clouds. Wood, age patina. Nepal, 18th century. Length: 36.5 cm. Nicely mounted on a custom stand. Good condition.

Four Arms Avalokiteshvara (Tibetan: Chenrezig; Chinese: Sibi Guanyin), the Bodhisattva who embody the Universal Compassion. Seated in meditation with the upper hands holding a prayer beads and a lotus; the lower ones in worshiping Mudra ( Anjiali Mudra). Made of purple sandalwood (zitan), a very precious type of wood dear to Himalayan worshippers. The image is painted and has remains of gilding in the halo. As it is normal for images of this type, it is assembled from several pieces...

Large mask representing the face of Mahakala with its typical terrifying expression, the features being carved in relief and the mouth in openwork showing teeth . At the top of the back of the head a small cylinder has been carved on a small platform. This cylinder was meant to contain a horse hair (often of white coulour), to decorate the mask. Wood, with obvious signs of great age and remains of woodworm attack (no more danger). Old accidents and old and local restorations on top of mask...

Tibetan Himalayan Heavy large carved wood Manuscript/script Cover, some of the gold and Polychrome finish still remain between low relief carved design, 27 1/2" long, 10 1/2" high, 1 1/2" thick, weight is heavy and one(1) large size of wood panel was used. One end is carved with polychrome and gold finish, and the other end is not carved. There are some yak butter stains on wood, and rounded corners with age. The condition is good, no damage or restoration.

Large mask representing the face of a Protector of the Buddhist Faith ("gompo"), with its typical terrifying expression. Wood, with beautiful dark glossy patina and traces of original polychrome pigments. Old accidents and old and local restorations on top of mask (no danger). Bhutan or Tibet, early 18th century, probably earlier. Height: 14" (35,5 cm). The mask is nicely mounted on a custom metal stand. Good condition. A rare piece...

Rare antique Nepalese made of copper alloys traveling pen case and attached inkwell from 18th century Nepal.

The tubular pen case is finely hand-chiseled on the one site with 8 Auspicious Symbols of Tibetan Buddhism including:

The Conch, Parasol, Golden fish, Treasure Vase of sacred water, Victory banner, lotus blossom, endless eternal knot, the opposite site is chiseled with foliate scrollwork...

Though the traditional practice of Tibetan "sky burial" is well known. But in some areas of Tibet the Buddhist practice of cremation is also used for some individuals, and The ashes are placed in a box made specifically for that purpose. This cremation box dates to the 18th century and has carved line decoration on the sides... It is made so that the top is keyed to the bottom and slides open from one end. Although the slide still works, with age etc, the top and bottom have warped so tha...

18th century or earlier Tibetan carnelian agate dzi bead with geometric designs of lines and dots. Dzi beads are believed to hold magical properties and are worn as amulets protecting from demons, bringing prosperity, overcoming negative forces, clearing obstacles, increasing merits & longevity. Beautiful stone with typical agate layer lines and wonderful light colored etching. Excellent patina with great feel of age, expected small nicks, chips and other signs of long life. Length 1.18 inches (...

A powerful image of Padmasambhava also known as Guru Rimpoche, the reputed founder of Tibetan Buddhism. Carved mostly of a single piece of precious dark purple sandalwood (zitan). Remains of colours and gold. Tibet, 17–18th cent. H 15 cm. Condition: Very good but of course with wear due to age. The trident (khatvanga) is missing.

Nepalese stone carving of a four armed Lord Vishnu, standing atop a lotus pedestal, holding in his hands a conch shell, a discus, a lotus blossom, and a mace. From Newar, Kathmandu Valley.

Malla period 16th century

Dimensions: 3 1/4" w x 1 1/2" h x 5 1/4" h

Lime box of round shape, its lid with embossed decor of the Buddhist Wheel of the Law on top, foliage design under it, surmounting a series of dragons in clouds below, the whole on an elaborate tiny lotus decor. The sides of the lid are decorated with a geometric incised design of a cross and a kind of Greek key. The sides of the body of the box are also decorated with this cross and Greek key design. Beneath the box, an incised decor of Buddhist svastika and flowers. Two small loops for attachm...

A very fine solid cast Tibetan bronze depicting a six-armed Mahakala. Excellent detail- note the finely cast skull crown as well as the excellent facial detail. The piece is free of any damage and measures 4-5/8" in height

Authentic antique 18th -19th century finely painted on cloth Tibetan Tangka – Thanka of Chenrezig -Avalokiteshvara - Buddha of compassion.

The deity, with white skin, is seated majestically on a grand throne, elegantly dressed in a traditional dhoti, and adorned with an array of ribbons and intricate jewelry, which adds to the overall grandeur of the scene. The deity is surrounded by a radiant nimbus and aureole, which further emphasizes the deity's divine nature. The scene is set amids...

Small antique Tibetan bronze cup. Intended for holding water in a Buddhist shrine. Made of bronze and shaped in the form of a lotus with petals starting in a gardroon and ending in a scalloped edge just below a ring around a smooth rim.

17th century

Dimensions: 2" high

Tibetan painted Zitan wood figure of a standing Padmapani Bodhisattva one of the many forms of Avalokitheshvara. Tibet or Nepal, 18th cent. His right hand lowered and extended in varadamudra while the left is raised in vitarkamudra. His face has a serene expression; he is wearing a dhoti, a scarf and jewels. The Bodhisattva only has been made of precious Zitan wood. Standing on a separate carved lotus base, behind him a flaming halo, both base and halo made of a different type of wood. The bac...

Antique Himalayan tsha tsha (small votive plaque) depicting White Tara seated on a lotus throne. White Tara (the Mother of all Buddhas) is worshipped as the embodiment of the maternal aspect of compassion. Her seven eyes allow her to see all suffering.
Tsha Tsha were cast of clay mixed with ground incense and sacred ash. They were dried in the sun and painted with polychrome pigments. Small votives like this one were left as offerings at spiritual sites along a pilgrim's route. This t...

THANGKA

Tibetan Buddhist thangka painting on silk and cotton fabric mounted as a portable scroll for the monk who visit the villages and use it for telling Buddhist doctrine or Buddha's biography to the people. 18th century. Rare valued piece with calm and mercy. The condition is as seen. (lack of a rod, but attached with a gut for hanging) approx. 110 x 67cm (43.30 x 26.37in)


selected by Jinta




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A delicately cast fire-gilt bronze image of the Four-armed Avalokitesvara (Tibetan: Chenrezig; Chinese: Sibi Guanyin), the Bodhisattva who embody the Universal Compassion, seated in Dyana-asana on a lotus flower. Original sealed bottom. Tibet, 17th cent. H 11 cm. Condition: very good gilding with natural patina due to handling.

18th century Tibetan thangka in original mounts depicting Begtse standing on a lotus throne trampling on the corpses of horses and humans, brandishing a sword, supporting a lance and a bow and devouring a human heart. Rather rare icon, Beg-tse (also called Jamsaran) is a dharmapala (the Defender of the Buddhist Law) and the Lord of War, in origin a pre-Buddhist war god of the Mongols - his name means “hidden coat of mail”. He has red skin and orange-red hair, two arms (as opposed to other Ma...

Nepalese painted manuscript cover, 4 illustrations, colours on wood, 5x23.5 cm, wax seal, undated estimated to be 18th cent or earlier, can be viewed in central London and shipped worldwide.

Indian painting of a woman on a black background upon a marbled page.Undated, estimated to be late 18th century. 41 x 30 cm. Surrounded by hand drawn calligraphy between elaborate borders. Text on reverse. Framed and glazed.

Interesting early brass figure of the reclining Bull Nandi, Southern India, c. 18th. century.

A finely made figure, much older than most we've seen on the market.

Size: c. 9 cm. tall and 6,5 cm. wide.

Condition: Choice Very fine, smooth wear from use and polishing, redish patina inside, remnants of pigments.

Ex. Private collection of Ulf Gudmundsen from the 1950s and onwards. An important collection of Tribal African and Asian antiques.

18th century Indian bronze votive sculpture of Ganesha sitting on a square throne, with his vahana (vehicle) - a bandicoot rat - in his lap, and holding his usual attributes in his 4 hands. There is a protective naga (cobra) wrapped around his waist. Ganesha is the remover of obstacles, and thus is invoked before any new undertaking. He bestows good luck on his worshippers, and is invoked in marriage ceremonies and in some forms of Tantric worship. Very nice casting and detailing, beautiful warm...

18th century Indian bronze votive sculpture of dancing Krishna playing a flute, cast in the State of Orissa. This avatar of Vishnu playing flute for gopis is known as Krishna Venugopala (as always in this image, flute was cast separately, and is missing). Excellent casting and detailing (see the loose ends of his tied loincloth), wonderful face, beautiful patina, very pleasant feel of age to the sculpture. Height 5 1/4 inches.

Miniature 18th century Indian bronze shrine for a home altar in a form of a courtyard with generally recognizable figures of Shiva, his wife Parvati, Naga (hooded cobra), and facing them their elephant-headed son Ganesha, another Naga, Nandi the bull of Shiva and Shiva lingam. Very nice simple devotional sculpture with earnest casting and detailing, good patina from being touched during worship, a lot of compressed dust, very pleasant feel of age. Length 15/16 inches.

18th century Indian bronze votive sculpture of Ganesha sitting on an elevated base and holding his usual attributes in his 4 hands. There is a protective naga (cobra) wrapped around his waist. Ganesha is the remover of obstacles, and thus is invoked before any new undertaking such as marriage or new business. He bestows good luck on his worshippers, and is prayed to in some forms of Tantric worship. Very nice casting and detailing, beautiful warm patina, wonderful feel of age produced by devotio...

18th century Indian bronze votive sculpture of standing Bhairava accompanied by a small figure of a saddled horse. Govinda Bhairava is a syncretic form of Vishnu and Shiva. The upper hands are holding Vishnu’s attributes (Chakra and Shankha) and the lower hands are holding Shiva’s attributes (staff and begging bowl). Rare icon,. wonderful casting, beautiful devotional wear, excellent patina, traces of red sandalwood paste used during worship. Height 2 3/8 inches.

18th century Indian framed watercolor of a maiden wearing rich clothes and holding a flower in one hand and what is probably a long necked perfume bottle in the other. Excellent delicate painting, superb detailing, has good presence. Old tear above her head as seen on photos, overall in very good condition. Framed and glazed, image in sight 5 1/2 x 3 3/4 inches, frame 11 5/8 x 9 1/2 inches.

Double sided manuscript leaf. Rajasthan, 1776 From a dispersed copy of the Shalibhadra Caupi. The story of Sangam. Composed by Dharma Kumar. Gujarati version. Sirohi manuscript: Sangama herds cattle and the four neighbours bring the ingredients for khir and 3v: Dhanna cooks khir, Sangama gives his food to the monk breaking his fast and Dhanna gives the boy the rest of the food.See p.104 'Steps to Liberation', Jan van Alphen, Antwerp, 2000 11cm high x 26.7 cm wide. Good condition

Antique Islamic silver-inlaid Bidri vase, 18th century, Deccan, Mughal India. The vase is made of cast body and has an elegant water chestnut shape. It has an elongated flaring neck with a flange collar and is raised on a spreading ring foot. The vase is richly inlaid in silver with stylized poppy flowers and foliage.

CONDITION: Shows its age and use with a beautiful old patina, with some loss to the silver inlaid.

MEASUREMENTS:

Height: 22.9 cm (9 inches)

Diameter: 12 cm ...

Child Jesus as a Good Shepherd ivory statuette on a pedestal. He is naked and his face is gently leaned. His hairs are sculpted in fine strand of hair shaping curls. His almond eyes and his fixed look suggest a mystic and pensive attitude. The Christ child is seated, he is in a deeply meditation. In accordance with the classic representation of Salvator Mundi (“Savior of the World”) he holds a globe in his hands and lean on his visage his other hand, index finger and his middle finger...

Antique silver-gilt and filigree (Chandi Tarakasi) Indian Royal ceremonial scepter mace (chob), 18th century, Mughal India.

The mace is composed of many separate elements of silver, including a spherical gilt silver head (hollow inside) covered by intricate lattice filigree work decorated with garland and flowers enclosed at the bottom and the top by gilded silver rosettes and surmounted at the top with a gilt silver bulbous finial (hollow inside).

The baluster shape handle is made of h...

Late 18th to early 19th century Indian bronze votive sculpture of Ganesha sitting on a base, cast in the Indian state of Maharashtra. Ganesha is the remover of obstacles, and thus is invoked before any new undertaking. He bestows good luck on his worshippers, and is invoked in marriage ceremonies and in some forms of Tantric worship. Very good casting with nice thinly cast base, beautiful warm patina, overall in very good condition for a votive piece. Wonderful feel of age produced by signs of d...

18th century Indian bronze votive sculpture of dancing Krishna playing a flute, cast in the State of Orissa. This avatar of Vishnu playing flute for gopis is known as Krishna Venugopala (as always in this image, flute was cast separately, and is missing). Excellent casting and detailing (see his eyes inlaid with silver), wonderful face, beautiful patina, very pleasant feel of age to the sculpture. Height 5 7/8 inches.

From India, a tiny but fine and old bronze figure of Bhu Devi, the Earth-Goddess and second wife of Visnu. 17th century or earlier.

Approximately 7.7 cm high. Fine condition with a lovely old patina.

Please study the photographs.

Within the UK payment by bank to bank transfer is preferred.

Customers from other countries may pay by PayPal at my discretion.

Customers resident in China must make arrangements to pay by International Bank Transfer in GBP, fees...

Unusually sculptural 18th century Indian bronze shrine in a form of a courtyard set around a Shiva lingam: Shiva and his wife Parvati, each one seated with one leg pendant, their backs against an ornate probhavali with sun and moon symbols, their elephant-headed son Ganesha, Nandi the bull of Shiva, and Naga (hooded cobra) rising protectively over the lingam. Very nice devotional sculpture with earnest casting and detailing, good patina from being touched during worship, a lot of compressed sand...

This is a remarkable antique Huqqa crafted in the 18th century in India during the Mughal Islamic period. The Huqqa takes the shape of a bell and is made of brass covered with sheet silver. It is meticulously engraved with a beautiful and intricate silver floral pattern that is sure to captivate any admirer.

The base of the Huqqa is stamped with the name of the maker, which adds to its authenticity and historical significance.

MEASUREMENTS: Height: 20.5 cm (8 1/8 inches). Diameter: 22...

Huge 96 cm Antique Museum quality 17th - 18th century, Indian, finely hand carved and polychrome wooden sculpture of the Hindu deity Garuda.

He stands in a Tribhanga pose on an octagonal lotus base over a rectangular plinth, wearing a long dhoti tied at the waist with a sash falling down the sides of his legs. His upper torso is adorned with necklaces, his arms with armlets and bracelets, his face has a large nose and a full handlebar mustache, and he wears a high conical headdress.

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18th century Indian bronze votive sculpture of Nandi - the vehicle of Shiva, or sometimes considered to be a form of Shiva himself. It rests wearing rich trappings in front of Shiva lingam. Very nice casting, wonderful feel of age produced by devotional wear and compressed sandalwood paste used during worship. Very good devotional object, pleasant to hold. Length 2 inches.

This is an exquisite and rare antique 18th-century Mughal Northern Indian Islamic cast brass lidded ewer or aftaba that is a true masterpiece of craftsmanship. The pear-shaped body of the ewer stands on four short feet, giving it a sturdy base and a regal appearance. The body is adorned with slightly raised almond-shaped medallions meticulously engraved with poppies, adding a touch of elegance and sophistication to the overall design.

The body of the ewer is also incised with intricate and...

18th century small votive Indian bronze sculpture depicting Shridevi - a form of Lakshmi, the consort of Lord Vishnu representing Wealth - with bare breasts and holding an open blue lotus (nilotpala) in her left hand. Very nice casting - see her gracious figure with the slightest bent at the waist and one foot placed in front of the other, beautiful warm patina, high devotional wear, overall in great condition for a votive piece. Height 2 1/4 inches.

Late 18th to early 19th century votive Indian bronze sculpture of Rukmini - a consort of Vitthali, who is regarded as a form of Vishnu or Krishna. His name means “standing on a brick”, he is usually shown in characteristic stance with his hands on his hips, he is also known as Vithoba or Panduranga, and is worshipped in particular in Pandharpur, not far from Bombay. She is shown with the same hand positioning, very good casting and sharp detailing - see her jewelry. Wonderful devotional wear...

Rare, antique, 18th century, Indo Persian shield (Dhal - Separ) - a white rhinoceros hide shield with six gold gilt bosses, Islamic Mughal North India.

The shield is of circular convex form with inverted rim, made of semi-translucent, very thick, treated white rhinoceros hide, adorned in the center with embossed central medallion, and mounted with six handmade copper bosses, heavily overlaid with gold, seated on the crimson fabric base.

The interior is fitted with a rectangular crimson...

Antique Mughal Indian Islamic cast bronze water pipe (Huqqa) base North India or Deccan, 17th-18th century.

It has a drop-shaped form that tapers to a bulbous point. The octagonal beveled sides have an aperture on top and the shoulder, and the top is embellished with a band of concentric fluted patterns.

MEASUREMENTS: Height: 15.7 cm (6.18 inches).​

CONDITION: It displays signs of wear and age with a dark brown patina on the exposed areas, a result of centuries of use.

18th century Indian bronze Shiva shrine from Western India in a form of a courtyard, the family of Shiva seated around a lingam, including his wife Parvati, their son Ganesha, and Nandi bull at the entrance of the shrine. The back halo has the protective naga (cobra) with its hood wide open, and there is a pile of offerings in the front right corner of the shrine. Nice piece with good casting and detailing, good patina with accumulated sooty dust from incense, very pleasant feel of age. Height 2...

Pichhwai, temple painting, of Radha and Krishna in the Garden, Kishangarh Style, this Hindu scene of the God Krishna and his beautiful consort, the Goddess Radha takes place in a lush garden. The sacred mountain rises up behind them and as the two figures embrace at the opening to a cave.

At the top of the mountain sits a white palace and the sky is filled with 6 bird-shaped celestial chariots toward the it. On the mountain side and in the garden below are many animals including whi...

18th century votive Indian bronze sculpture depicting goddess Durga sitting on a lotus base with one foot pending and a little figure of a creature on her left that appears to be a camel. She is holding a dagger, a trident, a hand drum and a jem in her hands, and there are solid gold inlays on her chest and in the middle of her forehead. Durga is the warrior goddess, whose mythology centers around combating evil and demonic forces that threaten peace, prosperity and dharma of the good. She is th...