An actor portraying a samurai admiring himself in a mirror in a scene from the kabuki theater by Toyokuni III (also known as Kunisada). Signed "by special request of the publisher." Published by Kinjudo between 1847-48. Standard "oban" size panels measuring roughly 15"V x 10"H. Possibly from a triptych. Excellent color with vibrant yellow and green in the background. Good overall condition with no tape stains, toning or tears. The baren marks and image are clearly visible on the back...
Japanese one-piece tree trunk heavy wood stand, almost big enough to display a life size statue. 23" x 23" x 23" in triangle, 2 1/2" to 3" thick. It will be great to show off armors, flower arrangements, bonsai or your treasures (tall?).
Old Japanese teppo (pistol) style candle holders which appear to be made from old pieces. Each piece is 21 inches long and quite heavy. These will probably work well along the wall of a country style room.
Japanese woodblock print of a beauty and child from a series depicting powerful individuals by Ichiyusai Kuniyoshi (1797-1861) published by Hayashiya in 7/1852. The image is signed at the right side "Ichiyusai Kuniyoshi ga" (used circa 1850) within a gourd shaped cartouche. The red Yoshi Kiri seal is beneath the signature. Vertical oban size measuring 14 1/2"V x 9 5/4"H. Fair impression quality. Very good overall condition with minor soiling...
An actor in street attire standing in front of a row of shops and tea houses by Osaka artist Sadahiro (active 1830-1851) dating circa 1845. A pupil of Kunisada, Sadahiro's woodblock prints were published in Osaka in the 1830's and 1840's. The seal of the publisher Iseya Sensaburo appears on the actor's head. The artist's signature is in black ink at the lower left. Exceptional color and impression with lacquer highlights on the edge of the inner kimono and mica in the background...
Japanese Edo period woodblock print by Kunisada II (1823-1880) depicting the actors Seki Sanjuro III and Ichikawa Danzo in the role of old barefoot monks holding fans. Published by Tsutaya Kichizo 9/1862. The cartouches at the upper left and upper right bear the names of the actors. The signature of the artist, publisher's seal and censor's seal are located at the lower right. Measures 14" x 9 3/8"...
Japanese woodblock print quadriptych (four panels) by Osaka actor Yoshitaki (1841-1899) dating circa 1860's. Each panel features an actor standing against an embossed, checkered background. The black ink signature of the artist is in the lower section of each panel. Each chuban sized sheet measures 9 1/2"V x 6 7/8"H. Excellent color with extensive gauffrage and lacquered highlights. The panels are trimmed and Japanese mulberry paper album backed...
Japanese Meiji Period woodblock print of a BIJIN by Chikanobu. Dated Meiji 29, or 1897. Fine color and impression. The print measures 9 3/4" wide by 14 5/8" tall.
This folk weaving loom for straw mats, ropes, and the like, was a common feature in rural Japanese homes. Made of heavy keyaki wood frame and base, this "mushirobata oriki" also has a roughly hewn top crosspiece with a natural curve.
H. 131cm(51.5") x W. 147cm(58") x D.(base) 46cm(18"). Late Edo to Early Meiji Era.
Artist: Tsukioka Yoshitoshi, 1839-1892.
Title: The Moon of Ogurusu in Yamashiro (yamashiro ogurusu no tsuki).
Series: One Hundred Aspects of the Moon
(tsuki hyaku shi).
Signature: Yoshitoshi.
Artist's Seal: Taiso.
Engraver's Seal: Enkatsu.
Publisher: Akiyama Buemon.
Date: Meiji 19 (1886), 2nd month, 1st day.
Format: oban tate-e, (Image) H.13 x W.8.875".
Condition: Very good colors and impression...
Artist: Utagawa Kuniyoshi (1797-1861).
Subject: Yakusha-e (kabuki actor print), Iwai Tojaku (1776-1847) as Osode.
Signature: ichiyuusai Kuniyoshi-ga.
Publisher: Joushuu-ya Kinzou.
Date: ca...
Japanese Candle Stand, shokudai, made of lacquered wood. H.43cm(17") x Base Diameter 10cm(4"). Mid-late 19th century.Will include 2 "warosoku" (Japanese tapered candles with hole in base.)
Utagawa Kunisada [Toyokuni III] (1786-1864).
Subject: Yakusha-e, Kabuki actor print; Kawarazaki Gonjurou (stage name of Ichikawa Danjurou IX [1838-1903] from 9/1852 to 2/1869).Signature: “ki-o Toyokuni ga” in red toshidama cartouche.
Engraver Seal: Yokogawa.
Censor Seal: “aratame” (examined), year of the cock (1861) 9th month.
Publisher: Yamaguchi-ya Toubei.
Date: 1861.
Format: oban tate-e, H.13.75 x W.9".
Comments: “kirazuri” mica powder giving sheen to dark blue background o...
Artist: Utagawa Kuniyoshi (1798-1861).
Subject: Mitate-e; “Eikyoudai Mitate Sanjuu Boku Kuisen”
(Mirror Selections of 30 Trees & Flowers).
Signature: “ichiyuusai Kuniyoshi ga”.
Artist Seal: “kiri” (paulownia).
Nanushi Censor Seal: “watari” (Watanabe Jiemon).
Publisher: Joushuu-ya Kinzou.
Date: ca...
Artist: Tsukioka Yoshitoshi (1839-1892).
Subject: Musha-e (Warrior print); “Yoshitoshi Musha Burui” (Yoshitoshi’s Courageous Warriors): Young Hino Wakamaru (after revenging his father’s death) and the
“yamabushi” (mountain priest) escaping from Sado Island”, #14 in this series of 33.
Signature: “Yoshitoshi hitsu” (from the brush of Yoshitoshi).
Artist’s Seal: Taiso.
Engraver: Horikou Muneoka.
Publisher: Tsunajima Kanekichi.
Date: Meiji 18 (1885.)
Format: oban tate-e...
Artist: Tsukioka Yoshitoshi (1839-1892).
Subject: “Kyoudou Risshiki” (Instructive Models of Lofty Ambition), Fujiwara Arihira Walking in the Rain. Text by Eisai. No...
The Moon Through a Crumbling Window.
(Hasou no Tsuki).
Printed: 1st day. 2nd month. 1886.
Engraver: Yamamoto.
Signature: Yoshitoshi.
Seal: Yoshitoshi no in.
Publisher: Akiyama Buemon.
Format: Oban tate-e: H.13 x W. 8.75".
Condition: Good Impression & Colors. Light soiling to bottom of print. Retains album backing. Margins trimmed, and left margin covered by album attachment.
Images of Bodhidharma (Daruma in Japanese,) patriarch of Zen Buddhism, have come to epitomize the ...
Description: A fine Japanese bamboo arm rest carving with motif of the legend story-Damo crossing river by a single branch of reeds. With light brownish patina, this brush rest was carved by a mature bamboo carver whose inscription was left with the motif.
Date: 19th Century
Length: 18.5cm
Japanese Edo Period carved wooden mini KANNON and attendants. The carved and painted KANNON, attendants (8) and hillside are beautifully done with great detail and expression. The hillside measures 9 1/2" tall, 9" wide and 7" deep. There are suppose to be 12 attendants but only 8 remain.
Japanese woodblock print depicting an actor portraying a samurai by Kuniteru II (1829-1874), published by Daikokuya Heikichi (Shojudo) in 1867. The paper measures about 14 5/8"V x 10 1/4"H. The print is in very good overall condition with good impression quality and color. There are lacquer highlights in the black areas and mica at the top. There is an ample margin on the left and top. The paper is fine, the print is not backed, and the image is clearly visible on the reverse. There is no ta...
Japanese woodblock print by Yoshitoshi, from "100 Aspects of the Moon" series.
Shini-e (memorial portrait) of the Kabuki actor Kikugoro, issued 1903
The actor died at age 60. He is shown holding a Buddhist sutra and his “death poem” in is cursive script above his head.
Signed Utagawa Toyosai, dated: 1903, fine impression and color, left margin slightly trimmed, small brown spot above sutra page, original paper backing possibly from time of issue.
Oban tate-e: 9 ½ x 14 in.
Two Kabuki actors in a rather intense moment, issued ca. 1860
Published by Ise-ya Kanekichi, very good impression and color, light rubbing and slight wrinkling to edges, upper corners with small reinforcements, not backed.
Oban tate-e: 9 ¾ x 14 1/8 in.
From the series: “Twelve New Tales from the Miserable Storehouse” issued 1859
Two uncut horizontal chuban prints – numbers eleven and twelve on one oban leaf.
The upper print depicts a warrior battling demon ghosts and the lower is a shrine scene.
Upper and lower prints are both signed Yoshitsuya in red cartouches with aratame and date seal to 1859, good impression, color and condition, remnants of recent hinge paper on upper corners, a new narrow line of old backing paper on ...
No. twelve from the series: “Ukiyo Juni Ka Getsu” (Twelve Months of the Floating World) issued 1890
Signed Gekko with artist’s seal, dated 1890 in a red cartouche on lower left, margins intact, fine impression and color, some wear and light creasing, very light soiling, not backed.
Oban yoko-e: 9 x 13 in.
Kunisada (1786-1864) collaborating with Hiroshige (1797-1858)
From the series: “Kannon Reigen Ki” (Account of the miracles of Kannon) issued 1860. Main image by Kunisada depicting the miracle occurance
Signed Toyokuni (III), publisher’s seal and censor’s seal on left margin, very good impression and color, very minor wear and light stains on the margins.
Oban tate-e: 10 x 14 ½ in.
Kunisada (1786-1864) collaborating with Hiroshige (1797-1858)
From the series: “Kannon Reigen Ki” (Account of the miracles of Kannon) issued 1859.The larger image by Kunisada depicts a miracle performed by Kannon. The upper image by Hiroshige is a temple scene.
Signed Kunisada and Hiroshige on respective images, aratame seal and publisher’s seal on left margin, very good impression and color, very light wear and minor thinning at edges, not backed.
Oban tate-e: 9 7/8 x 14...
Album leaf illustrating “antique” textile designs for Tang Dynasty China and later, printed ca. 1900
The characters beside each design describe the motif and type of fabric.
Very good impression and color, vertical center crease, minor wear, remnants of old backing.
Overall Size: 9 ¾ x 14 in.
Album leaf illustrating “antique” textile designs for Tang Dynasty China and later, printed ca. 1900
The characters beside each design describe the motif and type of fabric.
Very good impression and color, vertical center crease, minor wear, remnants of old backing.
Overall Size: 9 ¾ x 14 in.
Interior scene of three women in the Winter from the series “Junshoku Sanjuroku Kasen” issued 1881
Signed Toyohara Kunichika hitsu, dated Meiji 14 (1881), good impression and color, very light and even toning, full margins, minor creases to corners, not backed.
Oban tate-e: 9 7/8 x 14 ½ in. including margins
Interior scene of a courtesan and attendants from the series “Junshoku Sanjuroku Kasen” issued 1881
Signed Toyohara Kunichika hitsu, dated Meiji 14 (1881), good impression and color, not backed.
Oban tate-e: 10 x 14 1/8 in. including margins
Yoshimori (1830-1884), pupil of Kuniyoshi
Scene depicting a bizarre tale about dolls, issued 1864
Two chuban size images that form one oban tate-e size print
Signed Yoshimori, title and publisher’s seal on right margin, aratame censor’s seal (1864), good impression and color, very minor wear, not backed.
Oban tate-e: 9 ¾ x 14 ½ in.
Five vignettes of designs by Hiroshige, probably issued the year of his death, 1858
Signed Hiroshige, good impression and color, small glue stains on upper corners, very minor wear, small mark on lower right corner, not backed.
Oban tate-e harimaze-e: 8 7/8 x 13 in.
Kabuki actor portrait of Ichimura Uzaiemon VIII, issued 1861
Signed Toyokuni Ga (Toyokuni III) on lower right, very good impression and color, repaired hole on upper left margin, light soiling and wear, penciled on verso (incorrectly), “Toyokuni II 1785-1864”
Oban tate-e: 10 x 14 ½ in.
Woodcutter pausing for a drink of sake, issued ca. early 1900s
Hirafuku Hyakusui was a noted painter and illustrator in Nihon-ga style, and was a professor at Tokyo School of Fine Arts and a member of Imperial Fine Arts Academy.
Publisher’s information on lower left with the number 21, good condition
Shikishiban: 9 ¼ x 9 ¼ in.
Illustration of an early textile fragment, of the Tang Dynasty, Chinese, one of the Shosoin treasures, issued late 1800s
Very good printing (to simulate age and wear), color and condition
Overall size: 8 ¾ x 14 in.
