AUCTIONS (3)
 | Antique NYOI scepter (ruyi); natural rekishi shape. Late Edo |
 | Chinese Album Leaf Scholar Painting, Dated 1860 |
Hu's Collection
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Description: A blue-glazed tea bowl from Jun kiln was well mold in a decent look. Being applied with light bluish glaze all over the surface only stop nearing to the foot ring, the bowl was decorated characteristically by some splashes of purple glaze in the cavetto and on the outer surface. Subtly rendered under firing in the kiln, the charming glaze effects were harmonized to the blue glaze by the crackled and fish-scales like condition...
Hu's Collection
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Description: A blue and white covered box
was applied with motifs of weeds and tendrils all over the surface except the part of the foot rim. Added with a Chinese word 'Shi' (joyful) in duplicate form on the cover's surface, this box was therefore
enhancing the charming of a Chinese mood.
IT WILL BE A GOOD WISH TO YOUR BELOVED ONES IN THIS SPECIAL SEASON.
DATE: Qing Dynasty (late 19th Century)
Condition: Perfect
Width: 9.6cm Height: 6.0cm
Hu's Collection
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Description: An exceptional Zitan wood incense utensil holder was carved in elegant wood trunk shape. Preserved in very good condition, the aged black purplish patina reflects the retrospective atmosphere. A Zitan incense holder in quite good size can be a curiosity treasured in your cabinet and a display item with sculptural profile as well. A custom-made silk box is included. Date: Early Qing Period(17th century)
Height: 16.5cm
Hu's Collection
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Description: A bamboo carved pendant in a shape of an inkstone with grove decoration is a small piece with ingenuity.
Material: Bamboo
Date: Late Qing period
Length: 5cm Width: 3.5cm Depth: 1.5cm
Condition: Perfect
Hu's Collection
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Description: A Zitan brush-rest was beautifully carved as a trove of Linzhi plant. Rested on a fitted boxwood stand from which the patina was in warm old condition and was preserved with the dirt residue due to age, this piece was in perfect condition. An inscription of San-Soon was under the boxwood stand. Date: Qing Dynasty(19th century), Width: 11.6cm, A CUSTOM-MADE SILK BOX IS INCLUDED.
Hu's Collection
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Description: A pair of old earrings were assembled ingeniously with natural coral beads and weaving silver patterns. With motifs of Chinese words-"Shii"(joy) on the top of the dressing pairs, an enameled work was meticulously done on it. Date: Qing Dynasty (19th century) Length: 6.5cm
Hu's Collection
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Description: A white glazed covered box was made in plain and simple form. Condition is very good except one minor manufacturing chip at the inner rim of the cover.
Date: Early 20th Century
Width: 6.1cm Height: 2.0cm
Provenance: Jingdezheng
Hu's Collection
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Description:
A Qingbai covered box was beautifully mold in a form of a pair of Mandarin Ducks.
By greenish-white tint reflected in the glaze, the birds were well depicted in the detailed features and on the overall look.
For authentication:
1, Minute pinpoint incursions were happened while obvious crackles were spread under the glaze.
2, The burial dirt was reserved at the inner side and at the bottom of the box for verification.
3, From the characteristics of the...
A Qingbai covered box was beautifully mold in a form of a pair of Mandarin Ducks.
By greenish-white tint reflected in the glaze, the birds were well depicted in the detailed features and on the overall look.
For authentication:
1, Minute pinpoint incursions were happened while obvious crackles were spread under the glaze.
2, The burial dirt was reserved at the inner side and at the bottom of the box for verification.
3, From the characteristics of the...
Hu's Collection
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Description:
A Changsha bowl was painted in the cavetto with motif of bird and water weeds.
Maneuvered by deft brush strokes, the picture was vividly rendered with simple lines.
The bowl was heavily potted and was revealed with rough-feel body clay underside.
The characteristic disk-like foot ring was well shaped.
It was applied with white lining paint before dipping into to the brownish pigment and commencing the picture...
A Changsha bowl was painted in the cavetto with motif of bird and water weeds.
Maneuvered by deft brush strokes, the picture was vividly rendered with simple lines.
The bowl was heavily potted and was revealed with rough-feel body clay underside.
The characteristic disk-like foot ring was well shaped.
It was applied with white lining paint before dipping into to the brownish pigment and commencing the picture...
Hu's Collection
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Description: A black-glazed Jianyang tea bowl was in a rarely-seen unique and great look...
Hu's Collection
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Description:
A Yaozhou bowl was mold in curved rim.
Well carved with floral motifs on the surface outside the bowl, the bowl was stand on a circular foot ring.
Padding grits were preserved at the bottom when incursions were happened to the mouth rim and on the ridges of the patterns where the glaze was thinner.
It was in perfect condition.
Iridescent effects were reflected in the glaze.
Date: Song/Jin periods, 11th/12th centuries...
A Yaozhou bowl was mold in curved rim.
Well carved with floral motifs on the surface outside the bowl, the bowl was stand on a circular foot ring.
Padding grits were preserved at the bottom when incursions were happened to the mouth rim and on the ridges of the patterns where the glaze was thinner.
It was in perfect condition.
Iridescent effects were reflected in the glaze.
Date: Song/Jin periods, 11th/12th centuries...
Chinese Qing dynasty (19th century) Daoist priest’s robe densely embroidered in a pattern of complex iconographical symbols set against a pale celadon silk background created entirely from satin-stitch embroidery. The style is the traditional rectangular front-opening form which rests on the shoulders and has the lower part of the sides sewn together to form armholes. The center back is embroidered with a flame-bordered circular cartouche containing a pagoda flanked by flying birds...
A Five dynasty yue yao celadon jar,with grayish green glaze.excavated from east Java.Jar is in good condition with restoration one of the ear and two handles,(see pictur 6 before restorations).17,5 cm height, 14 cm diameter.
Chinese late Qing dynasty bombe form porcelain censer with two lion dog mask handles at the sides. The censer is covered on the exterior in an oxblood flambé (sang-de-boeuf) glaze applied over a cream colored glaze which is visible where the glaze thins. The oxblood glaze flows over the interior edge onto a crackled gray interior glaze. The base is unglazed and burnt orange. The characteristically rough foot rim is unglazed. There is an original production flaw by one of the mask handles...
Hu's Collection
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Description:
A bronze bodhisattva sitting on a lion was the legendary Mañjuśrī who using the wisdom to tame the mind.
In perfect condition, the bronze figure was heavily cast and preserved in dark patina...
A bronze bodhisattva sitting on a lion was the legendary Mañjuśrī who using the wisdom to tame the mind.
In perfect condition, the bronze figure was heavily cast and preserved in dark patina...
Hu's Collection
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Description: A lovely Jun tripod censer was mold finely by beautiful bluish glaze. A purple splash was on the body being very interesting. In a good shape of bulge belly, elongated neck and flat rim, the censer was supported by three hand squeezed feet. Rolled, twisted and squeezed to adhere to the bottom, the feet were intriguingly made by the affluent-skilled potters-a joyfully find for Minyao wares. The spiral molding mark was left in the center of the cavetto...
Hu's Collection
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Description: A big Qingbai bowl was elegantly carved with motifs of dancing boys amid scrolled cloud. Believed as being a product from famed Hutien kiln of Jiangxi province of 9-12th century, the bowl was in pale blue tint and was in very good condition except one faint hairline at the cavetto(about 6.5cm that in half way to the cavetto). It was almost invisible without reminding. The bowl was believed to have been highly esteemed for its once framed mouth rim...
Qing Dynasty Chinese Manchu style summer silk gauze robe decorated in copper colored metallic threads with a brocade pattern featuring 8 visible 5-clawed dragons, plus one hidden dragon on the inside flap, depicted in full-face and profile poses against a blue ground. Each dragon is chasing a flaming pearl (symbolizing the Buddhist notion of enlightenment) and is surrounded by clouds and various auspicious symbols. The dragon's eyes are accented in black and white...
