Original antique carved sandstone seated Buddha circa 1500-1700, carved in meditation with crossed legs and arms in the "Bhumisparsa Mudra", set in an arched recess, with two monkey bodhisattvas at his side. Presented displayed on modern wood stand. Dimensions 16.5" W x 22.75" H x 5.25" D - measurements including stand.

A fabulous Koro covered in damascened gold by Ibuse Keisuke enclosed in the original signed wooden box titled Nunome Zogan Jungin Koro (Damascene Pure Silver Incense Burner). It is 11 cm (4-1/2 inches) tall, 9.5 cm (3-3/4 inches) diameter and in excellent condition.
Ibuse Keisuke was born in Tokyo in 1930, and began his studies of metal arts in 1950 under Unno Takeo...

A truly magnificent vase of pastel blue floral designs on yellow-green body by Miyanaga Tozan enclosed in the original signed wooden box. It is 8 inches (20 cm) tall and in excellent condition. It retains the original wooden base. I believe this is by the second generation.
Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics. He was born in Ishikawa prefecture, and graduated from the (now) Tokyo University of Art...

Antique Raku Ware Tea Bowl Chawan with Red Glaze used for Japanese Tea Ceremony Meiji period (1868-1912) Raku pottery is traditionally used in Japanese tea ceremony since as early as the 16th century. Size Diameter 11cm Height 7cm Total Weight 240g Condition Overall good, no cracks. Minor chip can be seen on the fourth photo near the edge.

From Kashmir, this copper kashkul, or beggar's bowl, is enameled with two shades of blue and white, is incised along the edges with scrolling designs and the entire copper areas are gilded. The body of the bowl has heavy repousse designs, with enamel in the recessed areas. The two ends of the bowl are decorated with the heads of serpents, their bodies partially wrapped around the bowl. The two heads and rings are brass, with blue enamel decoration...

A rare find, this ceramic figure of a nagual is by the well known ceramic artist Candelario Medrano (1918-1986) from the village of Las Huertas in the state of Jalisco in Mexico. The figure is 8" high, 8 1/2" wide and 3 3/4" deep. The base is roughly 4 3/4" x3 3/4", and is slightly tapered. It is painted in various shades of orange, red, pink, with details on the body in black and white, the base of yellow and green. The face is pink, in human form...

Extra Large Japanese limited edition densely pigmented and textured abstract sosaku hanga woodblock print by Hiroyuki Tajima (1911-1984), aka Kiyoshi Nagai, titled "Half Ruined Wall." Pencil-signed, titled in English and kanji, dated '69, and numbered 32/50 in the bottom margin. Paper: 24 7/8" x nearly 19 1/2" (image: 21 3/8" x 16"). Very good overall condition. There is some wrinkling, soiling, and wear to the large margins of the thick paper...

A white pidgeon perches on a discarded or fallen roof tile decorated with calligraphy by Miyanaga Tozan enclosed in the original signed wooden box. It is 9 inches (23 cm) tall and in excellent condition. I believe this is likely by the second generation.
Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics. He was born in Ishikawa prefecture, and graduated from the (now) Tokyo University of Art...

The mastery of expression accomplished by Suwa Sozan I is evident in this pair of porcelain children enclosed in the original signed wooden box titled Gosai Doshi Okimono (Five Colored Figure of Children). This piece is published in the definitive book “Suwa Sozan Sakuhin Shu” (1971). In the book the photo title is more specific “Gosai Mimiakatori Karako Okimono” (Five Color Figure of Chinese Children Cleaning Ears) and the work is dated to 1913...

Rare oversized Japanese woodblock print ascribed to Utagawa Kunisada (1786-1865) titled “Mirror of the Physiology of Eating and Drinking” (Inshoku Yojo Kagami), also known as “Rules of Dietary Life,” and believed to date circa 1850. The print depicts a man seated cross-legged drinking a cup of sake with a bowl of fish in front of him. The cross-sectioned torso shows the functions of the internal organs and illustrates the Sino-Japanese concept of digestion...

Two Edo period finely executed Japanese lacquered wood dishes, each decorated with a gold "mon" (family crest), pawlonia, and scrolling foliage set against a brown/black ground. The wood grain is clearly visible. 19th century. Each measures just under 8" diameter. Very good overall condition with only minor flaws. There is a small lacquer drip or imperfection on the back of one. Included with purchase is the original certificate of authenticity dated May 5, 1967 and provided by Z...

Nagakura Kenichi's artwork is imbued with a primal energy and balance executed with a keen understanding of composition...

Gilded bronze Buddha with great age wear and patina. H. 32 cm. Condition: on the right corner there is a loop where a small bronze disciple was placed. The loop on the left side is missing; this must have happened a long time ago as the remains are hardly visible. There is an old collection label on the back.

Wild chrysanthemum rise along a brief poem on the cream-colored sides of these Tokkuri by Seifu Yohei enclosed in the original signed wooden box titled Seizan Sakabin. They are 15 cm (just under six inches) tall and in excellent condition. There is a pre-firing imperfection in the rim of one of the Tokkuri.
Seifu Yohei I (1803-1861) founded the Seifu dynasty in Kyoto. He was born in powerful Kaga-kuni, modern day Kanazawa prefecture. After apprenticing with the second generation Dohac...

A collection of six unique antique sake cups from various regions in Japan, each enclosed in an old wooden box.
1. A rice bale shaped Kosobe yaki bowl in thin bluish-white glaze stamped on the base, probably second or third generation (see below).
2. A Soma Yaki small bowl of pinched form with speckled green glaze from Fukushima. Soma Yaki has a four-hundred-year history.
3. A very rare Etchu Kosugi Yaki wangata cup in smooth blue green glaze with a hint of yellow at the ri...

Iron laced with tinges of blue decorates the rim, flowing into the bowl of these five abalone shaped dishes from 19th century Takatori in central Kyushu enclosed in a beautiful age darkened kiri-wood box titled Awabi Mukozuke Go Kyaku Takatori Yaki (Five Abalone Shaped Dishes from Takatori). Each is roughly 9.5 x 12.5 cm (4 x 5 inches) and each bears the “Taka” stamp beneath. No post-firing damage. One has a pre-firing chip in the rim, another a firing flaw visible in the bottom, it does...

Oversized limited edition Japanese sosaku hanga woodblock print by Jun'ichiro Sekino (1914-1988) depicting a solitary cat on a large tiled roof titled "Lovesick Cat." Pencil-signed and dated 1957 at the lower right margin with the artist's red seal above. Numbered 75/100 at the lower left side of the bottom margin. Paper: 20 1/4" x 12 3/4" (image: 17" x 9 7/8." Printed on fine paper. Very good overall condition with full margins. There are two faint small areas of tape stain on the top bac...

Isezaki Mitsuru (1934-2011) Elegant Bizen Pottery Vase Isezaki Mitsuru was born in 1934 in the well-known family of Bizen potters. His younger brother Isezaki Jun (b.1936) is the Living National Treasure since 2004. Mr. Isezaki holds the Intangible Cultural Property title since 1998. Bizen ware was originally produced in Imbe village of Bizen province since Kamakura period of 14th century. Size Height 22cm Diameter 11.5cm Condition Good, no chips, no cracks. Supplied with a sign...

Edo era Japanese Satsuma/Stoneware plate with head of Samurai warrior holding staff, with elaborate enamel work throughout, a band of raised enamel designs at the edge. Measures 7 1/4" in diameter and 1 1/4" deep on short foot. His helmet is decorated in bands of tan ribbon like forms, all with scrolling gold designs. Raised white flowers and green dots further enhance the headdress. As is visible in the photos, his entire face, hand, and staff are all raised from the surface, creating a ver...

A fabulous bold design of crashing waves wraps about this balluster form by Miyanaga Tozan enclosed in the original signed wooden box. It is 26 cm (10 inches) diameter, 28 cm (11 inches) tall and in excellent condition. An unusual design and superb execution by this important artist. Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics. He was born in Ishikawa prefecture, and graduated from the (now) Tokyo University of Art. While a government employee, he represe...

A loosely brushed image of a Kingfisher perched on dilapidated lotus stalk decorates the crackled gohon pale glaze of this gourd shaped Mizusashi fresh water jar by Takahashi (Ninnami) Dohachi. It features a black lacquered wooden lid. There are cracks in teh lacquer of the looping handle. The signature is consistent with works by Ninnami Dohachi (Dohachi II) from the mid 19th century. It is 5-3/4 inches (14.5 cm) tall, 6-1/2 inches (16.5 cm) diameter and in excellent condition, enclosed in ...

A lovely genuine full sized Bunraku theater puppet of a mature female character dressed in a blue silk kimono with elagent head dress. The doll is fully mobile, controlled from within by switches on her neck and poles extending from her arms. The hands are flexible as seen in the photos. She stands almost 4 feet (117 cm) tall, and comes complete with a bamboo display stand as pictured. All is in excellent condition, with a few stray hairs in her coiffure. This will be the first we have had th...

A very rare Japanese Ballot Box of hinoki wood bound in decorative iron dating from the later 19th to early 20th century. This year the ballot is on everyone’s mind, and this is an exceptional example of both traditional Japanese decoration and cabinetry. It has locks on both sides of the lid, which can be removed to reveal an inner lid with hinged iron cover over a slot for dropping in the ballots. This inner lid as well is locked. Keys included, it is 35.5 x 21 x 27 cm (14 x 8 x 10-1/2 in...

A Tamasudare-ami Hanakago Basket by Yamamoto Chikuryusai I of round bamboo strands enclosed in the original signed wooden box lacquered in translucent red. The basket exudes a deep respect for the tradition, every knot perfect, the proportions exquisite. It is 19 cm (7-1/2 inches) diameter, 37 cm (14-1/2 inches) tall and in excellent condition.
Yamamoto Chikuryusai I (1868-1945) was a bamboo artist of the early modern era in Osaka. Born in year one of the Meiji era to the Yanagi clan, ...

An evocative image of a bear hunkered down and looking a bit befuddled, perhaps awaking from winter slumber, in un-glazed white porcelain from the Tatsuno kilns of Banko in Mie Prefecture. It is sealed on the base with two stamps, one reading Banko, the other Tatsuno. The image is 23 x 20 x 16.5 cm (9 x 8 x 6-1/2 inches) and in excellent condition, enclosed in a period collectors kiri-wood box. Imagery of animals such as this were very popular in the Taisho (1911-1925) to early Showa era. The...

A rare pair Japanese plates showing a dragon among textile-weave patterns worked in dull colored enamels, the brass or copper rims and wires showing partially remnants of gilding. The reverse decorated with further floral motifs, the base with green contre-émail. The enamel showing concavities and pits. Condition: fine, only wear to gilding. Dimension: diameter: 24.9 cm, 4.2 cm high, weight: 1400 g.

An incredible carved bamboo vase of warriors making their way through forested crags whipped by roiling mist cut from a single piece of bamboo and signed on the base Omikuni Sakata Shiori Yamaguchi Moritsugu Saku :Made by Yamaguchi Moritsugu of Shiori, Sakata, Omi Province (Modern day Maibara Shiga Prefecture on the North-Eastern shore of Lake Biwa). It is 35.5 cm (14 inches) tall and in overall excellent condition, enclosed in an old wooden box.
Possibly the image of Okuninushi and his...

Pure elegance and simplicity of form by Komazawa Risai enclosed in the original signed wooden box titled Mage-Kensui (Round Spent Water Container). It is lacquered outside is tame-nuri opaque wine-red, inside is polished ro-iro black decorated with gold reeds overlapping from all directions. It is 16 cm (6-1/2 inches) diameter, 7 cm (2-3/4 inches) tall and in excellent condition. It is made by Komazawa Risai; head of one of the ten crafts families of the three Senke tea schools adhering to th...

A shu-iro red lacquered sign in the shape of a tea jar dating from the late 19th to early 20th century. A long verse has been carved into the surface before lacquering. The back is bound with cloth and lacquered black. The sign is 16 x 20 inches (41 x 50 cm). There are minor chips typical of age, but is in overall very good condition. For an excellent delve into the distinctive fusion of art, design and commerce of antique Japanese signage see the book Kanban (2017, Mingei Museum, Alan Scot...

A pair of unorthodox Edo period guardian corbels in the shape of mythical lion-like creatures (Shishi) made to be notched into a corner under the eaves of Shinto and Buddhist temples to ward off evil spirits. Ordinarily just the heads are carved, these are unusual in that their fore-paws have also been depicted, granting a greater sense of movement than most. Carved Hinoki (cypress), they are 30 x 18 x 20 cm (12 x 7 x 8 inches) each and in overall fine condition.

Small bronze Lao Buddha with a stunning patina. H. 9 cm. Ex Joost Mous - Amsterdam.

Impressive mask with scarifications. H. 26 cm. It’s in very good condition and has good age wear and patina. Comes with a custom made stand. Provenance: Private collection Den Haag Robert van der Heijden, Amsterdam

Very rare and tall fetish figure. H. 50 cm. Very good condition with normal age wear and nice patina. First half 20th century. Provenance: Jean-Marc Desaive.

Intricate, subtle, delicate, elegant; all words which could be applied to this set of ten dishes decorated with flowers in raised reliefby Takahashi Seizan enclosed in the original signed wooden box titled Gyokude Kusabana Kameko-gata Sara (Tortoise Shell Shaped Dishes decorated with Flowers and Grass in Pearl-slip) Pale white slip has been applied in thick, sculpted patterns to a cream surface, sweeping sides peaked with gold rims. Each plate is 22 cm (9 inches) wide, 5 cm (2 inches) tall. Th...

A set of five exquisite Sencha Tea Cups of crackle-glazed pottery covered outside with black lacquer decorated with golden plum blossoms. Each bears an impressed seal in the base reading Toyosuke from the Nagoya studio of Toyoraku (also read Horaku) dating from the later 19th century. Inside each cup is a stylized single plum blossom. This set is exceptional! It is enclosed in a custom made wooden box. Each is 6.2 cm (2-1/2 inches) diameter, 4.8 cm (2 inches) tall and in excellent condition...

Tempestuous waves in fine gold lines splash between lightning shapes decorated with reed curtains on the sides of this singular lacquered wooden koro with woven silver lid dating from the Momoyama to opening of the Edo period, Later 16th to early 17th century. It is 8.5 cm (3-1/4 inches) high, 7.5 cm (3 inches) diameter. The worn base has been re-lacquered to protect the wood core from splitting or cracking otherwise is entirely original to the period.

Birds take shelter for the coming of night as the mist rolls in on the bare branches of a stand of trees huddled along a stream, all dyed with the colors of late autumn in this exceptional work by Hashimoto Kansetsu enclosed in the original signed wooden box. Seen in silhouette against the moon, are these crows, the stalwart creatures which hunker down through winter, or are they Sagi (herons) harbingers of the cold to come? This painting is a superb example of his mature style. It is mounted...

Large Chinese Ming Dynasty Blue & White Crackle-Glazed Dish (32.5 cm)

This large blue & white "Swatow" (or "Zhangzhou") porcelain dish was made in the 16th / 17th century, most likely during the Wanli Reign (1573 - 1620) of the Ming Dynasty. It is "heavily-potted" and coated in a heavily-crackled glaze. The upper surface is decorated in underglaze blue with peonies within thin blue bands. The underside is simply decorated with circular blue bands. Embedded in the glaze around the foot is san...

Chinese Kangxi Blue & White Porcelain Dish (Kraak) Chinese Kangxi Blue & White Porcelain Dish (Kraak)

A superb Landscape by Yano Tetsuzan dated the second month of 1924 enclosed in the original signed wooden box. The arched rooves of Chinese style pavilions rise in the placed waters under th shelter of precipitous verdant cliffs, trees in fall colors in the foreground setting the stage. Above a long verse in Kanshi signed Tetsuzan. Ink and pigment on silk in a dark blue-green satin border with ivory rollers (the rollers will be changed for export). The scroll is 54 x 193 cm (21-1/2 76 inches...

Rare Chinese Ming Dynasty Monochrome Moulded Porcelain Wine Cup

This rare porcelain wine cup was made during the Ming Dynasty (1368 - 1644) or possibly a little earlier. To the lower body is a band of moulded Buddhist rui lappets together with a moulded seal mark within the foot. The white porcelain body is particularly translucent, highly-fired with a high-pitched ring when tapped.

Diameter 5.5 cm, height 3.5 cm. It is in fine condition with minimal surface wear and no restoration or re...

A pair of red and silver iron lotus flowers with long handles serving as Buddhist candle-stands, the light rising from within the sacred flower. Overall raw iron, the coloration of the flower petals is from silver and red lacquer. Each is 26.5 cm (10-1/2 inches) long and in excellent condition.

LARGE Chinese Tang Dynasty Painted Pottery Camel with TL Test (75cm)

This exceptionally large and impressive pottery model of a camel was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in various different coloured pigments. The camel stands upright and alert with its head raised a little. 

Height 75 cm (29.5 inches), length 60 cm (23.5 inches). 

We have had this camel tested by Oxford Authentications, the only test...

Chinese Han Dynasty Pottery Hu Jar with Dragon Cover

This fine-quality pottery jar was made some 2,000 years ago during the Han Dynasty (206 BC - AD 220). It is relatively highly-fired, has two raised bands around the waist with applied moulded taotie mask handles on opposing sides and has a flared foot. The smooth burnished surface has a silvery sheen to it. Its moulded cover depicts two intertwined dragons. Around the mouth are calcified deposits from long burial (easily removed).

Hei...

A tripod koro with custom silver lid and rosewood stand by Miura Chikusen II enclosed in a wooden box dated early Autumn 1920 signed by Ume, the mother of the second generation head of the family who died young that year. The white porcelain is roughly 15 cm (6 inches) tall on the stand, 10 cm (4 inches) diameter. This type of Sinophile work was very popular throughout the Meiji and Taisho periods, and Sencha steeped tea had a profound impact on Japanese culture at the time. For more on that s...

A master piece in museum quality was from a private collection.

A large and important work by Miyanaga Kozan of overall raw clay in a Nanban style with drips of color featuring a tiny colorful crab crawling out of a hollow in the base. It is 30.5 cm (12 inches) tall and in excellent condition, in an age darkened wooden collectors box titled Makuzu Yaki Kabin, Miyagwa Kozan Sei followed by a very large stamp. This is a rarity!
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imp...

Of high content silver (.950 or higher), this warmer or burner is Korean, early 20th century, possibly 19th. Measures 5 3/4" x 6 1/4". Three pieces, burner, lid, and tray. Signed in rectangular cartouche on base, has marks for silver. Four bat shaped handles, two on lid, two on base. Lid and base are engraved with prunus blossoms, and the background around the engraving is slightly textured to create a more satiny surface. The rest of the surface is bright and polished. These hot pot wa...

Silver bowl and plate with intricate designs over the surfaces, the bowl with Islamic script. The plate measures 6 3/4" in diameter, and the bowl is 4 7/8" in diameter and 1 7/8" deep. Both pieces have traditional islamic and Persian designs, with cross designs, arabesque forms, and elaborate borders. Very precise and intricate silver work, the work of an accomplished silversmith. Unmarked but tests silver. Together they weigh just a tad under 8 troy ounces. Good condition, some visible ta...

Massive Chinese late Qing to Republic period hardwood scroll pot of naturally irregular tree trunk form carved from a single piece of wood with five nearly hidden bats along the sides. Hollow interior and flat bottom with separate plug. Late 19th to early 20th century. 19 3/8" high x about 9 3/4” diameter; 16 lbs. Very good overall condition with typical wear from age and use. From the collection of former American expatriates to Hong Kong in the 1970s and 1980s.

Massive 18” high Japanese Meiji period “cong” form Satsuma earthenware vase finely decorated on the four rectangular sides in polychrome enamel and gilt highlights with vertical scenes of figures in landscapes featuring the four seasons. The base holds a square four-character “respectfully made by Ryuzan” mark. Circa 1900. 18” high, 7 1/2" square; weight: 17 lbs. Very good overall condition with some typical wear to the overglaze pigments and gilt, particularly at the rim. There ar...

Rare Chinese Yuan Dynasty Black Pottery Horse

This small and attractive pottery model of a horse was made during the Yuan Dynasty (AD 1279 - 1368). It is quite "heavily-potted" and made from a black pottery with a smooth burnished surface. Note the detail to its mane. Pottery horses from the Yuan dynasty are much rarer than those from other periods.

Height 17 cm, length 20 cm. It is in good presentable condition, although there is restoration to the tail and ears, also a minor repair to ...

Chinese Tang Dynasty Changsha Bowl from 9th Century Shipwreck (c. AD 826)

This rare decorated glazed bowl was made around AD 826, during the Tang Dynasty (AD 618 - 906) at the Changsha kilns. We can be that precise about the dating because it was excavated from the "Belitung Wreck" in 1998-99, a mile off the coast of Belitung, Indonesia. Another bowl from that wreck is inscribed with a date equivalent to AD 826 and carbon 14 analysis of the wreck also confirms an early 9th century date. Al...

Very Rare Chinese Yuan Dynasty Inside-Glazed Qingbai Porcelain Zodiac Jar

This extremely rare and unusual jar was made during the Yuan Dynasty (1279 - 1368). It has a splayed foot and is quite "heavily-potted" with the whole of the outer body profusely decorated with what are most likely religious (Buddhist) motifs. The lower body is covered in repeated carved lotus leaves. Around the waist is a band of "pie crust" decoration on top of which stand twelve human-like figures, the bodies moulde...

Early 20th century. H. 14 cm, diameter 31 cm. Good condition with age related wear. See pictures. Provenance: Joris Visser, Brussels Srdjan Sremac, The Hague Published: Hans Witte - Ifa and Esu (1985)

Anthropomorphic figure ‘Lagana’. H. 51 cm. First half 20th century. Old repairs to the arms and the left leg. Van Rijn: ao-0156590-004. Provenance: Private collection Antibes, France, Private collection Belgium. Exhibited: Paris, France, ‘Parcours des Mondes’, Joshua Dimondstein, 2019.

Large bowl from the island of Biak in the Geelvinkbay in the Indonesian province Papua. The handle in the shape of a Korwar figure. L. 57 cm. Very good patina. Provenance: Lempertz, Brussel, 2017

Chinese late Qing dynasty porcelain bowl with a slightly flared rim decorated around the exterior in two shades of underglaze blue with four stylized lotus blossoms among leafy scrolling tendrils set against a smooth, translucent white porcelain ground. A double blue line encircles both the rim and foot. The interior of the bowl is undecorated. Late 19th to early 20th century. 6 1/4” diameter x 3” high. Very good overall condition with no chips, frits, or cracks. The rim feels a bit rough ...

Fine Chinese Song Dynasty Qingbai Porcelain Bowl in Kiln Saggar (Study Piece)

A rare opportunity to acquire a Northern Song Dynasty (AD 960 - 1127) kiln saggar still containing its Qingbai porcelain bowl, excavated from a kiln site in the Jingdezhen area of Jiangxi province. 

Northern Song Dynasty Qingbai porcelain was fired individually in saggars (the fireproof clay case) that were stacked on top of each other in the kiln. Firing in kilns was then, of course, not the exact science tha...

Three small Chinese Guangxu mark and period ogee form bowls with lobed rims, each exquisitely decorated on the exterior in famille rose enamels with a quail standing on rockery below bamboo wrapped with leafy vines sprouting flowers and double gourds that extend over the wall to the interior well. A single bird flies above. The base of each bowl holds a six-character kaishu form iron-red Guangxu mark and of the period (1875-1908). 4” diameter x 1 3/4" high. Very good overall condition with...