These two snuff bottles are Peking glass, created to look like gemstone, one jade, one agate. Both measure 2 3/4" high and have stoppers, but no spoon attached. (The darker stopper may be stone, as it has considerable inclusions and is heavy). Both are well done, and give the appearance of stone. The "jade" bottle has a very soft sheen, similar to what actual jade would look like, and has a small foot. Both in good condition, the jade one with a slight chip on the lip...

Thai Sawankhalok round form covered stoneware footed box in the shape of a mangosteen fruit decorated in iron-black/brown glaze on a buff-colored ground with alternating panels of geometric designs and flowers. Knob finial. 14th to 16th century. 5” diameter x 4 3/8” high. Very good overall condition with no chips, cracks, or repairs. The lid matches well and appears to be original. From the Arizona collection of German expatriates to Indonesia in the 1970s.

A Chinese jade carving shaped as a lotus pod and incised and carved with prunus flowers, the endless knot and a bird in flight. The stone is of celadon hue mottled with russet. This is an elegant and superbly carved composition depicting auspicious objects . Age: 17/18 C. condition: excellent, no breaks no restoration. It comes with a wooden stand. size: 6.5cm x 7.5 cm x 2.5 cm thickness. (2 1/2 inches X 3 inches X 1 2/5 inches).

Nicely cast bronze warrior from the Khengis Khan area. The uniform seems more Mongolian than Chinese. The weapon he was holding is gone probably made from an organic material. Size: H. 20cm. Base W. 9.5cm. Condition: No repairs. Some casting holes at the base.

Delicate fish scale patterns in gold on bronze lacquer highlight old chips on the rim of this large Yamachawan Tea bowl dating from the Kamakura to early Muromachi periods (12th -15th centuries). Blue glaze twinkles on the heavily eroded surface, where Shizen-yu ash pooled and crystallized. There is a large slash in the glaze where another bowl had been stacked inside, and there are much losses to the surface glazing typical of excavated works...

A pair woman's festive leggings from Sana'a, Yemen. The upper part is brocade with boteh pattern in gold wrapped silk threads and the lower part with couched silver wrapped threads forming stars. Red cotton lining. Please visit the "Israel Museum" (http://museum.imj.org.il/imagine/galleries/viewItemE.asp?case=25&itemNum=354) for an identical pair. Condition: fine. Dimension: 34 cm long, 19.6 cm wide.

A carved and painted Tibetan wood brush used by Buddhist monks for the destruction ceremony of sand painted Mandalas. Made from carved and painted hardwood with animal hair and a copper loop. Condition: few traces of usage, good patina, small chip. Dimension: total length: 20.8 cm, 11.7 cm wide, 3 cm deep.

Chinese Ming dynasty porcelain dish decorated in underglaze blue on a white ground with a hou in a central roundel surrounded by a band of peony flowers and scrolling foliage. One of the nine sons of the dragon, the hou has the appearance of a lion and is depicted roaring at the sky. A similar peony band with scrolling foliage encircles the rim on the reverse side. Circa 16th century. 9 3/4” diameter x 2” high. Very good overall condition with no chips, cracks, or repairs...

A beautiful floral vase was in perfect condition.
Width :11.7cm , Height : 10.3cm
Date, Jin Dynasty, 12th century.

A very good sized sculpture of Pedanda, a Brahman priest of the highest caste. This is a traditional sculpture, not a piece for tourists. It's made of hard wood, very intricately carved and has a subtle polychrome. H. 51 cm. Condition: expected age wear and a few age cracks. Please refer to the detailed pictures. A similar figure is in the collection of the 'Tropenmuseum' in Amsterdam. Provenance: Belgian private collection.

A very unusual incense burner in the form of two servants holding up Hotei as he looks joyously toward the night sky. It is performed in crackled white glaze over pale clay with simple iron decoration. It comes enclosed in the original signed wooden box bearing the Teishitsu Gigei-in seal titled Ga-korai Hotei Koro indicating it was based on Korean decoration techniques. It is 18.5 x 10 x 14 cm (7-1/2 x 4 x 6 inches) and is in fine condition...

Copper green and dark iron decorate the pale glazed sides of this exquisite box dating from the early Edo period (17th century) wrapped in a silk lined sarasa bag and enclosed in a black lacquered wood box. It is 1-3/4 inches (4.5 cm) square, roughly 3 inches (7 cm) tall and in overall fine condition.

A Tokkuri decorated with an Otsu-e image of a sword bearer and a poem by Otagaki Rengetsu enclosed in a wooden box annotated by the head of Jinkoin Temple and titled Rengetsu-ni saku, Otsu-e Tokkuri, The poem reads:
Furi tate shi As if raising and lowering
mameshi gokoro no his true heart like a standard
hitosuji ni in one line
koyuru ka imo ni will he pass through to meet his love
Osaka no seki...

A mellon shaped red-Raku Kogo incense case enclosed in the original signed wooden box by Raku Ryonyu (1756–1834), 9th generation head of the Raku family. It is roughly 2 inches (5 cm) tall and in excellent condition.

Japanese limited edition aquatint etching by Sarah Brayer (b. 1957) depicting a solitary figure walking with a parasol down a snowy village lane titled "Kurodami." The print is pencil-signed, titled, dated ’96, and numbered 74/120 in the bottom margin. Visible paper size: 8 1/2” x 18 1/2” (image: 7 5/8” x 17 3/4”)...

Chinese Qing dynasty blackwood (hongmu) folding mirror stand. 17 5/8” x 15 3/4” flat (stands 14 1/2” high when assembled). With original authentication certificate from Schoeni Gallery in Hong Kong describing it as mid-19th century “The front section with beaded framework and an elegantly curved support at the base. Held upright at a 45 degree angle by a further frame...

Japanese limited edition aquatint etching by Sarah Brayer (b. 1957) depicting two black cats on a snowy village lane titled "Footprints." The print is pencil-signed, titled, dated ’99, and numbered 80/80 in the bottom margin. Visible paper size: 23 1/2” x 14 1/2" (image: 22 1/2” x 13 3/4”). Original Kanda Gallery frame with non-glare glass measuring 32 3/4” x 22 1/2." The print has not been examined out of the frame, but no condition problems are visible.

A large futamono (covered dish) in the shape of a Tai-fish by Ninnami Dohachi enclosed in a triple wood box signed and annotated by renowned potter Miura Chikuken (Chikken). The Tai fish (Red Snapper) is a popular motif and commonly served in celebratory occasions because its name (Tai) is a homophone for Medetai (celebration). The stomach section is removable to reveal a compartment where fish might be served. It is 36.5 x 23 x 20 cm and is in excellent condition...