A headdress with a rounded crown and a wide flat brim, the interior made of woven bamboo, covered with yellow silk damask showing roundels with five-clawed dragons. The top ending in a red silk knot above ruyi border. The underside of the brim covered with red silk, the sweatband made of leather. Edged with key fret brocade...

Fine Chinese 9th - 10th Century Stoneware Ewer

This fine and rare stoneware ewer was made during the 9th to 10th century (from the end of the Tang Dynasty AD 608 - 916, the Five Dynasties period AD 907 - 960, to the Northern Song Dynasty (AD 960 - 1127), most likely a product of one of the Guangdong kilns. Both inner and outer surfaces are coated in a very finely-crackled olive-green glaze...

Rare Large Chinese Southern Dynasties Stoneware Jar

This rare stoneware jar was made during the Southern Dynasties period (AD 420 - 589). Such wares from this period are relatively rare and quite distinctive. This jar has a flat base, a wide mouth and a series of "square-cut" loop handles placed around the shoulder: a pair of single handles opposite each other as well as a pair of double handles opposite each other...

Fine Song Dynasty Brown glaze bowl. There is a small chip to the rim, but otherwise in very good condition. High resolution images may be emailed on request.

A rare bowl by Ninnami Dohachi from the Sangama kiln dating from the later Edo period wrapped in a silk pouch and enclosed in a fine custom made Kiri-wood collectors box. Deeply impressed into the base is the six sided Sangama kiln mark. It is 5-1/2 x 5 x 3 inches (13 x 12.5 x 9 cm) and is in excellent condition...

Large Thai 14th - 15th Century Sawankhalok Jar

This stoneware jar, or bottle of globular form was made during the 14th - 15th centuries at one of the Sawankhalok kilns. It is particularly heavily-potted. Around the shoulder and lower body are repeated bands of lightly incised lines. There are two small loop handles at the neck. It is coated in a finely-crackled greenish-grey glaze that falls short of the foot revealing the dark reddish brown stoneware body...

The golden orb shines out like the light of Buddhism from between the dark clouds on this exquisite 19th century image by Wada Gozan, priest of Jinko-in Temple. Ink and gold-pigment on silk in a patterned silk border with wood rollers in a period kiri-wood box titled Tsuki no ga Yokomono Ippuku (1 wide painting of moon) Wada Gozan koto (of Wada Gozan), annotated by Kuten. It is 25 x 48-1/2 inches (63.5 x 123.5 cm) and is in overall fine condition, with a minor wrinkle in the lower border...

A superb example of the mastery of Bizen Saiku-mono sculptures by Nishimura Shunko dating to the pre-war era. The musculature and bone structure of the creature is clearly visible, and it wears a cloak of ash glaze like fur, the tail actually covered in dry “goma” textured ash, and the lower extremities showing a fine assortment of Hi-iro flame colors on the raw clay. Stylistically there appears to be some influence of the pottery technique of Okinawan Shisa (lions)...

A fabulous large porcelain vase by Daimaru Hoppo (Hokuho) enclosed in the original signed and compartmentalized wooden box complete with a rosewood base. The vase is a perfect example of the Sinophile aesthetic that permeated Japanese art in the early 20th century. The simplified form rises from to frets decorated with stylized cicada under a belt of archaic figures and yotsu-domoe (yin-yang) symbols. It is 14 inches (35 cm) tall plus the base and is in excellent condition...

Japanese shin hanga woodblock print titled "Kansai District: Seta Bridge" by Hiroshi Yoshida (1876-1950) dated Showa 8 (1933). 1st edition impression with "jizure" (self-printed) seal in the upper left margin. The artist's black ink brush signature and red seal are at the lower right. The print is pencil-signed in the lower right margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #182...

A very unusual vase by Teishitsu Gigei-In (Imperial Art Academy Member) Ito Tozan I enclosed in the original signed wooden box showing decidedly Art Nouveau styling. It is 20 x 8 x 32 cm (8 x 3 x 12-1/2 inches) and is in excellent condition.
Ito Tozan I (1846-1920) began as a painter in the Maruyama school studying under Koizumi Togaku...

Occupation era original Japanese shin hanga woodblock print titled "Moonlit Night at Miyajima" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the lower right corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower left corner...

Occupation era original Japanese shin hanga woodblock print titled "Carp Flag at Toyohama, Kagawa Prefecture" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 23 (1948). The artist's black ink signature and red seal are at the lower left corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. An additional Watanabe seal is on the back at the lower right corner. Paper size: 15 3/4" x 10 1/2" (image size: 14 3/8" x 9 1/2...

Japanese limited edition sosaku hanga woodblock print depicting three chickens titled “Jealousy” by Kiyoshi Saito (1907-1997) dated 1952. Pencil-signed and numbered 91/300 in the bottom margin. Visible paper size: 14 3/4" x 10 1/4" (image: 13 3/4" x 9 1/4). Framed size: 24 7/8” x 19 3/4.” Visibly in very good overall condition and color. The print is currently framed but can be purchased and shipped either framed or unframed. A color illustration of this print can be found on page 1...

Striking black and white Janiform crest from a dance mask. H. 32 cm. Good condition with expected age wear. Ca. mid 20th century. Provenance: private collection, The Netherlands. This item will be exhibited at the Tribal Art Fair Amsterdam, October 25th-27th www.tribalartfair.nl

Pair of Chinese late Qing dynasty Guangxu period hexagonal form hat stands with melon form vent holes decorated in underglaze blue on a white porcelain ground with various figures interspersed among auspicious objects. Scrolling vines are at the top of one. The interiors are glazed with only the footrims left unglazed. Circa 1900. 10 1/2" high each. Very good overall condition. One had a small professionally executed repair to an edge that is not visible to the eye or under black light. T...

Chinese or Vietnamese wooden Christian cross with beautiful lotus and vines decoration inlaid in engraved mother of pearl. Condition: center with chipped area (please see photo no. 7) and few lost inlays, rearside with paper residue. Dimension: 46.7 cm x 24.2 cm x 1.8 cm.

Of reddish wood with fine grain, this Maori Wahaika Patu measures 15 1/4" long and roughly 5 1/8" wide. The top has a figural face or mask carved in reticulated form, with a hole for attachment to the wrist. The club has a hooked section, used to grab the opponent's weapon and remove it. The central area contains a notched section where ribbons or feathers would have been attached for more dramatic and fierce presentation. The figure on the side always faces the back, to frighten any opponen...