Kamikaze, the Divine Wind decimating the Chinese fleet as fearless warriors brave the tempest to drive off the attacking hordes. Uenaka Chokusai, enclosed in the original signed wooden box. Pigment on silk in a pale silk border with ivory rollers. 19-1/2 inches x 7 feet (49 x 214 cm) in fine condition.
Uenaka Chokusai was born in Nara (1885-1977), and was enthralled with the arts from a young age. He apprenticed under Fukada Chokujo, and later Hashimoto Gaho...

Otafuku, the embodiment of feminine warmth, smiles softly as she draws her robes up, a large pottery figure by Teishitsu Gigei-In Suwa Sozan I. An identical image with overglaze enamel decorations is visible in the 1929 posthumous exhibition catalog (Copies included). It is over 15 inches (39 cm) tall. There is a chip in the base near the left foot (see pictures)...

A large 17th to 18th century Buddhist sculpture of a Rakan (arahat), well sculpted, his naked torso gilded in gold with robes and shoes in black lacquer, carrying a large urn which is an active incense burner. The sculpture is 2 feet (61 cm) tall and in overall fine condition. There are minor losses to the lacquer and gilding typical of age, and a repair to his left foot. Both little fingers are missing from his hands; these could be repaired if desired at additional cost.

Egrets in flight decorate the art-deco influenced shape of this faceted hanging vase by Nakamura Suiko enclosed in the original signed wooden box. According to the inside of the box, this was one of three made for submission to the 5th Nihon Bijutsu Tenrankai (Nitten, 1949). An entry in the catalog for that year states that Nakamura Suiko of Ishikawa prefecture exhibited a “Tri faceted Porcelain Hanging Vase Decorated with Egrets”...

Chinese Qing dynasty Tongzhi mark and period 5-petalled foliate form porcelain footed bowl decorated on the exterior with alternating black and red calligraphic inscriptions set against a white porcelain ground. The bowl has a turquoise interior and gilt at the rim. A short foliate form base is decorated with a band of red scrolls. The turquoise glazed deep recessed base holds an iron-red zhuanshu 6-character Tongzhi mark on a square white ground. The foot is unglazed...

The shape of the jar is very typical for the Siwa Culture with the curved mouth and the handles. Apart from some minor repairs to the mouth rim it is in good condition. H. 13 cm. This jar is from a collection of 30 Neolithic pieces that I bought from a Dutch collector.

The shape of the jar is very typical for the Siwa Culture with the curved mouth and the handles. Apart from some minor chips it is in good condition. H. 22 cm. This jar is from a collection of 30 Neolithic pieces that I bought from a Dutch collector.

Decorated woth a taotie mask at the end. Length: 18,5 cm. Condition: very good with a wonderful patina.

This rare group dates from the early Tang Dynasty. It's made of grey pottery and it has traces of painting ( see the back of the cart ). The ox is very well proprtioned and was made with an eye for detail: notice the ring in the nose and the tail curved around its body. The cart consists of three parts; the weels come off. The three pieces have been mounted on a professional stand. Dimensions: the ox : height 18 cm, length 24 cm, the cart: height 31 cm, length 23 cm, width 17 cm...

Part of a ceremonial dancing apron. Dimensions: 15 x 4 cm. Good condition with extensive age wear and a glossy patina.

Made of red pottery, covered with a white slib on which the painting was applied. Some of the pigments are still remaining. H. 33 cm. Condition: very good, no traces of repair, although repairs are very common and accepted on archaeological pieces. There is paint loss and there is soil stuck to the figure. On the inside there are the remains of plant roots. A TL-test from Laboratory Kotalla confirms the authenticity of this piece. We bought three fat ladies that came from the same tomb...

Made of red pottery, covered with a white slib on which the painting was applied. Some of the pigments are still remaining. H. 34 cm. Condition: very good, no traces of repair, although repairs are very common and accepted on archaeological pieces. There is paint loss and there is soil stuck to the figure. On the inside there are the remains of plant roots. A TL-test from Laboratory Kotalla confirms the authenticity of this piece. We bought three fat ladies that came from the same tomb...

Made of red pottery, covered with a white slib on which the painting was applied. Some of the pigments are still remaining. H. 32 cm. Condition: very good, no traces of repair, although repairs are very common and accepted on archaeological pieces. There is paint loss and there is soil stuck to the figure. On the inside there are the remains of plant roots. A TL-test from Laboratory Kotalla confirms the authenticity of this piece. We bought tree fat ladies that came from the same tomb. Please h...

Chinese late Qing dynasty Guangxu period to early Republic period monochrome porcelain baluster form vase with wide mouth covered overall in a transparent iridescent apple green glaze applied over a geyao style densely crackled base. A dense geyao style glaze set against an oatmeal ground lines the mouth, interior, and base. This type of ware is typically referred to as “green geyao.” A light brown dressing is visible on the mouth rim. The foot rim is unglazed. A red “China” mark is...

Chinese late Qing dynasty bombe form porcelain censer with two lion dog mask handles at the sides. The censer is covered on the exterior in an oxblood flambé (sang-de-boeuf) glaze applied over a cream colored glaze which is visible where the glaze thins. The oxblood glaze flows over the interior edge onto a crackled gray interior glaze. The base is unglazed and burnt orange. The characteristically rough foot rim is unglazed. There is an original production flaw by one of the mask handles. ...

Japanese Meiji period bronze model of a striped tiger standing on rockery preparing to attack a coiled striking snake. Square form Genryusai Seiya mark to base. Custom lacquered wood stand included. Circa 1890. Measures about 15”H x 16”L x 9 ½”D (excluding wood stand). Very good overall condition with excellent naturalistic detail and a nice dark brown patina. This bronze sculpture is from an old Scottsdale, Arizona collection.

A quite large bamboo brush pot, all around deeply carved with warriors among a pagoda landscape. Condition: the separately carved volute foot with losses. One warrior with missing arm (see picture no.6), few cracks. Dimension: 18.5 cm high, diameter: c. 13.1 cm.

A large pair of 19th c. (Edo p) votive Inari Fox images representing the god of fortune. They are 16.5 x 10 x 24 cm (6-1/2 x 4 x 9-1/2 inches). One holds the key to the treasure house in his mouth. One would have been standing over a Buddhist jewel, however that is now missing.
Inari Okami is the Japanese kami of foxes, of fertility, rice, tea and Sake, of agriculture and industry, of general prosperity and worldly success, and one of the principal kami of Shinto. In earlier Japan, Inar...

A rare and colorful Temple prayer carpet from Lhasa Tibet of two dragons chasing the elusive flaming pearl. Late 19th century. Size: L.155 cm. W. 82.3cm. Condition: No repairs.

A double sided accordion album bound in iridescent cloth from the Meiji period containing 57 total pages covered in ancient cloth samples. 18th -19th centuries. The album is 19 x 24 cm (7-1/2 x 10 inches). Generally in good condition but the covers have some wear and damage

Three black rabbits huddle together to form this black-raku Shuro hand warmer enclosed in an old wooden box titled Kuro Mitsu Usuagi Shuro (Black 3 Rabbits Hand Warmer). They are 7 x 5-1/2 x 4 inches (18 x 14 x 10 cm) and in fine condition.

H. 18 cm. Very good condition with expected age wear to the gilding.

Rare Ming dynasty longquan celadon large lantern vase, rounded side with barrel shape and unglazed foot ring, celadon vase decorated with carved chrysanthemum flower motif, vertical leaf on the neck and ribbing on the lower part, flower and cross motif at the belly, covered with nice green tone celadon glaze. Vase is in good condition no chip, no crack, no restoration but a glaze line on the body. Size: 34 cm height.

Starting with the famous verse by Chinese Scholar YoYu (AD 53-18) ”The written character is a picture of the heart” (Sho kokoro Ga nari) here are written 42 rules of calligraphy spread over 10 narrow panels by the famous calligraphist Ide Gakei dated 1677. The verses appear to have been written in one sitting, the style going from crisp perfect Kaisho characters through Gyosho stylized characters and into the elegantly running Grass script (Sosho). The way the artist allows his hand to flo...

Chinese Qing dynasty Qianlong period bottle vase (tianqiuping) with globular body and tall cylindrical neck covered in a rich translucent sang-de-boeuf (oxblood) glaze with a faint orange peel texture. The glaze is thinner at the neck, revealing white at the mouth rim and a crackled underglaze. Characteristic of 18th century pieces, the glaze thickens at the bulbous body to stop in a carefully controlled manner, leaving a thin white line and an orange line at the unglazed foot (see close up ima...

A fetching scene of colored washes very　much in　the Taisho style by important artist Ono (Ohno) Bakufu. Pigment on silk in superb Kinrande mounting. It is roughly 21-1/2 x 79 inches (56 x 200 cm).
Born in Tokyo Ono Bakufu (1888-1976) relocated to central Japan after the great Kanto earthquake of 1923 where he became an honorary member of the Hyogo Prefectural Academy of Fine Arts. Often displayed at the Teiten National Exhibition, he is best known for paintings of fish, w...

Liao Flask shaped like a leather prototype with a vertical spout and a loop handle on the other side, both rising from a tall ovoid body covered in a rich glossy amber glaze, stopping above the foot to reveal the buff stoneware. Size: 31.5 cm.high. Condition. No repairs. Normal kiln marks. Age: 10th Century

A set of five sencha steeped tea tea cups by the first Suwa Sozan decorated with three seasonal or auspidcious fruits and a poem by famed literatus Tomioka Tessai enclosed in the original signed wooden box. Each cup is 2-1/4 x 2 inches (5.7 x 5 cm) and is in fine condition.
Sozan I (1852-1922) was born in Kutani country, present day Ishikawa prefecture, where he initially studied before moving to Tokyo in 1875. Over the next 25 years he would gravitate between Tokyo and Kanazawa, working...

Exceptional Edo p. Japanese Screen, Demon War An exceedingly rare set of four dramatic paintings divided into segments depicting a variety of battle scenes and supernatural phenomena, each heavy pigment on paper canvas mounted on one of four panels of a gold screen bordered in mulberry. The scenes appear to comprise a fragment of the tale of Daikozan (Oeyama), a Kyoto tale where in a powerful demon was lured to drink, then cut to pieces in his stupor. The screen itself is 20th century; howeve...

Nicely rendered and cast, with good detail in face and mane, this Roman bronze applique or roundel dates to the 1st to 3rd centuries AD, and measures 2 3/4" (vertical) x 2 7/8" (horizontal). It has two holes at the side for attachment, and also has holes where a loop was once attached at the mouth. This bronze is a very nice size, and has good patina, with verdigris and red bronze coloration evident, front and back. Additional photos always available upon request.

Measuring 32" x 1", this belt is comprised of a heavy stepped buckle, 8 square panels featuring peacocks, lions and other animals, 8 rectangular panels of foliate designs, 5 round panels with peacocks, and 12 bar panels with a flower, all over 13 woven strands of silver. The buckle is set with a blue stone, and is fastened with two bars, both attached with three chains. From the Tamil Nadu region, this traditional belt is a coveted example of the rich heritage of silver jewelry and ornamentat...

A hexagonal miniature table brass box, decorated with interlacing patterns, tendrils and Islamic calligraphy inscriptions, inlaid in silver and copper. With hinged lid and a small locking clasp, the interior with wood lining, mother-of-pearl and bone inlays. Condition: bottom of the lining lost. Dimension: 20.5 cm high.

A Chinese bronze censer with good patina in the form of a peach with leafage, standing on three feet. The lid with a smaller peach as knob. Condition: fine, only one leave with a short crack (see photo no. 6). Dimension: c. 13.6 cm long, 11.2 cm high, 11.5 cm wide.

An ornately worked, chased and engraved jug with dancing Burmese figures in repoussé. The handle in the form of an ogre. The spout might be a later addition, it is only silver plated. Base engraved "Moung Oung Myal 1875". No mark, silver tested. Condition: the ogre of the handle with a small loss, otherwise fine. Dimension: 11 cm high, weight: 382 g.

Chinese Ming dynasty (1368-1644) ritual dragon bell covered overall with a fine celadon glaze that extends down and stops neatly at the unglazed scalloped edge. The unglazed tips are burnt orange-brown from firing. Fine incised details are visible in the body behind the glaze. A double-dragon handle is at the top. The interior is fully glazed. There are no crackles evident in the glaze. Circa 14th/15th century. 4 1/8” high x 3 ¼” diameter at the base. Very good overall condition wit...

Set of three ceremonial lidded jars from the Islamic Maranao people of Mindanao in Southern Philippines. They are made of silvered copper alloy with geometric decoration in applied wire. Condition: few dents and bumps. Dimension: 23.5 cm and 29 cm high.

The second of two Chinese Qing scrolled paintings on silk after Ding Yunpeng (active 1584-1638). 19th century or earlier. The size, including mounting, is 91”V x 23 1/4”H (painting: 86”V x 21 1/8”H). Good overall condition. The top wood bar is missing and a section of the top silk mounting is tattered. The painting has some typical buckling, creasing, soiling, and wear. Sold together with item #1331943. From an old Tucson, Arizona collection. Purchased in New York in the mid-20th...

Two panels from a multipart Chinese ink and color on silk painting after Ding Yunpeng (active 1584-1638). The first Signed “Nanyu Ding Yunpeng” and with two red seals. Measures 94.5”V (85.5”V excluding mounting) x just under 23”H. 19th century or earlier. Very good overall condition. There is some soiling to the mount and the painting has some typical buckling, soiling, and wear. See item #1331946 for a description and images of the second panel. These two paintings are from an o...

Chinese late Ming dynasty Dehua (blanc de chine) porcelain bombe form censer with flaring rim covered overall with a white glaze of warm pinkish tone with areas of darker pink pooling. The base and bottom of the flat foot are both unglazed. 5 5/8” diameter x 3 7/8” high. 17th century. From a Scottsdale, Arizona collection. The current owners purchased the censer in Oregon in 1978 from the collection of an American missionary to China prior to the Japanese occupation. The purchase price...

A finely carved female mask netsuke, showing the smiling Okame. The himotoshi edged with bone rings. Signed Shugetsu and with written seal "kakihan". Provenance: a gentleman's collection, Geneva - Switzerland. Condition: fine, only the green bone ring with chips. Dimension: 5.0 cm x 4.3 cm.

Japanese Meiji period (1868-1912) Satsuma earthenware compressed bombe form tripod koro (incense burner) or vessel with wide, inward curling cobalt mouth, decorated with two opposing figural panels, one featuring samurai and the second with women and children of the nobility engaged in leisure activities. The panels are set against a cobalt blue background with dense gilt geometric and floral motifs. 6 1/2” diameter, 4 1/4” high. Late 19th to early 20th century. Very good overall conditi...

A beautiful quadratic prism shaped translucent brown jade with two ring carved on each end. The jade is strung with three old Chinese beads. Age; Song or earlier Size: 3.4 x 2.1cm. Condition: No chips.

An antique, splendid hand painted 3-1/4" high lidded dresser or vanity jar, possibly for powder or storage. This Japanese Royal Nippon item features lush gold trim with jewelling and it depicts finely hand painted red and pink roses with foliage. It is signed with a Japanese seal signature on the bottom. It is in excellent condition with no chips, cracks, crazing, losses, damage or repairs other than a bit of light gold wear and a couple of small paint misses on the lid. All items are thorough...

Chinese Qing dynasty painting on paper of a Confucian worthy seated on a chair in a black robe covered with dragons and animals. He holds a green tablet containing his achievements. A calligraphic inscription describing his accomplishments is at the upper left. Newly framed with Plexiglas to facilitate shipping. There is typical wear for a painting of this age with old restorations and damage evident. The painting is mounted to board so no creases or buckling are visible. Frame size: 66”...

Chinese Qing dynasty Kangxi marked monochrome beehive form waterpot (taibo zun) subtly incised with three kui dragon roundels on the domed body. The sky blue glaze thins to white at the rim. The slightly recessed flat base and interior are white. The base holds an apocryphal underglaze blue six-character Kangxi reign mark written in three columns. 5 ¼” diameter by 3 ¼” high. Guangxu period (late 19th century). From a Scottsdale, Arizona collection. The current owners purchased the wa...

Chinese Neolithic Qijia Culture Cord-Impressed Pottery Jar

This jar was made some 4,000 years ago by peoples of the Neolithic Qijia Culture (c. 2050 - 1700 BC), from what is now eastern Gansu province. They produced a variety of pottery vessels including cord-impressed pottery of many shapes and sizes. This particular example is made from a coarse gritty clay and has a wide flaring mouth. There is a ridge around the shoulder below which the main surface of the body is decorated with cord impre...

A male back Mandarin square with a leopard, denoting the 3rd military rank. Silk tapestry (kossu, k'o-suu) with metallic threads and painted details. The animal is standing on a rock above deep water, the ground with Taoist longevity symbols. The background was probably covered by peacock feathers, rarely survived to the present days. Reference: "Ladder to the Clouds" by Jackson & Hugus Berkeley 1999, page 192 - No. 13.011: very similar badge. Condition: little faded, the deep water with 3 tiny ...

An elegant men's headgear dating around 1900, consisting of the cone-shaped indoor headdress and the outdoor heungnip or gat. Both are made of horsehair, the gat with a bamboo brim and gauze chin straps. The top part of the hat with a lacquered blossom. Condition: traces of usage, some splits near the bamboo brim. Dimension: gat: diameter 32 cm x c. 14 cm high, headdress: c. 14 cm high.

Chinese Qing dynasty Guangxu period famille rose porcelain seated Budai holding a string of pearls in his right hand and his bag in his left hand. Nicely carved custom wood stand in the form of a settee. 5” high (6” high including the stand). Circa 1900. Very good overall condition with no chips, cracks, or repairs. There is a minor imperfection to the stand. From an old Scottsdale, Arizona collection.

A striking design rises up the pin-holed surface of this set of Tokkuri with genuine gold repairs about the rim dating from the late 18th to 19th century and enclosed in a period wooden box. They are 2 inches (5 cm) diameter, 6-1/2 inches (16.5 cm) tall.

An exquisite Japanese koro incense burner carved from a piece of plum blossom colored agate and enclosed in a period wooden box. It is 3-1/2 x 5 x 4-1/2 inches (9 x 12.5 x 11.5 cm) and is in excellent condition, dating from the early 20th century.

Pines in the Rimpa style grow on the folded surface of this fan painted by Kamisaka Sekka and enclosed in the original signed wooden box, retaining the original paper binding on the fan itself. It is 12 inches (30 cm) long folded, and in excellent condition.
Kamisaka Sekka (1866-1942) is the godfather of 20th century Japanese design and the Rimpa revival. He was born in Kyoto in 1866, one of six siblings. From 1882 he began his artistic career, however did not take-off until visiting t...

A Fine bronze by the modern master of the Japanese bronze tradition, world renowned Hasuda Shugoro, enclosed in the original signed wooden box. The modern form is belted in geometric patterns with a mottled olive and red patination, signed on the base Shu. It is 6 x 7 x 9-1/2 inches (17 x 15.5 x 23.5 cm) and weighs approximately 5.5 kg (12 lbs) in excellent condition.
Hasuda Shugoro was born in Kanazawa City in 1915. After graduating the Ishikawa Prefectural Industrial School he moved ...

The character “Hiraku” Open (or to Open) in bold scratchy strokes by the infamous nun Murase Myodo. Open you mind, open the path to enlightenment, the path is open to all, but like this calligraphy work is not easy, it is dry and thorny and the gate must be passed. Ink on paper in a silk border with wood rollers. It is 24-1/2 x 48-1/2 inches (62 x 123.5 cm) and is in excellent condition.
Born in 1924 in Aichi, one of 9 children, a chance encounter with a nun in her village led her ...

A very rare and beautifully carved blackwood table. The carvings represent good luck symbols with key fret designs,lingzhi fungus, floral, tendril, and coins. The front and the back are a mirror images of each other, and the two sides also have mirror image carvings on both ends. The legs are straight and not curved as seen in the wide angle photo. Size: L.116 cm W.40 cm H.84 cm. Condition: Small age crack. See photo.

Sennin, Daoist immortals, relax, Gamma with his three legged toad looking shocked upon his shoulder, Tekkai sending his spirit forth, the essential equipment of the Daoist life scattered about them. The painting is dated 1912 and signed Kodo. The artist has chosen a very humorous stance from which to depict his subjects. The silk image is mounted on a panel of applied gold flake and framed in striped Ebony,. The frame is 142 x 48 cm (58 x 19 inches). There are some minor abrasions to the su...

A pair of Chinese export porcelain plates with the tobacco leaf motif. Beautifully enamelled with a pair pheasants and two squirrels amongst bold overlapping leaves and flower sprays, in blue, other colors and some gold. Foot rim with some kiln grit. Condition: both plates have minor rim fritting (bubble burst), one plate with a small rim chip, the other with a short hairline. Dimension: diameter: 24.9 cm, 3.1 cm high.

Description:

By charming atmosphere and with mysterious beauty, an excavation piece of a jade Bi was presented in a unique form.
As seemly a remnant of a hardstone's boulder of making the jade Bis, the Bi was actually a formal ritual object despite the roughly shaped side and the original stone encrustation preserved.
In ancient times, jade pieces could be always so precious that nothing would be discarded even there're some defects.
Without further modifying work but with o...

Large Chinese Qing dynasty pewter round form sweetmeat tray for holding desserts configured with eight famille rose barbed point petal shaped dishes surrounding an octagonal dish at the center to form a foliate shape. Two jade mounted handles. The dishes feature a variety of decorative motifs and styles, including a graviata flower ball design on a blue ground; three graviata lime green, lavender, and pink dishes with floral motifs; a landscape against a white ground; a calligraphy poem inside...

An exquisite landscape circles the body of this voluminous ballister form by Eiraku Zengoro XV (Shozen) enclosed in the original signed wooden box. It is 15 inches (38 cm) tall, 7-1/2 inches (19 cm) diameter and in excellent condition.
Eiraku Shozen (1879-1932) was the backbone of the family tradition after the passing of his father in 1909, and worked tirelessly to maintain the family reputation. His works were preferred by the 12th generation head of Omote Senkei Seisai, and were also...