A simple but elegant 18th century Chinese nephrite jade seal paste box of pale celadon color. Subtle, small russet inclusions appear one each inside the bowl and inside the cover. A larger russet inclusion appears along the outside of the bowl. in Short and tapered cylindrical form rounding to the crisply defined broad ring foot...
Han style primitive but good model of a Bixie with piercings behind the head, behind fanged teeth, and within the hind legs or tail seem intended for mounting securely as a pendant or fashion accouterment (the neckline appearing suited as a guide for silk cord.) Well carved relief features for eyes, brows, snout and bite. The forefeet and tail with incised features and the tail folded under where subtly ribbed. The double tipped wings in slight relief with incised border...
Description:
A Qingbai ewer was well mold in decent look.
In rice-white tint of the glaze from which infiltration of incursion was observed, the ewer was applied with arched handle and two loops.
Whitish body clay was revealed at the bottom when darken firing tint was yielded along the rim.
Minute incursions were happened to the mouth rims.
It was rarely found a Qingbai ewer with a melon-shaped body.
Date: Southern Song/Yuan periods, 12th,13th century...
Brown jade pig dragon also known as Zhulong in Chinese. These pieces are extremely rare. Probable a later type but not a fake. It is well carved and would make a nice pendant.
Size: L. 7.5cm, W. 5cm
This purse would have had a shoulder strap attached and would have been used by an adult female of the Chinese Yi ethnic minority group. All hand stitched with cross stitching embroidery and other techniques, hand made cording (string) knotted across the bottom. The bag is lined with home spun had woven fabric made from "fireweed" plant. Back is unadorned.
piece is 12.5 inches across. light soiling from use.
Description:
A Yueyao water basin was in form of a squat turtle.
Well applied with characteristic greenish celadon glaze on the surface, the basin was sit on the flat bottom which was un-glazed and was revealed with the grayish-tinted body clay.
It was preserved in perfect condition and was well cleaned by ex-collecter intended for practical use.
Minute old frets and incursions were found on the glaze when slight crackles were rendered...
Description:
A pair of Qingbai porcelain ducks or water fowls was nicely mold.
By luting from two halves in the middle, the fowls were depicted vividly in details as well as in postures.
Iron brownish slip was decorated to the eyes and the beaks.
Due to age, icy crackles were rendered in the glaze when burial earth was amid within.
The pairs were sat on square platforms from where marks of cloth paddings were observed at the bottom...
Porcelain decorated with phoenix and floral on the body, glazed base. PERIOD : Kangxi (1662-1722 AD) MEASUREMENTS: 17 cm wide and 22 cm tall. CONDITION: mounting with silver and two small chips to the spout.
A stunning box covered entirely in mother of pearl upon which is the crescent moon in lead under maki-e gold florals. Inside Rimpa style dear rest in lead and gold maki-e on a ground of red-tinted Nashiji. The box is in excellent condition, likely dating from the mid 19th century. It measures 22 x 24.5 x 5 cm (8-1/2 x 9-1/2 x 2 inches).
A nice carved curling pig dragon with a bird head terminal to the crest. Hongshan styles have been copied through out different dynasties. It is hard to date this piece, probably early 20th century. Will make a nice pendant.
Size: H.5cm, W. 4.5cm.
Rare Edo period Japanese namazu-e (earthquake fish picture) woodblock print featuring a giant human-like catfish playing a samisen beside an oni (demon) who is seated casually reading a book. In Japanese mythology, it was believed that giant catfish living underground caused earthquakes with their thrashing movements. A series of namazu-e were published anonymously in Japan shortly after the Ansei earthquake hit Edo (now Tokyo) in 1855...
Rare Japanese woodblock print kakemono (vertical diptych) by Toyohara Kunichika (1835-1900) depicting Onoe Kikugoro V as Nikki Danjo, the archvillain of kabuki roles, transforming himself magically into a rat. The kabuki play “Meibuku Sendai Hagi” (“The Disputed Succession”), deals with an assassination attempt on Tsuruchiyo, a child who had inherited the position as head of a Semdai clan. A stolen scroll containing a list of assassination conspirators is in Nikki Danjo’s mouth...
A pair of Japanese polychrome Imari porcelain bowls with subtly shaped rims. Alternating dragon and floral reserves on a patterned red ground centering three friends of Winter (pine, bamboo, prunus) medallion. The verso with karakusa around a raised foot ring surrounding a broad, unglazed band around a small, glazed center. Good condition. Each about 5 3/4 inches diameter (14.6cm) and about 2 inches high (5.1cm)...
Another pair of Japanese polychrome Imari porcelain bowls with subtly shaped rims. Alternating dragon and floral reserves on a patterned red ground centering three friends of Winter (pine, bamboo, prunus) medallion. The verso with karakusa around a raised foot ring surrounding a broad, unglazed band around a small, glazed center. Good condition. Each about 5 3/4 inches diameter (14.6cm) and about 2 inches high (5.1cm)...
A set of five Japanese polychrome Imari porcelain bowls with subtly shaped rims...
A beautiful pair of high heeled shoes for a Manchu lady. The heel is made of white painted wood, the sole is worked in fabric. The uppers are made of silk with appliqued tendrils in black. Condition: traces of usage. Dimension: 22.5 cm long, heel height: 7.5 cm, weight: 450 g.
A nice small qingpai funerary powder box in the shape of the lotus flower in three small pod. The flowers petals has dropped off showing the base of the flowers.
In good condition with the exception of some expected abrasion and manufacturing faults as shown in the photographs. Some rough edges and minute sand grits on the cover. No damage, crack, chip or any restoration.
The height is about 4.3cm and the width is about 10.2cm
Description:
A Li-Typed incense burner was well applied on the surface with the unique glassy glaze.
Also uniquely was the crackled condition in the glaze was immensely spread.
It was a charming characteristic that was believed being made intentionally to imitate the Guan ware of Song dynasty.
The body clay revealed amid the frettings was grayish and was in old greasy feel.
The blackish brown tint resulted from firing was covering on the body clay, especially on the tips of t...