A bamboo carving of a laughing, corpulent Budai, shown seated with bag, wearing loosely draped robes exposing his belly. Condition: both big toes and 2 finger tips chipped and 4 small losses to the garment. Dimension: 13.7 cm high, weight: 144 g.

Folio from a Rukmini Parinaya series. Kotah 1650-1700. 380 x 265 mm. Opaque watercolour, gold and oxidised silver on card. john sequira

Jaganath shrine painting on cloth. Early-mid 20th c. 380 x 460 mm. Framed

Depicting the Jain goddess Ambika. H. 24 cm (excl. stand), W. 18 cm. Very rare and early piece. Condition: see pictures. Comes with a museum quality metal stand. Provenance: private collection Belgium. More pieces will be coming from this collection, mainly in bronze and some in stone. Email me for more info.

A globular shaped Indian waterpipe base made of zinc alloy, the body decorated with vegetal motifs, inlaid in silver and brass. Condition: inlay losses, bottom with old repair. Dimension: 16.8 cm high, weight: 1160 g.

Description:

A Longquan celadon censer was uniquely in tripod form.
Uniquely also was the gourd body and the decorations on the surface.
The censer was heavily potted concerning it's size.
And it was fat-glazed.
The glaze was in slightly darken green tint.
Crackles and glaze fret were resulted due to age.
Supported stylized by three evert feet, it was presented as a beautiful item as a true old piece by all the characteristics revealed...

A whimsical Bizen stoneware figural koro. A young man is depicted inebriated - sake barrel by his side (the hat cover and barrel form inokes the otherwise absent tanuki associated with sake and mischief.) The sake barrel holds the burning incense while a separate piece represents the boy's hat and forms the cover for the censer. The enjoyment of incense from the burner suggests the intoxicating qualities of imbibing. Late 19th to early 20th century. Good condition...

Koryo dynasty celadon bowl. The cavetto with inlaid white slip decoration including ornamental band inside the rim and four strawberry sprays surrounding centered chrysanthemum flowerhead within double ring. The exterior with white and black slip inlaid decoration of two graduated bands of chrysanthemum roundels within double rings. The olive green glaze pooling to blue-green and burned in the kiln to a drab tone on a portion of the exterior. 12th to 13th century. Good condition...

A large square pottery tile decorated in the "cuerda seca" technique. Yellow, manganese, green and turquoise on a bicolor ground of cobalt blue and white, depicting a lotus and saz leaves. Condition: few small glaze flakes, frittings. Dimension: 25.4 cm x 26.3 cm x 2.8 cm. Without wooden stand.

Indian Tree of Life Diagram. Late 19th century. Framed. 620 x 460 mm

Birds chatter, perhaps excited by the promise of Spring from the plum blossoms peeking out of a bamboo grove, winters snow melts and trickles through the stones in the stream belwo. A two panel screen, ink and light color on gold by Mizuta Chikuho (1883-1958). An excellent example of this artists Nanga style, the subject and rich wet lines of the bamboo crisp and direct, fading to washes of gray in the shadows. The screen measures 68 x 68 inches (172 x 173 cm) and is in fine condition...

A Vietnamese blue and white porcelain jarlet. Painterly chrysanthemum blooms and leafage decoration freely rendered and with some oxidized, heaped cobalt. Fair to good condition: There are three points where old, hard wax has been applied presumably to smooth kiln faults and possible a small rim chip if not just another kiln fault (we don't like to restore items or interfere with old conservation.) Lists slightly. See third enlargement for illustration relevant to condition report...

Chinese transitional bronze incense burner of compressed, bombe, circular form flanked with two lion-head handles resting on the girth below the waisted rim. Raised on short, splayed, ring foot surrounding a sunken-relief apocryphal six character Xuande mark. Condition is fair...

A fine gem of a meiping form vase by Ito Tozan. Decoration of paulownia mon in white moriage, red and gold enamel amongst presumably young, leafy paulownia growth in moriage gosu blue. The decoration with tasteful balance - some places sparse and other places active - winding from the foot to the rim. The almost imperceptibly finely crackled Satsuma glaze smooth to the touch and with a pleasant, warm appearance. A pleasing hoist relative to the vase's mass...

A fine, early Joseon dynasty, deep Punchong bowl with gracefully everted rim and on tall ring foot. White slip inlaid decoration in the cavetto of chrysanthemum blossoms, surrounded by a lotus-petal band, surrounded in turn by rope-curtain decoration continuing to multiple rings inside the rim. The outside brush-wiped with white slip and an olive colored glaze over the slip and body - pooling in places. The unglazed foot fired to a grey-brown color...

Indian painting of Durga. Jaipur c.1890. Painted en grisaille. 305 x 305 mm. Unframed

Koryo dynasty olive toned celadon bowl with a large, impressed peony decoration inside the bowl and incised fine line around the inside of the foliate rim. The body thinly potted but strong as in the manner of Chinese Yingqing wares of the same period...

Description:

A wood Bodhisattva was nicely carved and was well preserved in very good condition.
In metal-sheen-like patina, the wooden deity was depicted in serene mood by well carved features.
A portion of the base was missing, an old defect.

Date: Early Ming periods, 14th/15th century.

Height: 23.5cm.

A SILK BOX IS INCLUDED.

Description:

A bronze water basin was inscribed with poems and carved with beautiful scenery on the surface.
The inscriber was Pu Ton, A sibling of the last emperor of Qing Dynasty Pu Yi.
Pu Ton was also a famous scholar of late Qing to early Republic periods.
This bronze piece was cast in thin wall but was kept in very good condition with darken patina on the surface.

Date: 1924, by the Chinese lunar date JiaZi inscribed before the poem.

Width: 9.5cm, Height...

Description:

A limestone stone carving was well performed by sleek cutting edges.
A crouching lion on the top, the stone weight was an original isolated piece as we can believe.
Most of the surface was calcified into grayish white tint.
It was an obvious characteristic for a stone piece what had been stored in a seal-up chamber, maybe under a temple.
The true color of the stone was revealed underside in darken tint.
The cracks observed were only superficial and were c...

Description:

A Ming bronze buddha was finely cast.
In serene mood, the bronze buddha was preserved in very good condition by enduring old patina.
The old gilt had been transformed into darken metal coatings.
There're three casing holes were found within the pleats.
They were rather than defects but were used for fastening to a base.
The holes were overlooked from the frontal view.
It was a fine good piece in small size but presented in grandeur look.

Date:...

Description:

A Yaozhou censer was in unique flatten form and was supported by five squeezed feet.
In characteristic greenish tint, the censer was carved with floral motifs on the surface.
It was done by sleek carving skills.
Underside, the kiln effects and the padding frits were preserved for verification.
Some similar pieces are found in the documentation.

Date: Northern Song Dynasty, 11th/12th centuries.

Width: 9cm.

A CUSTOM-MADE SILK BOX IS INC...

Description:

A Longquan bowl was in quite good size and was applied on the surface with pale-tinted celadon (Fenqing) glaze.
A characteristic motif of lotus petals was carved on the surface. An addition to the Lonquan wares which we've usually seen.
It was preserved in perfect condition but with some smoking effects to the glaze.
That had made the glaze a bit of darken in portions.

Date: Southern Song Dynasty, 12th century.

Width: 12.4cm, Height: 8.8cm.

Description:

A Longquan bowl was in nice conical shape and was fired into a crackled glaze imitating the rare Guan wares.
It was an excavation piece for some time from the dry-feel condition to the glaze.
A later touch-up of gilt paint was done to the only defect found on the rim.
From the tint of the body clay, the way the foot ring was shaped and the accumulation of glaze around the mouth rim, all the characteristics stated out that it was a piece from Southern Song Dynasty...

Indian miniature painting. Bikaner School. Undated, estimated to be 18th century. Subject: The Three Steps of Vishnu. Good condition. 19 x 13 cm.

This is a finely potted Song dynasty qingpai covered box in the shape of pumpkin from the Hutian yao kiln. The colour is that of aqua sea greenish glzed.

Generally in good condition with the exception of some minor chip at the base of the covered box. Other wise no chip, crack, resoration or repair. Glaze in good condition. No glaze crazing or fritting.

The measurement of the pumpkin shaped covered box: the height is 11.2con and the diameter is 10.5cm.

Description:

A fine white-tinted shallow bowl was in perfect condition.
In characteristic Dingyao milky-white glaze, the bowl owned the also white-tinted body clay which in characteristic tense and greasy feel quality.
Incursions had happened to the rims and on the surface.
It is very rare to find a real Ding ware in such obvious characteristic condition.
It is a small piece but can be a very good proof.

Date: Liao Dynasty, 907-1125.

Width: 10.3cm, Height:...

 

Description:

A Qingbai cup stand was preserved in perfect condition.
In straw glaze, the ware was yielded with immense crackles verifying its age.
It is a nice item suitable for a lovely tea bowl.

Date: Southertn Song Dynasty, 12th Century.

Provenance: Fujiang Province, China.

largest Width: 10cm.

An antique Tibetan buckle made of chiseled iron and damascened in gold, originating from a bridle or a belt. The fitting with hook is beautifully decorated with a lotus among scrollwork and a wave pattern (chu ris). Condition: little rust, few traces of usage. Dimension: 10 cm and 5 cm long, 76 g.

A really nice, old bronze Shishi sculpture. It works well enough as a free standing figure and we cannot be certain it wasn't intended as such. The bottom has a single 1/2 inch (1.27 cm) diameter opening and another opening being the beast's mouth. The party we acquired from described it as an incense burner. Perhaps it could have been the cover of a censer - the opening in the bottom allowing smoke to escape from the mouth. It is not clear if a few points on the bottom surface might suggest the...

A small blue and white Chinese export porcelain dish. Decoration of a bird amongst chrysanthemums on rockery in front of an active sea with rising or setting sun on the horizon. Patterned border inside the rim. The undecorated verso with unglazed foot rim. Reasonably good condition with one filled rim frit. No other condition issues - sound resonance when tapped. 6 inch (15.24 cm) diameter.

A small Chinese blue and white porcelain dish. Foo Dogs with balls amongst clouds and flames decoration. The white glaze pooling to a pale celadon tone inside the rim and around the foot. A four character underglaze blue hall mark appears inside root rim. Acquired from Amos Judd and Son antiques on Howard Street in Baltimore in the early 90's. Reasonably good condition with some fritting to the rim but no cracks and a sure and clear resonance when tapped. Diameter approximately 5 inches (13 cm)

A good Qing dynasty cloisonne opium box. The flat, rectangular covered box with rounded corners decorated with scholar's objects and treasures in polychrome enamels on carefully worked, sturdy brass. Good condition. Height, 2 1/2 inches (6.35 cm)

A simple Korean black lacquered cylindrical box with elegant wire inlay decoration of a four toed dragon and flaming pearl amongst clouds on the cover with rounded edges and slightly convex top. The dragon with brass inlaid eyes. Wire inlay of this manner can be found on Korean iron and lacquer objects. The shape, size and proportions of this box are extant in metal and lacquer Korean decorative arts. Not having found reference to specific purposes of such boxes, the yellow silk lined interior o...

Blue and white cover box, export porcelain. Date : Kangxi (1644-1722) period. Size Diameter 10 cm. Height 5 cm Condition : small chips to the foot, no cracks or hairlines and free from retorations

Celadon grey glazed to square cut foot rims and glazed convex base. Song Dynasty 10th-13th Century Height = 5.2 cm Width = 8.5 cm Condition : a chip on the rim.

Porcelain decorated with dragon, glazed base with four character mark. PERIOD : Wanli (1563 – 1620 AD) MEASUREMENTS: 19 cm wide. CONDITION: Perfect, no chips, cracks, hairlines and free from restorations.

A very rare Song Celadon censer with spotted. A pair a stylized fish-shaped handles set at its shoulders. PERIOD : Song Dynasty (960–1279 AD) MEASUREMENTS: 9.5 cm wide, 5 cm height. CONDITION: restorations to the missing handles, no other damages or restorations.

A Meiji period Japanese natural paper, bamboo and iron hanging Chōchin lantern in its original wood box. It consists of the ebonized hand-cut and bentwood hanger which has iron fittings with handcut nails. It opens around a pinion for mounting. The 8-3/4" diameter lantern is formed from handmade paper fiber and it has a bentwood collar and base with iron fittings. The top fitting has a handle for hanging and the bottom has fittings for hanging depending on the location. The loop is for secu...

The blue and white bucket form porcelain vase in Hirado style but probably from an Arita kiln. This garden bucket is a less commonly encountered form (in porcelain) with a single handle. Decorated in Hirado fashion with plover over an active sea. Borders around the girth and the foot in relief and depicting woven bamboo securing the barrel form. A slight celadon tinge collects in glaze pooling particularly around the woven bamboo motif borders. These borders do exhibit qualities associated with ...

An Edo period sumi-e painting stamped Shundo-no-in on very rough silk depicting Daruma heir Kensu Osho, an eccentric Chinese beggar-monk who lived on shrimp and clams. The painting is certainly no less eccentric than its subject, unique among paintings I have seen from the Edo era. It retains the original faded border of dragon dials and lucky symbols extended with beige and features bone rollers. The scroll measures 14 1/2 x 56 inches (37 x 142 cm) and is in original condition, with some wea...

Antique Tibetan gilt iron fittings with open-work decoration. Three buckles and four hooks in the shape of a vajra. Condition: some rust. Dimension: approx. 11.2 cm and 8.8 cm long, weight: 260 g.

A finely shaped of Yuhuchun, slight thickly potted, covered overall with copper-red glaze. 'Da Qing Guang Xu Nien Zhe' six character mark and of the period. Condition is perfect. High: 31cm and Wide maximum: 19cm.

Description:

A Qingbai censer was in oval shape including the cover.
Well decorated on the surface with carved motifs, and the reticulated cover, the censer was well glazed in characteristic greenish tint.
It was in perfect condition nevertheless incursions were happened to the glaze resulting the sandy-look effects.

Date: Song Dynasty, 11th/12th century.

Height: 12cm. Width: 10cm.

A CUSTOM-MADE SILK BOX IS INCLUDED.

An unusual decorative wooden sword (tea room sword) carved of hardwood in the shape of a dried fish signed on the belly pierced and wrapped with a faded silk chord. An excellent example of the genre it is 13-1/2 inches (34 cm) long and in fine condition.
It is said that these wooden swords were produced from the mid to late Edo period, in lieu of swords for those not allowed to carry weapons (all but samurai). During the Edo it is true that commoners wore them to ward off evildoers at ...

A blue silk twill gauze men's jifu decorated in gold couched thread with eight four-clawed mang dragons pursuing flaming pearls amidst clouds and bats. Few details executed in colored silk, silver brocade edging. The bottom is embroidered with waves, stylized rocks and the "lishui" pattern. Side-fastening overlapping closure with hooks and five gilt buttons, front and back slit, the sleeves ending in horsehoof cuffs. Only the ends of the sleeves with blue silk lining. The standing collar is mayb...

A rare antique Chinese finely hand carved white Jade seated Shakyamuni Buddha with exquisite detail form and surface. Measuring an impressive 10.5 in. or 27.5 cm. tall. In excellent condition A fine addition to any collection.

A Nihonga Scene mounted on a two panel screen of a thatched house in the winter forest, blossoms just opening on the garden trees by Takahashi Shiko (1897-1970). The scene has been created over a complete wash of white, making the crisp early spring morning real and sharp. The screen measures 74-1/2 x 67-1/2 inches (189 x 172 cm) and is in excellent condition bordered in a red lacquer frame typical of the 1920s and 30s and retains the original backing paper. A superb example of the early Show...

A finely long neck bottle vase, decorated to the body with figure of 'Fu Lu Shou', two children, deer and crane in Famille Rose. Condition is perfect, with no any chip, no crack and free from restoration. Early Qing dynasty 18th century Yongzhen-Qianlong period. Height: 30.2cm.

A good small one Longquan celadon shallow bowl, covered overall with sea green glaze. Southern Song dynasty in perfect condition. Diameter: 9cm.

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada), depicting a heavily tattoed actor Ichikawa Danjuro VIII in the role of Omatsuri Sashichi in a scene from kabuki theater. The cartouche at the upper right holds the series and image title "Mitate Tsuki Zukushi: Musashi no Tsuki" (Collection of the Full Moon Parodied: The Moon over Musashi). The lower left corner of the image holds the seal of the publisher Heirindo, the censor/date seals for 1856, and the signature "Toy...

Carved and gilded heavy Indian hardwood frame with stand circa 1890. Oval window shows print of Sikh interest under glass. 33 x 31 cm overall. Good condition.

Descriptiion:

A Longquan vase was in shape of archaic Zun type and was supported by 4 arched feet.
It was a characteristic ritual vessel put on an altar table.
In beautiful celadon tint, the vessel was preserved in perfect condition.
Old abrasions were found on the surface when slight incursions were happened to the ridges.

Date: Yuan Dynasty, 13 Century.

Height: 21cm

A CUSTOM-MADE SILK BOX IS INCLUDED.

Japanese cast iron sake kettle (choshi) with the characteristic flattened spout decorated in low relief on one side with prunus blossoms and on the other side with bamboo. The wooden lid is covered with stippled lacquer. These iron kettles were used to heat sake during the cold winter months. Flower form finial. Meiji period (19th century). Measures about 7 3/4" to the top of the handle and about 9 1/2" across to the tip of the spout. The kettle is in very good overall condition. There ar...

Description:

A Yaozhou censer was stand in unique stem foot.
It was also called XinLu in Chinese for this rare type.
Well glaze in yellowish green tint, the censer was revealed with buff-tinted body clay in the cavetto and at the foot.
It was preserved in perfect condition with slight incursions happened to the glaze.

Date: Song Dynasty, 11th/12th century.

Height:6.4cm, Width: 7.7cm.

A CUSTOM-MADE SILK BOX IS INCLUDED.

A very fine gilded bronze Buddha, sitting on Naga. H. 17 cm. Condition: Casting flawa, chips to the foot rim, the Naga head, which used to be behind the Buddha head, is missing. Nevertheless a very attractive piece with a serene expression.

Description:

A Yaozhou conical bowl was beautifully manufactured with printing motifs in the cavetto.
It was preserved in perfect condition only with whitish incursions caused from age.
Some fingernail's scars were left at the foot ring by the potters.

Date: Song Dynasty,11th/12th century.

Width: 12.7cm. Height: 5.2cm.

A CUSTOM-MADE SILK BOX IS INCLUDED.

A well crafted Montagnard hardwood crossbow with subtle attention to detailing and with oxbone release mechanism. The wood (a resource of interest to Chinese occupiers since the Ming dynasty) appears to be a good quality tropical hardwood (broadly referred to as rosewood - we cannot be certain of the variety.) As is typical with Montagnard (as the Hmong [or "Hill Tribes"] vicinity mountainous regions of Vietnam, Laos and Cambodia were called by the French occupiers), the form resembles a gunstoc...