A rarely encountered occupation era original Japanese shin hanga woodblock print titled "Tanigumi Temple, Mino" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the lower left corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. Paper size: 15"V x 10 1/4"H (image size: slightly over 14 1/4"H x 9 1/2"V). Very good overall condition...

Measuring 5 1/2" square and 8 1/2" high to top of handle, this Tabako Bon, or tobacco box, is lacquer over wood, with brass fittings, round lidded container, and hibachi. The one large drawer contains the lidded brass container and an open compartment behind it, and the other two drawers fit the depth of the case. The hibachi on top may be removed, and locks in when turned, so that the entire piece may be carried by the handle...

Japanese shin hanga woodblock print by Shoda Koho (1871-1946) titled "A Bridge in the Rainy Season." This image was originally printed by Hasegawa circa 1910-1920. This lifetime impression was published after the name change from Hasegawa to Nishinomaya Yosaku and dates circa 1936-early 1940s. The Nishinomaya publisher’s seal is in the lower right margin. The artist’s black ink signature and red seal are at the lower left corner of the image...

The conical sides rising from a short straight foot to rim, the interior painted in white slip with a pair of long tailed phoenix with florets on a black ground, the exterior covered with a similar black glaze with tortoise shell pattern stopping short of the foot. Diameter: 11.6 cm.

Ming dynasty square blue and white jar. 16th century Hongzhi period.

A very unusual Meiji period Suzuri Bako with cherry blossoms in black on black outside, a crescent silver moon rising beyond crashing gold waves within. The box is so subtle outside, that until very close, and at the correct angle, it simply looks black. Then one sees the cherry blossoms covering the entire outside, in the slightest texture only...

Ge type golden celadon glaze covering foot rim. Broad firing ring on base burnt red. Diameter = 12.2 cm Period : 14 th-15 th Century Longquan Kilns, Zhejiang Condition : no chips, cracks, or hairlines and free from restoration.

Dating to the 19th century, or late Qing, this Rose Medallion platter was made for the export market and features the traditional images of maidens, birds, flowers, and foliage, in six vignettes separated by green and rose foliate designs, highlighted with gold. The enamel decoration is in high relief, with good detail. The platter measures 14 3/4" x 12" and is 1 7/8" deep, and is nice heavy porcelain...

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A fine 18th century Chinese molded celadon-glazed porcelain dish, finely decorated chrysantemum flower with foliated rim, covered overall in green glazed. DATE : Qianlong (1736 - 1795). SIZE : D = 28 cm CONDITION : very good condition, no chips, cracks, hairlines and free from restorations.

Length = 6 cm Excellent condition, no chips, cracks or hairlines and free from restorations, a minor tiny frit on the rim.

Length 14 cm Height 8 cm Excellent conditions, no chips, cracks, or hairlines and free from restorations.

Finely cast in solid bronze, this pair of Komainu figures, also referred to as Shishi or guardian lions, are diminutive in size, measuring 3 1/8" high x 3", but maintain the fierce and powerful demeanor for which they are known. They have the traditional stance, and one has an open mouth, the other closed, with richly sculpted manes and tails. The patina is very dark, with some verdigris evident in the crevasses, and very light wear where they were handled...

Width 9.3 cm. Excellent condition, no chips, cracks, or hairlines and free from restorations.

Width 7.3 cm Height 4 cm. Excellent conditions, no chips, cracks, or hairlines and free from restorations.

Made of gilt brass, decorated with kingfisher feathers, pears, red coral and jade. Dimensions: 13,5x5 cm. late 19th century. Condition: missing parts and age wear.

Made of gilt brass, decorated with kingfisher feathers. Seed pearls and beads..in the centre a crane, on the left a flower vase and on the right a gourd. Dimensions: 15x6 cm. Late 19th century. Condition: age wear and missing parts.

A very rare Tibetan cabinet with many animal figures,religious items and scenes. Size: H. 75.5cm. W. 47.8cm. D. 33.5cm Condition: Normal wear.No repairs.

A bakumatsu era (mid 19th century) Shishi Koro of dark red clay covered in a rich green glaze from the Banko kilns in Mie. It is 14 x 24 x 8 cm (9 x 5-1/2 x 3 inches) and is in fine condition but for one clawed toe which has been chipped. This squat style of facial expression was popular from the declining years of the Edo period into the early Meiji, and fits the date of this piece perfectly.

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A porcelain Koro by Mashimizu Zoroku II and decorated with a tiger by Tomita Keisen and enclosed in the original wooden box signed by both artists. It is 12 cm (5 inches) diameter, the same height with a solid silver hoya of woven net weave by signed by Koju.
Mashimizu Zoroku II (1861-1936) inherited the pottery tradition of his father, Zoroku I and grandfather Wake Kitei III in the Gojo zaka district of Kyoto...

A square porcelain plaque painted with different greens, overglaze blue, yellow, aubergine and iron red, mounted in a later European wooden frame. Depicting Hua Mulan, a legendary female warrior, who took her aged father's place in the army. Some orange peel, reverse without glaze. Condition: enamel colors with some wear. Dimension: plaque: 22.7 cm x 22.6 cm x 1 cm, with frame: c. 30 cm x 30 cm.

A rare example of the wellknown Tibetan cups, with high quality repoussé silver depicting Buddhist symbols and a mask at the bottom.. H. 5,5 cm. Diameter 12 cm. This piece dates from the 19th to early 20th century. Made of high grade silver. Good age wear.

Porcelain charger glazed in blue and white and copper red. Diameter 27 cm. Jiajing period (1796-1820). Some chips to the rim, but no cracks or repairs.

Classic archetype of the Himalayan masks, hardwood, large precision sculpture, painting traces representing the Trisul shavaite, excellent seniority at least early 20 th, H 30 cm Further information on request

A gorgeous pair of tiny shoes with shaped heels and upturned toes for a Han Chinese lady with bound feet. Made of silk, embroidered with very fine Peking and satin stitch in gold-wrapped and colorful threads. The tall ankle cuffs decorated with brocaded ribbons. Cotton lining and leather soles. Condition: fine. Little insignificant patina, few brittle fabric areas. Please compare: "Fine Chinese Costume and Textiles from the Linda Wrigglesworth Collection": item no. 103...

Large late Ming dynasty Wanli period blue and white kraak ware export porcelain deep charger with a foliated rim decorated in the center within an eight-pointed medallion with a jardinière on a stand holding a fruit, peony, and plantain leaf bouquet with a fence in the background. The central design is encircled by a moulded eight panel border on the cavetto with stylized peach branches alternating with Daoist symbols. The back is decorated with eight panels holding lingzhi within a circle...

Finely crafted Mughal rock crystal-hilted Khangar dagger. The grip finely carved, with rolled pommel and gold-inlaid steel bolster. The single-edged blade forged of actively-patterned wootz damascus steel. In its velvet-covered wooden scabbard. 19th century. Overall length approx 11 inches (27 cm).

Chinese Qing dynasty silk painted and embroidered panel finely rendered with a scene of an official and attendant on horseback passing traditional buildings set among clouds, rockery, and pine. Ink and color wash in "qing lu" (blue-green) colors provide accents and detail. The scene describes a Tang story of travelers heading to the 60th birthday celebration of a high official...

With shallow, molded in the interior with a large leafy scroll, covered all over in a green glaze continuing over the unglazed foot rim to cover the base. 22,3 cm diam. Song Dynasty 12th-13th century Star glaze line on the center, no chips or cracks and free from restorations.

Porcelain decorated with flower on the body, glazed base. PERIOD : late Ming (1566-1643 AD) MEASUREMENTS: 9,5 cm tall. CONDITION: chips on the foot rim, no cracks or hairlines and free from restorations

A breathtaking Taisho period image of the Buddha in meditation by Takayama Shunryo...

An Edo Period Kozuka (utility knife handle.) Kinko (mixed soft metals) decoration on shakudo alloy with nanako (fish roe textured) background. Depicted in a farmer with horse in water plowing in prepartion to plant rice. A willow or other weeping tree, to one side, not yet with blooms. Nicely detailed with featured highlighted with gold and silver overlay. The water nicely textures with an itame (wood grain) effect. Serviceable, fair to good condition. There is light denting on the butt end and...

Rare Japanese Edo period woodblock print pentaptych depicting five 16th century Takeda warriors involved in the Kawanakajima campaigns against the forces of Uesugi Kenshin by Kuniyoshi (1797-1861) published by Ebisuya Shoshichi (Kinshodo) circa 1845. Each warrior is surrounded by biographical text written by Shotei Kinsui. From left to right, the seated warriors are Takeda Shingen wearing his horned helmet and holding his war fan, Yamamoto Kansuke Haruyuki in monk’s robes holding a closed fa...

Japanese Edo period woodblock print by Kuniyoshi (1797-1861) depicting Minamoto no Yoshitsune in full armor and surcoat seated on a tiger-skin with his hand on an armrest from the series “Stories of One Hundred Heroes of High Renown” (Meiko hyaku yu den) published by Izumi-ya Ichibei (Senichi) circa 1844. Vertical oban size (14 1/4"V x 9 5/8"H). Very good overall condition with only minor fading and soiling evident. The print was removed from an album and is lightly album backed and slightl...

A Fuchi and Kashira set with flowers decoration with gold and silver overlay decoration on shakudo relief and nanako ground. Good, serviceable condition (a small, fine line fracture from the rim of the fuchi not at all compromising function or presentation.) An easy motif to match if fitting a sword (we may do so if not first selling them.) Fuchi length, 1 17/32 inches (3.89 cm)

A late Ming dynasty 17th century vase, Wanli period with rounded body and with slight broad mouth rim, decorated with white slip of crane in flight among cloud scrolls on cobalt-blue ground. Possibly Wanli period. Condition with a chip to inner rim with associated hairline visible on the last enlargement, otherwise is in very good condition. Height: 23 cm.

Chinese natural Hetian jade pendant - Fortune Kid. Dimension are as follows: 73 x 42 x 21(mm) or 2.87 x 1.65 x 0.83 inches with total weight of 90 grams, no condition issues. Introduction; Chinese Hetian Nephrite Jade Hetian jade, a nephrite jade, is regarded as the only true jade in ancient China until Burmese jadeite becomes popular in late Qing Dynasty. The hardness of the Hetian jade is between 6 to 6.5 and density is between 2.96 to 3.17. Most of the nephrite jade in the world are green. Ho...

Excavated piece rom the Shan State. Nice green patina and excellent condition. H. 8,5 cm.

A pair of rare Koto-yaki sake flasks decorated with florals and dating from the 19th century. Written on the side is the kiln name Koto (East Lake). Each piece is roughly 6 inches (15 cm) tall and in fine condition but for a chip on the inside of the foot ring of one.
Koto ware is one of those rare and highly prized ceramics of low production, once the official kiln of the Ii clan in Hikone on the Eastern Shores of Lake Biwa, its production rand from the early to late 19th century. Und...

The backside decorated with a stupa. H. 10,5 cm. excl. stand. This piece was placed in the foundation of a newly built stupa.

A very elegant and well carved sculpture of the Bodhisattva Guanyin, goddess of mercy. Made of Zitan, one of the rarest hardwoods in China. H. 26 cm. Dating from the late 19th to early 20th century. We bought this piece from a Dutch private collection.

Korean Joseon dynasty (early 20th century) brush pot designed with three cylindrical connected brush holders of varying lengths carved with a variety of animals, including a stalking tiger, tortoise, deer, and crane all stained in a golden brown against a dark brown recessed background. The animals are set among pines and bamboo. A pair of tortoises walk on water. The tallest brush holder holds four ideographs surrounded by a fretwork band. The cylindrical pots share a single flat undecorate...

Known primarily for ginbari or basse-taille works, Hayakawa Komejiro perfected this technique, creating very fine vases, often in the deep red Pigeons Blood color. The translucent red enamel covers the detailed silver design, of bamboo leaves and stalks over a stippled background. The vase measures 3 1/2" high by 3" wide, with a foot of 1 1/2" in diameteter. It is signed on the base. In excellent condition, with no marks, cracks, or abrasions (there is a lot of reflection in the photos, but n...

Japanese Edo period woodblock print by Yoshitoshi (1839-1892) depicting the cannibal Shutendoji surrounded by captive women from the series "One Hundred Ghost Stories of China and Japan" (Wakan hyaku monogatari ) published by Daikoku-ya Kinnosuke (Kinjiro) in 1865. Vertical oban size (14 1/4"V x 9 5/8"H). Very good overall condition and color with nice gauffrage highlights and margins evident. The print was removed from an album and is lightly album backed and slightly trimmed. The image has a...

Large Qing dynasty slightly tapered cylindrical form white porcelain brush pot (bitong) with a central cobalt blue band holding bats flying among clouds. The white porcelain has a faint blue-green-gray tint. 19th century. 6 1/2” high x 8” diameter. Very good overall condition with a few old browned hairlines on the base which appear to have resulted when a drain hole was added. This piece is from the private collection of a former American expatriate to Beijing and Guangzhou from 1983 - ...

Japanese Edo period woodblock print by Yoshitoshi (1839-1892) depicting Nikki Danjo Naonori changing into a rat from the series "One Hundred Ghost Stories of China and Japan" (Wakan hyaku monogatari ) published by Daikoku-ya Kinnosuke (Kinjiro) in 1865. Vertical oban size (14 1/4"V x 9 5/8"H). Very good overall condition and color with margins evident. The print was removed from an album and is lightly album backed and slightly trimmed. The image has a prominent horizontal centerfold as the al...

Five Japanese Edo period woodblock prints depicting famous samurai from the series “Abridged Stories of our Country’s Swordsmanship” (Honcho kendo ryaku den) by Kuniyoshi (1797-1861) published by Kazusa-ya Iwazo circa 1845-1846. From left to right and top to bottom, the images depict Araki Matayemon Standing and Examining his Sword, Sasaki Ganryu Standing in Profile with a Clenched Fist, Miyamoto Musashi Dressed for Traveling on his way to see Bukoden, Minamoto no Ushiwaka Maru Knocking D...

A long “Hengaku” framed painting meant to sit above the transom by Yoshimura Horyu featuring monkeys riding on the back of a deer. One has fallen and is being dragged along like a water-skier by vines tangled in the deers horns. A very humorous scene by this rare Osaka artist. Pigment and ink on silk mounted on gold with a carved rosewood frame. The frame is 154.5 x 50 cm (61 x 20 inches) and is in fine condition, with toning to the silk typical of age.
Yoshimura Horyu (1874-1936)...

A celadon vase inlayed with Chrysanthemum designs by Teishitsu Gigei-In Suwa Sozan I enclosed in the original signed wooden box featuring the Imperial Art Academy Seal and titled Kiku-Zogan Hana-Ire. Tendrils of blossoming chrysanthemum climb up the sides in dark inlay on the slightly pitted celadon sueface, a perfect rendition of Korean style wares from an earlier era with the addition of the Japanese design motif. It is 10-1/4 inches (26 cm) tall and in excellent condition. Artists mark on ...

An oil on canvas by Ono Sue titled “Inaka no Kyokai, Paris” or Rustic Church in Paris set into a double wood frame. The canvas is 15-1/2 x 18 inches (40 x 45 cm), the frame 24 x 27 inches (61 x 69 cm) and all is in excellent condition.
Ono Sue (1910-1985) was born in Niigata prefecture, and after serving as a school teacher for one year, moved to Kyoto in 1934 to pursue a career in oil painting under Yasui Sotaro. He began exhibiting with the Issuikai in 1938, garnering a number of ...

A large and heavy Chinese cloisonne bowl with gilt rims and wire, enameled at least with nine different colors. Decorated with flower medallions and clouds, the interior with bats around a "shou" character. The outer rim with a ruyi head border. Base with maybe later turquoise contre-email and a Chinese character. Please compare with a similar bowl in the Royal Museum of Edinburgh. Dimension: diameter: 20.7 cm, 9.1 cm high. Condition: traces of usage. Inside bottom with some alteration of enamel...

Large Japanese limited edition lithograph with hand-applied paint and red sumi-e brush stroke by Toko Shinoda (b. 1913) titled “Through the Ages.” This early undated image is pencil-signed, titled, and numbered 32/35 at the lower left. Paper: 35 5/8”V x 24 7/8”H (image: 22 x 32 ¾). Excellent condition (never framed). This print is from a Phoenix, Arizona estate.

A rare ancient agate bead made for wearing as a pendent or necklace. These beads date back to over 2,000 years. They have some kind of tiger influence in their shape and stripes.. Size: 4.2cm X 2cm. Condition: No breaks.

A very rare gilt figure of Buddha with hands in the earth-touching gesture. The facial features are characteristic of Burmese Buddhas of the time with very large ears and nose.

Burma 17th/18th Century

Size: Height = 14 cm.

Condition: Good. Has a nice patina.

An ancient southeast Asian (Thailand) pottery bowl from the Ban Chiang culture, dating to approximately 500 B.C. A wonderful piece measuring approx 10" x 8.5" in excellent ancient condition a small hair line at the top edge. This a distinctive vessel with a bold form and individualistic style, the body rises from a rounded base. The piece is adorned with exuberant painted curvilinear forms This striking earthenware vase was produced at the site of Ban Chiang, Thailand, and is typical of works ...

Measuring 7" high, and approximately 4" at the widest point of the body, this ceramic jar dates to the 17th century of the Safavid Empire, which was located in what is now Iran. The glaze is very heavy and is decorated with underglaze blue, and has areas of greenish tint, seen primarily at the shoulder and on the bottom. there are areas where brown pigments are visible in the glaze, also visible in photos. The blue decoration depicts arabesque forms with linear and foliate designs. The neck an...

Japanese late Meiji period Imari porcelain lidded serving dish or bowl decorated in underglaze blue and overglaze polychrome enamels with gilt highlights. The center of the densely patterned brocade lid features a butterfly among gourds. The bowl is decorated entirely in underglaze blue (sometsuke) and holds three floral sprays about the circumference. The interior is undecorated. Measures about 8 ¾” diameter by 5 7/8” high. Late 19th to early 20th century. Very good overall condition...

This seated figure, a Lohan or Scholar, is very nicely modeled, with good detail and form. It measures 3 3/8" high x 2 5/8" wide and is covered in a soft turquoise colored glaze, which is translucent, and varied in intensity of color, being deeper colored where the glaze has pooled. there are very tiny dark spots apparent in the glaze, some more visible on back and shoulders. There is a chip on the base, just below the hands, on the bottom of the flowing robe and at the edge of the form. It da...

A pear-shaped vase freely painted with foliate designs in a dark chocolate brown glaze over a white slip. The slightly flared footrim is also painted in dark chocolate brown. Comes with a certificate from an auction in Beijing. Period: Song (10th Century) Size: Height = 22.5 cm (8-7/8") Condition: A very small chip at the foot-rim.