Old Japanese Banko Ware Marble Pattern Tiger

The tiger is 4.5 inches tall, and 5 inches wide.

It is in good condition with no repairs, chips, nor cracks.

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Finely crafted Mughal rock crystal-hilted Khangar dagger. The grip finely carved, with rolled pommel and gold-inlaid steel bolster. The single-edged blade forged of actively-patterned wootz damascus steel. In its velvet-covered wooden scabbard. 19th century. Overall length approx 11 inches (27 cm).

A well carved jade frog that can be used as a pendant. Actually is was worn on the belt.It has two holes under the chin that do not go all the through. It probably had some metal clip attached to it. The color is a little lighter then appears in the photos. Age: Early 19th or late 18th century. Size: L.5cm. W.3cm. Condition: no chips or repairs. Nice smooth finish from being fingered a lot.

This is a fine ovid yingqing meiping, It is designed with a simple incised line without the engraving of any motif. The meipimg is divided into four equal segments all divided by two parallel incised lines. Within all this incised lines, the greenish glaze can be seen pooling at the recessed part. A luted line (pic 1 and 2)can be seen at the joint between the upper and lower half of the body. Overall, a very nice and well potted yingqing meiping,

There is no repair or restoration...

Fine Tall Chinese Early Tang Dynasty Painted Pottery Figure / Groom

This rare and interesting pottery model of a foreign groom was made in the early part of the Tang Dynasty (AD 618 - 906). It is made from dense solid pottery (as opposed to being hollow as are the majority of Tang figures). The figure stands upright with his head turned to his right. His left hand is placed against his chest whilst his right arm and hand are outstretched...

Description: An archaic turquoise pendant was carved into two crouching Chilongs around a circular Huang. By ferocious features and animated postures, the fairy animals were rendered deliberately in every detail. From the characteristic features including the grooved spines, strenuous hips, legs, and claws, and the tiger-like heads, this carving piece embodied all the essential points in authenticating the Han date...

Very Rare Chinese Liao Dynasty Glazed Pottery Ewer with Oxford TL Test

This very rare and unusual (possibly unique?) ewer was made during the Liao Dynasty (AD 907 - 1125). The body is decorated with moulded leaf and floral designs, and coated in an attractive amber glaze. The mouth opening has been formed into the shape of an opening leaf or blossom and is glazed in green. To the shoulder, opposite the handle, is the short spout...

Oversized abstract mixed media print on heavy embossed paper titled "Yin-Yang" by Taiwanese artist Liao Shiou-ping (born 1936) dating circa 1980. Pencil-signed, numbered 7/50, and pencil-titled in Chinese and English in the lower margin. Very good overall condition with minor soiling and paper discoloration to the front, sight creasing and toning of the edges, and toning to the back. Paper size: 29 7/8" x 22"...

This Tibetan gau (aka prayer box) is actually a small shrine. When not being worn as an ornament during festivals, it would be kept in the prayer niche of the family home. The back of the box slides open. Frequently, a special prayer i.e. sutra pages would be placed inside. The small glass window at the front displays a Tsa tsa, which is a clay statue of a Buddhist Diety. These statues were made only by the monks and considered to be a holy relic...

Description: A scholar bronze water basin was in lovely pumpkin shape. Covered with typical old patina on the surface and left pigment between the lobes, the item was kept in very good condition except some minor dents which was not unusual to an old piece. One later made dip was accompanied with this piece as a perfect match. Date: 18th/19th Century. Width: 5.3cm, Weight: 51gram.

Four calligraphy works dating from the Edo period mounted on an antique two-panel Kama-byobu tearoom screen; the backing paper covered with minute gold flake. The centerpiece of the screen is a scene of Mt. Fuji next to the character Ryu (for Dragon). This piece is signed Ryukoubi (Soro Ryu 1714-1792) a well documented artist known for calligraphy and poetry who seemed to change names and addresses as often as humanly possible...

Description:

A root wood carving was intriguingly made to imitate a crane standing on the mountain top in stylized posture.
By two pieces of original root wood, and with minimal cuttings, a beautiful picture with traditional Chinese metaphor of Longevity was then nicely rendered.
The wood piece had yielded the fine patina on the surface in firm and sound condition when one minute old restoration was on the leg.

Date: Qing Dynasty, 19th Century.

Height: 35cm...

A nicely carved jade pig done in the Han style. Pigs represent prosperity and jade pigs were were placed in the hands of the deceased. Many jade pigs were used for this purpose in later times and are sometimes mistaken for Han pieces. Size: L.10cm. H. 2.8cm. W. 2.3cm. Condition: No chips. Some calcification.

Pines in the Rimpa style grow on the folded surface of this fan painted by Kamisaka Sekka and enclosed in the original signed wooden box, retaining the original paper binding on the fan itself. It is 12 inches (30 cm) long folded, and in excellent condition.
Kamisaka Sekka (1866-1942) is the godfather of 20th century Japanese design and the Rimpa revival. He was born in Kyoto in 1866, one of six siblings. From 1882 he began his artistic career, however did not take-off until visiting t...

Description: A stone inkstone was in a simple and plain form. By a characteristic “Chao-Sou” form which was named after its easy-handle type, or “Lu-Xin”-shoes like form, the inlstone was carved from solid stone and was shaped regularly in a rectangular form. Starting from the wider side, the grinding surface was sloped slowly to the other side and being as an ink pool. The inkstone is in quite good size of 15.5cm in length. It was carved by an affluent craftsmanship. Sleek carving sca...

Description: A gilt bronze figure of Buddha was standing on a square base of a stele. Under a pointed nimbus, the Buddha Sakyamuni was in a gesture of preaching and enlightening. When preserved with the original gilding on most part of the surface, the bronze figurine was found at the frontal side of the base with a precise date inscription of Tien-Bao-Er-Nien(The second year of the Tien-Bao periods) which was from the dynasty of Northern Qi. It was the year of AD551. A very ancient piece was in...

This pair of Japanese handmade long square cut nails are 5" long and appear to have never been used. The nail heads are solid and shaped into a hemisphere. The silver colored decorative metal escutcheons have scalloped edges and markings to represent a flower. The escutcheons are just under 1" in diameter and have a squared center hole which exactly fits the nail shank.

The grip carved of elephant, bolsters lacking. The single-edged blade with gilt panels, signed AMAL ABDALLAH (Work of Abdallah) with upswept tip and showing evidence of wootz damascus steel. The velvet-covered wooden scabbard with finely nielloed silver locket and chape. Latter 18th century. Overall length 25.4 cm. Condition III

Japanese limited edition sosaku hanga woodblock print titled "Into the Woods” by Shiro Kasamatsu (1898-1991) dated 1955. The artist's black ink signature and red seal is within the water at the lower right corner of the image. The small rectangular "Shiro hanga" seal is in the lower right margin corner. The print is titled in kanji ("Woods") and dated 1955 in the lower margin. The numbered edition 88/100 is in pencil at the lower right margin corner with a watermark beside it. Paper: 16 1...

 

An under glaze blue and white cream or milk jug of European form decorated with peonies and rock work within a fenced garden. This item was made in Jingdezhen, south China, circa 1750 during the reign of the Qianlong emperor, for export to Europe. Condition - very good - no damages and no restoration. 12.5cm (4.9inches) high.

18世纪中期外销青花瓶-乾隆
欧洲形制的青花牛...

Rare Large Chinese Han Dynasty Incised & Painted Pottery Dish

This dish was made over 2,000 years ago during the Western Han Dynasty (206 BC - AD 8). It is made from a fine-grained grey pottery, quite "heavily-potted" and relatively highly-fired, having a distinct ring when tapped. Its flat base is fairly small compared to its overall diameter. The lower body is of a shallow cone shape with a flat wall and rim above. To the inner surface are good remains of the original geometric and cloud p...

A nicely carved natural amber pendant with one bat and leaf design. The bat represent longevity and happiness. The bat and happiness sound is in the Chinese language is similar - both pronounced Fu. Size: L. 2.4cm. Condition: No repairs, cracks or chips.

Description:

A Houtien jade pendant was in open work of motifs of parrot perching on bamboo branches.
By fine excavation condition, the item was preserved very good except with one short hair line not penetrating to another side.
It was caused in burial not from human mistakes.

Qing Dynasty, 18th century.

Dimensions: 5.8cm x 5.2cm x 0.6cm.

A SILK BOX IS INCLUDED.

Fine Tall Chinese Han Dynasty Painted Pottery "Stick" Girl

This fine and rare painted pottery figure was made during the Western Han Dynasty (206 BC - AD 8), more specifically, the 2nd century BC. It is one of a variety of Han Dynasty "stick" figures. The vast majority of "stick" figures represent males; female figures are particularly rare. It is made from a dense fine-grained grey pottery that has been "cold painted" after firing. It is believed that such figures originally had wooden ar...

Description: A Jun tripod censer was applied with beautiful bluish glaze. Well mold with three regularly separated feet, the censer was in a decent look when some incursions were happened between the glaze and the body clay at the bottom. The darken body clay revealed at the bottom was a strong characteristic for the Jun wares from Yuan periods. Enduring old reflection was obvious in the cavetto of the censer. Some similar pieces were published in the book of an exhibition at the University Muse...

Japanese limited edition sosaku hanga “kappa-ban” (stencil print) on crumpled hand-made momigami paper by Sadao Watanabe (1913-1996) titled “The Crucifixion.” The black and white image of Jesus nailed to a red cross is set against a blue background. Mary and Saint John kneel in prayer at each side. The print is signed and dated 1980 at the lower right and numbered 11/80 at the lower left, all in white ink. The paper measures about 26”V x 23”H. The print was not previously framed...

Description: A white glazed incense burner from northern China of 14th to 15th Century was in elegant shape. Kept in perfect condition except with some frets on the glaze, the surface of the tripod censer was separated with 4 parts. Light key-fret imprints were applied on the surface of the middle sector. Date: 14th-15th Century(late Yuan to early Ming) Width: 12cm Height: 8.4cm Condition: Perfect except some frets on the surface.

Made of red silk, embroidered in the 'forbidden stitch' with peonies and other flowers in red, yellow and white, lined with gold thread. The tassels bound with gold and silver thread. Dimensions: the pouch 7x6 cm, the tassels 16 cm.

An official figure most likely as Guamdi was carved in sitting posture. Nice features depicted and well rendered robe in flouring form. A master piece in serene mood.
Height: 22cm.

A large Japanese stoneware koro (incense burner), decorated with coloured enamels on a celadon glazed ground, depicting mythical beings. The cover is surmounted by a Shishi. This item was made circa 1880 - 1920 during either the Meiji or Taisho periods. Condition - two of the three legs have been restored. 10.25 inches (26cm) high, 9 inches (23cm) across.

19或20世纪日本青釉大香炉
一件日本造&...

A pimpled toad looks to the sky exhaling a clouded spirit, a truly superb version of this theme in deep caramel bronze dating from the Meiji period. It is an interesting theme, the ugly creature elevated to the status of saint. Judging by color and quality, we attribute this as the work of Kanaya Gorosaburo (1836-1890), a bronze artist of Kyoto fond of this color and known for his superb modeling and detail. Not always signed, Gorosabutro was often known to sign only the box. This piece is u...

An unusual 17th to early 18th century Screen featuring a koto harp and candle stand behind a screen under blossoming prunus, a spry group of pine in front and rushing water beyond. Incredible veining in the gold. Like much of Japanese art, the viewer is asked to interpret the scene as they see fit. Perhaps the remnants of a night of poetry and music under the plum blossoms. Perhaps the lonely Michizane playing to the moon, alone in exile with thoughts longing for Kyoto. All performed with h...

Description: A Yaozhou bowl in conical shape was kept in perfect condition. The olive-green glaze is beautiful. Even though it was in plain style without any motifs, the typical Song mood was still exemplified. Date: Song dynasty. Width: 9.9cm Height: 4.1cm Condition: perfect.

Chinese Ming Dynasty Glazed Pottery Chair (16th Century)

This rare and very nice pottery model of a folding armchair with a horseshoe back was made in the second half of the 16th century (c. 1550 - 1600). It is made from a relatively highly-fired red pottery that has been partially glazed in green and amber glazes. In places the surface of the glaze has acquired a silvery iridescence through long exposure to moisture. The seat, and other parts, remain unglazed and has been decorated with an ...

Three small Chinese Guangxu mark and period ogee form bowls with lobed rims, each exquisitely decorated on the exterior in famille rose enamels with a quail standing on rockery below bamboo wrapped with leafy vines sprouting flowers and double gourds that extend over the wall to the interior well. A single bird flies above. The base of each bowl holds a six-character kaishu form iron-red Guangxu mark and of the period (1875-1908). 4” diameter x 1 3/4" high. Very good overall condition with...