Here is a quintessential piece by Master Mashiko Potter and Living National Treasure Hamada Shoji enclosed in the original signed and stamped wooden box. The Mizusashi was exhibition in November 2016 at Mitsukoshi (Nipon-bashi Tokyo) Department Store and is featured in the catalog image number 48 (catalog included)...

One of the most popular artists, here is a beautiful vase in a shape of taiko drums by Wada Morihiro in his signature cedar pattern enclosed in the original signed wooden box titled Saido Sugi Moyo Henko. It is an excellent example of this artist, at a size which makes it easily collectable.
Size, D 21.1 cm H 19.2 cm
Condition, Excellent
Wada was born in Hyogo prefecture and apprenticed under Kyotos Tomimoto Kenkichi before moving to his current location in 1976...

Rozome style covered jar with the repeated resist "harmony" design. The green overglaze is very reminiscent of Japanese Fujina, as well as medieval galena glazes style glazes and is very rich in person and lead free.

This covered jar comes with two different styled lids, each one presenting an entirely unique view and perspective of the piece

Stoneware, slips and glazes

9.75" X 7.5"

Functional, decorative and food safe!

A profusion of color descends the granulated surface of this traditional form by legendary potter Nakagawa Jinenbo enclosed in the original signed wooden box titled Chosen Karatsu Mimitsuki Hana-ire.  The grandiose embellishment of color creates a sublime sense of tension between the dark glazed and color infusion.  Although very much in the Chosen Karatsu tradition, the execution is unequivocally contemporary. 
Size, W 14.8 cm ( 6 inches)  H 24.5  cm ( 9-1/2 inches) 
Conditi...

Black white green and silver bands like a core sample of crustal layers from some fantastic planet decorate the brushed and impressed clay around the Mt. Fuji like cone of this iconic form by Morino Taimei enclosed in the original signed wooden box...

Like some giant medieval Lug, this solid form displays strength of purpose and somehow a devotion to all those Mizuashi that came before it; by Harada Shuroku and comes enclosed in the original signed wooden box titled very simply Bizen Mizusashi. Dark and awe inspiring, it shows to dramatic effect the path of flame in the kiln through the streaks of crusted ash and hi-iro on the sides interspersed with Shiso-iro gray-purple clay...

A black lacquered lid covers the opening of this exquisite mizusashi by Tsukigata Nahiko enclosed in a wooden box titled Oni Shino Mizusashi and endorsed by his student Ayukai Kogetsu. It is 7-1/2 inches (19 cm) diameter, 6 inches (15.5 cm) tall and in excellent condition.
Tsukigata Nahiko (1923-2006) was not only an accomplished ceramic artist, but also a painter, calligrapher, sculptor and musician...

Rich rivulets of stunning green crystallize on the surface of this tokkuri sake-bottle by important Mino artist Hayashi Kotaro enclosed in the original signed wooden box. The bottle is roughly 6 inches (15.5 cm) tall and in excellent condition.
Kotaro was born in Gifu prefecture, and graduated the prefectural ceramic facility...

A powerful Mimitsuki Karatsu Mizusashi by Nakagawa Jinembo (Jinenbo b. 1953) enclosed in the original signed wooden box. Vicious white glaze, deeply fissured, supplants the fawn brown of the back, all over a very rough red clay filled with shiseki stones. The piece breathes energy, vivacious and playful it is a pleasure to view and use. The lid is similarly glazed, with hakeme brush marks inside. The piece is roughly 7 inches (18 cm) tall, the same diameter and in perfect condition...

Try describing this incredible Mizusashi covered in glassy Oribe green glaze by important artist Hayashi Shotaro enclosed in the original signed wooden box. Spectacular is all that comes to mind. It is entirely sculptural, with a refinement of glaze only this artist can create. The piece is 7 inches (18 cm) tall, 9 inches (23 cm) diameter and in perfect condition. Shotaro (b. 1947) is one of the biggest names in contemporary Mino ceramics...

This extraordinary mizusashi is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...

Like most Shigaraki-wares, this piece has a somewhat primal feeling to it, as though it belongs to a previous geological era in time. Rivulets of vitrified green, grey, and yellow ash stand against a background gradient of soft to intense ochres of the clay body. The intense firing process of this type of pottery for days in an anagama kiln results in a beautiful ashen glaze with a warm, soft, yet vibrant glow when set in the light...

A superb Iga Mizusashi by Saji Kotaro enclosed in the original signed wooden box. It is 7 inches (18 cm) diameter, 7-1/2 inches (19 cm) tall and in excellent condition. Saji Kotaro was born in 1947, and relocated to Tajimi in 1977 where he opened a kiln in Yamabuki cho specializing in tea ceramics.

Heavily influenced by Koryo potting styles and techniques, the Tobei lineage has been crafting exceptional tea-ware implements for 13 generations. The piece shown here was made by the 12th generation (Tahara) and, due to its excellent character, was endorsed by the 15th tea master of the Urasenke School of Tea, Hōunsai. The natural ash glaze gradates from a glossy lavender towards the top to a light tan nearer the bottom...