This compote has also modern sense with Japanese traditional pottery technique to fire pine fire wood in Karatsu that is famous pottery area in Japan. Dohei is one of famous masters in Karatsu. This plate is suitable for not only Japanese cuisine but also western cuisine. Size: 20.0cm(square) 3.0cm(height)

This compote has modern sense with traditional work. Potter Dohei is one of the masters in Karatsu that is famous traditional pottery area in Japan. YouTube movie: https://www.youtube.com/watch?v=unPsXnEkcl0 Accessary: wooden box signed by artist. Size: 23.5cm(D) 6.0cm(H)

Oribe Style Dish by renowned Koie Ryoji (1938-2020)

Size
Width 23.2cm
Height 6cm

In excellent condition
Supplied with signed wooden box

Koie Ryoji
Born in the historic city of Tokoname, Japan, in 1938, Koie Ryoji emerged as a prominent figure in the world of ceramics. Tokoname, renowned for its rich ceramic heritage, served as an ideal backdrop for Koie's artistic journey...

This plate is made of Shigaraki clay and covered with ash glaze, it's shaped just like as dynamic wood block. The one part is repaired by gold , it's called "Kintsugi". Size: 34.0cm(length) 35.5cm(width) 9.0(height) Accessary: none, wooden box signed by artist is available with extra charge.

Chosen karatsu is one kind of Karatsu wares, used iron galze and glaze made from straw ashes. It has carved pattern of shinning sun. it's beautiful the border line that the iron glaze and straw ashes glaze are mixing with each other. This plate is suitable for not only Japanese cuisine but also western cuisine or desert. Size : 20.0cm(S) 2.5cm(H)

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. This plate is made to aim to taste just like wood fragment...

Created by Living National Treasure Isezaki Jun, Bizen pieces like the one seen here originated in Okayama (south-western Japan) and have a long history that is closely intertwined with that of tea culture. Known for employing a natural-ash glazing techniques that require extremely long firing times (7-14 days) at very high temperatures, constant attention is required to ensure good results...

Choi Sung Jae (born 1962) is the most widely exhibited Korean ceramic artist, in international galleries and in the permanent collections of major museums, such as the Victoria and Albert Museum, the Art Institute of Chicago, the Museum of Fine Art in Boston, the Peabody Essex Museum, and many others. He is a master of white slip buncheong ceramics, a style revered and imitated by Japanese artists for centuries. This lovely Pond with Geese and Reeds is a fine example of his work...

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with black&white glaze(chosen-karatsu) as plate. It is also suitable for west...

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with madara-karatsu glaze and carved as plate. It is also suitable for wester...

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with madara-karatsu glaze as plate. His table ware is very popular. SIZE:...

Japanese late 20th to early 21st century ORIBE ware large tray by artist SATO KAZUJI. (1948 -) SATO KAZUJI studied with ceramicist, HAYASHI KOTARO, a SHINO ware artist, but both artist are MINO artist. In 1978 he started his own kiln in Gifu Prefecture working with SHINO and ORIBE ware. The tray comes with TOMOBAKO, or original artist signed wooden storage box. The tray measures 29 1/2" in wide, 18" deep and 2 1/2" tall. The tray sits on 4 large feet.

Round Dish with flower-shaped medallions applied to 2 sides and interior, by Sachiko Furuya; Honolulu, HI. White glazes. H. 2.25"(6cm) x Dia. 7.0"(18cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...

Wood-fired Plate, Shino & Ash Glazes, by George Gledhill; Payette, ID. H.2.375"(6cm) x Dia.14"(35.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Wood-fired plate by George Gledhill; Payette, ID. Ash glaze, H.2.5"(6.25cm) x Dia.11.375"(29cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Small plate glazed in a rich temmoku and medieval green glazes with lush oilspots throughout the entire front of the plate

Stoneware and glazes

11.25" X 1.75"

Functional, decorative and food safe

Small plate glazed in a rich temmoku and medieval green glazes with lush oilspots throughout the entire front of the plate

Stoneware and glazes

11.25" X 1.75"

Functional, decorative and food safe

Oribe glazed small plate or wall bowl (it can be hung on the wall if desired) with a lustrous green glaze and plum flowers under a clear glaze

Stoneware, slips and glazes

10.25" X 2.8"

Functional, decorative and food safe

A beautiful pair of chosen-karatsu glaze plate with stem. They were fired with pine fire wood. They would be suitable for western style. Size: 15.6cm(D) 5.3cm(H)

Strikingly bold patterns revealed through curtains of copper green play across the surface of this dramatic work by Ikeda Shogo enclosed in the original signed wooden box. Mt. Fuji, Pine Trees, Trucks, and Birds flying all over, a smorgasbord of Japanese iconography painted and carved into the gritty clay...

An exquisite and desirable work with a swish of resist creating a white bamboo-leaf pattern on the rich red Kaki glaze and black of this plate by Living National Treasure Hamada Shoji enclosed in the original signed wooden box titled Kaki-yu Nuki-e Zara. A classic Mashiko, with a strong sense of the utilitarian, a keynote of the Mingei movement which Shoji represented...

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. This piece was made as "manaitasara" to be used at Japanese cuisine or tea ceremony. His shigaraki(stoneware) pieces are made by archaic way in old style kiln "anagama" burning red pine wood, so those ashes are turned to natura...

Dark cobalt sinks deep into the rough terracotta clay giving this large serving platter its name Genso 27 (The periodic table number for cobalt). This is by Murakoshi Takuma, part of his newest series of work and comes enclosed in the original signed wooden box titled Genso 27 Kaku-zara (Atomic number 27 Square Platter). It is criss-crossed with drizzled snow white and emerald green which float on the surface in shiny drifts...

A swirling iron colored ceramic dish by Takatsu Mio enclosed in the original signed wooden box titled Uzumaki no Sara. It is 20 x 18 x 8.5 cm (8 x 7 x 3-1/2 inches) tall and in excellent condition, from the artist this summer. We use one of these at home for cheese and cold cuts, looks great with a wine glass and garners a lot of attention!
Takatsu Mio (b...

A cascade of flowers descends from a branch hanging into the dark matt night of this large pate by Kondo Yutaka enclosed in the original signed wooden box titled Funka-sara. In the upper right a white intrusion on the dark surface, is that a crook in the tree…or perhaps the corner of the rising moon? It is 32 cm (12-1/2 inches) diameter and in excellent condition dating circa 1980.
Kondo Yutaka (1932-1983) was born into a traditional pottery family in Kyoto. He studied under Living Na...

A fantastic large plate of Raijin and Fujin : Fearsome Japanese Gods of Nature by Fukami Fuminori enclosed in the original signed wooden box titled Manga Oribe Raijin Fujin Sara,and comes with Furoshiki traditional Japanese wrapping cloth .
Size, D cm 36.8. H 7.2cm
Condition, Excellent
Fukami Fuminori is a potter and an illustrator, and a rising star. Born in Seto in 1980, he graduated the Seto Industrial Ceramic Facility in 2000, then apprenticed under Kishimoto Kenn...

Gorgeous blue over rich Oribe green glaze cover this five plates set by Higasida Shigemasa enclosed in the original signed wooden box titeld Oribe Meimei-zara. Each plate are entirely sculptural, shredded and scarred. It has a very organic feel, both from the texture and the imperfectly torn sides coated with various thicknesses of green glass, like water running over a stone surface.
Size, Each dish is roughly, D 22.0 cm H 4.0 cm
Condition, Excellent
Higashida Shigemasa...

A Museum Quality large plate with Aka-e designs covered in pink by Living National Treasure Shimaoka Tatsuzo enclosed in the original signed wooden box titled Zogan Aka-e Sokamon Zara. A floral splash decorates the round window on the side. More commonly seen are his Jomon rope impressed works, rare and expressive example by the highly sought artist
Size, D 31.4 cm H 5.6 cm
Condition, Excellent
Shimaoka Tatsuzo (1919-2007) attended the Tokyo Industrial School Ceramics ...

Incredible Masahiko square plate by Shimaoka Tatsuzo enclosed in the original signed wooden box titled Zogan Aka-e Kusabana bun Kakuzara. This is a superb example of the work of this Living National Treasure!
Size, D 27.4 x 28.8 cm H 7.8 cm
Condition, Excellent
After serving in World War II, Tatsuzo apprenticed under world famous Mashiko Mingei potter Hamada Shoji, establishing his own kiln in 1954. Working with rope patterns, Tatsuzo set out to create a style unique to...

Enigmatic designs in free flowing black and rigid lines impinge on the yellow square of this raised plate by Kim Hono. It is 24 x 25 x 4 cm (9-1/2 x 10-1/2 x 1-1/2 inches), signed underneath. This piece is from a private collection of modern art and was purchased from the artist. There is no box but one could be had for an additional fee.
Kim Hono was born in Seto City Aichi Prefecture in 1958, and graduated the Prefectural Ceramics School in 1977, then taking up apprenticeship at a lo...

A spectacular large basin covered in fissured green with tinges of red by Living National Treasure Shimizu Uichi enclosed in the original signed wooden box titled Seiji O-zara. It is 16-1/4 inches (42 cm) diameter, 4 inches (10 cm) tall and in excellent condition.
Due to size the cost of shipping will be accrued separately
Shimizu Uichi (1926-2004) was born in Kyoto the son of a ceramic dealer. Discarding the family business he apprenticed in plastic arts under Ishiguro Munemaro. H...

A quintessential Mashiko work by important artist Hamada Shoji enclosed in a wooden box annotated by his son Shinsaku. It is 11-1/2 inches (29 cm) square. 7 cm (2-1/2 inches) tall and in excellent condition.
Hamada Shoji was born in Tokyo, and enrolled in the Tokyo Technical University at the age of 19. In 1918 he met the important British potter Bernard Leach, and the history of ceramic arts was forever changed. One of the most influential and sought after of all Japanese Ceramic arti...

Traditional Oribe hachi with vivid combed flowing water texture made by the internationally lauded potter, Kato Yasukage XIV. Elegant and traditional in form with quick, gestural combed texture on the front and stright lined texture to the back, creates a wonderfully decorative and functional hachi which balances on three well conceived feet. This is a classic Oribe, full of motion by Kato Yasukage XIV, a perfect blend of form, texture, colors and posture make it an excellent example by a potte...

Five Oribe plates of elongated rectangular form splashed with red by important contemporary potter Yamada Kazu and enclosed in the original signed wooden box titled Kakuyu Oribe Choho-zara. Kakuyu-oribe is a style developed by and unique to Kazu. Each is roughly 15 inches (38 cm) long and all are in excellent condition.
Kazu was born in Tokoname city, one of Japans ancient kiln areas, into a line of potters. He would have been influenced early on by his father, Yamada Kenkichi and uncl...

A delicate porcelain by legendary Kyoto artist Fukami Sueharu enclosed in the original signed wooden box titled Hachi (bowl).  The extreme perfection shows this artists mastery of his craft, known for being some of the most elegant forms in porcelain today.  Inside is a different story, and he has allowed a swatch of nature to enter the studio, leaving behind its fingerprint on the bowl. 
Size, D 25.1 cm   H 13.6  cm  
Condition, Excellent 
The name of Kyotos Sueharu i...

Manyosai Shino glaze, a specialty unique to this artist, covers the rugged surface of this natural torn form by Hayashi Shotaro enclosed in the original signed wooden box titled Manyosai Maru-zara.  Marbleized pinks, molten iron blending with rust, moss green and everything in between can be seen in this amazing onslaught of color.  His designation “Manyosai” comes from the ancient selection of poetry named after the infinite shades of fallen leaves.  We can easily see in this piece how h...