An early piece from the Mudai series by Takiguchi Kazuo enclosed in the original signed wooden box. Unlike his later works which featured stone-like glazes, this glaze is soft and crinkled on the surface, like an undersea life form. It is 15-1/2 x 8 x 10 inches (39 x 20.5 x 25 cm) and is in excellent condition. Kazuo is an exceedingly sought after Kyoto artist, one of the heirs of the original Sodeisha movement...

A black lacquered lid covers the opening of this exquisite mizusashi by Tsukigata Nahiko enclosed in a wooden box titled Oni Shino Mizusashi and endorsed by his student Ayukai Kogetsu. It is 7-1/2 inches (19 cm) diameter, 6 inches (15.5 cm) tall and in excellent condition.
Tsukigata Nahiko (1923-2006) was not only an accomplished ceramic artist, but also a painter, calligrapher, sculptor and musician...

A stunning large Vase by important Hagi artist Yamato Yasuo enclosed in the original signed wooden box titled Hagi Ensai Henko (Flattened Hagi Vase in Flame Color). The top is raw earth burnt red by the flame, Below dark iron turns to ocher then the soft earthen beige of hagi, which gives way to pink, then cream before turning dark gray. It is 36.5 x 13 x 35 cm (14-1/2 x 5 x 14 inches) and is in excellent condition...

A wild work by Kishimoto Kennin enclosed in the original singed wooden box. The large work is of torn and scarred Iga clay, covered with a dusting of natural molten ash pooling as glass in the crevices. It is 11 inches (28 cm) diameter, 13-1/2 inches (34.5 cm) tall.and in fine condition.
Kennin has been working with clay since the 1950s, devouring styles along the way...

A sculptural Green form by Yamazaki Akira (Yamazaki Koyo II, b. 1927) enclosed in the original signed wooden box titled Kujaku-yu Tori-tsubo (Peacock Glazed Bird Shaped Vase). The vase is 11 x 6 x 6 inches (28 x 15 x 14 cm) and in fine condition, signed on the base Akira...

An ever-folding band of gold flecked fabric patterned with colors and waves like an elaborate obi (sash) seems to bind the cloak of rough dark clay forming this vase by Nakamura Takuo (Baizan III) enclosed in the original signed wooden box. Atop a gilded Karasu-guchi finial, a tradtional shape called a Crows Mouth, provides the top and a spattering of ash sprays out a random pattern against the rigid form. It is 21 x 7.5 x 31 cm (8 x 3 x 12 inches) and is in excellent condition...

Enigmatic lines score the martian landscape of this large slab platter by innovative Japanese artist Teramoto Mamoru enclosed in the original signed wooden box. The slab measures 53.5 x 16.5 x 5 cm (21 x 6-1/2 x 2 inches) and is in perfect condition. The box itself is a testament toteh value placed on it by the artist, double the thickness of a usual box and of a fine grade of kiri. The moonscape style is haunting, and Mamoru is a must for any modern Japanese ceramic collection...

This elegant work of Karatsu pottery has an unglazed foot, showing the rich ferrous clay, and displays a beautiful ashen glaze with hues of blue, grey, green, and a dark glossy ring encircling the top.

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for...

Faint crackling permeates the vibrant green glaze on this sake flask by Living National Treasure Nakajima Hiroshi enclosed in the original signed wooden box titled simply Tokkuri. It is 12.5 cm tall, and in excellent condition.
Nakajima Hiroshi (1941-2018) was born in Hiroshima, and established himself as an independent potter Yano, Saga Prefecture in 1969, choosing to specialize in the challenging field of Celadon ware...

A very fine and noble chawan by Hagi master potter; Kaneta Sanzaemon VII. This Hagi glazed boxed chawan measures 4.75” X 3.25” and is in excellent condition. The glaze of this chawan is a beautiful milky translucent Hagi ash glaze over a rich blue to black slip and shows a wonderful keshiki. Kaneta Sanzaemon is the father of the internationally recognized Hagi potter, Kaneta Masanao...

This elegant and mature work of Karatsu pottery has an unglazed foot and beautiful crackled glazing that displays hues ranging from ivory to almond.

Toya Inoue (1942 - ) is a native of the world-renowned pottery center of Karatsu in Saga prefecture. From a young age he was interested in tea and tea-ware and studied tea ceremony under Tansai. Later in his 20’s he was involved in a project to restore ancient kilns...

A powerful work of Shino pottery by one of the veterans of Mino ceramics...

Here is a masterpiece by Wakao Toshisada, one of the great artists of the post-war era who helped to revive the Shino tradition (now one of the most popular Japanese forms) from extinction. An early masterpiece by the artist showing his abilities from inception, this bowl was selected for the cover of the exhibition invitation card in 1973 (card included). It is 14 cm (5-1/2 inches) diameter, 9 cm (3-1/2 inches) tall and in excellent condition.
Wakao Toshisada was born in Tajimi, Gifu ...

Viscious ash and charring cling to the side of this spectacular Mizusashi by Konishi Heinai enclosed in the original signed wooden box. It is 7 inches (18 cm) tall, the same diameter and in fine condition.
Konishi Heinai (1899-1991) was born into a family of farmers in Ehime on the Island of Shikoku. In 1925 he fell head over heels in love with Raku-yaki and it was in the world of pottery he chose to leave his mark. Returning to Shikoku in 1928, he studied various techniques and went on ...

Wonderful and intricate ash glazed plate by Ningen Kokuho (Juyo Mukei Bunkazai) Shimaoka Tatsuzo. This large plate, hachi, is absolutely genuine and has all of the characteristics of Shimaoka, from clay, glaze and foot (kodai). This plate measures 12.25” X 2.25. The intricate design is first hand carved and then inlaid with white slip, which is later scrapped off to reveal the pattern. Once glazed, the hachi had Shimaoka's trademark iron brushwork applied to complete the design. Shimaoka's imp...

Great set of books on modern Japanese studio pottery; GENDAI CHATO TAIKAN. Six volumes, each in slipcase, measuring 12" X 8.75", fully illustrated with color photographs and an appendix in each volume with artist biography, signature and seal.

Volume One; Mino, Shino, Oribe, Seto

Volume Two; Hagi, Karatsu, Arita, Agano Takatori

Volume Three; Bizen, Shigaraki, Iga, Tokoname

Volume Four; Tokyo, Kutani

Volume Five; Raku, Ohi, Other Kilns

Volume Six; Tokyo, Kutani...

This classic mizusashi has everything one could want from Karatsu; a timeless form, a perfect nuka surface and exceptional E-Garatsu style iron underglaze painting by a master potter and arguably the greatest living Karatsu artist. This pot could easily be a 17th century piece though the unmistakable mark of a master 20th century potter is ever present. The beautiful Karatsu chirimen kodai is what sets this pot apart from most and Tanaka Sajiro creates a foot like no other.

This mizusashi ...

Elegant Irabo glazed chawan by Takatori legend, Miraku Kamei. This chawan has a Chinese influenced form while being made and glazed in the Takatori style. The flowing irabo ash glaze contrasts nicely against the reddish takatori fine clay.

This chawan is in excellent, unused condition, measures 5" x 2.8" and comes complete with its original, signed box.