Who says the work of a woman potter is feminine? This is a powerful Iga work by Watanabe Aiko enclosed in the original signed wooden box. There is nothing sedate about this work, charred and dripping with glassy green glaze, freckled with flying ash; the heavy lug handles jutting from the side slightly off kilter. The vessel is 7 inches (17 cm) tall, roughly the same diameter and in excellent condition...
Well fired Shigaraki chawan by Furutani Michio (1940-2000). Fine ash and bidoro glass cover this Hikidashi style (pulled out) Shigaraki chawan with a vivid pool of bidoro also covering the interior floor and walls of this teabowl. The signature is obscured, covered in ash, glass and charcoal. Over 95% of this chawan is covered in a coating of green glassy ash and is appealing to both the eye and hand...
A large, Momoyama inspired, Shino chawan by the master potter and legendary personality; Tsukigata Nahiko (1923-2006). Though it is easy to spot some influences of his master, Arakawa Toyozo, this chawan is all Tsukigata Nahiko. The swell and rhythm of the throwing, the application of a rich red iron underglaze and his soft and seductive Shino creates a style that is easy to differentiate from most other Mino/Shino potters...
Powerful, dramatic, enigmatic, there is a nearly unending number of descriptions that would still all fall short in describing this large Enbu-Shino chawan by Yamada Kazu. Enbu literally means "dancing fire" and it is that dancing fire that pushed the clay and glaze of this chawan to the very limit where the glaze turned to molten glass and began to flow like lava down the sides and into the interior of this pot...
A large, exhibition quality, bold and timeless Oni-Shino chawan by the master potter and legendary personality; Tsukigata Nahiko (1923-2006). This rare wood fired chawan has a wide variety of surface effects caused by the interplay of iron and Shino glazes and an intense fire with the face exhibiting a satiny iron face (tetsu-omote). The intentionally distorted shape fits the hand well and the lip, mikomi and kodai all act to balance out a truly inspired work by a potter of the highest level...
Encrusted in blue glass, this Iga Tokkuri by Furutani Kazuya is a pleasure to see and hold. It is 5 inches (12. Cm) tall, 3 inches (8.5 cm) diameter and in perfect condition, enclosed in the original signed wooden box.
Kazuya (b. 1976) is one of Japan’s most promising young stars. He graduated the Yamaguchi College of Art in 1997, and spent a year at the ceramics research facility in Kyoto before returning to work under his father, Furutani Michio, in Shigaraki...
Temmoku and haiyu glazed tea caddy, chaire with ceramic lid. There is flowing glaze all around the upper portion of the wasp waisted form with a beautiful green steak present on the face of the pot.
Stoneware and glazes
4.2" x 3.25"
Functional, decorative and food safe
Wood-fired Tea Bowl, matcha chawan, with signed wooden box by George Gledhill; Payette, ID. Shino & Ash glaze. H.3.375(8.5cm) x Dia.4.875"(12.5cm.)
There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...
Wood-fired Tea Bowl, matcha chawan, with signed wooden box by George Gledhill; Payette, ID. Ash glaze. H.3.125"(8cm) x Dia.4.5"(11.5cm.)
There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...
Wood-fired Tea Bowl, matcha chawan, by George Gledhill; Payette, ID. White Shino glaze. H.3.125"(8cm) x Dia.5.125"(13cm.)
There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...
Wood-fired Tea Bowl, matcha chawan, with signed wooden box, by George Gledhill; Payette, ID. Shino & Ash glaze. H.3.25"(8.25cm) x Dia.4.875"(12.5cm.)
There have been several influences to George Gledhill’s ceramic work...
Wood-fired Tea Cup, yunomi, by George Gledhill; Payette, ID.
Shino glaze. H.3.5"(9cm) x Dia.3.25"(8.25cm.)
There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helpe...
Wood-fired Tea Cup, yunomi, by George Gledhill; Payette, ID.
Shino glaze. H.3.5"(9cm) x Dia.3.125"(8cm.)
There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helped ...
Wood-fired Tea Cup, yunomi, by George Gledhill; Payette, ID.
Shino Glaze. H.3.125"(8cm) x Dia.3"(7.5cm.)
There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helped ...
Wood-fired Tea Cup (yunomi) by George Gledhill; Payette, ID.
Shino glaze. H.3.25"(8.25cm) x Dia.2.75"(7cm.)
There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has help...
Wood-fired Yunomi (tea Cup) by George Gledhill; Payette, ID.
Shino glaze. H.3"(7.5cm) x Dia.2.5"(6.26cm.)
There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helped...
Wood-fired Tea Cup (yunomi) by George Gledhill; Payette, ID.
Ash Glaze. H.3.25"(8.25cm) x Dia.2.875"(7.5cm.)
There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has hel...
Wood-fired Yunomi, Tea Cup, by George Gledhill; Payette, ID. Ash Glaze. H.2.875"(7.25cm) x Dia.2.75"(7cm.)
There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helped...