Kakehanaire (Hanging Flower Vase,) by George Gledhill; Payett, ID. Wood fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H>6.25"(16cm) x W.3.125"(8cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Kakehanaire (Hanging Flower Vase,) by George Gledhill; Payett, ID. Wood fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H>5.75"(14.5cm) x W.2.75"(7cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Kakehanaire (Hanging Flower Vase,) by George Gledhill; Payett, ID. Wood fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H>5.5"(14cm) x Dia.3.25"(8.25cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Kakehanaire (Hanging Flower Vase,) by George Gledhill; Payett, ID. Wood fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H>6.5"(16.5cm) x W.3.125"(8cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Kakehanaire (Hanging Flower Vase,) by George Gledhill; Payette, ID. Wood fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H6.5"(16.5cm) x W.3.5"(9cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

A dramatic basin brutalized by the elements by Shigaraki Master Tsujimura Shiro enclosed in the original signed wooden box. Representative of this artists work, the lip has split with heat, one edge blasted off, and the entire charred and buried in ash. The dish measures 7.5 cm (3 inches) deep, 29 cm (12 inches) diameter and is in excellent condition.
Tsujimura Shiro was born in Nara in 1947, and began his steps into the art world as an oil painter...

Pair of mentori, faceted style vases by Shigaraki master potter, Kohyama Yasuhisa (b. 1936). The vase on the left side of the photos is an early Shigaraki mentori vase that was wood fired in his first anagama kiln, the vase on the right is a Hakuyu glazed vase, glazed with a Hagi style white glaze which Kohyama uses to this day on his "standard ware" functional pottery...

Small Shigaraki kake-ire hanging vase made by Uda Rakuzan. The small uzukumaru like form, intentionally deformed with the face covered in ash and charcoal effects and an incised decoration around the should of the pot. the rear has hi-iro effects and a metal hanger.

This vase is in fine condition but does not have a box. The vase measures 4.5" x 4.8".

Wangata style teabowl with fluid dark and light cobalt decoration decorating the exterior of the chawan. Showing both Seto and Annam styles, this chawan by Nakajima Mokusen (b. 1955) has a very poetic appearance and is a very functional teabowl.

This chawan is in fine condition, was made in 2003 and has its original signed box, measuring 4.9" x 3.25".

Large and bold hakeme style Oribe chawan by Matsuzaki Ken. This finely formed chawan has an excellent shape to show off the casual hakeme slip decoration that was then glazed over in an oribe glaze that is full of variation, tones and effects.

The is a great deal written about Matsuzaki Ken, including a book and several dvds (videos) about this stellar Shimaoka Tatsuzo student...

A breathtaking white form of draped porcelain by Nagae Shigekazu enclosed in the original signed wooden box with the original Daimaru Department Store exhibition invitation. Light patterns are almost indiscernible on the surface, incredibly detailed and crisp when viewed close-up. What is surprising about this work is the weight, incredibly light. The piece measures 16 x 16 x 5 inches (41 x 41 x 12 cm) and is in excellent condition...

A large mizusashi extolling thevirtues of True Momoyama Bizen by Abe Anjin enclosed in the original signed wooden box. The iron like quality of the work comes from the temperature at which Anjin fires, 200 degrees higher than most Bizen potters. Scars and interconnecting symbols harken back to the days of group firing and kiln marks. The piece is 7-1/2 inches (19 cm) diameter, 7 inches (18 cm) tall and in excellent condition...

Large temmoku and iron glazed teabowl creating a matsukawa, pine bark, effect diagonally around the teabowl. The chawan is ovoid in form and the foot was hand cut to compliment the form.

Stoneware and glazes

6" x 5.5" x 3.5"

Functional, decorative and food safe

Large and very impressive yuteki oilspot tsubo by Kimura Yoshihiro, son of the legendary Kimura Morikazu and inheritor of the oil spot dynasty of his father and uncles; Moriyasu and Morinobu...

Large, noble exhibited lobed rinka bowl by internationally recognized celadon master; Uraguchi Masayuki. Please see illustration of this exact bowl in the exhibit catalogue.

Uraguchi is practically a household name when it comes to a plethora of celadon styles, he was fortunate to be the singular student of the late Ningen Kokuho, Miura Koheiji and his works are part Miura, part Okabe Mineo and yet entirely his own idiom. His creations of both classic traditionalism and architectonic sculp...

White dots pattern the scalloped swirling form of this vase by Kitamura Junko enclosed in the original signed wooden box. The vase is 7-1/2 inches (19 cm) tall, 5-1/2 inches (14 cm) diameter and in excellent condition.
Kitamura Junko learned under the tutelage of Suzuki Osamu and Kondo Yutaka of the influential Sodeisha. Like Mashiko artist Shimaoka Tatsuzo, her work is influenced by Jomon pottery, however her approach is very different. After impressing patterns into the clay with bam...

A superb Uzukumaru tsubo by Tsujimura Shiro enclosed in the original signed wooden box. Shell marks, kutsuki, ash blasting. The piece is 7-3/4 inches (19.5 cm) tall, 6 inches (15.5 cm) diameter and in excellent condition.
Tsujimura Shiro was born in Nara in 1947, and began his steps into the art world as an oil painter. While living at a Buddhist temple he experienced a profound connection with a Korean Tea Bowl, and began potting. He is highly acclaimed and somewhat reclusive, avoidin...

Large oval teabowl with all over paddled texture and poured slip under a rich Oribe glaze.

Stoneware, slip and glazes

6" x 5.25" x 3.75'

Functional, decorative and food safe