Tea Cup (yunomi) by George Gledhill; Payette, ID. Gas-fired, Shino Glaze, H.3"(7.5cm) x Dia.2.5"(6.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Tea Cup, Shino Glaze, (Gas-fired) by George Gledhill; Payette, ID. H.2.75"(7cm) x Dia.2.75"(7cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Wood-fired Mizusashi, Water container, by George Gledhil; Payette, ID. E-Shino (picture Shino) glaze. H.5.625"(14.25cm) x Dia.6.785"(17.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in his life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Wood-fired Mizusashi by George Gledhill; Payette, ID. Ash glaze. H.5.875"(14.5cm) x Dia.7.375"(18.75cm.) Mouth opening 3.75"(9.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in his life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Wood-fired Plate by George Gledhill; Payette, ID. Ash glaze. H.2.375"(6cm) x 9.75"(24.75cm) square. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Wood-fired, thick cut plate by George Gledhill; Payette, ID. Shino & Ash glazes. H.1.625"(4cm) x 9.75"(25cm) square. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Wood-fired 5-sided lidded container by George Gledhill; Payette, ID. Ash Glaze. H.2.5"(6.25cm) x W.3.375"(8.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Futa-oki, Lid rests, by George Gledhill; Payette, ID. Wood-fired, ash glaze. Sizes range from: GG.FO.1 H.1"(2.5cm) x Dia.2.5"(6.25cm) GG.FO.2 H.1.125"(2.75cm) x Dia.2"(5cm) GG.FO.3 H.1.5"(3.75cm) x Dia.2"(5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Kakehanaire (Hanging Flower Vase) by George Gledhill; Payette, ID. Wood-fired, Ash Glaze, with copper ring attached in back for hanging on a wall or post. H.4.25"(11cm) x Dia.3.125"(8cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Kakehanaire (Hanging Flower Vase,) by George Gledhill; Payett, ID. Wood fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H>6.375"(16.25cm) x Dia.3.25"(8.25cm.) There have been several influences to George Gledhill’s ceramic work...

Kakehanaire (Hanging Flower Vase,) Wood-fired, ash glaze, with copper ring aatached in back for hanging on a wall or post. H.6.25"(16cm) x Dia.3.125"(8cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their int...

Kakehanaire (Hanging Flower Vase,) Wood-fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H.6.625"(17cm) x Dia.3.125"(8cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their in...

Wood-fired Tea Bowl by George Gledhill; Payette, ID. H.2.5"(6.5cm) x Dia.4.375"(11cm.) Shino glaze with iron. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has he...

Wood-fired Tea Bowl by George Gledhill; Payette, ID. H.2.75"(7cm) x Dia.4.375"(11cm.) Shino glaze with iron. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has hel...

Wood-fired Tea Bowl by George Gledhill; Payette, ID. Shino glaze. H.2.5"(6.25cm) x Dia.4.75"(12cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helped t...

Wood-fired tea bowl by George Gledhill; Payette, ID. Shino & Ash glazes. H.3.875"(9.5cm) x Dia.4.25"(11cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has he...

A family of Stonefish (Okoze), the deadliest fish in the world, swim across the pure white surface of this large Tsubo by Uchida Tadashi enclosed in the original signed wooden box. It is 12 inches (30 cm) diameter, 13 inches (34 cm) tall and in excellent condition. The box is titled Tetsu-e Okoze-Mon Tsubo (Tsubo decorated with Okoze fish in Iron) and includes a thank you card from the artist to the collector. A label tied to the box chord states it was purchased from an exhibition at Takashi...

The edges burn dark brown on this large Bizen vase by Kawabata Fumio enclosed in the original signed wooden box. Green ash clings to the upper surface, peeling away from the superheated corners, the bottom rich dark raw clay. The vase is (‘29 x 21 x 36 cm) tall and in excellent condition.
Fumio was born in Yokohama city in 1948, far from the traditional kilns of Bizen hundreds of kilometers to the west in Okayama. After studying graphic design he was captivated by the natural landscap...

A draping curtain of dark torn Bizen clay folds over the enigmatic form of this vase by Kaneshige Kosuke enclosed in the original signed wooden box. Texture varies from chattered extrusion to long, combed lines. Soft shades of color glow on the sides of the dark clay. The vase is 9 inches (23 cm) tall, 13 inches (33 cm) wide and in excellent condition, dating circa 1990.
Kaneshige Kosuke was born in 1943, third son of Bizen pillar Kaneshige Toyo. He studied from an early age with his ...

Flying goma ash dusts the ribbon scalloped sides of this large Bizen vase by Matsumoto Katsuya enclosed in the original signed wooden box. The piece is 12 inches (31 cm) tall, 11 inches (28 cm) wide and in excellent condition. Born in neighboring Hyogo prefecture in 1942, at the age of 29 Katsuya apprenticed under Fujiwara Yu. He opened his own kiln in 1976. In 1982 he debuted at the Nihon Dento Kogei Ten (National Traditional Crafts Exhibition) and has consistently been exhibited there sinc...

Very large Karatsu style teabowl that was thrown and tataki paddled with texture into an oval form. There are various tones of ash and iron yellow flowing about the bowl, especially seen on the inside. The foot is tooled by hand, off the wheel, to go with the form of the bowl. The clay is a mixture of actual river clay and my stoneware clay to give it an earthy iron brown flavor.

Stoneware, slip and glaze

6.5" x 4.75" x 3.85" Functional, decorative and food safe

A large and rare work by Sueoka Nobuhiko enclosed in the original signed wooden box. It is decorated with huge magnolia flowers (in Japanese mokuren,the tree lotus) growing up one side, and hanging down the other like the traditional opposing dragons. The piece is 16 inches (40 cm) tall and in excellent condition
Nobuhiko was born in Fukuoka on Japans Main Sothern Island in 1948, and apprenticed under future Living National Treasure Fujimoto Yoshimichi in 1973. He stayed working with Yo...

Earthy Mashiko henko by internationally known potter, hamada Shinsaku. Learning about pottery from his father, Hamada Shoji, Shinsaku has mastered the essence of Mashiko pottery as seen in this very fine, exhibition quality henko bottle with rich tessha glaze over a clear glaze with areas of a deep blue-green enamel punctuating the design of one side. This piece would be an exceptional addition to any collection that is interested in modern pottery, Mashiko or Hamada Shoji.

This pot is in ...

Intriguing chawan in the Mino tradition with thick trails of a feldspar Shino glaze over a rich temmoku glaze. This novel approach was created by Mino prefecture potter, Shomura Shogo and was most likely made in the 1980's.

This chawan is in great condition, measures 5" x 3" and comes with its original signed box.

Hagi chawan from the illustrious studio of Yoshiga Taibi, legendary potter and teacher. This Senryuzan chawan is a classical Hagi pot with rich tones of lavender running through out the glaze.

This chawan is in great condition, measures 5.25" x 3.5" and comes with its signed box.

Classical chawan in the Kuro-Bizen style by the late master potter, Isezaki Mitsuru. This chawan exhibits a blackened, charcol fired exterior with ash sprinkled about the face and covering the interior floor of the bowl. the foot is exceptionally well cut and very crisp and his mark is prominently featured in the interior of the foot ring.

This chawan is in good, original condition, measures 5.25" x 3.4" and comes complete with its original signed box.

Elegant Irabo glazed chawan by Takatori legend, Miraku Kamei. This chawan has a Chinese influenced form while being made and glazed in the Takatori style. The flowing irabo ash glaze contrasts nicely against the reddish takatori fine clay.

This chawan is in excellent, unused condition, measures 5" x 2.8" and comes complete with its original, signed box.

Classic Shigaraki chawan by veteran wood fire potter, Takahashi Rakusai IV. This is truly a classic example of the Rakusai style and has vivid hi-iro flashing about the chawan while the face is painted in a fine coat of ash. having learned from his father, Rakusai III, Rakusai IV continues the tradition of the Takahashi family and this chawan is an excellent example of the form and style of firing the family is well know and respected for.

This chawan is in great, unused condition, measure...

A pair of iron glazed, paddled (tataki) teabowl, both with hand cut feet. The left chawan glazed in temmoku with a tetsu-yu glaze over and the right bowl glazed in an alkaline clear with my saffron, iron yellow glaze over. Both bowls are tabi-chawan style and feel good in the hand.

Stoneware and glazes

Each bowl approximately 4.5" x 4"

Functional, decorative and food safe

Very large Oribe teabowl that was thrown and tataki paddled with texture into an oval form. There are two tones of green from the oribe on the bare clay and over areas of poured white slip. The foot is tooled by hand, off the wheel, to go with the form of the bowl.

Stoneware, slip and glaze

6.5" x 4.75" x 3.9"

Functional, decorative and food safe

Brilliantly glazed, Chinese influenced shishayu (copper red) vase made in Japan, circa 1950 - 1960. This vase owes its inspiration to Ming and Ching period of China and is made of porcelain and then heavily glazed in a multi-dimensional shinshayu glaze. Though it comes with the original signed box and is prominently signed, the maker is at this point, unidentified.

This vase is in excellent condition, measures 8.75" x 4" and comes with its original signed box.

Sophisticated, yet naturalistic set of five, hand made, hand cut leaf plates with red enamel leaf designs under a washed gold gilt surface. This Rimpa influenced set for casual or kaiseki use are by veteran Kyoto Kiyomizu potter, Heian Seiun and most likely date to the 1960s. Seiun comes from a long line of potters dating back to the Edo period and each of these plates is just slightly different in shape and form making for a marvelously natural set.

These plates are all in excellent condi...

This rich and substantial pot is by Mashiko potter Hyuga Munetoshi, a one time student of the Hamada kiln (?). Glazed in an exceedingly rich tessha/kaki iron glaze the pot has wax resisted decoration of flowers on either side of the pot. Intended for use as both a tsubo and mizusashi, this pot is a great example of modern Mingei influenced Mashiko pottery. The glaze is far more complex and rich than the photos convey and will not disappoint in person. This pot also comes with a custom made blac...

This classic Mingei hanaire is by Mashiko potter Hyuga Munetoshi, a one time student of the Hamada kiln (?). Glazed in an exceedingly rich tessha/kaki iron glaze the pot has wax resisted decoration of flowers on either side of the pot. Created for both function and decoration , this pot is a great example of modern Mingei influenced Mashiko pottery. The glaze is far more complex and rich than the photos convey and will not disappoint in person. In person, this pot bears a remarkable resemblance...

Evocative blue decorated henko bottle vase with fluid brush decoration and sgrafitto decoration prominently signed; SEIRAN. The cobalt decoration sits on an almost ash style glaze with spots of blushed areas, similar to Hagi pottery. I have not been able to find out anything about the potter, but the brushwork and use of space suggests a full time potter, used to working in this particular style.

This henko is in perfect condition with its original signed box and measures 8" X 8.5" x 6".

Porcelain smoking set by Kutani master, Suda Seika II (1892-1971). Using sometsuke underglaze blue and iro-e overglaze enamels, the two pieces are matched in motif of two koi, chest to chest. Circa 1960.

Box; 11.5 x 10 x 4.5 cm
Dish; 11 x 2.4 cm

Both are in perfect condition with original signed box