Lim Moo Keun Korean Contemporary Ceramic Sculpture

Kang Jong Sook Korean Contemporary Ceramic Sculpture

Kang Jong Sook Korean Contemporary Ceramic Sculpture

Lee Heyung Bok has been featured on the covers of Korean art publications Ceramic Art Monthly and Craft & Art Review.

also spelled Pahk Young Sook, Young Sook Park, Young Sook Pahk, Youngsook Park, Youngsook Pahk, Park Young-Sook, Pahk Young-Sook, Young-Sook Park, Young-Sook Pahk

We have been long searching after a larger vessel by Morihiro, and at last we have found one to offer. This is a peculiarly shaped vessel decorated with swirling designs in a fractured circle layed over impressed clay and enclosed in the original signed wooden box. The form is quite unique, the split circle motif actually falling from the center around the mouth to form the opposite side. Not apparent when viewing from the side but easily distinguished from above...

A massive sculptural vase by Kyotos Inoue Yoshihisa (b. 1947) in the form of a crowing cock. This piece was featured in the Nitten in 1973 and is visible in the catalog for that year. Yoshihisa studied ceramics under Kiyomizu Rokube VI, certainly one reason for his emphasis on sculptural concerns. His work has often been accepted to the Nitten National Exhibition, as well as the All Japan New Crafts Exhibition where he received the Members prize, and the Kofukai-ten...

Kogo, incense container, wood-fired porcelain wrapped in grass, by George Gledhill. H.1.75"(4.5cm) x Dia.2.375"(6cm). Can be used as a lidded container to hold a variety of items from incense to jewelry. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Sake cup, guinomi, wood-fired, Shino glaze, by George Gledhill. H.2.125"(5.25cm) x Dia.4"(10cm) x Footring Dia.1.625"(4.25cm). There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Tea Bowl, chawan, by George Gledhill. Gas-fired, kohiki matcha chawan, shino feldspar glaze. H.3.125"(8cm) x Dia.5.625"(14.24cm) x Footring Dia.2"(5cm). There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Tea Bowl, Chawan, Wood-fired, Shino glaze, by George Gledhill. H.3.5"(9cm) x Dia.3.5"(9cm) x Footring Dia.2.125"(5.5cm). There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Tea Bowl, chawan, Black Raku ware, by George Gledhill. There is some red/brown reflection in the photo, but the glaze surface is a deep black. H.3.125"(8cm) x Dia.4.25"(10.75cm) x Footring Dia.2"(5cm). There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Tea Bowl, chawan, wood-fired, by George Gledhill. H.3.125"(8cm) x Dia.4.625"(11.5cm) x Footring Dia.2"(5cm). There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Tea Bowl, chawan, wood-fired, by George Gledhill. H.3.25"(8.25cm) x Dia.4.75"(12cm) x Footring Dia.2.375"(6cm). There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Tea Bowl, Chawan, Wood-fired, by George Gledhill...

Tea Bowl, chawan, Wood-fired Shino Glaze, by George Gledhill. H.3.125"(8cm) x Dia.5.25"(13.25cm) x Footring Dia.2.5"(6.25cm). There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ce...

Wood-fired Platter, Natural Clays & Glazes, by George Gledhill. 10.5"(26.5cm) Square. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helped to shape much of his ...

Wood-fired platter by George Gledhill. Natural clays and glazes. W.10"(25.5cm) x L.16.5"(42cm). There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helped to shape much...

Vase for flowers, Shino glaze, by Sachiko Furuya; Shoreline, WA. Contemporary, H.6.5"(16.5cm) x Dia.4.75"(12cm). Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in galleri...

Vase for flowers by Sachiko Furuya; Shoreline, WA. Shino glaze. Contemporary, H.5.5"(14cm) x Dia.4.25"(10.5cm). Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in gallerie...

Large Dish or Rimmed Plate by Sachiko Furuya; Shoreline, WA. Contemporary, H.2.75"(7cm) x Diameter of 13.5"(34.25cm). Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in ga...

Vase for flowers by Sachiko Furuya; Shoreline, WA. Contemporary, H.5.75"(14.5cm) x Dia.3.75"(9.5cm). Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in galleries and museu...

Vase for flowers by Sachiko Furuya; Shoreline, WA. Contemporary, H.6"(15.25cm) x Dia.4.25"(11cm). Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in galleries and museums ...

Vase for flowers by Sachiko Furuya; Shoreline, WA. Contemporary, H.5"(12.75cm) x Dia.3.75"(9.5cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in galleries and museums...

Vase for flowers by Sachiko Furuya; Shoreline, WA. Contemporary, H.5.625"(14.25cm) x Dia.3.375"(8.5cm). Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in galleries and mu...

Vase by Sachiko Furuya, Shoreline, WA. Contemporary; H.5.5"(13.5cm) x Dia.3.5"(9cm). Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in galleries and museums in the United...

Enigmatic figures rise from concave discs on the front of this massive Tenmoku Vase by modern sculptural artist Ohi Toshiro enclosed in the original signed wooden box. The gourd shaped form is covered in a mottled red Kaki-yu spotted with flashes of black. The smooth evenly graduated sides contrast with the sharp rough edge of the opening, both surprising and pleasing. Signed clearly on the base, the vase is 14 inches (36 cm) tall, 9-1/2 inches (24 cm) diameter and in perfect condition. Tosh...

This is a splendid example of work by one of Japans true ceramic masters, Kato Takuo (1917-2005), signed on the base and enclosed in the original signed and stamped wooden box titled Aoyu-kinsai Hanaike. The work surpasses the simplicity of the title, covered in rich blue glaze with silver clouding and gold highlights on the looping waves about the rim, the piece exemplifies the unusual forms favored by the artist in the late 80s and early 90s, leading up to his being given the most coveted tit...

Black green and silver bands like a core sample of crustal layers from some fantastic planet decorate the brushed and impressed clay of this large piece by Kyoto Artist Morino Taimei enclosed in the original signed wooden box. The vase is 10-1/2 inches (26.5 cm) tall, 9-1/2 by 5 inches (24 x 12.5 cm) and is in perfect condition. The box as well is like new. Taimei was born in Kyoto in 1934, and was first accepted into the Nitten National Exhibition at a relatively young age in 1957 (a year be...

Each uniquely carved row of frets on this large textured vase is a variegated shade of raw clay by Mihara Ken enclosed in the original signed wooden box. The vase is 10 inches (25.5 cm) tall, 8-1/2 by 5-1/2 inches (22 x 14.5 cm) and dates circa 1994. Ken was born in Shimane prefecture in 1958, and apprenticed under Funaki Kenji at the age of 23. He has been exhibited and or prized at the All Japan Ceramic Exhibition (Nihon Togei Ten), Asahi Ceramic Exhibition, the National Traditional Crafts ...

A phoenix flairs majestically out in minute detail on this large sometsuke vase by Nakamoto Chikuzan enclosed in the original signed wooden box. Written with an exacting hand, the bird is made up of hundreds of tiny strokes of the masters brush. Ordinarily we do not work with sometsuke however this is a powerful piece deserving exception. The vase is 13 inches (33 cm) tall and in perfect condition. Nakamoto Chikuzan I (1911-2000) cultivated his roots at the Tobe Industrial School before emba...

Birds flit playfully in the rich foliage of a fiery maple on the front of this flattened ovoid vase by Nakamura Toshito enclosed in the original signed wooden box. The odd triangular opening is perfect for flower arrangement, offering place for larger branches to rest in the corners. The ovoid form appears to be hand formed, the clay raked and covered in white with hand-painted scenery in enamel over. The vase is roughly 8 inches (20 cm) tall and in perfect condition. Toshito was simultaneou...

Lavish charring on two sides contrasts with sliding Hai-yu glaze opposite on this thick and bold vase by Masamune Kengo enclosed in the original signed wooden box. The vase is 16 by 13 inches (40 by 33 cm) across, 11 inches (28 cm) tall and in excellent condition. The artist has been largely exhibited and prized, including the Chunichi Kokusai Togei Ten, Nihon Dento Kogei Ten, Nihon Togei ten, Issui Kai Ten, and Okayama Ken Ten.

Tea cup by Kimura Seiketsu of Mashiko, with three elements of circle, triangle, square. Kimura, born in 1953, has been operating an independent kiln in Mashiko since 1983. The town of Mashiko, in Tochigi Prefecture, is one of the world's largest pottery communities. Starting as a production center for utilitarian pottery in 1858, Mashiko today is a mecca for the ceramic artist-craftsperson largely due to the town's exposure by the late Hamada Shoji and other members of the Mingei (Folk Craft) Mo...

Pale clay baked red with a dusting of natural ash glaze and small streaming rivulets complimenting the undulating ribbons billowing pell-mell from the top of this odd shaped sculptural vase by Kiyomizu Rokubei VII (1922-2006) enclosed in the original signed wooden box. The piece is 9 inches (23.5 cm) tall, 7-1/2 inches (19 cm) wide and in excellent condition. The Kiyomizu family potters managed one of the most productive workshops in Kyoto’s Gojozaka district from the second half of the Edo ...

A sizeable seihakuji vase by celadon master Fukami Sueharu (b. 1947) enclosed in the original signed wooden box dating circa 1985. Graceful lines drape from 8 points evenly distributed about the rim, creating a sense of geometry on the simple orb. The vase is roughly 8-1/2 inches tall, 9-3/4 inches diameter and in excellent condition. The name of Kyotos Sueharu is synonymous with seihakuji celadon. He has been displayed numerous times at the prestigious Nitten, Nihon Togei Ten (National Japa...