This is a large and impressively painted (28 1/4" by 47" just the painting alone) oil on canvas signed at lower left "J. Mathey 21", showing an early autumn landscape with patches of snow and forest depicted in an impressionist manner. The artist, JACQUES MATHEY (1883-1973), was the son of French artist Paul Mathey (1844-1929)...

This is a stunning, classic plein air style seascape painting (24" by 30", 29 1/2" by 33 1/2" as framed) signed at lower left by California master artist HENRY LEOPOLD RICHTER (1870-1960). A probable original title, "SURF", is written on the stretcher. The handling of color, motion, and especially the balance of sunlight and shadow is quite impressive. Having viewed a number of other works by the artist online, this one really seems to stand out...

An American 19th century oil on canvas still life, circa 1870-1890, measuring 10" by 16" (12 1/2" by 18 1/2" as framed), unsigned, featuring a metal pot with green and red apples, a pitcher, and a glass, in the classic style of nineteenth century American still life art. I wish the artist had signed his or her work, as he or she was quite skilled. The painting has a patch on the reverse, approximately 3 1/2" by 2", corresponding to a repair in the red apple...

Watercolor and ink drawing of an arch in Paris, 11 3/4" by 15", (19 3/4" by 23" as framed), signed at lower right by noted late 19th and early 20th century artist JULES ADLER (1865-1952). Adler's name is mentioned in texts describing major and significant French artists of the late 19th century, along with such figures as Millet, L'Hermitte, and. Most of his subject matter shows everyday scenes of common people going about their lives in French cities and countryside...

Mid nineteenth century watercolor, gouache and gum arabic drawing on paper of a young woman with the ringlet hair and prim dark dress fashionable at the time, holding the back of a Hitchcock chair, all against an extensive landscape. The drawing measures 6" by 4 1/4" inside the mat, and comes with a newish 1" wide gold colored frame. I don't see a signature. The gum arabic has oxidized and aged and is crackly, with tiny losses in the sleeve, and her lower face has lost some detail...

Oil on canvas, 20" by 24" (30" by 36" as framed) signed at lower left by well listed and auctioned artist JORDI BONAS (1937-). The scene is a small boat harbor with a traditional church and coastal village in the middle ground. Bonas was born in Barcelona but was in France in his twenties. Exhibitions throughout continental Europe and then the US were held in subsequent years...

Gouache and watercolor on paper landscape titled on reverse "Arab Village Near Jerusalem", measuring 14 5/8" by 19 3/4" (26" by 29" as framed), signed at lower right "WM. D. RAFFEL" and dated 1954. This is a beautifully executed work in fine condition save for a cracked (but not detached) upper left corner due to brittleness likely caused by aging...

Oil on canvas, 21" by 26" (26" by 31" as framed), the subject a winter landscape with coniferous trees in the background, a small unfrozen lake completing the scene. This is an impressionistic work by a nicely listed painter, the works of whom appear with frequency at auctions in Finland. I currently do not have a lot of biographical information on the artist, who was, judging from the label on the reverse (see photo), a member of the Society of Finnish Painters...

Gouache and watercolor on grayish tan paper, 7" by 9 1/2" inside the present mat (14 1/2" by 17" as framed), signed at lower left by listed French academy artist PIERRE FREDERIC LEHNERT (1811-?). This is a beautifully executed poetic drawing by an artist who showed at 19th century salons in Paris. From auction records it appears that studies of shepherds and sheep were a staple of the artist's production. Condition is excellent...

This is a mixed media work on paper, 9 1/4" by 12" plus 2 1/2 inches on a side of linen mat and inexpensive old frame, signed at lower right by the artist "J-Cl Imbert". It's a difficult to photograph work since it's rather dark and since I need to take the time to remove it from the frame to reduce the unusually troublesome reflections in the glass...

Watercolor painting of a schooner or other coastal sailing ship, 11 1/2" by 17 3/4" (19 1/4" by 25 1/4" as framed), signed at lower left by listed California artist LOYAL MAYER (1919-2011). The watercolor is a fine decorative example of marine art in excellent condition. Frame is wood and shows just a little bit of wear which could be easily sanded and restained...

Pastel and gouache mixed media work on red paper, measuring 18 1/4" by 13 1/2" plus thin old black wood frame, signed at lower right with what appears to be "Macero Arbuckle" and dated '04 (1904). I don't see any information on the artist. This is an interesting illustration work that is quite subtle, and being subtle, doesn't lend itself to being photographed easily. Condition is excellent. There is an old sticker on glass at lower left corner with "13" written on it.

Watercolor on paper, 14" square and 3 1/4" frame and mat, unsigned, of flowers in a vase. This is the work of a skilled and likely listed artist but I do not see a hint of a signature. It was purchased near Baton Rouge, Louisiana and the reverse framing paper shows what appears to be a Houston, Texas address. Condition is excellent with no stains or foxing.

This unframed 20" by 24" oil on canvas landscape painting is something of a mystery. It is signed "J.V.C." and dated 1851 at lower left (see very close up photos), and on the wood stretcher on the reverse is incised "John V. Cornell New York". I believe there is an excellent possibility that this is a work by the historical New York painter John V. Cornell but I cannot prove it. He seems to have been an obscure fellow, though he is listed in the book of historical painters born before 1860, a...

Colorful watercolor on paper of a ceramic figure with copper pot and summer fruit, measuring 6 1/2" by 5 7/8" (13" by 12 3/4" as framed, no glass), likely the work of noted American artist FREDERIC GRANT (1886-1959). The work is apparently unsigned, but, on the original framing paper appears in a modern hand "BY FREDERICK GRANT"; originally there was also an old framer's sticker from Chicago but it has apparently dropped off since I purchased this. See the askart listing, and the images thereo...

PAIR of unframed, unstretched oil on canvas paintings, the larger 20" by 24", the smaller one 17 1/4" by 22", both signed at lower right "Allen H. Newton" and bearing inscriptions on the reverse showing the locations in Andover, Connecticut (east of Hartford, between there and Willimantic in the northeastern part of the state). Both paintings are in need of restoration, since they've been carelessly handled by past owners, including, probably, rolling. There is paint loss, creases, craquelure,...

This is one of three works I am offering, by a talented Canadian mid 20th century painter who signed her works "Eola Sutherland". Although there is online a photo of a gravestone for an Eola Hayton Sutherland (1884-1967) of Ontario, likely our painter, there is a lack of biographical information on the artist. Her skill is obvious, as is her familiarity with the Group of Seven and their style. Several have sold at auction in Toronto. This example measures 16" by 20", and is oil on board. The...

Oil on canvas painting of a matador in his suit of lights, 31" by 23", unframed, not signed but inscribed on the stretcher with the name of the artist and title "portrait of a matador".. This is a circa late 1940's or perhaps 1950's work I would guess, by noted listed artist JOSEPH WEISMAN (1907-1994). Weisman was born in the east but was already in California as a young man. He studied with well known California artists Millard Sheets, Barse Miller, and Clarence Hinkle, and exhibited at such...

Detailed Indonesian painting in the classic style from the island of Bali, Indonesia, painted in tempera on cotton canvas laid on board, measuring 21 1/4" by 17". The painting is unusually well executed compared to many from this "school" of painting; the artist was of above average talent, though he or she did not sign the work. Note the expressions on the faces, the intensity of the dragon, the spotted mysterious forest creature monster at lower left. Condition is excellent. A fine addition...

Oil on Masonite painting, 18" by 7 3/4" (24" by 13 3/4" as framed, with liner), the subject two young girls and their classic olla-type water or grain pots. of the Southwest. This is likely a New Mexico or Arizona scene, executed in tan and brown earth tone colors. The painting is signed in black at lower left "Ch. Bragg"; I believe this to be the work of the well-known California-based American illustrator artist Charles Bragg (1931-2017), though, this is perhaps best offered as "attributed" ...

Watercolor on paper landscape of lush green mountains of Kauai, a mother and her child, palm trees and an historical one story building, the Waoli Social Hall, originally built in 1841 during whaling days as a mission church, the painting measuring 18 1/2" by 25" inside the present mat (presently unframed), signed at lower right "D Williams". The work is not dated but I would guess it would have been created around the late 1960's or early 1970's. I do not see a listing for this name but furth...

Oil on canvas, 9 1/2" by 13 14" (18" by 22 1/2" as framed), signed in red at lower left "J. A. McClurg" and dated there with what looks like "1900" or "1908". There's a vintage Denver artists materials sticker on the stretcher, Considering the scene and the sticker, I am tempted to call this one a Colorado plains/edge of the Rockies picture, in the nineteenth century tradition of Bierstadt, Worthington Whittredge, Samuel Colman, and so many others in that school......I do not see a listing for...

This is a late 19th century American painting by an anonymous artist, from the heart of the Victorian age. It measures 16" by 24" on the original stretchers (21 1/4" by 30" including the frame and probably original red velvet liner). The peaceful scene includes a lake with eight ducks in the foreground, a shore in the foreground, two rowboats at right, a quaintly undersized man and woman in Victorian garb at left, overhanging dark trees, a small waterfall emanating from a mill, and distant low...

Oil on canvas, 18" by 12 1/2", unframed, signed at lower right "F M Shane", and inscribed on reverse of the canvas, "Loveland Canon/Road to Estes Park/Colorado/1925". This work is somewhat primitive but the artist has created an interesting painting. There is a listed artist Frederick Emmanuel Shane (1906-1992), a Missouri regionalist who also painted in Colorado; conceivably this could be an early work of that artist, for some reason signed "F M Shane". The painting appears to have been fra...

PAIR of oils on beveled edge thick wood pine panel, each 11 3/4" by 6 1/4" (and 1 7/8" wide silvery modern era frames), each signed at lower right in flowing script "MORA", not dated but likely circa 1880's to 1890's. There are a number of artists listed with this name but so far I can't definitively attribute these to one of them. The paintings are very sensitive, beautifully handled studies of two ladies of the countryside, one wearing a beautiful lace scarf, the other with a cloak around h...

Pastel on paper, 21 1/2" by 16" and narrow frame, signed at lower right by well listed WAYNE LA COM (1922-). La Com is known for his skilled watercolors in the 20th century California Scene style. See the askart listing on him and his work. Photos taken at angles to minimize reflections.

For the collector of vintage plein air art, this is a classic drawing on tan paper executed in Italy in the year 1924 by well listed, frequently auctioned California plein air artist DANA BARTLETT (1882-1957). This drawing measures 8 1/2" by 11 1/2" inside the framing (12 3/8" by 15 1/4" as framed). It is signed in a longhand signature at lower left, and at lower right is inscribed "Venice Italy" and the date 1924 once again. An old plaque bearing the artist's name also reads "Santa Lucia Br...

Gouache on paper, 19" by 12" (29" by 22" as nicely framed in complementary silver and gray), the subject "Iceland Poppies" written in pencil at lower left in addition to the artist's signature and what looks to be "61" as the date of execution--it's very small and hard to read. This is a rather typical example of the work of the noted California artist, JOAN IRVING (BRANDT) 1916-1995. It is very impressionistic and spontaneous and sure in execution, and in very fresh, excellent condition. The...

English or Scottish oil on canvas, (or, possibly a continental Europe scene executed by a British artist), 20" by 30" (26" by 36" as framed), signed at lower right "David Dundas", showing a peaceful high mountain lake with distant snowy mountains. I do not see a listing for the artist but the painting has a professional touch and is very decorative and satisfying. Note the reflections, the sky/high clouds, lighting, composition. The painting is a bit dirty and would benefit from a cleaning, but ...

Large example of the work of the much-storied American artist "T. Bailey", circa 1910, measuring 24" by 36" (32 1/2" by 44 1/2" framed). This is the largest example I have been able to find, after a search of the auction records. Signed at lower right in white (partly indecipherable), this is also one of the more appealing examples in my opinion because it tends more towards the folk art and "China Trade" direction, and less towards the more commonly seen, and easily achieved, faithful photogr...

Oil on canvas painting of a small house in the trees, 22" by 26" (28" by 32" framed), signed at lower right "Stahl" and dated there "42", titled on reverse "In Laurel Canyon" and signed and dated again there. This is an early work by the important, well-listed American illustrator artist and art educator BENJAMIN A. STAHL (1910-1987). Stahl was Chicago-born, and traveled to Mexico and apparently California as well, before settling into Weston, Connecticut and eventually, Sarasota, Florida. St...

This is a beautiful DOUBLE SIDED watercolor dated 1883 by the hand of listed American 19th century artist BENJAMIN FITZ (1855-1891), measuring 11 1/2" by 18 3/4" plus about 3 1/2" of liner and modern frame. I am not sure as to the authorship of the loose dry landscape on the reverse, which might be later and by a totally unrelated hand. The subject matter of the primary, signed painting is a rural scene of farm buildings by a small pond on which swim two ducks, their trails in the water plainly...

Watercolor on paper, 13 1/2" by 19 1/2" inside the mat (20 1/2" by 26 1/2" as framed), signed at lower left "Roy E. Swanson" and titled in pencil on the backing board "Green Valley Church", along with the original $340.00 price. This watercolor is by a skilled hand, though I cannot seem to find a listing for the artist. There is a listing for a RAY Swanson (Cowboy Artists of America) is listed, but this is not that artist. Regardless, the work is excellent, reminding one of the California Sc...

For the fans of the "Big Eye" paintings, here is a pair of mid century retro style works in oil on board, each 23 1/2" by 11 1/4", and each signed at lower right. The signatures are hard to decipher; I'm guessing "Balmiani" or "Dalmiani". If I am reading them at all correctly, I am not able to tie these names to any of the listed, recognized big eye painters. Regardless of authorship, these are sure to please the devoted big eye collector. One of them has some light to moderate surface scuff...

Oil on canvas, simply framed in wood, the canvas measuring 35 1/2" by 30" (90 cm. by 76 cm.) on the stretchers, signed at lower right in the wet paint and dated there "10-4-1996". This is a work by a popular and well regarded Indonesian painter, DJOKO PEKIK (1938-). The works of Pekik (sometimes spelled Pekek) have sold to at least the $40,000 level at auctions of Southeast Asian paintings in Singapore and Hong Kong. The artist was discussed, curiously, in an "Art in America" 1996 article: "...

Oil on canvas still life of white flowers in a vase on a table top, a decorative curtain at left, 30" by 25", unframed, signed at lower left and inscribed there "For Mother & Dad", by the listed California artist EUGENE DUNLAP (1916-1999). Dunlap studied with the likes of Jack Wilkinson Smith, J. Mason Reeves and Nell Walker Warner. An exhibitor at the Golden Gate International Exhibition in 1939, he for a good part of his life was a part of the Laguna Beach art scene. Today Dunlap's landscap...