Oil on Masonite painting of one of the dramatic red eroded formations in Monument Valley, in far northeastern Arizona. The impressionist work is good enough to be by someone listed but there is no signature. Probably dates to about the early 1950's. Measures 9 1/2" by 11 1/2" (16" by 18" nicely framed, with some wear on the frame that could likely be smoothed out).

In the style of popular Thomas Kinkade or Marty Bell, this is an original oil on canvas, 11" by 14" (17" by 20" framed), the subject a cozy cottage-like house set in a flowering garden, the welcoming lights all on. The painting is signed at lower left "N LaFond". If you enjoy the Kinkade style but would like an original work instead of a print, you may well like this piece. Condition is excellent, frame has a little wear.

Oil on canvas of a mysterious red cabbage on a string and an orange gourd on a tiled surface, windows beyond looking out onto a hilly landscape, 16" by 20" (23 1/2" by 27" signed "Hernandez" and dated 1995 at lower right. The painting should probably be reframed, as the cream liner is soiled. The painting has some yellowed varnish but otherwise is in good condition.

This is a decorative, peaceful scene of late autumn by a pond or small lake, signed at lower left "Sydney Cooper". Even though the spelling differs ("Sidney"), this could be by or after the well-known English 19th century artist THOMAS SIDNEY COOPER (1803-1902), who was known for his landscapes with farm animals. The painting is unframed and measures 22" by 15 1/2"...

An oil on panel painting of a red covered bridge in a mountain landscape, a village at left center, 13" by 19 1/2" (16" by 22" framed), signed at lower right by artist Ed Mifflin. I do not see a listing for this name. The scene likely shows Vermont or Maine; possibly there are covered bridges in hilly southern Ohio that might fit. In any event the circa 1960 work is very poetic...

Early twentieth century impressionist painting of one of New Orleans' famous courtyard subjects, 9 1/4" by 7" as framed, signed at lower right corner "Don Juan". While an interesting name to be sure, I have not been able to find a listed artist corresponding to it. The work though is by an obviously trained and talented hand. The vintage frame makes all in all for a very satisfying little painting sure to please the New Orleans fan. The surface is soiled evenly, consistent with age...

A watercolor painting of outbuildings and scrubby trees, 10" by 15 3/4" (20" by 25" framed), titled at lower right "Near Filkins/March 1934" and signed at lower left by listed English artist ANTHONY LOUSADA. There appears to be little information on the artist, though some works have sold at auction in England. Some of his paintings seem to show a distinct modernist approach...

Watercolor on paper by Marion Maas, (American 1930-2023) depicting a stylized view of buildings with night sky and blood red moon, with eye like features in the sky, all in vivid color in Fauvist style, stamped on verse with estate stamp. Measures 12" x 15 3/4", sight size is 8" x 11 1/4". On smooth heavy paper, the painting is both exuberant and intriguing, the intensity of color and shape create a dense and rich image...

A group of three small watercolors of scenes in rural Hambleden, England, by late 20th century English artist (Mrs.) P. Begley. The three each measure 5 1/2" by 8" (10 1/2" by 12 1/2" identically framed). Each is signed with conjoined initials PB in lower left corner and the artist wrote her address and titles on reverse backing. The works probably date to circa 1980. Pleasing scenes of the classic, peaceful countryside of England...

PAIR of framed Paris scenes on board, one showing Notre Dame and the Seine, the other a street scene with a 1930's car and figures, each signed "Montal" at lower right. I would guess these are tourist pieces in the Montmartre painters tradition, probably dating to the 1950's or so. At 13 1/2" by 7 1/2" framed they are identical in size, and they are framed identically as well, though there is wear to each frame, showing as gold areas against a darker background...

This is a large work of art in delicate condition, 26" by 54" and 3" wide frame, so, I am seeking a local (Southern California) buyer who can pick it up. The painting, of a tropical coast with palms, decorative boats, and numerous figures, is well painted in an impressionistic manner, and is signed "M. H. Liu" at lower right in red and dated there 1967. A search of this name has not produced any listings...

Nicely executed impressionist pastel drawing of coastal rocks and surf, 9" by 12" (14 1/2" by 17 1/2" framed), unsigned. This came from a collection of Northern California art, including pastel drawings by Carl Sammons, so I would at least entertain the possibility that he could have been the artist, but alas, this is truly unsigned. The work is on paper laid on a board. Condition is excellent with just a little contact with the old style non-glare glass, which should be replaced...

Oil on canvasboard, 12" by 16" (17" by 21" as framed), signed at lower right by artist CURT PAULSON. I do not see a listing but the artist had a skilled hand. The style reminds a bit of California desert painters William Darling or Fred Chisnall. There is impasto, vigorous brush stroke, and a grayish blue light over the scene. Apparently original whitish antiqued frame completes this ready for the wall package. Condition is excellent.

Circa 1960's watercolor painting of a snowy street in New England, a white church at left and bare elm trees framing the scene at right, signed at lower right corner by artist William Carpenter. I do not see a listing that would seem to fit but the artist obviously was talented in the watercolor medium. Condition is very clean. All images were taken through detail-dulling non-glare glass of the period. Measurements 10 1/4" by 11 1/2" (16" by 17" framed).

Large matted watercolor of abstract landscape by Yngve Olsen (1905-2000), American Modernist, one of many watercolors painted in the Southwest in the 1940s and 1950s. Measures: Mat is 22" x 17" and watercolor sheet is 16 3/4" x 13". Like many of his works from this collection, it is not signed, but is guaranteed to be by this artist. Contemporary archival matting with glassine over painting, the mat is a soft creamy yellow tone. Painted in the mid century modernist style, very much in the ...

A competently painted, luminous little work on canvas, 12" by 16" (17 1/4" by 21" framed), the subject high mountains in full fall color, likely the Rockies in Colorado, Wyoming, Montana or Idaho (or, possibly, even Canada). The artist signed the painting "C H Wells" at lower right. The painting likely dates to the 1970's or 1980's. While I do not see a listing for an artist by this name, he or she was clearly talented...

Oil on Masonite panel painting of a thicket of trees in the snow, 16" by 12", 19 1/4" by 15 1/2" framed, signed at lower left by artist S C Swiderski and dated there '86 with copyright symbol. The bare trees are accompanied by a lone pine or spruce which gives a bit of green color to an otherwise silvery white/blue palette. The impressionist work is very attractive and it is in excellent condition. Note how the artist used the wooden end of the brush to create a groove in the wet paint. The ...

A painting on light blue illustration board, sizable at 24" by 36" including its thin strip frame, signed at lower right by artist B. G. Dorsey. The subject is a white classic New England home with green shutters, pictured in early autumn, the trees turning colors. A lone figure seems to knit at the side of the house, a rowboat is tied up at the convenient dock, and a sailing craft and the ocean beyond appear at left. The idealized scene is classic Americana. It appears to be after American ...