From our European Collection, a good and sizable 19th century oil on canvas, British School, depicting gothic ruins over an aqueduct at moonlight. The artist's skillful use of depth perspective, along with adept use of various shades of grays and blacks, all contrasted and backlit by a cloudy moonlit sky, combine effectively to create a wonderfully evocative and somber scene that captures well a time and place from centuries past.

Size and Condition: 30 x 25 inches...

Antique 19th century oil sketch painting on a masonite board, attributed to John Brown Abercromby (1843-1929).
The painting depicts a red-haired young girl sitting on a stool in front of a fireplace and blowing air by the bellows.
The painting is unsigned, however, to the back of the masonite board is taped a scrap of paper with a hand written note “R.S.A J.B...

THOMAS CRESWICK R A; 1811-1869; BRITISH CROSSING THE STREAM; Oil on Canvas Thomas Creswick was a British landscape painter. Among his most favorite subjects were English and Welsh streams and British rural scenery. He exhibited in many art venues including the Royal Academy and the British Institute of Art. Although the painting is not signed, there is an old brass plaque on the frame which, along with the style, leads us to believe that it is likely a Creswick

Richard Bonington original oil on canvas of a old English town view signed very faintly lower right measuring approx. 9 x 12 inches framed in a contemporary gallery frame. Provenance: British Consulate San Francisco.

Biography

Richard Parkes Bonington was born in the town of Arnold, 4 miles from Nottingham in England. His father was successively a gaoler, a drawing master and lace-maker, and his mother a teacher...

Oil on Canvas, English School. "The Hull to London Post". After Charles Cooper Henderson (1803-1877). Dimensions; 24" x 16", 27.5" x 19.5" framed. Late 19th/early 20rg Century. Condition; crackling and professional restoration done. Reframed.

Large oil by J. Syer (1815 - 1885) British, this pleasant country scene was painted in 1870. It measures 51 1/2" wide x 38" high on the inside of the frame. On the back of the canvas there is a label that reads "Scene on the River Llugwy, North Wales." and says to keep the label attached for authenticity. This canvas has been relined, and there is a very tiny puncture on the left side near the fence.

A great pair of reverse painted coaching artwork. Displayed beautifully in burl and eglomise frames. First painting shows coach with huntsman heading from London to Oxford. The second painting shows the ride home from Oxford to London. In excellent condition. Minor scratches to the frames. Colors vivid for a reverse painting of this age. These are probably from the 30's. Frame measures 18" by 13"...

Samuel John Peploe, Britain, Edinburgh 1871-1935. This large impressive dreamy impressionist painting is oil on canvas, signed lower right and on stretcher bar. It is 24 2/16"H by 36 3/16" W in a newer impressionist style frame 37 3/4"H by 49 5/8"W. It has been lined with some scattered inpainting. Peploe studied at the College of Art in Edinburgh and the Academie Julian under Bouguereau and a member of the Scottish Royal Academy...

John Burr (Scots/English, 1831-1893)

Caught Napping

Oil on canvas, signed and dated: “1867”

Painting size: 15.5” x 26.5”
Frame size: 22.5” x 33”

A student of Scots artist, Scott Lauder, John Burr studied at the Trustee’s Academy in Edinburgh. He moved to London in 1861 with his brother and fellow painter, Alexander Burr. Upon his arrival Burr began exhibiting at the Royal Academy. He continued to exhibit there until 1882...

Three 18th-century English Landscapes

Oils on paper, unsigned.

Painting size: 3” x 4.5” (Approximately)
Frame size: 7” x 8.5” (Approximately)

Evening at Buttermere Oil on canvas 24”x16” w/o frame Alfred Fontville De Breanski was one of seven children born to the prolific British landscape painter Alfred De Breanski (1852-1928).Though his paintings emanate those of his father in palette and subject matter, his landscapes are executed in a slightly less formal style. His main body of work concentrates on the effects of sunlight on the Highland scenery at different times of the day...

This is a pre-1900, fine original oil by J.F. Herring. Overall with frame it measures 42” by 30”. The painting itself is 36” by 24”. It is fully signed J.F. Herring.

"The British Countess" Oil on canvas, 25" x 30" unframed Jonathan Pratt was a Midlands artist working in Birmingham. He was an extremely diverse artist painting genre, figure and portraits, as well as street scenes, rural and coastal views in Britain, France and Algiers. He studied in Birmingham and exhibited a total of 279 works there between 1864-1915, the latter being posthumously exhibited...

"The British Count" Oil on canvas, 25" x 30" unframed Jonathan Pratt was a Midlands artist working in Birmingham. He was an extremely diverse artist painting genre, figure and portraits, as well as street scenes, rural and coastal views in Britain, France and Algiers. He studied in Birmingham and exhibited a total of 279 works there between 1864-1915, the latter being posthumously exhibited...

This is an OIL ON BOARD by the BRITISH ARTIST: WILLIAM SPRY. The scene has BOATS at Low Tide with small Houses shown in the background. The size is 28" X 22" framed. Great GILDED FRAME. Some pro restoration as this Work warranted that Effort. DETAIL much more PRECISE in real time; may add another jpg or two

A charming antique oil on canvas of a young girl cozied up in a doghouse with a snoozing bull mastiff dog, signed (incised in the paint) and dated 79 (1879). The signature is JH SHARP in capital letters. For a number of years there has been confusion as to whether these 19th century dog paintings of this period were by the noted Taos, New Mexico artist Joseph Henry Sharp (1859-1953), as the signatures are very similar indeed, and the artist did study in Europe before coming to America. This c...

Henry Perlee Parker (1795-1873)

“On the qui vive” (The Smuggler)

Oil on canvas , titled, signed and dated on the reverse

"QUI VIVE" (A French phrase meaning long live who? (a sentry’s challenge), used to mean a state of alertness or watchfulness.)

Painting: 30" x 25"
Frame: 36.5" x 31.5"

One of the best-known painters working in north-east England during the early nineteenth century Henry Perlee Parker specialized in pictures of marine subjects and smu...

A small French Impressionist style oil on board, entitled "London: Sunset at Hammersmith" by Italian born Piero Sansalvadore. Sansalvadore arrived in London, circa 1930, and started painting late in life. The majority of his pictures were produced during the 1930s and 1940s. Some of his paintings are on display at the Guidhall Art Gallery, London and four are in the Royal Collection, purchased by Queen Mary (the Queen Mother) in December 1938 from an exhibition at the Fine Art Society. ...

This dated 1848 portrait is believed to be of David Schofield Painter, who was William Bell Scott's brother-in-law. The condition of this oil on canvas is not good. A great deal of this painting has been reworked!!

"On The Terrace" oil on board, site size 10 3/8" x 6 3/8" \ frame size 19.5" x 15.25" Breakspeare lived in Edgbaston, Birmingham until the age of 22. In 1877 when he moved to central Birmingham on Paradise Street.[1] He was closely associated with the Royal Birmingham Society of Artists (RBSA) gallery, exhibiting 34 works from 1874 to 1899.[2] His work covered many genres including genre, portrait, figure and 18th-century costume pieces and landscape. Breakspeare spent time in Paris, movin...

Framed size: 15 3/4"X18 1/8"(40cmX60cm)Image size: 11 1/2"X14"(29.5cmX35.5cm) Signed: JENNINGS. The Condition of work : Excellent. This is beautiful Original Oil Painting on the board. It is signed by Jennings The subject is English country house in the beautiful landscape with flowers and greens surrounded in the impressionist painting. The brush works of flower and tree are very good as you can see from the close up photos. The painting is about 60-80 years old. The condition of painting is ve...

Wonderful [Set of 4] 19th century English Fox Hunting oil paintings. A series showing the different phases in a day of hunting. Nice detail. Each is signed by the artist: F. Crooke. Old gilded solid wood frames with gesso detail. Framemakers label on back: William Innes, Very good condition. Each framed piece measures 13.5" x 16.5". For more detailed pics including the backs, please email me at wellingtonandco@bellsouth.net.

James Carroll Beckwith, 1852-1957, NY, Illinois, France. This oil on panel is exquisite, 35.5cm by 26.5 cm,(13 5/8" by 10.5") signed, and in good condition in a beautiful 4" gold leaf frame. Provenance: Private collection in the Midwest, Purchased from a Private Collection in Florida, Purchased at Thomas Moran Auction, Private California Collection.

WILLIAM HUGHES- BRITISH; 1842-1901 STILL LIFE Oil on Windsor and Newton board Signed lower right and dated: W Hughes 1874 Wm Hughes was a prominent still life painter, and lived in England. He exhibited at the Royal Academy, the British Institute, the Society of British Artists and the Grosvenor Gallery. The Provenance is the Frost and Reed Gallery in London. See Back for further documentation. Dimensions; 8.5" x 7.5"; framer; 12.5" x 11.5"

Robert Fowler, British, 1853-1926. Oil on Canvas, signed 16"W by 22"H.

Beautiful pair of oils on board by J. Langstaffe, British, late 19th century. They each measure 23" wide x 15" high on the inside.

“Watermill at Brantwood” Oil on canvas 20 ½” x 24 ½” Born in Liverpool, W.G. Collingwood was an author, artist, antiquary and Professor of Fine Arts. In 1872 he went to University College, Oxford, where he met John Ruskin. Three years later Collingwood was working at Brantwood with Ruskin and was Ruskin's secretary from 1881 onwards. Collingwood studied at the Slade School of Art between 1876 and 1878. He exhibited at the Royal Academy in 1880. In 1883 he married and settled near ...

Charles Brooking, 1723-1759, English. This oil on panel is a fine example of the early work of Charles Brooking, known as one of the finest British Maritime painters. It is 13" by 19" in a handsome newer frame (overall dimensions of 16 3/4" by 22 2/4".) The condition is good and it is signed indistinctly (as many of his paintings are) on the piece of wood floating in the lower front of the painting. He is listed in Benezit and his paintings sell for up to $400,000.

Niemann Edmund John (I), British, 1813-1876. This oil on canvas is 12" X 18" in a period frame. It is in good condition and will be undergoing a light cleaning. It is signed lower left. This landscape is a very vivid example of Niemann ability to convey the beauty of a spectacular sunset. The detail is excellent on the painting. His paintings go for up to $20,000. The provenanc of the painting is Schilley and Rehs Inc, New York.