Old, antique oil on fine weave canvas laid on board painting of trees, distant small structures and a wooden footbridge in the foreground crossing a stream, 17 3/4" by 23 3/4" (23" by 29" as framed), apparently unsigned, and likely executed at the end of the 19th century. The rather naïve painting is very mellow and easy to live with; a classic antique American old landscape. The surface is evenly soiled, consistent with age, giving the painting that old patina...

Vintage oil of white, yellow and pink roses on a table top, circa Victorian late 19th century to the early years of the new century, apparently unsigned, in pleasing old wood and gilt frame, the entire work as framed measuring 11" by 13 1/4". The canvas is laid against the backing but is not glued down to it so there is some rippling. Other than a few minor surface abrasions the overall impression is quite beautiful. A fine acquisition for the still life collector or shabby chic decorator.

** PAIR** American 19th century oil on board landscape paintings in Hudson River style, each signed at lower right by listed artist FRANKLIN JAY LEWIS (1838-1910). The feathery trees, color scheme and general handling are in the tradition of the Hudson River School of the eastern states, but these scenes may in fact have been painted in California. The artist was born in Wells, Vermont, and crossed the continent at great effort in 1868, arriving in San Jose, California to begin a new life...

The study photo on the left is a close up of Mr. John White Field,a Philadelphia Merchant, which was painted by John Singer Sargent in the early 1880's. The study image in the center shows what Mr. Field looks like with the beard removed. The image on the right shows an earlier Sargent portrait of Mr. Field. Please refer to Sargent Painting in our listing.

James MacDougle Hart 1828-1901 American, Hudson River School This is an original oil on canvas painting by American 19th century painter, James Mcdougal Hart. This work is titled: A Bit of Cherry Valley. It is signed lower left "J.M Hart" It came to us in a period gilt frame with the brass name plate. The painting itself measures 17X21 inches, the overall frame measures 24X29 inches. Influenced by his older brother, William M...

By the Irish-born artist who came to America as a youngster, WILLIAM J. HENNESSY (1839-1917), this is a charming, intimate little oil on canvas, 6 1/4" by 4 3/4" (11" by 9 1/2" in the 19th century frame), depicting an old man reading by candlelight in an interior, a red cloth in his right hand, the left hand splayed towards a comforting glowing fire in the hearth. Apparently he is alone on a quiet winter's evening, reading the way people had to read before electricity's arrival on the scene...

Max Weyl (German/American, 1837-1914)

"Evening on the Marsh"

Oil on Academy Board, signed and dated "(18)88", dated "Dec. 27,1888" on the reverse and titled by Benson B. Moore also on the reverse.

Provenance: The Washington area painter Benson B. Moore. Moore studied with Weyl at the Corcoran in Washington D.C.

Painting: 11 x 16 in.
Frame: 16 x 21 in.

**Please Note: This item is not currently on view in our gallery...

A large Hudson River school Luminist landscape painting in a very ornate carved gilt wood frame. Unsigned. Oil on canvas. 2nd half 19th century. Canvas size: 30 inches x 42 inches. A dramatic canvas in the Luminist style, with a dark, rocky pond in the foreground and a distant mountainous skyline glowing in shades of pink and yellow from the light of a setting sun. The frame bears a Philadelphia framer's label on the reverse...

Antique oil on canvas of cherries on a table top, 8" by 11 3/4" (11 1/2" by 15 1/2" as framed), signed indecipherably at lower left; name could be W C Hammond, Hammons, or Higgins, or? The work is in the tradition of American 19th century still life and likely dates to about 1880. Some very old patches on the reverse attest to old battle scars the painting acquired in its some 150 years of existence...

A circa turn of the century oil on canvas painting of a creek and surrounding woods in the autumn of the year, 11 1/2" by 22 1/2", on canvas, and 17 1/2" by 29" in likely original frame, apparently unsigned. The work has survived over a century in excellent condition. No punctures or problems. There are a few chips missing from the frame. A pleasing, easy to live with scene that brings a sense of calm and reflection.

American (likely California) oil on canvas painting, 5" by 4" (8 3/4" by 7 5/8" in stained oak period frame), signed at upper right corner with initials "M.W." and dated there '87 (or, possibly, '97). Stamped on the stretcher is "Fred Rhoda/Fruitvale, Cal", and written in pencil in an old hand is " Whitney"; we can probably assume therefore that the artist is one M. Whitney...

Wesley Elbridge Webber (American, 1841-1914) - White Mountains, New Hampshire landscape painting with pond. Oil on canvas. Late 19th century. Canvas size: 12 inches x 20 inches. Signed by artist in the lower left and on the reverse of the canvas. Condition: one small old repair to a puncture in the sky, with minor touch-ups. Offered in an antique silver leaf frame...

BARTON STONE HAYS (1826-1914) was born in Ohio, and he came to be associated with the Midwest throughout his life, becoming a leading portrait painter in Indianapolis, and finally, coming to be known for his still life works, based out of Minneapolis, after 1882. Early in his life he was a Daguerreotypist, diorama painter and portrait painter, and there are some rare and sought-after genre paintings, some even of African-American subject matter. Perhaps best known as a teacher of William Merri...

Hendricks A. Hallett (American 1847-1921 )

Sailing Vessels at Sunrise

Oil-on-panel, signed lower right

Painting: 20” x 16”
Frame: 25” x 21”

Born in Massachusetts, Hallett studied in Antwerp and Paris. He is best known for his paintings of ships, notable marine events, and seascapes, many along Boston Harbor. He also painted in the White Mountains of New Hampshire, and on Mount Desert Island in Maine.  Hallett worked outdoors, sketchi...

JOHN JOSEPH ENNEKING- AMERICAN;1841-1916 NOVEMBER TWILIGHT Oil on Canvas Signed lower right Dimensions; 10.25" x 14.25"; framed; 16" x 20". JJE was one of the most distinguished and successful painters of the late 19th C. He lived most his life in New England, and according to Wikipedia, his "favorite subject is the November Twilight of New England and the half lights of early spring, and late autumn and winter dawn and evening." He always said that his greatest teacher was nature. He ...

For those seeking an early California painting featuring the Golden Gate, consider this circa 1900 (possibly as early as 1880's?) unsigned work on gray artist's board, 18" by 24" (22 1/2" by 28" as framed), the subject the Golden Gate looking north from approximately the Land's End area, Civil War-era Fort Point in the middle distance, and Mt. Tamalpais in the far distance in Marin County, a steam powered boat and a three masted ship in the channel. The world famous Golden Gate Bridge now spans...

A PAIR of paintings on canvas, each featuring hanging game birds after the hunt, each 20" by 16", unframed, each signed by the well-known American western artist HENRY H. CROSS (1837-1918). The use of green painted wood panel background suggests the artist was familiar with the artist William Harnett and his style. Cross was born in New York state and became well known in the 19th century as a painter of portraits of Native American luminaries of the time. He also knew how to paint animals, h...

Folk Art Portrait by American Artist, attributed to Sheldon Peck (1797-1868). This Portrait was purchased at a North Carolina auction from the Larew Collection. The 19th century oil on canvas portrait of a gentleman was said to be Thomas Johnston from Concord, NC (Sept. 1850). It was marked on the original canvas (relined) bought in Davie County. It is mounted in a mahogany veneer frame with yellow pine backing. Canvas 29" 24" and the Frame is 38" x 33". The portrait was restored in 1973 by Hen...