Early twentieth century impressionist painting of one of New Orleans' famous courtyard subjects, 9 1/4" by 7" as framed, signed at lower right corner "Don Juan". While an interesting name to be sure, I have not been able to find a listed artist corresponding to it. The work though is by an obviously trained and talented hand. The vintage frame makes all in all for a very satisfying little painting sure to please the New Orleans fan. The surface is soiled evenly, consistent with age...

Oil on canvasboard painting of a green coast, a stand of foreground trees in late autumn colors giving fine depth to the scene. The artist did not sign the work, which likely dates to the 1950's judging from frame and board. There is a small area of flaked paint in the trunk of the most prominent tree. Overall a nicely done work that would be improved with a gold frame. Measurements are 20" by 24" and 26" by 30" framed.

Oil on canvas, 19 1/2" by 25 1/2" (25 1/2" by 31 1/2" as framed)---(possibly an inner frame, the outer one long since separated), apparently unsigned, circa early 20th century, the subject the famous and unique twin Thatcher Island lighthouses (also known as Cape Ann Light Station), about one mile off the coast of Rockport, Massachusetts. The lighthouses were erected in 1861 as a pair, thereby aiding navigation by mariners. Each is 124 feet in height...

Old early 20th century painting of a thin line of trees bordering a waterway, executed in a lovely impressionist palette with excellent handling of light, 17 1/2" by 21" as framed, signed in red at lower right corner "Chatterton". Though found in Ogunquit, Maine, in an art colony area where the well known American artist Clarence Chatterton was known to have painted, the signature does not resemble that of Chatterton, who was a student of Edward Hopper...

This is a really beautifully painted oil on a coarse, almost burlap canvas, the subject a sun-dappled yard of a house or other Spanish-California type structure populating old and established affluent communities such as Pasadena or Santa Barbara, tables and chairs in this little paradise awaiting the next social occasion. The work measures 16" by 20", UNFRAMED (the first image, with gold frame, is for display purposes only...again, the item will be sold UNFRAMED)...

Oil on canvas painting of a tabletop with flowers in vase and assorted decorative objects, 20" by 24" (26" by 20 1/2" framed), signed at lower left by artist HAZEL PETRA FETTERLEY BOEHME (1900-1941). On the reverse of the canvas the artist has written the title "Mid-Victorian", the date (May 1932), her name, Los Angeles, Cal., and original price of $75 or possibly $175 (appears she went over the numbers----maybe in difficult Depression times she had second thoughts on pricing)...

Oil on canvas landscape of a forested, peaked mountain rising into scudding clouds, unframed, signed at lower right and dated 1876 by the noted well listed American artist from Massachusetts, D. JEROME ELWELL (1847-1912). This work measures 14" by 24 1/2". Elwell was intent upon his art at an early age, when he was spotted on the Gloucester waterfront sketching the marine scene, by one Samuel E. Sawyer, a wealthy Gloucester ship owner and patron of famed artist Fitz Hugh Lane...

Impressionist painting signed at lower right with conjoined initials "MP", unframed, 24" by 18", the subject three female black dancers, two wearing festive hats. There is considerable energy in the scene and the stylized figures are by a trained hand. The painting likely dates to the 1960's or possibly 1950's. There are some light abrasions at lower left, a flaked area near the extreme lower edge there and another small edge loss at top, and light overall soiling.

Oil on canvas painting of a fetching young red-headed girl with a doll, 24" by 18" (34" by 27 1/2" in old attractive frame), signed at lower left "P. Harwood", not dated but circa early 20th century. This is a really beautifully executed work, reminding of some of the vigorous portraits by masters like Robert Henri; but, efforts to identify the artist have not borne fruit...

BARTON STONE HAYS (1826-1914) was born in Ohio, and he came to be associated with the Midwest throughout his life, becoming a leading portrait painter in Indianapolis, and finally, coming to be known for his still life works, based out of Minneapolis, after 1882. Early in his life he was a Daguerreotypist, diorama painter and portrait painter, and there are some rare and sought-after genre paintings, some even of African-American subject matter...

Oil on canvas painting of a tabby cat, 7" by 5" (12" by 10" framed), circa 1970 to 1980 judging from the framing, signed lower right "Jody". The artist was certainly talented; the likeness of the cat to reality is well above average. Condition is excellent. Needs to be nailed more tightly into frame.

Oil on canvas painting of fruit, painted in a most attractive unusual style, the artist intentionally blanching the image through an intricate technique, 20" by 24" (26" by 30" as framed), signed at lower right "DORIS BLATE" and dated there 1956. Amazingly, considering the quality of the art, I am unable to find to date any information on the artist; an internet search does though find a Doris Blate (1907-1994) who lived in Queens, New York; possibly the artist considering the unusual name...

Mid 20th century painting of a vessel containing a plant with interesting leaves and orange tightly closed flowers, executed in an impressionist style with a modernist feel, on a 16" by 20" canvasboard, unframed, signed in black capital letters at lower left "Chatterton". Neither the signature nor subject matter resemble those of noted artist Clarence Chatterton, who was a student of Edward Hopper. I am offering it simply as an interesting still life painting...

Found in Phoenix, Arizona, this is a striking and unusual modern work by a talented but so far unidentified hand, 20" by 24" plus narrow simple wood frame, signed at lower right and dated there 1981. The scene is buildings, depicted in a semi-abstract, even cubist manner, all in various earth tones such as cream, tan, brown, and yellow. A pale blue sky and foreground makes for a cooling, interesting contrast. The Christian cross towering over it all adds a mysterious element...

Oil on canvas painting of a woman in a verdant landscape, 30" by 24", unframed, titled on the stretcher "NUDE HOLDING FLOWERS", and also signed there, "by Greg Harris 1981 Feb.". This is a quite early work by an artist now firmly established in the contemporary impressionist art scene nationally, GREGORY FRANK HARRIS (1953-)...

Here is a classic old painting on gray academy board, the subject roses in a vase, 20 1/2" by 14 1/4" as framed, signed at lower right "M Say" or similar. It likely dates to circa 1900, at a time when young ladies were expected to take up painting as a domestic skill, and still life of roses was always a most popular subject. Today these works are sought after by those decorating in the shabby chic style. The work has some flaws typical of century-old works, including soiling, minor scuffs, ...

Oil on canvas painting of a peaceful eastern scene including distant pyramidal mountain peak, luminous sky, feathery trees and rock formation, the only sign of man an idle rowboat in center foreground, 12" by 20" and 2 1/2" wide period frame, signed with the conjoined initials of the artist at lower left (in red) and dated there 1882. The artist is JOHN WHITE ALLEN SCOTT (1815-1907), an accomplished Boston artist who was active in New England and the Catskill Mountain region of New York from th...

Oil on canvasboard painting of a greatly simplified vase with flowers, unframed, 16" by 12", signed at lower right "Dieter" and bearing on the reverse the title "Spring Bouquet" and "W. D. ZANDER/25 EAST END AVE/N.Y N.Y 10028". This is a work, possibly circa 1970's or 1980's, by a long-lived gentleman with an extraordinary life history, who happens also to have been a very talented artist. Zander was born in Germany in 1915, and educated in Neuchatel, Switzerland. He was drafted into the Germ...

**One of two works by the artist in my shop** Oil on canvas, titled on original label "Cold Drink Stand", measuring 12" by 16" on the stretchers, 20" by 23 1/4" as framed, signed at lower left by the well listed modernist California painter DAN LUTZ (1906-1978). The label affixed to the stretcher, on which is written "Cold Drink Stand/By/Dan Lutz" is the original red and blue-bordered Dalzell Hatfield Galleries label, although it is now partially missing (compare to the intact one on the other...

Oil on canvas landscape of a busy scene I believe to be along the Potomac River in Alexandria, Virginia, 13" by 25" as framed in narrow blond ash, signed at lower right by Torpedo Art Center artist ANNE B. LANDRY. Some internet research enabled me to identify the artist. Landry is a New Orleans native and graduate of Newcomb Art School at Tulane there, who after some time in the corporate world in New York elected to move to the Washington, D.C. area, where she is a juried artist in the Torped...

Oil on old gray art board painting of a pirate swashbuckler in the 17th century, 15" by 10" (23" by 18" framed), unsigned, executed in the earlier 20th century style of N. C. Wyeth. This work might have been created circa 1920 or so as an illustration to a book perhaps. The image would be a fine addition to a young boy's room. Condition is excellent save for a few small losses, one at center left (appearing as blue spot) and a loss in the figure's pants (light blue area at bottom).

Impressionistic oil on board painting of an early 20th century American house, probably in the Midwest as this was framed in Missouri, 11 1/2" by 15 1/2" (14" by 18" framed). The scene is one of tranquility and prosperity. The house would have probably dated to about 1920, but the painting is contemporary. The signature appears as possibly "Ursula Lee". This is ready for the wall.

Oil on canvas laid on board paint of daffodils or jonquils in a painted ceramic vase, 16 1/2" by 13" framed, signed at lower right "N. Green". The painting I think if American and looks to date to circa 1940's or early 1950's at the latest. There is no apparent biography for an artist matching this name, but he or she was clearly talented. I opened the back to see if there might be more information but the red board to which the canvas is affixed is itself glued in the center to the backing c...

Large and complex abstract drawing, possibly in oil stick or oil pastel, 27 1/2" by 18 1/2" (37" by 24 1/2" as framed), signed at lower right "Zohar" and dated there "12/89". This is a fairly common Israeli name and there are listed artists by this name but the style and signature do not seem to match up with them, so I am offering this as a great abstract that is sure to please from the decorative standpoint. It will be shipped without glass as the sheet is too large to send without risk of b...

Oil on masonite painting, (24 1/2" by 31" as framed) of a clipper with bare masts, at anchor near a beach at dawn or sunset, signed at lower right by artist Sean O'Farrell. I do not see any listings for this artist, who obviously had a solid command of painting. The work was likely created circa 1960's. There is a small loss at upper left, otherwise it is in excellent condition. The frame is likely older, dating perhaps to the 1940's or 1950's, and it is itself interesting and of value.

Oil on board painting of watermelon, grapes, and banana arranged on a tabletop, 20" by 24" (25" by 28 1/2" framed), signed at lower left by American artist Helen Lubetkin. The work is by a skilled hand, though I can find very little information online relating to this name; the painting was found in Los Angeles, and a woman by that name died in San Marcos (North San Diego County) in the late 1980's, but there is no way of telling if this might have been the artist. The painting has a flattene...

This is an appealing little sketch, oil on board of a landscape with a line of trees, a tawny field, a few structures and an extensive view beyond, unsigned, circa 1940's or 1950's. It is obviously by a talented artist who failed to sign his or her name. Perhaps it is a study for a more finished painting to come. Measuring 12" by 16", it should be easy to find a (common, "standard size") suitable frame. Condition is good save for a stubbed, worn corner at upper extreme right, as shown.

Jake Lee's works are increasingly sought after by collectors in the wake of his relatively recent passing, some works approaching $20,000 at auctions. This is a clean, unusually large (24" by 36" plus 4" on a side framing) example, painted directly on board in heavy gouache or tempera (thinned oil?) and in excellent condition. See the net for more images of his paintings, which include California landscapes, as well as overseas exotic images executed in the course of his travels. Lee was born i...

Painting on canvasboard, I believe in tempera or similar, (not oil), 16" by 20" (21" by 25" framed), titled on reverse "SWAYBACK", and signed at lower right "CHARLES TRUMBO HENRY" and dated there 1948. The artist was a student of Thomas Hart Benton, Boardman Robinson, and George Grosz. Little known today, he was an active exhibitor and major museums include his work in their collections. Henry was born in Niagara Falls, New York, and his remains are at Hollywood Forever Cemetery in Los Angele...

Oil on board painting of Crater Lake, Oregon, including Wizard Island at left, 11 1/2" by 13 3/4" as framed, unsigned. Compare the scene to online images of Crater Lake. The work is nicely executed and were it signed we would likely know that it was created by a listed artist. The date I would estimate as circa 1920 to 1940 or so. There is a two inch scratch at right center in the base of the trees. A cleaning and especially some varnish would really improve the appearance and would be well...

Oil on Upson board painting of zinnias in a table top vase, curtains vaguely defining the background, 20" by 16" and 2 1/4" wide old frame, signed at lower right "C. G. Force" (I believe CLARA GUNNISON FORCE 1852-1939). Force was born in Erie, Pennsylvania of Swedish heritage. She studied with Charles Webster Hawthorne, William Merritt Chase and Frank DuMond. Force did paint in Europe, Cape Cod, Provincetown, Woodstock, New York. Earlier works were miniature portraits; she was a member of the ...

Oil on canvas winter landscape painting in an impressionist hand, a snow-covered road leading to a cluster of houses in the distance, 16" by 20", unframed, signed at lower right by listed American woman artist CHARLOTTE LIVINGSTON (1898-1991). The painting captures the quiet solitude in early winter after the first snow (a lot of autumn color remaining suggests the winter season is not all that far advanced). Livingston was born in New York and studied at the National Academy and the Art Stude...

A landscape work in impressionist style, featuring a cabin in a forest, signed by listed artist DOROTHY C. NEAL. The piece is signed again on the reverse in pencil and titled there "Cabin in the Aspens/quick sketch/Panguitch Lake, Utah '52". Dorothy Neal was born in St. Paul, Minnesota and was in Chicago by 1920 receiving art instruction at the Art Institute. She worked in commercial art there and later in Los Angeles. After World War II she joined a group instructed by California artist Con...

**One of two works by the artist in my shop**, this is an oil on board painting of what appear as houses, rendered in rich colors, and in a firmly modernist style. The painting measures 11 1/2" by 14 1/2" and 15" by 18 1/2" in early gold framing. The work is signed at lower left in the paint. On the reverse side is a fragment, in poor condition, of another painting the artist evidently executed. This artist, HALDANE DOUGLAS (1893-1980), was born in Pittsburgh, Pennsylvania, and was in Southe...

Oil on canvas painting of a trellis and a patio, lots of flowers and impressionistically depicted leaves filling the composition, 24" by 36", unframed, signed at lower right "ED CORDEZ". No listed artist by this name comes up in any net searches I've made so I will consider this a fine work by a talented though unlisted artist. It was probably executed within the past twenty years. Condition is excellent. You'll easily find a standard size 24" by 36" frame to complement the work.

Oil on canvas painting executed in an impressionist style showing small rowboats on a lake in a park, 8" by 10" and 14" by 16" as framed, signed at lower right by listed artist LOUISE RICHARDSON DODD. The artist is listed in the Davenport art dictionary but I have found no other information on her. I would lean towards her being an east coast artist. This is a lovely scene, perhaps of a lake one would find in a large park. The painting probably dates to the mid 20th century, perhaps around 1...