In the style of the well known Gianni family of artists, is this watercolor painting of the famous trellised terrace on the world famous dramatic Italian coast, signed at lower right "A. Hunt" and titled there "Amalfi". The piece measures 7 1/4" by 13 1/2" (14" by 20" as framed). The work has some oxidation of the paper and a small dig hidden in the coastal promontory at right center but overall it has survived quite well, considering its travels without glass...

A Dutch youth, attributed to the School of Haarlem*, The Netherlands, unsigned, panel numbered on reverse, circa 1630-1650, oil on oak panel, sight size 26.25” x 19.75, frame size 35.75” x 28.25”. Solid wood reproduction frame made by Gold Leaf Studios, Washington DC...

Francis Hopkinson Smith, 1838-1915, was born in Baltimore Maryland the descendent of a signer of the Declaration of Independence and the first president of the Pennsylvania Academy of fine arts. He had a successful career as a naval engineer, working on such projects as the Statue of Liberty and the race rock lighthouse off Block Island. By the 1880s Smith gave up engineering to pursue art in writing among other pursuits...

For the collector of early, 19th century California art, here is an east coast-style still life work, 10" by 14 1/2", unframed, signed at lower right "Bertie L Emery" and dated there 1892. The shallow dish holds oranges, grapes, a banana, and possibly slices of cake or bread, the dish resting on a white cloth, on an unseen tabletop. Interestingly for art history, Emery signs her first name as "Bertie"...

The photo on the left is a close-up of the Whistler butterfly signature with scorpion tail. The circular image is part of a parasol design. The photo on the right shows a close-up of Whistler's right hand holding a brush. Notice the reddish knuckles which indicates his health. Refer to Whistler portrait.

Oil on canvas, 14" by 18", (18 1/2" by 22 1/2" in old possibly original frame), the subject given on original Sanborn Studio, Belfast, Maine label as "Bend in Little River" (faint, but still readable with some effort). The work is not signed but is surely by the important Maine artist PERCY A. SANBORN (1849-1929). Sanborn was born in Waldo, Maine and lived for many years in coastal Belfast...

By the Danish-American sculptor and painter who between the late 1920's and his death created the famous portraits of the presidents on a South Dakota mountain, is this impressionist seascape painting on board, in a delightful range of blues and whites, 20 1/2" by 28 3/4" (28 1/4" by 37 1/4" in the old frame in which I acquired this), signed at lower right by GUTZON BORGLUM (JOHN GUTZON BORGLUM, 1867-1941)...

This is an antique painting of a rose in a tall glass vase, 13 1/2" by 5 3/8" framed, unsigned, circa 1900. Found in Rockland, Maine. The work, being of an unusual shape, might be that perfect addition to your narrow little space. There is wear on frame and the painting has even light soiling consistent with its age.

Oil on canvas laid on board landscape of a river in a mountainous scene including a few picturesque structures, signed with initials "LJGC" at lower left, and dated there 1904. There is a high likelihood that the artist who created this attractive painting was from mountainous Wales in the British Isles, as I have seen another painting online, identically signed, dated 1914, the scene depicted in that example given as the River Wye in Wales...

Description: Wonderful miniature portrait of charming and beautiful lady in loius XV style,in sitting position, magnificent dress and accessories, surrounded in a machine turned oval frame, set in a fancy rectangular gilt frame with open work top and easel-back. The painting is signed by the artist, Bigotat. Size: The portrait is 3.5"H X 2.75".Overall size 6.75" X 4.5", great condition. Shipping is FREE within the U.S ONLY!

In the tradition of Victorian rose paintings of the late 19th and early 20th century, here is an unframed work, canvas laid on board, 11 1/2" by 21 1/2", signed at lower right "IDMAY". The painting likely dates to the early years of the 20th century, a time when young girls were encouraged to take up the "ladylike" skill of flower painting. "IDMAY" might have been Ida Mae----one of these young ladies. Our artist was of average skill, but her handiwork has outlived her...

Portrait of a Woman Fresco Fragment by Charles Gilbert. Oil on panel. 15 x 10". Gold Frame Size 22 x 18" Charles GILBERT “Fresco Fragment” o/panel 15 x 10, 22x18. It can be presumed this fragment is a small piece of a previously larger mural. Fresco is a technique of mural painting executed upon freshly laid lime plaster...

19th Century Genre Scene, 18th century French Genre Scene. Signed F. Zavaga. Framed Oil on Board. 20 x 28". Frame Size 27 x 34.5".

Nicely executed little watercolor of a woman in her nineteenth century finery, 11" by 7 3/4" as newly framed behind quality Tru Vue glass, unsigned. Her dress looks like circa 1860 but I do not know for sure that this would have been painted then. It would make for a pleasing addition to a woman's bedroom or sitting area.

Early Twentieth Century “Los Tres Marineros” or “ Three Marines” is a Madrid School Oil measuring 47x37 done circa 1910 to 1925

Gouache on paper drawing of a Baltimore Oriole and a blue jay, 12 1/2" by 16" (23 3/4" by 28" framed), signed at lower right by the noted Disney illustrator AUGUST CURLEY LENOX (1908-1986). This is a really nicely executed work, in the style of an illustrator like Lynn Bogue Hunt or William Schaldach or Rex Brasher. Colors are vivid and the realism is such that the viewer can almost "hear" these birds. I suppose it could have been executed as a book or magazine illustration...

A classic example of the work of noted artist RAOUL MAUCHERAT DeLONGPRE (1843-1911), featuring white lilacs of spring, artistically placed in a void space. The artist specialized in these hyper realistic works featuring lilacs, and, sometimes, roses mixed in. He specialized in floral still life works. There is considerable confusion among scholars and collectors as to the family of DeLongpre artists, which were "fleuristes" (flower painters) in Lyons, a center for such activity...

PAIR of watercolors, the larger of raspberries on the vine, painted with amazing attention to detail and realism, measuring 10 3/4" by 8" inside the mat; the smaller painting of three bright red cherries and a leaf, measuring 6" by 9" inside the mat, BOTH SIGNED AT LOWER RIGHT with initials "M. C. R.". Since acquiring these works together at a shop in California's Gold Country a few years back, I have attempted to figure out who might have created them. A logical choice would be American still...

After Elizabeth Louise Vigee-LeBrun,Louise Élisabeth Vigée Le Brun (Marie Élisabeth Louise; 16 April 1755 – 30 March 1842) was a French painter, and is recognized as the most famous womanpainter of the eighteenth century, "Self Portrait", oil on porcelain, oval portrait miniature, signed lower right "Volk", porcelain with stamp "Swaine & Co., Huttensteinach 766", 5-1/4" x 3-3/4". Presented in a polychromed and giltwood frame composed of three bands of decorative carving. Great condition...

Oil on canvas, 20" by 14 3/4" (29" by 24" as framed) signed at lower left with the signature of well listed Danish artist NILS H. CHRISTIANSEN (1850-1922), the subject a setting sun behind trees in a thinning forest. The artist seems to have been very interested in depicting the effects of light on landscapes, as many paintings seem to include his trademark round sun or moon somewhere in the sky. The painting has a certain Hudson River school look, what with the trees and luminosity, but this ...

Oil on board Currier and Ives style winter landscape viewed from birds eye perspective, 18 1/2" by 24 1/2", 23" by 28 1/4" framed, unsigned, circa 1900, or possibly even earlier, painted in a primitive hand. The painting is charming and a definite folk art piece. Note the glowing windows of the inviting church on this winter day, there are two figures at left that look positively Dickensian, and the sled and figures show good detail. Condition is reasonably good, though not flawless, as would be...

Here's an unusual item, a painting on white milk glass, in oil, measuring 5 1/2" by 7 1/2" and 8" by 10" as framed. The somewhat folk art feeling work is not signed. I would judge the age as anywhere from about 1880 to about 1920----a nautical type could probably date this more accurately by noting in which decade such a ship would have existed. Condition is good with minor paint losses from scratches and aging. However the small losses are not really noticeable at normal viewing distance. ...

Watercolor on paper painting of a tree on a bluff by a sandy shore of an estuary or lake, 5 1/2" by 3 1/2" (8 1/2" by 7" in attractive gilt frame), signed at lower left by the noted French 19th century painter, GEORGES BECKER (c. 1845-1909). Becker apparently did not leave behind too many works, but those that have survived leave little doubt as to the talents he possessed. One especially fine history painting, depicting in glorious detail the Coronation of Alexander III and Maria Fyodorovna, ...

These two study photos take the x-ray image of Whistler and we have done a image overlay of an original photograph of Whistler on the left. The image on the right uses a drawing of Whistler and overlays the x-ray. Please refer back to the photo of the original portrait in our listing.

Watercolor on paper trompe l'oeil still life of wild bird, seeds, and other natural objects, 15 1/2" by 11 1/2" (24 1/2" by 20 1/2" as framed, and will be shipped without glass), signed boldly at lower left "Herbert Turrell". This is a beautiful, delicate work by an obviously talented artist who, according to my google research, exhibited at the prestigious Royal Academy in at least the early years of the twentieth century. He is listed as having submitted watercolors in the years 1904 and 190...

Late 19th or early 20th century American watercolor of several small sailing craft off a dock, signed at lower right with what appears as "L. Hart" or similar. (There might be a "18" below the signature---possibly as in 1918, but it is difficult to make out with any certainty). The work measures 9 3/4" by 8" (14 3/4" by 13" framed). Let's call the artist a talented amateur who created a pleasant scene. Condition is good. Gilded oak framing has light wear but is complementary to the art. Al...

Charles Paul Gruppe 1860-1940 American This is an original oil on canvasboard painting by American artist Charles Paul Gruppe (1860-1940) This painting is signed lower right Char P. Gruppe. On the back is an old label with the title: In a Dutch Canal, Delft. This painting from circa 1900 has a canvas size of 8X11 1/2 inches. Housed in a reproduction 19th century gilt picture frame.

A very fine work attributed to Johnathan Eastman Johnson, oil on canvas measuring about 9” x 13” depicting a groom working with horses. Jonathan Eastman Johnson (July 29, 1824 – April 5, 1906)[1] was an American painter and co-founder of the Metropolitan Museum of Art, New York City, with his name inscribed at its entrance. He was best known for his genre paintings, paintings of scenes from everyday life, and his portraits both of everyday people and prominent Americans such as Abrah...

Here is a classic old painting on gray academy board, the subject roses in a vase, 20 1/2" by 14 1/4" as framed, signed at lower right "M Say" or similar. It likely dates to circa 1900, at a time when young ladies were expected to take up painting as a domestic skill, and still life of roses was always a most popular subject. Today these works are sought after by those decorating in the shabby chic style. The work has some flaws typical of century-old works, including soiling, minor scuffs, ...

Close Description Original antique painting of a native American Indian woman braiding her daughters hair. Gouache on paper signed lower right L. C. Perry. Presented in the original antique frame. Born in Boston, Lilla Cabot Perry was a key person, along with Mary Cassatt, in bringing French Impressionism* to the United States from France. "For many years, she lectured, wrote, and encouraged American patronage of the style." (Dunn, 16) She was also the artist most closely involved with the ...

A beautifully executed oil on canvas painting by George Harland, a noted British artist. The scene depicts a man returning in a rowboat at dusk. It combines elements of luminism and impressionism, and was done when both of those styles were in fashion. Harland was a highly thought of painter and was exhibited at the Royal Academy in London in 1907.

The painting is in excellent condition, with no impainting or restoration. The superb, elaborate yet elegant, frame, which has some very minor rest...

An old watercolor on paper laid on board painting of old buildings, with a view to open water beyond the narrow lane. The work is signed with initials "MC" or "ME" at lower left but there is no other information. The watercolor measures 11 1/2" by 9" inside the mat and 18 1/2" by 16" as framed. There is old wood slat backing remaining. This might well be a scene of old England, perhaps Cornwall, but it is really hard to say more as to the locale portrayed. It is a picturesque and timeless s...

Matted, framed with glass. Not examined out of frame. Please disregard glare. Frame measures 22" x 14". Possibly the work of Anna T. Swinburne.

Pastel and gouache mixed media work on red paper, measuring 18 1/4" by 13 1/2" plus thin old black wood frame, signed at lower right with what appears to be "Macero Arbuckle" and dated '04 (1904). I don't see any information on the artist. This is an interesting illustration work that is quite subtle, and being subtle, doesn't lend itself to being photographed easily. Condition is excellent. There is an old sticker on glass at lower left corner with "13" written on it.

A wonderful portrait of Saint Jerome done in oil, probably circa 1900. Well painted and framed, the work is unsigned

Watercolor painting of the Grand Canal in Venice, Italy, circa turn of the century plus or minus a few years (bears date, apparently 1902, extreme right corner), 11 1/4" by 20", (20" by 28 1/2" as framed), signed at lower right indecipherably. The signature appears as "Bonary" or something similar. The painting was executed on paper, which has oxidized over the years, there being a definite browning now. The browning of the paper is even, with two vertical browned areas where there has been a...