A vintage still life oil painting of yellow daffodils and other spring flowers in a tall silvery jug on a table top, 32" by 25", 37 1/2" by 30" as framed, signed at lower right by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). Coler was born in Ohio and studied with Robert Henri and William Merritt Chase in New York City...

Oil or acrylic on canvas painting, measuring 30" square, unframed/unsigned, the subject a young woman, painted in the style of famous twentieth century artist Patrick Nagel (1945-1984). This is offered as a decorative "style of" work. The only information on the frame is the word "Mexico" (as in, origin of the frame I would imagine) and the number 30, the dimension. The painting is wrapped around the stretcher so that the edges are all therefore painted...

A fine, detailed watercolor and gouache painting of a big horn sheep surveying his desert realm, signed at lower right (and copyright symbol) by talented artist Bill Roach. The work measures 19" by 13" inside the mat and 33" by 26" as framed. Surprisingly I do not see any information online on the artist; perhaps a more vigorous search will turn up something about him and his endeavors as a wildlife artist. The work, despite its depiction of a Southwest scene, was acquired in Maine...

An unsigned watercolor painting of three fish very artistically arranged in a triangular pattern on a simple slab, the background neutral and undefined, measurements 15 3/4" by 12 1/2" (17 1/2" by 14 1/2" framed in wood with an intentional blanched distressed finish). The work could conceivably date to the 1940's or 1950's and the quality of the imagery certainly suggests the hand of a trained or listed artist. The older paper is laid down on a modern day white board. Condition is excellent.

For your consideration, a nicely drawn watercolor and gouache work featuring mallard ducks in flight over a marsh, signed in pencil at lower left by noted American illustrator WILLIAM SCHMEDTGEN (1862-1936). The drawing mixes sporting art with illustration art; the lead duck nearest the viewer glances almost mischievously, from the corner of his eye, at the viewer. Measurements are 13 1/4" by 9 1/4" (drawing inside the drawn lines) and 20" by 16 1/2" as framed...

Oil on canvas laid against panel, 10 1/2" by 13 1/2" (14" by 17" framed), signed at lower right by mid-century artist A. R. NOULIN. The beautifully painted little work reminds of Maurice Utrillo's 1920's paintings of the famed quarter around Sacre Coeur's white church. The shutters on all the buildings, the other details, all so nicely crafted. There are three tiny figures in the street. The painting is on a coarse weave canvas and is laid against a panel (not laid down onto it permanently)...

A fine and accomplished watercolor abstracted drawing in the Cubist style of the early 20th century, unsigned, the sheet 15" by 10", the drawing itself 6 1/2" by 4 1/4", (21" by 15 1/2" nicely framed). I did open this to inspect for a signature and found none, nor any other information as to artist. The work could have some age, or it could be of recent vintage; difficult to tell from looking at the pebbled paper. Most certainly it is a nice drawing and very decorative and attractive as it is...

Oil on canvas painting of a small structure surrounded by a beautiful autumnal forest, 16" by 31 1/2" (21" by 36 1/2" as framed), signed at lower right "C. Jonnevelt" (or Sonnevelt), suggestive of a Scandinavian, Dutch or Belgian artist. The painting, in the tradition of earlier works, was probably executed by a Northern European artist circa 1960 to 1970. Note the skilled handling of the reflections at left...

Interesting gouache abstract painting in subtle grays and blues, signed on the reverse side of the Crescent art board "Jeannine Isaacs". The piece, measuring 9 3/4" square inside the mat opening, comes in an aluminum frame without glass. I do not see a recognized, listed artist by this name. The art probably dates to the 1970's I would suggest. Condition is excellent.

Watercolor and gouache small painting of a path between trees leading to a clearing beyond, 8" by 10" (12 1/2" by 14 1/2" as framed), signed at lower right by the noted Indiana impressionist, EDWARD SITZMAN (1874-1949). The artist, most closely associated with Indiana, is known for his watercolor and oil paintings of quiet landscapes, usually lacking figures. Watercolors are more commonly seen, the oils relatively scarce...

A PAIR of Mid Century watercolor paintings of central Paris (guaranteed original work, not prints), one featuring the Arc de Triomphe and environs "(L'Etoile"), the other a peaceful view of the quai along the Seine River. Each work is signed at lower right "Van Lod". Other similar works by this artist are seen but his/her identity is something of a mystery. The drawings measure 16" by 20 1/2" inside the mat and 24 1/2" by 28" as framed...

Oil on canvas, unframed, 15 3/4" by 11 3/4", unsigned, the subject a colorful Indonesian or Chinese traditional dancer in elaborate costume, complete with extra long fingernails and fierce-looking mask. The work was likely executed in the past twenty years or so. A Chinese ad for cigarettes is used as backing paper (a tear in that). This is a most decorative piece that took a long time to create.

A late 20th century oil on canvas painting of a landscape, 30" by 30", unframed, signed at lower right "M T O'Brien". The colors used are light and airy----pinks, light blues, whites predominating. The creek or pond is very impressionistically presented. Great for a beach house or other sunny abode.

PAIR of watercolor coastal scenes, unsigned, circa 1880, on heavy quality watercolor paper, 11" by 18" inside the old mats (18" by 25" in identical framing), found in Essex, Massachusetts. I purchased these for their inherent quality, despite a few condition issues, and hoped to find a signature when I opened them up, but, did not find either signature or any other inscriptions. I imagine these are by a listed artist who worked in the Cape Ann region or in that part of coastal New England...

Watercolor on paper painting of a red barn in a country landscape, a high western mountain in the left background, signed at lower left "Elizabeth Quiroga". The painting measures 12 1/4" by 15 1/4" in its present wood frame. The artist seems to have had a good command of the medium. Condition is excellent. There is a pencil sketch of a barn on the reverse side of the paper. Condition is excellent. Allow for reflections in a few images.

Oil on canvas scene of a flower-bedecked coastline, 24" by 30", unframed, signed at lower right by the noted, popular, prolific California contemporary artist, GARY RAY (1952-). This is an impressive example of Ray's work, with a thick, rich impasto, and size larger than most. The scene reminds of the Santa Barbara or Laguna Beach regions. Ray is a 4th generation Californian, born in Venice near Santa Monica. He paints in a highly impressionist style which resembles that of Edgar Payne and H...

A most decorative painting: a contemporary oil on canvas laid on board, 17 1/2" by 23 1/2", (26" by 31 1/2" in really beautiful and unusual contemporary hand carved silvery frame in Art Nouveau style), the painting and possibly frame also by noted Chicago artist and antiques restorer DMITRI RYBCHENKOV (1959-), who has signed the work with his initials at lower right. The painting is poetic and classic, two women and a fountain in a Mediterranean sunny landscape. The frame with its iris motif i...

Vintage watercolor painting of a swampy pond with a stand of woods in the center distance, signed at lower right by listed Massachusetts artist HENDRICKS A. HALLETT (1847-1921). The scene is poetic and very calming. Hallett was born in Charlestown, Massachusetts and studied in Antwerp and Paris before returning for more training in Boston. He was a longtime member of the Boston Art Club and the Boston Society of Watercolor Painters. Today the artist is best known for his marine and historica...

Painting of two children hugging tenderly, 24" by 20", unframed, signed at upper left by the noted Brazil-California 20th century artist OZZ FRANCA (1928-1991). Franca is perhaps best known for his paintings of Native American women, and "Big Eye" children, but he also painted a wide range of other subject matter. The Askart listing says he painted, among other subjects, fantasy, dreams/mystery, female figure, still life, cityscapes, seascapes, and pure abstraction. The artist grew up in Sao ...

Large impressionist painting of violet mountains, pond and green meadow with white fence, 24" by 30" (31" by 37" framed), signed at lower left by artist HENRIETTA S. RUDDER, further titled "Mountains" on reverse where there is a label of the 1989 Artists Guild of the Norton Gallery Fifth Annual Exhibition (probably West Palm Beach, Florida), providing the artist's name, and the original price of $500. The painting is created primarily with palette knife, the paint richly and generously applied....

A pleasing watercolor painting of small boats in a coastal landscape in England, 10" by 14 3/4" (13" by 17 3/4" framed), signed at lower right twice, by listed English artist JOHN MORTIMER. Mortimer painted watercolors in Cornwall, Devon, Sussex, and other parts of the British Isles. The work is in excellent condition. Old backing has a print of a landscape. Allow for reflections in a few photos.

A watercolor painting in shades of brown, the subject a pensive Native American male in traditional Plains garb, holding a stick with feathers, the work signed at lower right with initials "JM" for James Michaels of Palm Harbor, Florida. The unframed piece, photographed inside the protective shrink wrap in which it was purchased, measures 12" by 8 1/2" and there is a 3" wide mat. The style and subject matter reminds of noted early 20th century artist Edgar Paxson.

A vintage still life oil painting of flowers in a white vase against a dark background space, 24" by 18", 32" by 25" as framed, signed at lower right by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). Coler was born in Ohio and studied with Robert Henri and William Merritt Chase in New York City. By 1928 she had moved to Santa Monica, California and for the next two decades was a prolific painter in watercolor and oil, concentrating on portraits and still life, with some lan...

Lovely impressionist oil painting of trees bordering a small river or lake, painted on canvas, 22" by 18" (26" by 21 1/2" framed), signed at lower right "Michael Kawasaki", and signed again on the reverse and dated there 1997. I have not located information on the obviously talented and trained artist. The work's impressionistic brushstrokes, the handling of light and color, is just fabulous, reminiscent of the French impressionists of the late 19th century. Condition is superb; ready for the...

As suggested by the contradictory title "colorful vintage folk art painting....by Brazilian modernist", this is a very unusual, difficult-to-describe, interesting oil on canvas painting of Christ on the cross, the background a complex mix of bright primary color and modernist forms, signed at lower right by artist "Edelweiss". On the stretcher is written apparently in Portuguese, "Cobia alada da guita" or similar, along with the original $1520 USD price. The work measures 36" by 28 3/4" on the...

Esther Anna Hunt (1875-1951) is known today in California art circles as a keen observer of the traditional culture as displayed in San Francisco's Chinatown. Her paintings and plaster bust models of young girls in traditional costume make regular appearances in auctions of California art. This work appears to have been created by one of Hunt's many early 20th century imitators. Unsigned, there are what appear to be initials "M.E.E." on the inside of the mat and on the inside of the backing. ...

A fine, highly finished and detailed watercolor painting of a seated lady on a patio, her large lute at her side. The setting is possibly a castle, as a tower in the background suggests. The artist signed at lower right and dated the work 1875. It measures 13 1/2" by 9 1/4" (16 1/2" by 12 1/4" in its attractive circa 1930's framing (note the old Jordan Marsh department store label from Boston on reverse--could have been purchased or framed there). Frame shows some wear on right hand side. T...

A detailed watercolor painting on paper, 8" by 10" (13" by 15" in interesting old faux-grain painted wood frame with gold liner), unsigned, with old handwritten title remaining affixed to backing: "Dublin Royal Hospital". The early, nineteenth century work is in excellent condition and the frame alone is unusual and interesting. Note the tiny figures, horses, and wheeled cart. The obelisk appears to be the Duke of Wellington monument, the cornerstone of which was laid in 1817; the monument w...

Watercolor on paper drawing of a young man reading a newspaper, 11 1/2" by 15 1/4", unframed with old mat still attached, signed at lower right "B. Singer". This is a work of the noted California painter BURR SINGER (1912-1992). Singer is an important California woman artist, fine oil works bringing to the upper four figures at recent auctions. Born in St. Louis, she exhibited around the country at the 1939 World's Fair in San Francisco, after studying at the Art Students League in New York and ...

An original ink and watercolor painting of buildings and street activities in old Vienna, signed at lower right, not dated but circa 1910, by listed Austrian artist MAX NEUBAUER (1876-1920). The scene features a street car, a horse-drawn carriage, market stalls, elegant figures in period dress, children, dogs and antique buildings. At bottom is the word "Freihaus". The work measures 7 1/2" by 15 1/2" (13 1/2" by 22" in old framing, shipped without glass). Neubauer's works sell at auction in ...

A soothing contemporary oil on canvas painting of a mule-drawn cart and its rider on a dirt track in the tropical forest, 19 1/2" by 27 1/2", unframed, signed at lower right by artist Fernando Danni or "Darni". I do not see a listing for this name but the artist displays here a skilled impressionist technique. Note the purple, and yellow, blooming trees at right and the fine handling of light and shadow. Condition is excellent.

Large watercolor painting, 21 1/2" by 29", 34 1/2" by 42" as presently framed, the subject traditional old bells hanging in a California mission tower, the blue sky visible through the opening, two white doves conveniently flying through the image, signed at lower right somewhat indecipherably and dated there 1989. The luminous work might have been painted as a prop for a movie or tv show, as markings/label on the reverse indicate. Condition is excellent. Colors are vivid and the Mediterranea...

An impressionist still life of vase and flowers on a table top in an interior, 23 1/2" by 17 1/2" (29" by 22 3/4" framed), signed at lower right by artist HAIG ALTOUN and dated there 1940. The work is beautifully executed by a trained hand but strangely I do not see a listing for an artist by this name, which is of Armenian extraction. Condition is excellent.

Oil on canvas, 20" by 27 1/2" and 25" by 32 1/2" in gold frame, the subject a glass vase on a tabletop, the vase and surrounding area filled with various flowers including asters and roses of various colors, as well as unidentified blue flowers in background. The work is signed at lower right "G Cocco" (GIUSEPPE COCCO 1879-1963), a listed painter from Naples, Italy. Cocco's signature can occasionally be hard to decipher and as a result he is less known than he should be. This is the third work b...

By the hand of well listed California artist ARNOLD BRAY (1892-1972), a small unframed oil on canvasboard (16" by 12") titled on reverse in pencil "Show Girl", signed and dated at lower right 1948. Bray was born in Odessa, Russia and came to San Francisco with his family at age 10. He studied at the California School of Fine Arts and later taught there. Bray assisted San Francisco artist Lucien Labaudt when the latter artist was commissioned by the WPA in 1936 to create a mural for the Willi...

A decorative painting on a fragment of unstretched canvas, a slightly irregular shape, but almost square at 12 3/4" by 12", unsigned, in the famous drip and splatter/splash style of famed Abstract Expressionist Sam Francis (1923-1994). The work is housed temporarily in a protective-only simple black frame. The paint is likely acrylic. The work is a lot less expensive than a real Sam Francis.