Oil on canvas painting of a landscape with trees, a lake and distant mountains, 11 3/4" by 15 3/4", unframed, signed at lower right "Ballon". The work is nicely painted and possibly of French origin. The age would be about circa 1960's/1970's. A standard 12" by 16" frame will make this wall-ready. The condition is excellent.

Oil on canvas contemporary painting of a young woman in a sundress and stylish sun hat, on the deck of a ship, not signed. The work, 19 3/4" by 19 3/4", is unframed and unsigned. Condition is excellent overall, though I note two very light scuffs at right to the left of the lifesaver ring. A cute whimsical work for your wall.

A detailed gouache painting of two female and one male figure in a green landscape with trees and flowers, 9 1/2" by 7 1/2" (13 1/2" by 11 1/2" in gold framing), painted in the centuries-old traditional style of the Indo-Persian School, but contemporary. The condition is excellent and this is a very decorative piece. The amount of work involved to create such a detailed image is stupendous---though the market undervalues the handiwork.

Watercolor painting of some age, 13" by 10 1/2" (22" by 18" framed), the subject simply a tree, but, that subject is handled very beautifully, and the work is signed at lower right by artist Paula Day (on whom I find no information). The interpretation of light and color belies the hand of a talented artist. Judging from the framing materials this dates no later than the mid 1960's and likely earlier. I recommend a new mat only; the frame can be retained.

Oil on canvas painting of autumnal trees in an extensive landscape, signed lower right by artist SAIMA SYVERSON (1891-1978). The work, 24" by 30" (29" by 35" in circa 1950's attractive frame) is an impressive size, and the rich impasto brushwork adds to the appeal. Condition is excellent save for a 1" small narrow loss at extreme top left, and there is a small piece of the frame missing at bottom center...

A very pretty impressionist work that appears to show spindly eucalyptus-like trees in a hazy landscape, some small red tile roofs suggesting this could be California or possibly Mediterranean Europe. The piece is signed at lower right "J R HUPPI" or similar. It measures 9" by 12" (canvas laid on board) and 16" by 19" as framed. There is a Salt Lake City framers or gallery stamp on the frame ("Tivoli Gallery"). A light cleaning to remove some yellowed varnish would be beneficial...

Watercolor painting of a harbor, probably Maine, signed at lower right corner by artist M. Matheson and titled in pencil on the reverse, appropriately, "Quiet Harbor" (with original $35.00 price). The work, on heavy watercolor paper, measures 15 1/2" by 22 1/2". It having slid down under the mat due to the old tape losing its grip, I removed this from the mat and frame, which are (possibly) available at no extra charge. The fairly ordinary frame measures 22 1/2" by 27 1/2"...

A primitive, circa 1880's oil on gray board landscape painting in the Hudson River style, with trees, water, and tiny figures completing the view. Measurements are 18 3/4" by 24 1/2", unframed. There is no signature. The board is slightly warped from old moisture exposure, which caused paint instability/flaking/losses at top couple of inches, as shown, and cracking at lower right. There are also a few light abrasions as shown.

Oil on panel, 12" by 9", unframed, signed at lower left "Brandon" or "Granlee"; hard to decipher, but the signature has a professional look to it. The work features flaming yellow aspen in fall, it would appear. Rapidly painted with highly impressionistic strokes, the work is complete. The sticker on back with 888 phone number indicates a date of execution after 1996. Put a standard size 12" by 9" frame around this and hang it on the wall.

An impressive work, oil on canvas laid on Masonite, circa 1950, featuring a twilight view of the Seine, bridge, Notre Dame, and numerous pedestrians and vehicles, all in an impressionistic hand, measuring 23" by 31" (31" by 39" in attractive period distressed style white frame). The painting is signed at lower left with what appears as "Fred" or possibly "Freda" or "Frieda" and after that "de XXX"...

Beautifully painted impressionist work by artist "Rosis", dated at lower right 1961, the scene buildings and old style lamp posts, the French tricolor flag appearing several times. The painting though created at mid twentieth century seems to harken back to the famous late 19th century scenes by vaunted artists like Monet, Sisley, Pissarro, and the other major impressionists. I do not see a listing under this name but the artist was very talented...

A still life on board, of fruit on a green table cloth with white pitcher, unframed, 12" by 16", signed in the wet paint by listed Connecticut woman artist SUSAN GRISELL (1946-). The work is in excellent condition, and needs just a (standard size, easy to find) frame. Grisell is a New Milford, Connecticut native and has lived her life mostly in Litchfield County in the scenic northwestern part of the state. The area has a rich artistic history, having attracted painters since the 19th century...

A small nicely worked watercolor painting of a sun-washed plaza in a Greek town, a man leading a mule in the foreground. Measurements are 7" by 4" (drawing itself) and 13" by 10" framed. The artist signed in red at lower right, presumably in Greek. Condition is excellent.

Offered is a large pastel drawing of late 19th century style coastal racing sailing craft near a buoy in a churning sea under a partly cloudy sky, signed at lower left "S E Wood 1897", the art itself measuring 16 1/4" by 27 1/4" (30" by 42" in mid 20th century scalloped wood frame)...

Impressionist small contemporary painting of a knoll in sunlight and shadow, 8" by 10", unframed, unsigned. This is a quickly executed work, almost a sketch in oil, by an anonymous but skilled artist. It is in excellent condition. The regular size would facilitate buying a suitable frame at a modest price.

A circa 1960's to early 1970's oil on board painting in earth tones of dark brown, tan and cream, unsigned, 9" by 22" as framed in black with gold and an orange velvet liner (pure 60's!). The imagery could be purely abstract though to me, a skyline and reflection of that skyline in water is suggested----such as Manhattan from the New Jersey side of the river. A very Mid Century addition to your interior.

A late 20th century oil on canvas still life of fruits and flowers on a table top, unsigned, but with a word, possibly Russian, written on the stretcher. The work measures 18" by 26" (20 1/2" by 29" in white framing). I note a few flaws: a very small puncture at bottom center, mostly repaired, from reverse side; and two parallel vertical marks at left, and a very small not-quite-tear at left. All this sounds far worse than it is...

A watercolor and white gouache painting on paperboard, 10" by 14", unframed, titled on reverse in pencil in old hand "On a Lonely Shore by Carl Oscar Borg". Nearby, another title is crossed out; seems to have read "On a Lonely Hill....". The artist is CARL OSCAR BORG (1879-1947), noted for his California and Southwest works. Borg was born in Sweden into modest circumstances...

A vintage watercolor painting of a Southwest style interior, with large barred window allowing light into a spar room with rocker, small shelf with objects, and plants. It is a simple composition but nicely painted by a talented hand. The work is signed at lower right but I am unable to make out the signature. The work measures 8 1/2" by 11 3/4" (13 1/2" by 17" in simple frame). The paper is toned with age and the frame has a little wear.

A nicely painted oil on canvas of flowers in a vase, 20" by 16" (22" by 18" in original frame), signed at lower right by Canadian-born, California impressionist artist GEORGIA P(ERKINS) FOSTER (1881-1965). On the reverse is the original label of the Oakland Art Gallery, giving the artist's name and address in Berkeley, and the title, "Marigolds". The impressionist technique is skilled and pleasing, and the work is in good condition, though a cleaning would be complementary...

Atmospheric skilled watercolor painting of Venice and the famous lagoon at dawn or sunset, signed at lower right by the artist, GUIDO AGOSTINI (1870-1898, different dates are shown in different reference sources). The painting, 11 3/4" by 15 3/4" inside the present mat, 18" by 22" in simple modern frame, shows the skill of its creator, with fine detail in the architecture, gondola, and figure, and the pink-orange light suffusing the scene...

An interesting pastel drawing on paper, circa 1940's, the subject a clear green glass vase of violet and blue flowers set on a round table top adjacent to a high-floor window in a big city, lacy curtains framing the scene at both sides...

Watercolor painting of an elaborate Orthodox church on a rise above a lake in winter, a rowboat in the foreground, the work signed at lower right in Russian. On the reverse in ink is written the artist's full name, Sergei Nemirovski, and the date, 1998. Measuring 9 1/2" by 6 3/8" inside the mat (16 1/2" by 13 1/4" in simple wood frame), the piece is very clean and ready for the wall.

Watercolor painting of autumnal tree in a landscape, 21" by 14", unframed, signed at lower left Virginia Dicken and on reverse is written "Autumn Gold". I do not see information on an artist by that name but she was obviously familiar with watercolor technique, including wet-on-wet technique visible at upper right. Presently the work is taped at edges to a mat (can and should be removed). Condition is excellent; just frame it.

A finely painting oil on canvas landscape of a windmill in moonlit landscape, a structure at left with a glowing window, the clouds luminous with the eerie light, and possibly some grazing animals at right, the work apparently UNSIGNED. The detailed meticulous handling suggests an early 19th century date---or possibly even earlier; the work has an Old Master feeling. Measurements are 18" by 24" (21 1/2" by 28" in traditional style old walnut frame with gold fillet). I have searched carefully ...

Impressionist oil on panel painting of a hardy desert shrub in the California desert, 20" by 10 1/4" (22 1/2" by 13" as framed), signed at lower right corner M. Gustafson. On the reverse is a rubber stamp of De Ru's Fine Art of Bellflower, CA, a well-known source for vintage California paintings. Near that rubber stamp is written in pencil "1970", likely a date of framing or possibly when the work was created by an old-timer---the style of the signature suggests it is by an older person I beli...

Portrait of a Woman Wearing a Painted Miniature Brooch

Oil-on-canvas, unsigned

Mid 19th Century

Painting: 20 ¼” x 16 ½”
Frame: 24 ¼” x 201/4”

Three oil still life works on canvas by the same hand, each signed "G. Gillson", circa late 20th century, all painted in an earlier style. Measurements are 12" by 16" and 9" by 12", and frames 1 3/4" wide on a side. I do not see a listing for an artist by this name. These are nicely painted and will complement your traditional interior. The dark, wood frames have some scratches and you might want to replace them with gold, which would dramatically improve the overall presentation. The 12 by...

A pastel on paper drawing of an urban alleyway with whitewashed structure and tiled roof, possibly in Mexico or other Latin country, signed at lower right by American artist "Dave M....", or similar. The work measures 14 1/2" by 10 3/4" inside the mat and 21" by 16" as framed. The artist has taken an everyday kind of scene and transformed it into a work of art. The art is in excellent condition as are the frame and mat.

An unusual painting that could be described as an allegory of all that is southwestern: oil on canvas, 24" by 20", 30" by 26" in interesting wood frame, signed at lower right "Martin", and with further ink notation on stretcher "Navajo 1981". The artist appears to be Jean Martin, 1924-2011. Martin was born in Massachusetts and educated there in art. In 1952 she moved west to Albuquerque, New Mexico with her husband and over the decades became established there as an artist in oils and watercol...

A circa 1960's vintage oil on Masonite painting, 30" by 18" (36 1/2" by 24 1/2" as framed), unsigned, the subject a peaceful creek or marsh land area in late autumn, one tree in full autumnal colors. This is a very nicely painted work, which could benefit from a light cleaning, but you would not have to have that done. Condition is excellent, frame has a bit of wear consistent with age. The artist handled the light and reflections beautifully.

This is a truly antique work, an oil on canvas unframed painting, 24 1/2" by 30", relined in the mid 20th century, apparently unsigned, the subject elegant ladies in a formal, upper class interior setting, the piece likely English or Northern European, possibly but I think far less likely American. The painting has seen some wear and tear in its roughly 180 years----a crudely repaired tear at upper center, some tearing at center in the lady's dress, with a 3/4" by 1/2" piece missing, another sm...

A watercolor of a lighthouse on the Maine coast, 9" by 13" (15" by 19" in wood frame), signed at lower right by artist Donna Sabaka (1946-). On the reverse is written "The Nubble Light"/York/Cape Neddick, Me.". The artist signed again there and wrote "Kennebunkport, Me. 1986". The lighthouse is in the extreme southern portion of Maine, in the heavily visited coastal strip of that state---a large tourist draw in summer. Judging from information on the internet, Sabaka is apparently still a ve...

A vintage mid 20th century watercolor painting of a sun-washed Mediterranean village including white church, red roofed buildings and mule-drawn cart, signed at lower left by artist "Costi" (or similar). The work measures 13" by 9 3/4" (19 1/2" by 16 1/2" in attractive silvery frame). Watercolor and frame are in excellent condition.

NOT A PRINT, this is an original, hand-drawn sepia ink and watercolor on paper drawing, titled at lower center "Plumeria Tricolor". Further writing in a quaint nineteenth century hand reads "A tree 30 ft. high" and "Pint. Mono. (Montego Bay??) Jamaica x gardens of Peru x N.O. Apocyness". On the reverse of the 20th century cardboard backing is an old printed label stating that this (these, as there were originally a large group apparently) is an original watercolor of "African" flowers done in ...

A well executed oil on wood panel still life of yellow roses, green grapes, goblets, glasses, decanter and candle stick on a table cloth, signed illegibly at lower right (appears as "Hans Meh...." or similar), circa 1890. The work measures 21 1/2" by 28" and the panel is 1/2" in thickness. The signature certainly appears to be European. I have tried and tried again to make it out but have not succeeded. It might well be German, or even Hungarian I am thinking, there being a strong tradition ...

Oil on board painting of a sunny street scene in southern Italy, a central figure walking towards the viewer and others going about their business including washing clothes. The painting, signed at lower left "Pasini", measures 17 1/2" by 11 1/2" (21 1/2" by 15 1/2" in attractive old gold framing). The work likely dates to about 1900 or 1910. There is a light accumulated soiling and yellowed varnish that would make a cleaning well worth the investment. Pasini was known for his genre and land...

A nicely painted oil on canvas still life of flowers in a Chinese vase or pot, balancing between trompe l'oeil realism and impressionism, signed at lower left by artist ELIZABETH CAMPBELL. This is a contemporary work, likely less than thirty years old, measuring 28" by 22" (33 1/2" by 27 1/2" framed). There is a listing by this name but I do not believe it to be the same artist. Condition is excellent save for a small scuff at upper left.

A late 20th century intricate painting of the Indo-Persian, Mughal School, sometimes referred to as Indian Persian, measuring 10" by 6" including margins (12" by 8" in the ornately patterned style of frame that often accompanies such works). The painting is in excellent condition, though old water intrusion at upper and lower left has left dampstains. A mat with curving, oval shape would hide this. Frame is delaminating at left edge and extreme top left corner shows some loss. Frame has supp...

A contemporary watercolor painting "Mirror Lake/Yosemite National Park", signed at lower right by Southern California artist Marcia L. Litchfield. The 20" by 14" watercolor (30 1/2" by 25" framed) features a look into the famous valley in late spring, when snow patches remain on the mountainside. The work is nicely done. Oak frame has a small bit of wear, and the Plexiglas is rubbed/scratched so may have to be replaced. The artist's business card, from Acton, California, is affixed to the ba...

Oil on canvasboard painting of gulls flying above the waves, the stern of a boat at left, 12" by 16", (17" by 21 1/2" framed), signed in ink on reverse ("Painted by Edith Fite"/XXX Magee 1951"). The scene reminds of how hungry gulls loyally follow the back end of a fishing boat. I have not located information on the artist. The painting could well benefit from a cleaning after about 70 years.

Oil on wood panel painting of a Dutch city scene, painted in the 19th century style of artists such as Cornelius Springer, the work 16" by 20" (24" by 28" as nicely framed), signed at lower left "Shone". The work is contemporary though the artist was obviously familiar with the meticulous style of the earlier artists. Painting and frame are in excellent condition.

A large watercolor on paper on panel painting of a classical mountain landscape, dated in Chinese 1980 at upper left (and likely signed there, I cannot read calligraphy), the work measuring 32" by 22 1/2" (the entire panel 40 1/2" by 30 1/2" with metal frame, loose/no glass). The artist was obviously familiar with centuries of Chinese classical landscapes. There is light wear in several places but nothing serious. The work is loose within the frame and can be shipped with or without it.

A striking, traditional, antique, oil on old oak panel painting, with even an Old Master feel, the painting itself 13 1/4" by 15 3/4" (34.3 cm. by 41.3 cm), the scene a landscape dominated by a placid large white dray-type horse (painted with extraordinary sensitivity and skill), a goat at left foreground, and resting cattle in the distance, the remainder of the composition dominated by a sky filled with beautiful clouds, and classic willow trees at right. The painting is indistinctly signed at...

A floral still life painting on pebbled paper, 14 1/2" by 10 1/4" inside the mat, 19" by 15" as nicely framed (no glass). The work bears signature "Montezin" at lower left but I have researched the piece and it is not by the noted French artist. It is offered solely on its decorative qualities. There are light folds in the paper at top but they are not really a concern.

A very pretty contemporary oil on canvas landscape of trees, a cluster of pink flowers in the left foreground, signed at lower right by California Art Club associate member DULCIE ADAMS. Biographical information seems to be lacking on this obviously talented artist. The work measures 18" by 24" (26 1/2" by 32" nicely framed). Painting is in excellent condition; linen liner has a small stain that could probably be removed.

A most interesting circa 1960's work featuring a group of older, mostly one story buildings in a town, those buildings apparently of stone, judging from the earthy colors. A dark blue sky elegantly sets off the earth tones, making for an interesting play of light and color. Brush strokes are vigorous and sure. The painting is oil on canvasboard, measuring 9" by 13" (12 3/4" by 16 1/2" framed), signed with initials that could be "CB" at lower right. On the reverse is written "Bloom" but this ...

A typically colorful painting from Haiti, featuring female figures carrying loads of fruit on baskets balanced on their heads, against a mysterious deep green background landscape. The painting is signed at lower right "Xavier B./Haiti/2000". Measurements are 25" by 21" as framed in white wood. Canvas is slightly rippled, there are a few hairline crack marks in the legs of several figures, but nothing that is bothersome at normal viewing distance. Canvas is of an inexpensive type often used ...

An old watercolor on paper laid on board painting of old buildings, with a view to open water beyond the narrow lane. The work is signed with initials "MC" or "ME" at lower left but there is no other information. The watercolor measures 11 1/2" by 9" inside the mat and 18 1/2" by 16" as framed. There is old wood slat backing remaining. This might well be a scene of old England, perhaps Cornwall, but it is really hard to say more as to the locale portrayed. It is a picturesque and timeless s...

Oil on canvasboard painting of a dirt road through a pine woodland, signed at lower right by artist ADDIE SYLVESTER. On the reverse side it is titled "Deep in the Heart of Texas", signed again and dated 1950. I do not see information on the artist. Curiously there was a woman by that name who passed away in 1989 in Manhattan, Kansas area; on the backing paper, most of a label is missing, but the remaining letters of what would be the town in the address are "MAN...". There may or may not be ...

Oil on canvas painting of white and pink roses in a blue bowl, signed at lower right "Strachan". The work, measuring 18" by 24" and 23" by 28 1/2" in likely original frame, has tiny losses in background and lower left area. The frame also has light wear, and losses on back of left edge. Overall, a very shabby chic piece in feeling. There is an old Los Angeles framer's sticker on reverse backing.

Oil on canvas painting of a farmer by a water pump in an open field, two dray horses at center and left slaking their thirst. The work measures 11" by 12" and 15 1/2" by 16 1/2" in frame that may well be the original. The painting is signed faintly yet distinctly at lower left corner "S.S.C.", which is one of the known signatures of American artist SAMUEL SIMPSON CARR (1837-1908). Other known signatures include "S.S. CARR" and "S. CARR". Carr was born in England and for a time studied at the ...

A PAIR of watercolor paintings framed as one, in black and white, each signed lower corner "CC" or "LL", likely late 19th century or early 20th. Each measures 2 1/4" by 3 1/4" (12 1/2" by 9" as framed). There is no information inside on the identity of the talented artist. Silvery frame and hand drawn mat makes for a very elegant little piece.

A most unusual painting on wood panel, 24" by 30", unframed, featuring some gritty, tough-looking downtown Los Angeles men in a claustrophobic, vertiginous streetscape of old hotel buildings. The Hotel Rosslyn and annex were built in 1914 and 1923, respectively, and were fashionable places to stay, in their day, at Fifth and Main in old downtown. The medium used is likely casein or other non-oil, water-based paint. The painting takes from older Social Realist painting and murals of the early ...

An American oil on panel painting, unsigned, likely circa 1920, unframed, featuring a landscape including a lake, some distant low mountains, and yellowing foliage in foreground suggesting autumn as the season. The piece measures 14" by 22". Surface is dirty---could really use a cleaning/varnish---and there is paint chipping along left, top, and bottom edges, as well as a small loss at left center in the foliage. Needs some TLC but the essentials are all there. On reverse is written "(May?) ...

A beautifully executed watercolor painting of a proper Victorian lady in her fine parlor, her chair and small table sitting on a bear skin rug. The work is unfortunately unsigned. It measures 18 1/4" by 12 3/4" at the mat opening (25 1/2" by 19 1/2" as framed). This was acquired from a New Jersey dealer, in Florida. He claimed to have had a bit of paper with the name of the artist but has never been able to come up with it despite my requests. The work looks a bit like that of Jennie Browns...

Oil on canvas painting with great luminosity, the subject small craft pulled up on foreground beach, with a view to distant ships offshore a city, signed at lower left corner and dated 1876 by well listed Danish painter NORDAHL GROVE (1822-1885). The work measures 17 1/2" by 26" (23 1/2" by 32" framed). The luminous handling and colors reminds of works by northeastern American artists of the late 19th century. Grove, the son of a distinguished Danish naval officer, studied at the Royal Danish...

Early landscape painting of a likely imaginary, idealized, pyramidal mountain peak of California, (doesn't really resemble Mt. Shasta, but I suppose it could be), 20" by 16" on the stretchers, painted on canvas, 25 3/4" by 21 3/4" in a fine old gold 19th century frame, signed at lower right by artist "C. A. Simpson" and dated there 1886. The painting is firmly in the luminous tradition of some of the eastern Hudson River artists, with a pinkish glow suffusing the sky. Note the tipis at left lo...

A watercolor painting featuring a street scene in exotic Cusco, Peru, the imagery of a steep walkway in the high altitude mountain city, a lone figure in classic, native Andean dress descending the steps, an extensive view of tiled rooftops, whitewashed buildings and churches completing the middle distance, as serrated mountain ranges fill the horizon. The 10 7/8" by 7 1/2" painting (15 1/4" by 12 1/4" framed) is signed at lower left "ORE" and dated there 1980. Condition is excellent. The gra...

A charming oil on canvas painting of central Paris by the Seine, a number of tiny figures enjoying their walks along the river with its barges. The artist signed at lower right "L Florguin" and dated the work 1953. Very surprisingly I see only scant information under this name. However the artist was obviously very familiar with the French naive school painters who flourished in the immediate post-war years. Measurements are 18" by 13" on the stretchers and 23 1/2" by 18 1/2" in "distressed"...