A fine color etching, "Park Avenue", circa 1929, by the noted Austro-Hungarian etcher, painter, and printmaker Luigi Kasimir (1881-1962). The scarce vintage print is in apparent excellent condition (not examined out of frame). Measurements are 17 3/4" by 11 1/4" inside the mat, 26" by 19" framed. Kasimir is known today largely for his prints of street and city scenes in both Europe and America, rendered in fine detail, as color etchings, a process in which he was a pioneer...

Frank Benson, American, 1862-1951, etching, "The Passing Flock", image size: 11 3/4 x 13 3/4 in, 1927, signed in pencil, published state, edition of 150 (Paff 277), on laid paper with "ENGLAND" watermark

Arthur J. T. Briscoe, British, 1873-1943, "Hauling the Net Aboard". This 1926 etching by master printmaker Arthur Briscoe measures 7 x 11 7/8 inches and is signed in ink and editioned as 38/75. Lable on backing with provenance from C.W. Kraushaar Galleries, NY. Members of the crew aboard the trawler "Guess Again" concentrate on hauling the days catch aboard. The forground figure is "Old Sam" a figure Briscoe used in many of his images...

An old print featuring a panorama of Florence, Italy, with the famous architecture and bridges seen across the Arno River. The print appears to be a lithographic process of some type. Measurements are 18" by 33" in its contemporary-age black attractive framing, so this horizontal piece works well on a long wall space in need of some art. Plexi makes for safe shipping; there are some light scratches on that...

This Francisco de Goya etching was published as a frontispiece to the 1922 Delteil edition of "Le Peintre Graveur Illustre". In beautiful original unframed condition.

Arthur Heintzelman, American, 1891-1965, etching, "Cafe Montmartrois", BPL 114, plate destroyed, Characters from French art culture of 1925; Scene features Heintzelman, left, bending over table, the Parisian model, Kiki who appears in Planche aux Cinq Croquis. To her right, Fredie, subject in Fredie du Cafe "Le Lapin Agile" and of Le Poete regarded by Heintzelman as the last of the great Montartre singers, Young man with the guitar is Fredie's son.

Lithograph on paper, the sheet 20" by 14 3/4" (24" by 20" as framed), in black with blue color especially at bottom, not signed in pencil nor in the plate, by important French 20th century woman artist MARIE LAURENCIN (1885-1956). On the reverse is written in pencil in French handwriting "M. Laurencin/j. fille au chien/lith. orig." ("young girl with dog/original lithograph"). The image is typical of the work of this noted artist...

William Lee Hankey, British, 1869-1952, The Bridge at Corfe Castle," etching, image size 6 1/4 x 8 1/2 inches, pencil signed l.l., plate initialed l.l., artist blindstamp l.r., very rare image, number one of 12 impressions, small repair in the image.

John Taylor Arms, American, 1887-1953, "Cathedral of St. Cyr and Ste Julitta, Nevers," etching, 1929, pencil signed and dated. From his French church series, 1929. Image size 13 x 5 1/2. Edition of 100.

Yasuo Kuniyoshi 1889-1953 Japanese-American, Arts Students League N.Y. This is a fine pencil signed and dated lithograph by American artist Yasuo Kuniyoshi. This image created and printed in 1928, has an image size of 11X6 inches, printed on an ivory toned chine colle, adhered to a thicker supporting sheet. This lithograph is numbered as 28/30. Very fine condition apart from a line of toning in the border where an earlier window mat once lay. Catalog as Davis L-30.

A double signed photogravure done by the son of Douglas Volk circa 1900 with a drawing of the Volk Life Mask of Lincoln and a drawing of the hand of Lincoln in the selvage. As a footnote, this work was presented by Douglas Volk to Daniel Chester French (1850-1931) as a gift on the occasion of the dedication of the Lincoln Memorial in 1922.

Joseph Pennell, 1857-1926, American, etching, "Warship Coming In," plate measures 9 7/8 x 6 7/8 inches on 12 3/8 x 7 7/8 watermarked laid paper. Pencil signed in the lower right. Catalog: Wuerth 770. Edition of 50. A well inked impression with plate toning. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography...

Warren Davis, American, 1865-1928, "Seated Nymph," Etching, image size 8 x 5 3/4 inches, pencil signed l.r. "Warren Davis" on wove paper. Davis studied at the Art Students League in New York and became known for his etchings of idealized female figures. Many were used on the covers of Vanity Fair and Life magazines. Later in his career Davis exhibited in Europe and the United States including the Pennsylvania Academy and the Salmagundi Club.

James McBey, Scottish, 1883-1959. Etching from his Venice series of etchings. Done in 1925. Number 21 out of the edition of 80, this etching appears in the Hardie catalog as image number 250. The image measures 7 1/8 x 15 3/4 inches. J Whatman watermark laid-type paper. Collector's annotations in pencil at the lower edge of the sheet.

John Taylor Arms, American, 1887-1953, "Amiens". This 1926 etching by the American artist, John Taylor Arms, measures 10 3/4 x 9 7/8 inches, pencil signed and dated, also called "The Cathedral of Notre Dame, From the Lower Town", edition of 100, from his French Church Series #8, cat: Fletcher 181, printed by Frederick Reynolds. This etching won the "John G. Agar Prize, Fifth Annual Exhibition by Living American Etchers, National Arts Club, New York, N.Y." in 1927.

An example of the work of famous, prolific, commercially successful American illustrator artist, ROBERT ATKINSON FOX (1860-1935), this image featuring a garden fountain in its elegant surroundings. The print measures 21 1/2" by 13 1/2" (28 1/2" by 20" nicely framed in lustrous faux burl look, with pink mat). Fox was born in Toronto and arrived in the United States around 1885. He worked for publishers such as Brown and Bigelow, Edward Gross & Co...

Tavik F. Simon, Czech, 1877-1942, "Notre Dame de Paris in the Morning", colored etching, plate measures 12 5/8 x 15 inches on 18 1/2 x 19 1/2 inch wove type paper. C. 1928. Catalog: Novak 483, Baker 266. Edition of 350. Published by the Societe de Graveurs Modernes, Paris. Pencil editioned in the lower left, signed in the lower right. Plate monogrammed in the bottom center...

Arthur Heintzelman, American, 1891-1965, Etching, "Chanteur Populaire", 1926, image size: 11X8 inches, Cat. BPL-119, pencil signed

Arthur Briscoe, British, 1893-1963, "Oyster Dreckers," etching, plate measures 6 1/2 x 10 inches on 8 1/2 x 11 1/4 inch laid paper. C. 1924. Catalog: Hurst 87. Edition of 75. The scene depicts some oyster dredgers on Buzzon (or Besom) Creek, near Briscoe's home in Colchester. The oyster industry there is now endangered, but Briscoe has captured it well. Signed in ink in the lower right, numbered "39" in the lower left. A fine impression with good use of plate toning. Briscoe studied at the Slade...

Louis C. Rosenberg 1890-1983 American This is an original etching and drypoint by American artist Louis Rosenberg. The title is: The Grand Canal, Venice, it is printed on a medium weight laid type paper. This etching was created and printed in 1927. The image measures 8 7/8X13 7/8 inches. Hand signed in pencil lower right border, very fine condition, nice use of plate tone in the sky and water. A very rare image, Rosenberg at his best!!!...

Lithograph on paper, 7 1/2" by 4 1/2" (13 1/8" by 10" as framed), signed in pencil at lower right by the noted German Jewish artist HERMANN STRUCK (1876-1944). The subject is a man wearing a cap. Struck was born in Berlin or Orthodox Jewish parentage. Early in his life he met the Zionist leader Theodor Herzl (1860-1904), a meeting which profoundly influenced the artist. Struck's most desirable subject matter, scenes of Israel from the late 1920's, have brought to the $25,000 area at auction. ...

A lithograph print in black ink, the scene featuring houses and trees, on a printed page, unsigned, created in 1926 by noted French artist MAURICE VLAMINCK (1876-1958) as an illustration for the book "Le Diable au Corps" by novelist Raymond Radiguet. The image is presently framed to a 6" by 7" mat opening (the sheet with text measures 10" by 9 1/2"). As framed measurements are 13 1/2" by 13 1/2". Vlaminck was a highly important 20th century French artist, his expressionist oil paintings selli...

Sir Francis Dodd, British (1874-1949), "Charles March Gere," This drypoint etching of the English landscape painter, Charles March Gere, c. 1927, measures 12 x 10 1/4 inches and is pencil signed on the lower right margin. Francis Dodd was born in Wales and trained at the Glasgow School of Art winning the Haldane Scholarship in 1893 enabling him to travel and study in France, Italy and Spain. During WWI he became a portrait war artist producing more than 30 portraits of senior officers. After the...

Arthur R. Middleton Todd, British, 1891-1966, "Strolling Players", etching, 6 3/4 x 5 3/4 inches on 11 1/2 x 9 1/4 wove type paper. Pencil and plate signed in bottom right. Featured in Fine Prints of the Year in 1927.

Arthur J. T. Briscoe, British, 1873-1943, "Typhoon, The Burst Topsail". This dramatic scene by Arthur Brisco measures 8 x 11 3/4 inches and is ink signed and numbered. Published in 1924 on laid paper, cat: Hurst-94, framed. Briscoe was one of the finest marine artists' of the 20th. century. He studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on ...

A striking black and white lithograph, 10 1/2" by 16 1/2" inside the mat, 14 3/4" by 20 3/4" simply framed, the subject matter a landscape with trees and structures, the imagery artistically distorted in a Cubist fractured style, pencil signed at upper left "Wheelock" by the artist and dated there '29. The handling is reminiscent of Andrew Dasburg, Howard Cook, and some other modernists working in New Mexico. The artist is Massachusetts-born WARREN WHEELOCK (1880-1960). Wheelock served in the...

This is an etching on laid paper, the sheet 10 1/2" by 14", simply framed, pencil signed by listed American early 20th century artist HORACE DEVITT WELSH (1888-1942). The subject appears to be a coastal location in Maine, judging from the sails in the distance and the mountainous coast. Welsh was a student of William Merritt Chase, Thomas Anschutz, and Joseph Pennell. He does not appear to have been especially well known, and there are few auction records, but he did exhibit at the Art Insti...

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with publisher’s seal on lower left, very good impression and color, very light soiling on upper edge, minor wear

Oban tate-e: 10 x 14 ¾ in.

An early (circa 1920's) woodcut print titled at lower left margin "Pikes Peak", numbered there 8/100, and pencil signed at lower right by early, historical Colorado artist HAIM DAVID SPIVAK (1893-1932). The work measures 4" by 5 7/8" inside the mat and 9 1/2" by 11 1/2" in black strip frame. This sharply printed piece shows the famous Colorado mountain near Colorado Springs, a farm or homestead in the foreground. Spivak's works are rare, as he died at age 39 of a brain tumor. He worked in oi...

This Warren Davis etching measures 7 7/8 x 6 inches, pencil signed, label from Kleemann-Thorman Galleries, New York included, c.1928. This delicately rendered etching is a great example of Davis's images of graceful female nudes, many of which were used for Vanity Fair and Life magazines in the very early 1900s.

Etching of a young woman in dreamy sleep, 11 1/2" by 8 1/2" (14 3/4" by 11 3/4" simply framed), titled in the plate "Die Rosen", signed in the plate and again in the margin below in pencil by the German-born artist OTTO GOETZE (1868-1945). The artist's name is also sometimes spelled "Goetz" and some cite a death date of 1931. Goetze was born in Germany and was in San Francisco by 1930. Though evidently little known, judging at least from this sensitively rendered print, he was a master etcher...

A Karl (Carl) Schultheiss numbered etching circa 1930. This 8-3/4" x 6-5/8" numbered, limited closed edition engraving probably of Angers Cathedral is by the German engraver Karl (Carl) Max Schultheiss (1885-1961). Starting out in Germany, he moved to the U.S. in the 1930s, where he had a 1938 exhibition of his etchings at the Art Institute of Chicago. This etching, in the original 16-1/4" x 16-1/4" black painted wood frame with original mat is signed on the right lower corner; it has a 98/35...

David Muirhead Bone 1876-1953 Scottish "This is one of the most famous prints from the British Etching Revival" This image is titled: A Spanish Good Friday,created and printed in 1925 by British artist David Muirhead Bone. This pencil signed drypoint measures 12 5/8X8 inches, printed on a laid type sheet with deckeled edges. Numbered as XXVII lower left corner. The image depicts the solemn festival at the end of Passion Week. Ref. Campbell Dodgson 412 .

Jean Louis Forain, French, 1852-1931, etching with drypoint, "Croquis de Femme Nue, La Tete Contre L'Oreiller", image size 11 1/2 x 13 3/16 inches, first plate (Guerin 69), pencil signed and titled

Troy Kinney 1871-1938 American This is one of the most important works by American artist Troy Kinney (1871-1938) This artist was best known for his studies of Ballet and Modern Dance. The title of this work is: Lopokova and Nijinski in Les Sylphides. It was created and printed in 1916, This hand colored etchings is numbered as 76/82. The image measures 12 1/8X9 7/8 inches. The etching is hand signed in pencil lower left border. Very fine condition, the colors are richer than our image ...

Arthur Heintzelman, American, 1891-1965, Etching, "Scene de Music Hall", 1929, Edition of 100, image size: 9 1/2X11 1/4 inches, Cat. Bpl 153, pencil signed