Carl Pickhardt, American, 1908- , Lithograph, "Back Stage", image size: 8 3/4 x 7 1/2", pencil signed

A circa 1950 artistic black and white photo of the docks at Monterey, California, pencil signed on the mount as "Edna S Deuren" or similar. The gentlemen standing at left with fedoras and cap are looking down on the small fishing craft at a time when Monterey's fishing industry was in high gear. Measurements are 9 1/4" by 7 1/4" (photo itself) and 20 1/2" by 17" as framed. Condition is very good.

Carroll Thayer Berry is a familiar name in artistic circles in the state of Maine, as he was an artist, illustrator and photographer there for many decades. Born in New Gloucester, he grew up in Portland and there became enamored of the sea and seagoing. After study at the University of Michigan (naval architecture) he worked for engineering firms in New York and Portland, then still as a young man worked on murals in administrative buildings in the Panama Canal Zone...

after Picasso "Table before the window" 1922 from "Picasso 15 Drawings" lithograph plate signed good condition slight edge damage at the bottom will frame very well. limited edition of 500, printed in 1946 they reproduced a group of paintings in a large format folio printed in lithographic plates with a dimension of 19-3/4" x 14" inches. The edition was 500 unsigned and unnumbered.

This is a Hand Colored Print. It shows the equestrian Statue of George Washington surrounded with a wreath, composed of the principle agricultural products of the Confederacy--cotton, tobacco, sugar cane, corn, wheat and rice. It is Marked "The Confederate States of America: 22 February 1862". At the bottom, the motto, "Deo Vindice" (God Favor Our Cause) The Seal was engraved by Joseph S. Wyon, Chief Engraver of Her Majesty's Seals, London, England. The Seal is 18 3/4" Diameter...

An original panoramic photograph of San Francisco, circa 1950, the view appearing to be south and west from the Coit Tower at the top of Telegraph Hill. The photo is laid to a card. Measurements are 9 1/2" by 7" inside the existing mat and 16" by 13" in blond wood strip frame. The photo has come loose inside the frame. You might take the opportunity to re-frame with acid-free materials. An old Kearny Street, San Francisco framer's label remains on the backing...

Jackson Lee Nesbitt 1913-2008 American Regionalist This is a fine regionalist etching by American artist Jackson Lee Nesbitt. The title is: Evening in March, it was created and printed in 1942. The image measures 11 3/4X8 5/16 inches. Hand signed and titled in pencil. Printed on a medium weight wove type sheet.

Plate signed etching, 13" by 10 1/4" inside the mat, the sheet 16" by 13 3/4", titled "Rue de la Glaciere", 1937, by the famous and important French modern artist MAURICE de VLAMINCK (1876-1958). The original edition is given as 400 or 500 examples; later restrikes might exist. I do not know if this might be one of them. The paper is very thin and delicate and appears ribbed as would laid style paper. I do not see any watermarks...

Original color lithograph by Jean Charlot (American, born in France). Titled "Mexican Mother" in pencil l.l. Also signed and dated in the plate l.r. and signed in pencil by the artist l.r. Jean Charlot emigrated to Mexico in 1922 where he created woodcuts and lithographs depicting the Mexican people. This work was pulled in Colorado Springs in 1948 with master printer Lawrence Barrett. Morse #520. Offered framed and archivally mounted. Image size: roughly 17" by 13".

American c1940s Colored Woodcut of a sailor unsigned well done on a very thin paper no damage other than toning. Paper is 11.5" by 8.5"

Maurice de Vlaminck, French, 1876-1958, lithograph, "Le Pont sur l'Oise a Mery", image size: 9 1/2 x 13 1/4 inches, 1st state of 2, without the signature in the stone, cat. Walterskirchen-187, pencil signed lower right, framed.

Luigi Kasimir, Austrian, 1881-1962, "Grinzing, Vienna," Etching and aquatint in colors, image size 17 1/2 x 22 1/2, cat: Lorenz-23, pencil signed by the artist, framed.

Color lithograph on paper, the sheet 12 3/4" by 9 3/4" (17 1/2" by 15" in attractive silvery framing), signed only in the plate and dated nearby Octobre 46, by important French 20th century woman artist MARIE LAURENCIN (1885-1956). The edition of 950 examples, now scarce, was printed by Publ. Beres, Paris, for the album "Sainte Catherine--Poemes de Paul Eluard". The image is typical of the work of this noted artist...

Circa 1940's vintage period original lithograph print of the famous Alamo fort in San Antonio, Texas, pencil signed in the margin at lower right and dedicated "To Sally & Stan--M. Crittenden", and titled at lower left "The Alamo". The work measures 12 1/2" by 9 3/4" inside the mat, and 18 1/2" by 15 1/4" as framed. I have opened this up to take a peek inside, and have found that the mat is permanently affixed to the margins of the print...

Albert W. Barker, American, 1874-1947, Lithograph, "The Quarry No. 2", Edition of 50, image size: 11X8 3/4 inches, pencil signed

Original unframed etching on paper, 8 1/8" by 12 3/8" inside the mat (the sheet 10" by 14"), signed in the plate and dated there 42, and pencil signed in the nearby lower right margin by the noted American printmaker LUIGI LUCIONI (1900-1988). **ONE OF SEVERAL PRINTS BY THE ARTIST IN MY SHOP**, this is no doubt a Vermont landscape scene, as Lucioni's prints largely deal with the classic mountain scenery, barns and farms of that rural state...

Original black and white photograph, circa 1930 to 1950, 13" by 10 1/4" inside the mat (20 1/2" by 16 1/2" as framed), bearing on the reverse of the photo the rubber stamp of mid century California photographer WILL CONNELL (1898-1961). The subject is a complex industrial machine, with lots of cables and wires, steel and wheels, and even some sparks coming from somewhere...

One of a number of prints by this artist in my inventory, this is a fresh and clean rather early example of one of William Russell Flint's fine color reproductions issued in limited editions for collectors over a period of decades. This one is signed by the artist in pencil at lower right and bears the characteristic embossed Fine Art Trade Guild blind stamp in lower left margin. The title of this image, which was issued in the year 1942 in an edition of 500 examples, is "Mirror at the Ballet"...