A fine woodcut print on Japan type thin, delicate paper, 8 1/2" by 6 1/2" inside the mat, no frame, signed in pencil at lower right and dated there 1931, a monogram in the printed image at lower left, adn inscribed "To Hal" at lower left, by the well listed artist IGNATZ SAHULA-DYCKE (1900-1982). The dramatic subject is mysterious and difficult to describe: a woman, perhaps somewhat sinister or even possibly Death, comforts a young girl, as a younger boy looks on from the right lower corner...

Engraving with hand coloring, 4 3/4" by 8 3/4" inside the mat, 9 3/4" by 12 3/4" in interesting old framing, the work trimmed on all sides, including the title "The Beverley Shore", after the important nineteenth century American artist JOHN FREDERICK KENSETT (1816-1872). Kensett is famed for his luminist technique and the almost spiritual stillness of some of his coastal landscape paintings, which have exceeded one million dollars at major auctions...

A black and white poster from the Susan Spiritus Gallery of Newport Beach, California, for an exhibition held in the spring of 1983 of the works of noted American photographer HENRY GILPIN (1922-2011), the poster **hand signed** by Gilpin at bottom center. The image featured is perhaps the best known photo by Gilpin, "Highway #1", the world-famous, dramatic coastal highway hugging the Central California coast. Gilpin, born in Ohio, served as a pilot in Europe during World War II...

Etching of an old style bridge spanning a small body of water, signed in pencil at lower right and signed in the plate there and dated 1962 by well listed Hungarian artist ISTVAN BALDIZSAR (1897-1984). The print, measuring 5 1/2" by 10" inside the mat, 14 1/4" by 19" simply framed, has a 19th century feel (or, earlier, actually). The artist has sensitively portrayed a familiar scene of his homeland...

Interesting and unusual print by a so far unidentified artist, 10 1/4" by 8" inside the mat, 15" by 12 1/2" simply framed, the subject a white-haired fiddler seated in a chair. The Mark Twain-appearing man vaguely resembles figures you've seen in prints by Thomas Hart Benton, and the print REALLY resembles a work by artist Eric Bransby (born 1916), recently recognized with an exhibition at a well-known Denver gallery...

Japanese limited edition color etching and aquatint titled "Le Tournoi II" (The Tournament II) by Taiwan artist Shaih Li-fa (Xie Lifa) dated 1968. Pencil-signed, titled, and numbered 3/25 in the bottom margin. Xie Lifa (b. 1938) studied drawing and sculpture in Paris in the 1960s before relocating to the U.S. in 1968 to focus on printmaking. Paper size: 17 1/2" x 15" (plate: 11 1/2" x 9 1/4"). Printed on heavy rag paper with large margins. Very good overall condition...

Decorative botanical copper engraving print from 1806, after the famed English botanical artist SYDENHAM EDWARDS (1768-1819), measuring " by " as framed. Sydenham was the son of a Welsh schoolmaster, and went on to become one of the principal artists for Curtis's Botanical Magazine late in the 18th and early in the 19th century. After 1815 he went on to publish The Botanical Register. The present example is surrounded by an ornate mat...

A black and white photograph of San Patricio Church, in Hondo, Lincoln County (southeastern) New Mexico, signed in pencil on the wide mat by photographer K Cole-Hight and dated 1983, and titled at lower left "San Patricio Church". The work measures 6 3/4" by 7 3/4" and 16" by 20" as framed. Condition is excellent. I have been unable to locate information on the photographer.

The size of Sheet/Image : 24 5/8" H x 35 5/8" L, Borderless .
Artist: Elyse Campus Cohen (1940 - )
The title: White Roses
The Year of Printing: 1991
Medium: Mixed Media Serigraph on Heavy Arches Paper.
Publisher: Elyse Art Studio, Stamped on the back.
Signed on Lower right: Elyse.
Edition No.: 45/300 on lower left.
The condition: Excellen. It never been framed.
This is fine Mixed Media Serigraph by Elyse Campus Cohen...

Original unframed etching on paper, 8 1/8" by 12 3/8" inside the mat (the sheet 10" by 14"), signed in the plate and dated there 42, and pencil signed in the nearby lower right margin by the noted American printmaker LUIGI LUCIONI (1900-1988). **ONE OF SEVERAL PRINTS BY THE ARTIST IN MY SHOP**, this is no doubt a Vermont landscape scene, as Lucioni's prints largely deal with the classic mountain scenery, barns and farms of that rural state...

A scarce and vintage 19th century framed lithograph on cardstock/board depicting two children carving a pumpkin. The picture measures 10-1/14" x 13-1/2" and it is in a gilt gesso 16-3/4 x 14" period frame. The print has various notations, including: FROM THE AMERICAN AGRICULTURIST, BF REINHART 1870, HENCKL & SCOTT (illegible), ENTERED ACCORDING TO ACT OF CONGRESS A.D. 1872 BY ORANGE, JUDD & CO. IN THE OFFICE OF THE LIBRARIAN OF CON(obscured)...

An example of the etching "The Complete Angler", by the noted English artist credited with creating the so-called "Etching Revival" of the latter 19th century, FRANCIS SEYMOUR-HADEN (1818-1910). The print is signed in the plate and lower right and dated there 1877, but was likely printed in the year 1880, in an edition of 1000...

A Georges Lambert (French 1919-1998) Lithograph; Landscape of a Town on a Hill. Dimensions 24" x 30" framed.

A pencil signed limited edition color print "We The People 1787", featuring Ben Franklin at printing press with assistants, evidently producing copies of the Constitution for distribution in the colonies. The work measures 18 3/4" by 25 1/4" and 25" by 32" framed/matted (wood frame, no glass). The artist signed in pencil at lower left margin and at lower right the piece is numbered 344/2000. MORT KUNSTLER (1931-) is an important American illustrator, with works having exceeded $30,000 at New ...

A circa 1920's etching of the Woolworth Building in New York City, the print signed in the plate and then pencil signed at lower right margin by American artist F.W.W. HOPPE. The artist did leave behind a number of etchings of New York scenes, but there seems to be a lack of biographical information on him or her. The print is in brown ink on a thin paper. Measurements inside the present mat (no glass) are 9 1/2" by 5 1/4" (14 1/4" by 9 1/2" in thin strip frame). You would want to reframe an...

A vintage, original dated hand tinted copper plate stipple engraving by Francesco Bartolozzi dated 1786. This print measures 11" x 8-3/8" (imprint size) and it is in a later (c.1900) painted and gilt 14-3/4" x 11-3/4" frame. It has the following inscriptions: "Painted by Sir Joshua Reynolds", London. Published Dec 12th 1786 by E.M. Diemar, No. 114 Strand, and "Engraved by F. Bartolozzi, R.A. Engraver to His Majesty. The image is titled The Honourable Miss Bingham" and it has flesh and blue h...

Engraving on paper, the sheet 16 1/8" by 19" (18" by 20 1/2" as framed), the subject a bewigged magistrate type at his desk, surrounded by a salon of 18th century folk, the title line underneath beginning with "Here Justice Triumphs in his Elbow Chair.......". This is a moralizing work by one of the most famous satirists and social commentators of all time, WILLIAM HOGARTH of England (1697-1764). Hogarth was a painter as well, but it is for his satirical, widely distributed prints focusing on...

A Hand Colored Lithograph by Kellogg & Thayer, circa 1850. Titled "Bobby Burns and His Highland Mary". Dimensions 12" wide x 16" high.