Original etching by Maurice de Vlaminck (France, 1876-1958). Circa 1937. From the Paris 1937 portfolio which included works by Matisse, Gromaire, Vlaminck, Derain, Dufy, Laurencin, Bonnard, Kisling, Dunoyer de Segonzac, etc. Signed in the plate. Currently framed in a mid-century period frame. Good condition.

A fine print from New Orleans by the noted Louisiana-associated artist LOUIS OSCAR GRIFFITH (1875-1956), featuring a milk cart drawn by a horse, making its deliveries in the French Quarter. Measuring 12 1/2" by 10 1/4" inside the existing mat (19 1/2" by 15 1/4" as framed), the piece is pencil signed by the artist at lower right and numbered at lower left "No. 21" (of an apparent edition of 100). Colors are rich and this is an excellent impression...

Original drypoint etching printed in two colors by David B. Milne (Canada, 1882-1953). In excellent original condition. Pencil signed lower left. Circa 1929-1930. As issued in The Colophon, New York, 1931. David Milne is an important Canadian modernist.

Gottlob Briem 1899-1972 American This is a fine original etching and aquatint by American artist Gottlob L. Briem. This rare image is titled Empire State Building, N.Y.C. It was created and printed circa 1930. It is pencil signed and inscribed "to Elmerine (Finn) a Vermont artist with best wishes". The image measures 14X9 inches, printed on a medium weight wove type paper.

Samuel Chamberlain, American, 1895-1975, drypoint etching, "The Verdant Village", image size: 6 1/2 x 11 inches. 1931, edition 75/100, cat. Chamberlain and Kingsland-107, pencil signed, numbered and titled. This scene of Bellefontain, Ile-de-France, exhibits Chamberlain's ability to create subtle gradation in plate tone.

Harold Kerr Eby 1889-1946 American This is an original etching and aquatint by American artist Kerr Eby. The title is: Still Hollow 1936, a winter scene most likely near his home in Connecticut. This etching was created in an edition of 100. The image measures 10 3/16X14 1/2 inches. Pencil signed and editioned in the bottom border. Fine condition, a rich impression. Presented in a fine frame with archival framing materials...

Arthur William Heintzelman, American, 1891-1965, "Ma Petite Voisine", drypoint etching, image size: 11 1/8 x 7 3/4 inches, ed. 80, 1935 cat. Smith-204, pencil signed lower right

Gerald Leslie Brockhurst 1890-1978 English One of the finest portrait etchings ever created by British artist Gerald Brockhurst. "Henry Rushbury", created and printed in 1930. Rushbury, like Brockhurst studied at the Birmingham School of Art and the two later shared an apartment in London. Rushbury was an accomplished etcher as well... This etching is very richly printed, the subtle tonal range is incredible in person, our scan doesn't .do this image justice...

John Taylor Arms, American, 1887-1953, "Église Saint Gervais, Gisors," etching, 10 x 8 1/4 inches on 18 x 11 1/4 inch watermarked laid-type paper. Pencil signed and dated. Ed. 100 in pencil in the lower left. Cat: Fletcher 249. C. 1932 French Church series #35.

William Charles McNulty 1884-1963 American This is an impressive etching and drypoint by American artist William C. McNulty. The title is: "Demolishing the Century Theater, 1931" A great industrial study done in New York City. This etching has an image size of 9X11 1/4 inches. Pencil signed and titled. Done in an edition of 75 proofs.

This is an original etching by Reginald Marsh (American 1898-1954)of Minsky's Chorus, the famous Burlesque venue in New York City. The original painting of this scene is in the permanent collection of the Whitney Museum. The original shows a reverse scene. The sheet size is 10 1/2" x 14 1/4", with the impressed image size of 8 7/8" x 11 3/4". The paper is heavy, textured, with a slight cream hue. As is visible in the photos, there are losses to the margins on the right and at the bottom...

Armin Landeck (American, 1905-1984) - York Avenue, Tenements. Original signed drypoint etching. Dated: 1938. Small Edition of 100. Signed and dated by the artist in pencil in lower margin. Armin Landeck was a noted American printmaker. Landeck attended Columbia University in New York, where he began printmaking. At the Art Students League, he studied under George Bridgman and later with the English printmaker Stanley William Hayter. During the 1930s, he produced many city views of New York...

John Edward Costigan Open John Edward Costigan configuration 1888-1972 American This is perhaps the best known etching by American Regionalist, John E. Costigan. The title is: Fishermen Three, it was created and printed in 1938 and sold by Associated American Artists in New York. This etching has an image size of 8 7/8X11 7/8 inches Hand signed in pencil lower border. This image appears in the book, A Treasury of American Prints by Craven.

Complete original portfolio of etchings by Hirst Dillon Milhollen (American, Virginia, 1906-1970), complete and in excellent original condition, dated 1937. This portfolio contains 10 etchings of Haiti (plus one attached to the portfolio cover) and is number 24 out of fifty sets. All the etchings are pencil signed and titled by the artist. Hirst Dillon Milhollen is an American artist from Virginia who for years ran the prints and photographs division of the Library of Congress...

Arthur Heintzelman, American, 1891-1965, drypoint etching, "Adolphe Appia, Jeune Artiste Philosophe", drypoint etching, image size: 12 3/8 x 8 1/4 inches, 1934, cat. Smith-92, edition of 100, pencil signed.

Etching titled lower left margin "The Chain Gate", signed at lower right margin "John LaFarge". The work, 4 1/4" by 5 3/4" inside the mat opening (8" by 10" simply framed) does NOT appear to be by the famous American artist John LaFarge (1835-1910), though a previous owner wrote on the backing information suggesting that it is by that known artist. It might be difficult to ascertain the identity of the John LaFarge who signed this; John La Farge's youngest son, John La Farge Jr...

Lithograph titled in pencil at lower margin "Going Home", pencil signed at lower right by the artist, JOHN EDWARD COSTIGAN (1888-1972). The print measures 9 1/2" by 14 3/8" inside the mat, 16 3/4" by 20 3/4" framed. The original Associated American Artists labels remain on the backing paper, as shown. Costigan was known for his sympathetic portrayals of what he knew and loved best, the people and countryside of upstate New York, where he lived on a farm in Orangeburg...

Etching of a Chicago landmark, the Museum of Science and Industry, signed in the plate at lower left and dated there 1931 by the listed English-born artist who worked in a number of geographical areas of the United States, LEON PESCHERET (1892-1971). States in which the artist worked include Virginia, Tennessee, South Carolina, Wisconsin (where he lived for quite some time), Illinois, and notably, Arizona and the Southwest. This is a fine etching by a talented graphic artist who was especially...