Tavik Frantisek Simon, Czech, 1877-1942, "Quai Voltaire au Printemps". This sunny Paris street scene was created in 1914 by Czechoslovakian artist Tavik Frantisek Simon. Soft ground etching and aquatint, image size 12 7/8 x 14 5/8 inches, pencil signed, edition of probably 250, cat: Novak 225.

Leon Louis Dolice, American, 1892-1960, Etching with Aquatint, image size: 10 5/8 x 6 inches, pencil signed

Albert W. Barker, American, 1874-1947, Lithograph, "The Quarry No. 2", Edition of 50, image size: 11X8 3/4 inches, pencil signed

William Lee Hankey, European, 1869-1952, etching, "Trincket Box", image size: 4 5/8 6 3/8 inches, pencil signed, blind stamp.

John Edward Costigan Open John Edward Costigan configuration 1888-1972 American This is perhaps the best known etching by American Regionalist, John E. Costigan. The title is: Fishermen Three, it was created and printed in 1938 and sold by Associated American Artists in New York. This etching has an image size of 8 7/8X11 7/8 inches Hand signed in pencil lower border. This image appears in the book, A Treasury of American Prints by Craven.

Louis Auguste Mathieu Legrand, French, 1863-1951, "Le Mee". This is a very fine original etching with beautiful plate tone by French artist Louis Legrand. The image size is 5 7/8 x 8 1/4 inches, published in 1911 in an edition of 50 impressions, cat: Arwas- 426, state II/II, pencil signed.

Sir Francis Seymour Haden, British, 1818-1910, etching, "The Two Sheep", image size: 4 1/2 x 5 7/8 inches, 1870, cat. Harrinton-177, cat. Schneiderman-132, state V/V, pencil signed.

Engraving, by the noted AEGIDIUS SADELER (1570-1629), possibly titled "Cottage Partly Built on Piles", from set of six landscapes, after a painting by the noted Flanders Golden Age artist, ROELANT SAVERY (1576-1639). Savery was an important Old Master of the Netherlands, and his original paintings sell for large sums at auction. Sadeler was a talented engraver, in demand by various artists who wished to have their original works translated into graphics...

Printed by Delatre in Paris, this Felix Bracquemonde frontispiece measures 14 x 9 3/4 inches, published by Alfred Cadart, Paris. Created in 1865, this bold allegorical etching was created as the frontispiece to a volume of the renowned periodical of the Société des Aqua-Fortistes, a group promoting etching as a fine art. Richly inked on watermarked Aqua-Fortistes laid paper, which was made especially for these publications.

Martin Peterson, American, 1866-1956, Etching, "Shortening the Sail", image size: 8 x 9 3/4", pencil signed

Samuel Coleman, American, 1832-1920, Etching, "The Olive Trees on the Riviera", 1884, image size: 10 3/4X14 1/2", pencil signed, plate monogramed

Charles Adams Platt, American, 1861-1933, "Canal Boats and Tugs", etching, image size 4 1/4 x 6 7/8 inches, 1887, cat: Rice-85, plate signed and dated. A rich impression in sepia ink.

A fine 20th C. print variously titled Red Fuji; Fine Wind; Clear Weather, and Gaifû kaisei, originally create by Japanese wood block artist Katsushika Hokusai, c. 1830 as part of the monumental 36 Views of Mount Fuji. Although this print has not been examined outside of its frame, it appears to be in superb condition with bright vivid color...

Albert W. Barker, American, 1874-1947, lithograph, "Rising Mist, Martha's Vineyard," image size 11 x 7 3/8 inches, 1927, Stone No. 14, pencil signed and numbered 44/50.

Carl M. Schultheiss, German/American, 1885-1961, engraving, "Goatherd", image size: 8 1/4 x 7 1/4 inches, pencil signed. Presentation Print for the Society of Print Connoisseurs, Society blindstamp lower left. Provenance: Baldwin-Wallace College.

Ingatz Marcel Gaugengigl, American, 1855-1932, Etching, "Bellisima", image size: 7x7, pencil signed

Robert Hogg Nisbet, American, 1879-1961, Etching with Drypoint, "Through the Willows, No. 2", 1959, first prize graphic arts, Salamagundi Club award, image size: 10 3/4 X 13 3/4 inches, pencil signed

A rare, finely crafted woodblock print in the Arts and Crafts style of the early 20th century, titled at lower left "Marigold", by German artist ILSE KOCH-AMBERG (1869-1934), measuring 6 1/2" by 6 1/2" in side the mat and 12 1/2" by 12" framed. The work features her monogram in the image, and is signed in pencil by the artist at lower right; in addition, the paper features a blind stamp including the word "Berlin" at lower left margin...

Nicolas Mignard, French, 1606-1668, "Odysseus and the Sirens". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Joseph Hirsch, American, 1910-1981, Lithograph, "The Confidence", 1944,image size: 9 3/4X11 1/8", published by Associated American Artists, edition of 250, printed by George Miller, Awarded a purchase prize,Library of Congress 1945, Pencil signed

Kruseman Van Elten, American, 1829-1904, Etching, "Summer Morning", Image size 17 7/8 x 29 5/8 inches, printed by Wm.Pate & Co, NY, plate signed 1886

Nicolas Mignard, French, 1606-1668, "Athena Advises Odysseus". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 11 3/4 x 13 5/8 inches, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Albert W. Barker, American, 1874-1947, Lithograph, "Grassland", image size: 11 1/8x8 12/16", pencil signed

Stephen Gooden Open Stephen Gooden configuration options 1892-1955 British This is an original engraving by British artist Stephen F. Gooden. The title is "Diana", this engraving was created and printed in 1940. The image measures 5 1/2X5 1/2 inches. This engraving is pencil signed and dated lower right, It is editioned as 96/110. This print was the presentation plate for the Print Club of Rochester, N.Y. Printed on a medium weight wove type paper.

This 1927 etching by the American artist Roland Clark measures 7 7/8 x 9 3/4 inches, pencil signed and titled. Roland Clark studied at The Art Students League with J. Carroll Beckwith in New York. An avid outdoorsman he combined his love of the outdoors into his many paintings and etchings. Selected to do the 1938 Federal Duck Stamp Design, he also wrote and illustrated books about his hunting experiences.

Hieronymus Wierix, Flemish, 1553-1619, "Moses and the Israelites Beside the Red Sea", "Moses Leading the Israelites out of Egypt". A rare early engraving by Hieronymus Wierix after Pieter van der Borcht, printed with an image on both sides of the sheet. Each image measures 4 1/2 x 2 7/ 8 inches, 1583, a good impression on a very early laid type paper, published by 16th century book printer and publisher Christophe Plantin...

**PAIR** color offset prints after two Southwest landscape paintings by the noted artist ED MELL (1942-), each laid on artboard and measuring 24" by 36". They were found in brown metal frames with no mat; frames available with the prints at no extra charge should the buyer want them. The prints show slight evidence of the edges perhaps being slightly trimmed, and there are some light scratches and small losses at extreme edges on one print as shown...

Nicolas Mignard, French, 1606-1668, "Odysseus Escaping Polyphemus". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Joseph Pennell, American, 1857-1926, etching, "The Foreign Office", image size: 10 7/8 x 8 3/8 inches, 1904, edition of probably 25, cat. Wuerth-297, pencil signed lower center, framed

Luigi Kasimir, Austrian/American, 1881-1962, color etching, "Corvara (Dolomites)," image size 13 1/2 x 13 1/4 inches, 1916, inscribed in the plate "Corvara 11 Feb. 1916," pencil signed.

Koitsu Tsuchiya, oban tate-e, ¡°Sunset at Mt. Futara¡±, slightly toned and creased, fine impression and color.

Louis Auguste Mathieu Legrand, French, 1863-1951, "Sous les Figuires (Beneath the Fig Trees)". A romantic original etching by Louis Legrand, image size 12 1/4 x 18 1/4 inches, 1895, edition of 50, state V/V, cat: Arwas-102, pencil signed and numbered. Louis Legrand was an important artist of 'La Belle Epoch' in France of the late 19th and early 20th centuries. He specialized in etchings of the women of Paris, from the wealthy elite to dancers and prostitutes...

Diana Thorne, American, b. 1895, "Russians". An energetic image of a young woman walking her two Russian wolfhounds, this etching measures 5 7/8 x 7 7/8 inches, c. 1930, pencil signed below the image, titled on the lower margin. Diana Thorne was a well known early 20th century artist and illustrator, known especially for her etchings of dogs and illustrations of numerous children's books.

David Muirhead Bone, Scottish, 1876-1953, "The Piazza- Glasgow Exhibition," Etching, image size 4 1/2 x 6 7/8 inches, 1901, Dodgson 101, edition of about 90, plate signed l.l. "Muirhead Bone". the published edition of 90 proofs was not pencil signed.

This Warren Davis etching measures 7 7/8 x 6 inches, pencil signed, label from Kleemann-Thorman Galleries, New York included, c.1928. This delicately rendered etching is a great example of Davis's images of graceful female nudes, many of which were used for Vanity Fair and Life magazines in the very early 1900s.

Joseph Hirsch, American, 1910-1981, Lithograph, "Conference at the Bench", 1946, image size: 13 3/4X9",Edition of 250, published by Associated American Artists, Printed by George Miller, pencil signed

Charles Mielatz, American, 1864-1919, Etching, "Pond with Rowboat", 1889, image size: 7 1/4 x 12 5/8 inches, pencil signed

Arthur Heintzelman, American, 1891-1965, drypoint etching, "Convalescence", image size: 12 x 9 1/4 inches, 1926, cat. Smith-128, edition of 80, pencil signed lower right. Heintzelman's skill captures this tender moment between a mother and child. A fine impression with ample margins. Provenance: Baldwin-Wallace College.

Nicolas Mignard, French, 1606-1668, "Perseus Slaying Medusa". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 9 7/8 x 17 5/8, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Tavik F. Simon, Czechoslovakian, 1877-1942, "Puente Nuevo at Rondo- Spain". This is a remarkable original etching by Czechoslovakian artist T. F. Simon, depicting the stunning architecture of the Puente Nuevo bridge in Ronda, Spain. The image size is 13 1/4 x 9 1/8 inches, published in 1913 in an edition of 150, cat: Novak-206, nunmbered in pencil with the artist's stamp lower left, pencil signed lower right...

Stephen Parrish, American, 1846-1938, "On the Annisquam, 1880," Etching, image size 5 x 8 7/8 inches, 1880, Schneider #39, plate signed l.l. "S. Parrish" and "39" l.r.

Tavik F. Simon, Czech, "From the Latin Quarter". This 1907 etching and aquatint by Tavik F. Simon measures 12 3/4 x 16 1/2 inches, pencil signed, numbered "81", edition of 150, cat: Novak-69, G. Petit publisher's blindstamp on l.l. T.F.Simon was born in Bohemia, now the Czech Republic. He studied at the Academy of Fine Arts in Prague and traveled extensively throughout Europe, as well as Asia and the U.S...

Karl Dehmann, German, 1886-1974, "Woolworth Building Through the Arch," etching, 9 3/4 x 7 inches on 15 x 12 inch laid type paper. Printed in brown-toned ink. Pencil signed in the lower right. C. 1925.

A **PAIR** of black and white vintage photographs, circa 1948, of one Navion single engine small aircraft, flying over the San Gabriel Mountains behind Claremont, California, the photos by noted Claremont resident and pioneer aerial photographer, ROBERT C. FRAMPTON (1909-1989)...

Johannes Wierix, Flemish, 1549-1618, "The Crucifixion", "Pilate Washing His Hands". This is a rare 16th century engraving with an image printed on both sides of the sheet. One side has 'The Crucifixion' by Johannes Wierix, after Pieter van der Borcht, the other side has 'Pilate Washing His Hands' engraved by Pieter Huys after Pieter van der Borcht. Each image measures 4 1/2 x 2 7/8 inches, published c...

Friedrich (Fritz) Heubner, 1896-1974, German, drypoint etching, "Portrait of a Young Woman ("Madchenkopf"), image size 12 3/4 x 9 5/8 inches, pencil signed

Peter Moran, American, 1842-1914, "Noonday". A finely detailed original etching by Peter Moran, this image measures 7 3/4 x 10 5/8 inches, 1887, state II/III, cat: Wright- 94, with the separate frog remarque lower left, pencil signed, framed. Peter Moran was one of the foremost artists of the American etching revival of the late 19th century. He was known for his images of cows and farm animals, as well as his atmospheric scenes of the American Southwest.

This etching with aquatint by the German artist, Johann Gottlieb Theophilus Amadeus Prestel, measures 12 5/8 x 18 1/2 inches, 1784, in two colors on green paper, plate signed and dated, after Parmigianino, artist info on backing, thread margins all around.

William Lee Hankey, 1869-1952 British, Mother and Child, etching/drypoint, image size 7 3/4X6 inches, pencil signed and artists blindstamp

A pencil signed color etching (aquatint), 11 1/4" by 9 3/4" (25" by 22 1/2" framed) by the major French-born artist ANDRE MASSON (1896-1987), numbered at lower left margin 43/50. The title is "Ame Errante" (Wandering Soul) and the work was published in the year 1973. Masson's major oil paintings have exceeded $900,000 at auction, with many over the $500,000 mark, yet his signed prints remain inexplicably affordable. A longtime friend of Miro, he is considered a major Surrealist and a link bet...

Original lithograph print, 13 1/2" by 10" inside the innermost of three mats, 21 1/4" by 17 1/2" as framed, the title "Le Ballet: Daphnis et Chloe", printed by Atelier Mourlot, 1969, in an edition of 10,000, as included in Drawings and Watercolors for The Ballet by Jacques Lassaigne, published in 1969 by Tudor Publishing. This is classic Chagall imagery, poetic and dream-like. Note the pipe-playing goat at lower left. All photos were taken through the non-glare glass, which should be discard...

John Austin Sands Monks, American, 1850-1917, "Herd Returning Home". This is an atmospheric original etching of a herd of sheep by American artist John Austin Sands Monks. Image size 11 x 16 1/2 inches, c. 1880s, shepherd's crook remarque in the lower right corner, pencil signed. A rich impression with beautiful plate tone and ample margins on Japan paper.

Albert W. Barker, American, 1874-1947, "Beyond Paul Point," Lithograph, image size 11 7/8 x 8 7/8 inches, 1930, edition of 125, initialed and dated within the plate, pencil signed and editioned.

An example of the etching originally dating to 1891, "Sitzender Mannlicher Akt" (Sitting Nude Man), by famous German artist KATHE KOLLWITZ (1867-1945). The sheet measures 7" by 6" inside the mat, 16" by 15" as framed. This is a circa 1946-48 posthumous edition on cream wove paper, with the A.V.D. Becke blind stamp from Berlin Halensee impressed at lower right (which I have tried my best to photograph). Kollwitz was born in Konigsberg in the old East Prussia. After early art education in Berlin,...

Thomas B. Lawson, American, 1808-1888, "Daniel Webster with bust of Washington". A very fine original engraving of Daniel Webster, after the painting by Thomas B. Lawson, image size 26 1/2 x 18 inches, 1852, engraved and printed by C. E. Wagstaff and Jos. Andrews, in what appears to be the original frame. Daniel Webster was a noted Senator, lawyer and politician from New Hampshire, who also served as secretary of state twice, under the administrations of William Henry Harrison, John Tyler and Mi...

Lawrence Nelson Wilbur, American, 1897-1988, "Peck's Slip- N.Y.C." Etching, image size 6 3/4 x 8 5/8 inches, 1936, edition of 65 proofs, pencil signed and titled "Lawrence Nelson Wilbur" l.r. and "Peck's Slip-NYC" l.l., publishers blindstamp l.r.

Samuel Chamberlain, American, 1895-1975, drypoint etching, "The Verdant Village", image size: 6 1/2 x 11 inches. 1931, edition 75/100, cat. Chamberlain and Kingsland-107, pencil signed, numbered and titled. This scene of Bellefontain, Ile-de-France, exhibits Chamberlain's ability to create subtle gradation in plate tone.

Johannes Wierix, Flemish, 1549-1618, "The Betrayal of Christ, Agony in the Garden". This is a rare early engraving by Johannes Wierix after Pieter van der Borcht, printed with an image on both sides of the sheet. Each image measures 4 1/2 x 2 7/ 8 inches, 1583, a good impression on a very early laid type paper, published by 16th century book printer and publisher Christophe Plantin. One side of the sheet shows the 'Betrayal of Christ', the other 'Agony in the Garden'.

Joseph Pennell, 1857-1926, American, "The Thames at Richmond," etching, image size 8 5/8 x 11 inches, pencil signed.

Sir Francis Seymour Haden, British, 1818-1910, "Shere Mill Pond No. II". This is a very fine early state etching, image size 7 x 13 1/8 inches, 1860, state VI/IX, cat: Schneiderman-37, plate signed and dated. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law, James Whistler. In addition to being a highly regarded artist, he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first pr...