Engraving with hand coloring, 4 3/4" by 8 3/4" inside the mat, 9 3/4" by 12 3/4" in interesting old framing, the work trimmed on all sides, including the title "The Beverley Shore", after the important nineteenth century American artist JOHN FREDERICK KENSETT (1816-1872). Kensett is famed for his luminist technique and the almost spiritual stillness of some of his coastal landscape paintings, which have exceeded one million dollars at major auctions...

Nineteenth century English hunting scene after the noted English artist who specialized in equestrian, racing, coaching and hunting scenes HENRY ALKEN (1785-1851). Alken's oil paintings sell for large sums at auction, and his prints are popular with interior decorators seeking that traditional look through sporting art. According to the fine print at bottom center this engraving was printed in the the year 1838 in London...

"William Hogarth" The Pool of Bethesda Invented and Painted by William Hogarth Engraved by Ravenet and Picot The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

Antique (19th century) hand-colored print of flowers, possibly columbine among them, in a contemporary gold frame with contemporary expensive hand-drawn "French panel" mat. The print and mat and frame are in exceptional, wall-ready condition. Measurements 9 1/4" by 7 1/4" (19" by 17" framed). See other botanical prints in my shop. Allow for a number of reflections in the glass in some images.

From our European Collection, a very good 17th century copper plate engraving, most likely English circa 1650-1700, depicting a Chinese official accompanied by his entourage, with subjects kowtowing in the foreground and a crowd of spectators to the rear.

Size and Condition: 7 inches by 5 1/4 inches, very well preserved with only slight creasing.

Fine engraving by Cousen, titled at bottom center "The Woodland Gate", after the original painting by English Royal Academician WILLIAM COLLINS (1788-1847), measuring 8 1/4" by 10 5/8" inside the mat with hand-drawn lines, 16" by 17 1/2" in silvery framing. This is a fine decorative print that is in extremely clean, wall-ready condition. According to information on the internet, Collins' work was prized more highly in the late 19th century than that of Constable and Turner...

Charity in the Cellar Engraved by Leney, after Hogarth's painting Heath edition The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

"William Hogarth" Mr. Garrick in the character of Richard the 3d The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

Etching on paper, 6 1/8" by 9" inside the mat (13 1/8" by 15 1/2" as framed in attractive oak), the title "Emigrants on the Plains", bearing at lower left margin "F.O.C. Darley, fecit." and at lower center "Entered according to act of Congress, A.D. 1869, by D. Appleton & Co in the clerks' office of the district court for the southern district of N.Y.", and at lower right "H.B. Hall, Jr. sc."...

**SET OF 4** The French fashion and costume magazine "La Mode Illustree" operated from about 1859 through at least the 1920's, featuring the styles of the day. This is a set of four fine engravings, circa 1875 or 1880, judging from the fashion depicted. All are hand colored. Size as framed 15 1/2" by 12 3/4" (one without glass, which had shattered). The framing stained oak. The prints are very clean inside the mats...

Antique hand-colored Italian engraving, the sheet 13 1/2" by 10" (15 3/4" by 12 1/4" framed), titled "IL MANGABEL". This is a work of the noted Italian engraver LUIGI RADOS (1773-1840). Rados studied engraving in Milan. He was the father of Eugene and Giovanni, who also went on to excellence in the profession...

Two antique prints circa 17th century, matted together, one featuring profiles of a man's head (6 1/2" by 9 1/2"), the other a study of a bare foot and a foot in a sandal (6 1/2" by 4 1/2"), the head profiles, originally drawn by Annibale Carracci (1560-1609) for his "Livre de Portraiture", subsequently transferred into engravings, likely by Jan Van Haelbeck (fl. 1600-1630) and published in Paris in 1667 by Francois de Poilly. Carracci's name is at lower left, and de Poilly at lower right...

A pair of identically framed, very clean steel engravings, one titled "The Waterfall", after an 18th century painting by the Florentine Old Master FRANCESCO ZUCCHERELLI (sometimes spelled Zuccarelli) 1702-1788, measuring 10 1/2" by 6 3/4" (17 1/2" by 15" framed) and the other, by the famous English 19the century artist JOSEPH MALLORD WILLIAM TURNER (1775-1851), titled "Crossing the Brook" (11" by 8 3/4"), and the same 17 1/2" by 15" framed as the Zuccherelli. The Turner has a small foxing spot ...

18th c English engraving Published by Ms by Hannah Humphrey engraving Dec 16 1797 St James st. "Thirty years have I lived in the parish of Covent Garden" good condition no apparent foxing mat 14" by 18" sight approx 6.5" by 10"

Three engravings, from a set (consecutively numbered in Roman numerals), but separate though loosely framed together, margins for the most part tightly trimmed, each measuring roughly 6 1/2" by 5 1/2". The scenes of the old towns are named in Latin, German, and French. Judging from the architecture, the towers and buildings are certainly from the northern part of Europe, most likely Germany. Artist is undetermined at this point. Some research could reveal that information. The prints are lo...

"Thomas West Fellow of Magdelen Collage Oxford" , colored engraving c 1792 sight 7" by 8" mat board some damage the print has staining and foxing as seen in pictures, mat size 14" by 18". Thomas West by Charles Knight, published by John Thane line engraving, published 1 November 1782 Knight resided in 1781 in Berwick Street, Soho, London, enrolled in London's Royal Academy Schools in 1788, and in 1792 resided in Brompton. He is best known for his engravings, but he also worked as a miniatur...

Large fine English antique mid 19th century print of mounted riders in traditional red coats, and their trained hounds, in an extensive landscape, the title "John Josselyn Esq. and the Suffolk Hounds", engraved by Charles Mottram (1807-1876) after the painting by Edward Robert Smythe (1810-1899). The print, mounted long ago to a board, was published circa 1865 by Henry Graves & Co. of Pall Mall. The print, **to be shipped without glass**, is in good displayable antique condition, though not pe...

A print titled, “LE DEPART D’UNE FIORE” on heavy paper with the colors brown blue red/pink and black on white paper. Sometimes I find it difficult to determine if the colors have been applied to a single plate or if the print has been made with a separate plate for each color. This print feels as if it was printed with more than one plate because of the mixing of colors in some places and the clean separation in others. Bonnet was an early printer using separate plates, which is the more t...