18th c Venetian View of the Church of RR. PP of the Madonna di Seru, hand water colored engraving by Domenico Lovisa known for his "Venduta" views of Venice . Good condition for its age hand hand colored and matted . Image paper is 19" by 25" there are slight tears at paper edge from handling. see images.

John Taylor Arms, American, 1887-1953, "Amiens". This 1926 etching by the American artist, John Taylor Arms, measures 10 3/4 x 9 7/8 inches, pencil signed and dated, also called "The Cathedral of Notre Dame, From the Lower Town", edition of 100, from his French Church Series #8, cat: Fletcher 181, printed by Frederick Reynolds. This etching won the "John G. Agar Prize, Fifth Annual Exhibition by Living American Etchers, National Arts Club, New York, N.Y." in 1927.

Charles F. Daubigny 1817-1878 French This is a rare early etching , by French artist Charles Francois Daubigny (1817-1878) This image plate signed lower left also has the Delatre Address, Paris lower right. Created and printed in 1848. The image measures 4 5/8X7 1/4 inches.The sheet has collectors seals front and back, printed on a medium weight laid type paper,

Edgar Chahine, French, 1874-1947, drypoint etching, "Elvira," image size 14 1/4 x 19 1/2 inches, 1906, ed. of 50, cat. Tabanelli-165, pencil signed, framed.

An etching entitled "Tamba House" by the artist Brian Williams depicting a beautiful old traditional Japanese house in a rural mountain setting. Set against a backdrop of pine forests and mountains in Japan, the house is immersed in a deep snow. Signed in pencil and dated '87. This is an original print #43 of 100. Unframed. Brian Williams was born the first son of American missionary parents in Peru in 1950. At age 16 he moved to California to finish high school and college...

Etching (5 5/8" by 7 1/2", 13 1/2" by 15" in pleasing old gold framing), titled on reverse label "Fishermen's Houses Saint Tropez", (French Riviera), pencil signed in the margin by listed California artist REGINALD WILMER VAUGHAN (1870-1958). The etching likely dates to about the 1930's or 1940's, I believe. Vaughan was born in Boston of blue blood stock (relatives were with George Washington at Valley Forge)...

An original etching made on a zinc plate, 5 3/4" by 6 1/2" inside the present mat (14 1/4" by 18 1/2" in simple black frame), signed in pencil at lower right margin by important 19th century Italian artist GIOVANNI FATTORI (1825-1908). The title of the print is "Strada dei dintorni Fiorentini". Affixed to the backing is a charming old,early 20th century note handwritten in English...

Donald Shaw MacLaughlan was born in Charlottetown, Prince Edward Island, Canada on November 9, 1876. His family moved to Boston, Massachusetts in 1890 where he began to experiment with different art media; watercolor, oil painting and finally, etching – with a few attempts at lithography. This piece on toned paper depicts a view of Venice Italy, done circa 1910 measuring 21x18 inches

Alphonse Legros, French, 1837-1911, etching, "Les Bords De La Liane", image size: 5 7/8 x 7 3/4 inches, c. 1900, pencil signed lower right. This airy, impressionistc etching depicts a man fishing in a forested landscape. Provenance: Baldwin-Wallace College.

Original deep etching, drypoint, and engraving on copper by Wendell H. Black (American, 1919-1972), in excellent unframed condition. This first edition print was produced by Berkley Chappell and signed by the artist's widow (Black never produced an edition of this work himself). It is titled and numbered 7/25 as well as signed and dated l.r. For the whole story please cf. "The Lost Prints of Wendell H. Black" by Henry Sayre, where this work is illustrated plate 16. 13 1/2" by 22"...

Original scarce and desirable unframed 1915 etching known as "New York, From Brooklyn", signed at lower center in pencil by the important American etcher, illustrator, critic, author and teacher JOSEPH PENNELL (1857-1926). The sheet, unframed, measures 11 1/4" by 15 1/2". The artist needs little introduction, as he was one of America's most prolific graphic artists, having produced many, many etchings and lithographs, not to mention watercolors, oils and drawings...

Felix Bracquemond, French, 1833-1914, "Sarcelles (Teals)", etching, plate measures 8 7/8 x 11 1/2 inches, drypoint etching from 1853. Catalog: Beraldi 111. Plate signed in the upper right, pencil signed in the lower right. Blindstamped in the lower left.

John Taylor Arms 1887-1953 American This is an artists proof etching by American artist John Taylor Arms. The title is Limoges, part of his French Church Series created and printed in 1932. This etching is hand signed in pencil with an image size of 10 1/16X13 5/8. This image is inscribed lower right: "Beautiful impression, pulled by D.S. and J.T.A." Inscribed also as artist proof number III. Printed on a J. Whatman watermarked laid type paper. A beautiful impression.

Original deep etching on zinc by Wendell H. Black (American, 1919-1972), one of the last plates Black worked on before his death. Titled and numbered 7/25 l.l. Signed and dated '70 l.r. 23 1/2" by 35". In excellent original condition. From the first edition of this work, posthumously printed by Berkley Chappell.

Scarce print, "Coal--Mahanoy City--The Main Street", so titled and pencil signed by the artist, Joseph Pennell, in the lower margin, with notation "Trial Proof" at lower left. This is a scene of a gritty small town in east-central Pennsylvania's anthracite coal belt, Mahanoy City, about 50 miles northwest of Reading. The total edition is said to have been 50 impressions...

An example of the etching "The Complete Angler", by the noted English artist credited with creating the so-called "Etching Revival" of the latter 19th century, FRANCIS SEYMOUR-HADEN (1818-1910). The print is signed in the plate and lower right and dated there 1877, but was likely printed in the year 1880, in an edition of 1000. Measurements are 6 1/2" by 8 3/4" inside the present mat and 12 1/2" by 14 3/4" as framed...

Set of three octagon shaped etchings by artist Robert Wallace, views of Europe circa 1940s including Switzerland, and England measuring each 6 inches diameter in octagon frames

Charles Mottram, British, 1807-1876, etching after a painting by J. W. Carmichael, "Off Portland," image size 17 3/4 x 27 1/4 inches, published in London Feb. 17th 1871 by L. Brall & Sons, period frame.