Albert Abramovitz, Latvian/American, 1879-1963, "Worker's Head". Albert Abramovitz $595.00 1879-1963, Latvian/American Worker's Head This is a beautiful, intimate portrait of a Depression-era worker by Albert Abramovitz. Linocut, image size 7 x 4 1/2 inches, c. 1930s, pencil signed and titled. Abramovitz was known for his dramatic images with sharp social commentary, many portraying the hardships of daily life for working class people in both America and Russia...

Albert Abramovitz, Latvian/American, 1879-1963, "The Hold Up". A dramatic original linocut by Albert Abramovitz, image size 6 3/4 x 5 3/8 inches, c. 1930s, pencil signed and titled. Abramovitz was known for his dramatic images with sharp social commentary, many portraying the hardships of daily life for working class people in both America and Russia. Born in Latvia, Abramovitz studied at the Imperial Art School in Odessa and the Grande Chaumiere in Paris...

Black and White wood block print "Celestial Destiny" by T Le Tigre 2007 india ink on heavy rag paper 221/4" by 15"

Utagawa Yoshitsuya, Japanese, 1822-1866, "Senjubo Aiming at Harunaga-Ko". This is a an original color woodblock print by Utagawa Yoshitsuya from his series '54 Battle Stories of Hideyoshi". The image size is 12 7/8 x 8 7/8 inches, 1864, lifetime impression, framed. Hideyoshi was a 16th century Samurai warrior in the who rose through the ranks of the army to become general, leading the forces of Japan in several brutal conflicts...

Utagawa Yoshitsuya, Japanese, 1822-1866, "Wakazaka Shinnai at Shizugadake". This is a an original color woodblock print by Utagawa Yoshitsuya from his series '54 Battle Stories of Hideyoshi". The image size is 12 7/8 x 8 7/8 inches, 1864, lifetime impression, framed. Hideyoshi was a 16th century Samurai warrior in the who rose through the ranks of the army to become general, leading the forces of Japan in several brutal conflicts...

Barry Moser, American, 1940-, "Timing Devices". A dramatic triptych wood engraving, the three images are individually titled, "The Dump", "The Burying Ground", and "The Eucharist". The overall image size is 8 x 9 3/8 inches, 1977, pencil signed.

Torii Kiyonaga, Japanese, 1752-1815, "Two Women with Young Servant". This woodblock print by Torii Kiyonaga measures 9 1/2 x 7 inches. It is signed, sealed and titled within the image. Kiyonaga was one of the great masters of the full-color print depicting courtesans, beautiful women and Kabuki actors. Head of the Torii school, he excelled with "bijin-ga" (beautiful women) prints and these were considered to be his best works.

Leonard Baskin, American, 1922-2000, "Portrait of a Man," Wood engraving, image size 20 x 13 1/2 inches, c. 1950s. This is a very rare unsigned proof, which does not appear in the Fern & O'Sullivan catalog. We believe this portrait to be of 17th century French artist Jacques Callot, whom Baskin greatly admired and included in his series of etchings, "Portraits of Ten Artists" in 1964.

Original Japanese woodblock print by 20th century master Jun'Ichiro Sekino (1914-1988) circa 1950s. Unusual column format (roughly 28" by 10" paper, 21" by 5" image), extremely unusual subject, signed "J. Sekino" in pencil lower right and numbered 67/100 lower left. In its original frame, not examined out of the frame but apparently in excellent condition. Sekino's woodblocks are found in the collections of most important art museums, including MOMA and the Art Institute of Chicago.

These are three images of a very rarely seen Maki series,the Drop series.If any friend can send me images of Drop 1, 4, or 5, I would appreciate it.

Around 1960 Haku Maki probably did the Ox as a woodblock print. He was then a young artist in Tokyo. He may have done some Ox images before James Michener did his now wellknown book, but probably not many: 510 were used in the book The Modern Japanese Print". The prints of Japanese artists included in the book are large-ish, it is not embossed...

Original Japanese woodblock triptych by Utagawa Kunisada (Toyokuni III) of a Kabuki subject, circa 1852. This work is signed Toyokuni ga and depicts the actors Iwai Kumesaburo III, Ichikawa Saruzo I, and Ichikawa Danjuro VIII in the play: Jiraiya Goketsu Monogatari. 3 oban panels, in beautiful color and condition, never framed.

Original Japanese woodblock print by Utagawa Hiroshige (Hiroshige II), from his series "One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)", circa 1860. This vertical oban is signed Hiroshige ga. Published by Uoya Eikishi. Beautiful color and condition. Never framed. A rare print from a series partially based on Hiroshige I's series (Famous Views of the 60-odd Provinces). This particular view by his protege is not based on a Hiroshige I work.

TWO JAPANESE WOODBLOCK PRINTS COMMEMORATING FREDERICK STARR & NOSATSU.

Frederick Starr was a professor of anthropology at Chicago University who first visited Japan in 1904 and made many subsequent visits. He wrote many papers on Japanese subjects but is probably best known in Japan for his interest in pilgrimage, he dressed in traditional pilgrim’s clothing and performed the Shikoku pilgrimage in 1917 and 1921...

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with artists’s seal on L.L., very good impression and color, two light marks on lower left, light ripple in upper right corner, large red collector’s seal on verso

Oban tate-e: 10 x 14 ¾ in.

Village scene, possibly Nara, issued ca. 1950s, non-limited edition.

Pencil signed in the image beneath red artist’s seal, very good impression and color, untrimmed, full margins, light toning in margins, white tape residue on back of margins, printer’s seal on back of margin.

Overall size: 11 ½ x 17 in., image size: 10 ½ x 15 1/8 in.

Kyoto Storefront, undated, purchased from a Kyoto gallery in 1978

Signed and titled in pencil on lower margin, very good color and condition

Paper size: 10 x 13 in.; image size: 7 ¾ x 10 ½ in.

Sake Shop, undated, purchased from a Kyoto gallery in 1978

Signed and titled in pencil on lower margin, very good color and condition

Paper size: 10 x 13 in.; image size: 7 ¾ x 10 ½ in.

Farm scene, issued ca. 1960s

Printed from a single block on thick paper. The block is inked in different colors with shading effects to imitate a stencil print.

Overall size: 9 x 12 in.

Album leaf with sleeve illustration for kimono, produced ca. 1930

Very good impression and color, thick paper, very minor soiling on margins, remains of backing tape

Overall size: 10 x 14 in.

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with publisher’s seal on lower left, very good impression and color, very light soiling on upper edge, minor wear

Oban tate-e: 10 x 14 ¾ in.

Portrait of a Noh actor from the series “100 Noh Plays” published 1922-1926

Fan-shaped publisher’s seal on lower left, no signature, fine impression and color, visible woodgrain, very slight diagonal crease from top center to lower right edge, good condition

Oban tate-e: 10 x 14 ¾ in.

Scene from a Noh play, published 1922-1926

Signed Kogyo on lower left, fan-shaped publisher’s seal, fine impression and color, visible woodgrain, lacquer printing on lower stage platform, light mica dust on edge of mountains, very slight wrinkles to lower corners, overall good condition

Oban tate-e: 10 x 14 ¾ in.

A “modern” print collage design depicting fragments of ancient temple roof tiles; a stylized Shinto shrine compound all overlaying a background scene of samurai warriors, issued ca. 1930s

Excellent impression and color including bronze powder printing—clouds and warrior highlights, very slight creasing to upper corners, not backed.

Overall size: 11 3/8 x 14 in.

Print by Helen Hyde titled "Daikon and the Baby", dated 1903, woodblock print on very thin, fine paper, size of printed area: 6" high x 3" wide.

¡°This print was prepared in the mid-thirties, a few rare proofs exist¡­¡­This imposing portrait is the equivalent in technical complexity of Les Perles and L¡¯Etoile de Gobi¡­¡­The Mandarin¡¯s sleeve is printed in three shades of gray with urushi stripes, and silver metallics. Note the mica of the lenses, made by using crushed pink pearls¡­¡­¡± Richard Miles, The Prints of Paul Jacoulet. P.113, Robert G. Sawers Publishing, 1982...

Japanese woodblock print by the artist Kazuhiko Sanmonji entitled "Zen Garden of Ryoanji". Printed in gray, brown and yellow ink on paper. Signed and titled in pencil. Dated 1999. Artist proof.

Dimensions: Size of paper: 4 3/4" high x 13 1/2" long. Size of art including signature: 3" high x 12 1/2" long

Japanese limited edition woodblock print by Morihiro Sato (b. 1943) depicting white bellflowers. A student of Joichi Hoshi who was influenced by Hoshi's use of metallic pigments, the artist set the flowers and partial moon (or sun) against a metallic background. Depending upon the lighting conditions (see image taken with flash) the background appears either golden or silver. The print is pencil-titled in kanji "Autumn (Bellflowers)" and numbered 3/55 at the lower left...

Print by Birger Sandzen (Swedish American Artist 1871-1954), titled "The Sentinels", a well known image by this revered artist, done with what is described as Nailhead print making, similar to his woodblock and linoleum prints, though having much more precise definition and detail. Measures: Sheet size (actual size of sheet minus edge losses) 10 7/8" x 8 5/8", image is 4 3/4" x 7". Signed on lower right in pencil, his initials BS in the lower right of the print, titled "The Sentinels" on low...

Poem 71-71 is a Maki depiction of 子 Child and is one of those large red kanji on a black background that Daniel Tretiak valled a Big Red. This one measures 12in W by 17.5in H and is no.13 of an edition of 153. It is in excellent condition.

Clifton Karhu (1927-2007)
Tominaga-cho, Gion
Date: 1993.
Edition: 55/75.
Size: 24.25 x 17.75 inches.
Signed, titled, numbered, and dated in pencil by the artist in lower margin.
Medium: Japanese woodblock print.
Condition: Slight toning in margin due to former matte. Left and right outside margins each have a dot of foxing. Print has never been adhered to a backing.

Poem 69-13 is an old embossed print. Created in 1969, it is in excellent condition. It measures 11 1/8in W x 15in H and is number 61 of an edition of 82.

A Very Fine Haku Maki (1924-2000) Japanese Woodblock Print with Persimmon This print is a striking reddish orange persimmon with leaves tipped with a special Japanese lacquerand the thin and thick contrasted dark back ground. Title: 81-10, Persimmon, Signed Haku Maki, sealed Haku Maki in red seal Edition: 86/190 on the bottom margin. It’s in very good condition with full margins and a frame without any lay down with glue.( it just has been made a frame with a cardboard back with a ...

Large limited-edition Japanese woodblock print by Joshua Rome (b. 1953) titled “Amawaku no Harusame” dated 4/15/1981. The bottom margin is titled, dated, numbered 70/100 and signed in pencil. The artist's red seal is beside the signature...

This is a block print on an unusual paper, the subject a mounted Native American banging his drum while on a white horse, signed in the block by the important "dean of Arizona artists", LON MEGARGEE (1883-1960). The striking image might be after a painting by the artist, who, the story goes, was passed one day in the desert by a warrior in a dreamy trance-like reverie state, working his drum in this manner, barely noticing the white man watching him pass. Megargee was born in Philadelphia to w...

Japanese Woodblock by Tomio Kinoshita, "Red" 1971, 21/150. Large abstract square head over a square body with hands done in a curved space. All interior defined with parallel lines over a light orange/brown, shoulders marked by an abstract calligraphy tightly rendered.
Tomio Kinoshita born in Mie Prefecture Japan in 1955, exhibited at Nihon Hanga Kyokai in 1957, winning Association Prize in 1958, and exhibited in all subsequent shows until he have up art later in life turing to a trade of car...

Paul Binnie
Snow at Asakusa (Shitamachi Snow, Moon, and Flower) Date: 1998
Size: Oban. Approximately 16.5 x 11.5 inches.
Edition no.: 36/100
Medium: Japanese woodblock print.
Condition: Excellent. Circle in lower foreground is fiber within the paper.

Masao Ido
Zuihou-In III (Rock garden)
Date: 1990.
Size: Approximately 18 x 13 inches.
Edition: 27/180
Signed in pencil and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Faint matte line in margin.
Zuihoin is part of Daitoku-ji Temple in Kyoto.

Ca. 1950s

Original Japanese black lacquer and brocade frame. Postcard size print with borders likely trimmed. Print in good condition, but not examined outside frame.

Print: 3 ¾ in. x 5 ½ in., Frame: 9 in. x 7 ¼ in.

Ca. 1950s

Original Japanese black lacquer and brocade frame. Postcard size print with borders likely trimmed. Print in good condition, but not examined outside frame.

Print: 3 ¾ in. x 5 ½ in., Frame: 9 in. x 7 ¼ in.

Ca. 1950s

Original Japanese black lacquer and brocade frame. Postcard size print with borders likely trimmed. Print in good condition, but not examined outside frame.

Print: 3 ¾ in. x 5 ½ in., Frame: 9 in. x 7 ¼ in.

A print by the Japanese print maker Haku Maki, 1924-2000. He began in a career as a kamikaze pilot during world war 2. The surrender by Japan saved his life. He became a teacher and learned print making. His prints are unusual as they start with a woodblock which is carved then pressed with cement. When the cement is dried, it is carved further. A wet paper is placed on the woodblock and left to dry. The resulting image has a wonderful texture and unique embossed finish. He often printed...

A Very Rare Korean Young Lady Woodblock Print by Sul-Chon-Korean/Japanese: Korea, Korean calender dated 4287 (1954), Oban, tate-e, 37.5cm x 28cm. Title: series #4: a Portrai of Choson’s young lady. Artist: Sul-Chon. Signature: Sul-Chon in black seal and incense burner shapped real seal. Printed and publushed: 1954 Condition: an excellent condition with bright color, full margins and cleans without any stains, crease or any damages at all. Please Note: This pri...

Original Albrecht Dürer woodblock print "The Flight into Egypt", from: The Life of the Virgin (B. 89; M., Holl. 201; S.M.S. 179) woodcut, circa 1504, This impression on laid paper with a Fleur de Lis watermark (Meder 122) it is an original 16th century print after the Italian edition with narrow margins with a 1 cm repaired tear top left otherwise in very good condition B. 11¾ x 8 5/16 in. (299 x 211 mm.) S. 11 7/8 x 8 5/16 in. (301 x 212 mm.) Archival framing the print is tiped to archival ma...

Poem S B. This small and unpretentious print was a sleeper. Whoever sold it knew not what he had. Indeed neither did I until well after it came here to Beijing. It is a very rare 1968 Maki print. Not 1967 and not 1969. It has the kanji for Rope in the center and that is placed on a subtle but firmly done kanji for STONE - but the kanji is in there ass backwards. The correct rendering is in image 5. Mysteries abound.I have never seen the sub-title SB in a Maki print. I do not know what it m...

Still life Woodblock print of Vase by Tomimoto Kenkichi (1886-1963.) Artist's Seal: "Tomi." Date: 1955. Publisher: Adachi Hanga. Medium: Woodblock Print. Impression: Very good, printed on long-fiber Japanese paper. Size: W. 32.5cm( 12.75") x H.42cm (16.5"). Tomimoto Kenkichi was best known as one of the most influential Japanese ceramic artists of the 20th Century. In 1955, he was designated as a "Ningen Kokuho" Holder of Intangible Cultural Propertiy, commonly known in the West as a "Nation...

Work 73-5 is a funny, lively snowman--or snow child. It is number 28 of an edition of 103 and measures 9.5in W x 17.5in H.

Haku Maki was a Japanese print master of the late 20th century. His prints at the time this one was published were strong on the use of kanji and abstract designs, as shown here. In this case; the design is abstract, it shows archaic images which we are trying to understand. The print is large, well designed and carried off. The seller Ashley Brasca of Winnipeg Canada wrote to me about this print: “It is special because of the texture and physical quality achieved on the surface. This ...

A Very Rare/Fine Japanese Woodblock Print by Tadashi Nakayama (1927 -): Japan, dated 1961, with original frame. Ptinted with metallic embellishments, of red and silver squares with black top (?), signed in pencil T. Nakayama, edition numbered 16/50, on the bottom margin, with a professional/original frame. This is a very unusual print by this artist. It’s in very good condition with color and impression, without any noticeable defects but not examined its back. Measurements; 33” x 2...

A Rare Japanese Album Leaf Prints by Toyokuni Kunisa Japan, 19th Century 14 full set of Japanese album leaf prints (10 triptych and 4 double leaf prints).A part of one triptych prit might be missed. It is in fine condition without any typical damages, and its measurements are 14" x 9 7/8" for each page.

A Fine Japanese Woodbocl Print by Paul Jacoulet (1902-1960): Japan, Dai oban Yoko-e, 18 3/4” x 14” incl. margins, first edition. Title; Three young Korean men, Seoul, Coree Signature and Seal; signed jacoulet in pencil with a red Mandarin duck seal stamped on the lower left and another square red seal on the verso, and there is a solid Siver Mica on the back ground. There is no edtion #, but this is a first edition print by Paul Jacoulet. Publisher; printed by Uchikawa Matashiro o...

A Very/Large Woodblock Print by Tsuchiya Rakuzan (1896-1976): Japan, First Editon, 23 3/4” x 18” incl. margins, Title; a Pair of pigeons beneath hydrangeas in middle of Summer, Date; ca 1930s, Signature; impressed seal “Rakuzan Kyo” and Red seal “A”, Pubisher; Self-printed, Water mark; Rakuzan Kacho Gafu on the lower margin, Conditon; It is in very fine condition but a mat bed marks on the margins only. *** Reference: Please see www.Rackuzan.net website

A Very Fine/Large Woodblock Print by Tsuchiya Rakuzan (1896-1976): Japan, First Edition, 22” x 16 3/4” incl. margins Title; Lily and a Bird feeding her chicks in early Summer, Date; ca 1930s, Signature; impressed seal “ Rakuzan Kyo” and Red seal “A”, Publisher; Self-printed, Water mark; Rakuzan Kacho Gafu on the lower margin, Condition; It is in very fine condition but a mat bed marks on the margins only (not images). *** Reference: Please see www.Rackuzan.net website

A Very Fine/Large Woodblock Print by Tsuchiya Rakuzan (1896-1976): Japan, First Edition, 22” x 16 3/4” incl. margins Title; Ears of Barley, dadelions and nest of a skylark feeding her chicks in early summer Date; ca 1930s Signature; impressed seal “ Rakuzan Saku” and Red seal “A” Publisher; Self-printed, Water mark; Rakuzan Kacho Gafu on the lower margin, Condition; It is in very good condition but a mat bed marks on the margins only (not images). *** Reference: Please see Ra...

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with artists’s seal on L.R., fan-shaped publisher’s seal, excellent impression and color, gilt metallic printing on robe, some very minor creasing and very light soiling to corners, otherwise good condition, large red collector’s seal on verso.

Oban tate-e: 10 x 14 ¾ in.

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with artists’s seal on L.L., fan-shaped publisher’s seal, very good impression and color, small soil mark on upper left corner, wrinkle from the printing across upper right corner, corner creased, light soiling, large red collector’s seal on verso.

Oban tate-e: 10 x 14 ¾ in.

A Fine/Large Serigraph Print by Tetsuro Sawada (1935-1999): Japan, 70cm x 55cm all margins included, 50cm x 40 cm image only Dated 1991, Title; Glow wave (II), Signed Sawada and Title and Edition # 89/100 and dated 1991 in pencil by the artist Medium; Serigraph, Condition; it is in very good, very brilliant color and full margins. Please note; I highly recommend keeping this frame with its print since it was custom crafted to enhance the print’s detail. ...

A Very Fine Woodblock Print Korean Bride by Paul Jacoulet (1902-1960): Japan, Dai Oban tate-e, 15 3/8” x 11 3/4” print only, (approximately 18” x 13 7/8 marigins), Title; La Mariee “Bride, Seoul, Coree” Signed Paul Jacoulet in pencil with owl seal in red on lower left Limited edition # 54/350 in red on verso. Engraved by Maeda Kentaro, printed by Fujii Shunosuke It is in very good condition with good impression and color with full margins without any stain or mat burned marks,...

An Extra Large/Rare Kappa-ban by Yoshitoshi Mori(1898-1992): Japan, 27” x 19 3/4” or 68.5cm x 50.2cm. paper, Title; Two gamas colliding (given name) Signed Yoshitoshi Mori in Roman scrip in pencil and sealed in red, Limited edition; # 25/50 early edition and dated ‘72 It is an extra large size of his print and a rare his print, and is in excellent condition with good colors and very clean on the back. *** Yoshtoshi Mori was the mater of Kappazuri – Stencil print- in Japanese. ...

A Very Fine Woodblock Print by Ito Shinsui (1898-1972): Japan, Dai oban tate-e, 41.5cm x 25.8cm “The first collection of modern beauties” Title; A beauty warming under the quilted branket Signed and Dated; Shinsui ga and Showha 6 (1931) December on the upper right image Publisher and Seal; printed by Watanabe Shozaburo with a seal on verso Watanabe "6-mm" seal (used on early Shinsui prints) Limited number; 206/250 in rectangular red seal on verso wi...