Paul Jacoulet
1896-1960
French
This is one of the finest color block prints by French artist Paul Jacoulet. The title: Retour De La Jungle, Tondano: Celebes, This image was created and printed in 1948, Pencil signed, with the Sparrow seal. This image measures 15 3/4X12 inches. The artist used a fine coral powder to give dimension to the compositional colors. He also experimented with Gofun, an egg white derivative that produced a rich opaque effect...
Woodblock print by Earl M. Washington, page measures 11" x 8 3/8", woodblock image is 6 1/4" x 5", mat is 13 1/2" x 11".
Black ink on cream color paper, in white mats with glassine cover over image.
Signed E.M. Washington, titled "Race Mixing", number 2 of 30, with date of 1932, though was printed in the 1990's.
Image depicts a violent scene, a black man attacking a nude woman, with knife in his hand. Maybe an image of a racist propaganda poster or leaflet, or an original by Washington...
Large original mid-century woodcut by Davira Fisher (USA, Cincinnati, 1918-1986). This work is signed in pencil by the artist L.R. Dated 1960, titled "Lonely Trees", and numbered 18/100. Framed. Davira Fisher is a well listed African American artist from Cincinnati aptly known for her woodblock prints, often depicting the Mount Adams neighborhood of her city.
Japanese limited edition woodblock print by Tadashige Nishida (b. 1942) depicting a white cat set against a vibrant red background. This is an early 1999 printing of this design. In pencil, the bottom margin contains the title "Cat (Look Back) 2w," the edition number 59/120, the artist's signature "T. Nishida," and the date '99 together with the artist's red seal. Paper: 15" x 12 3/4" (image: 11 3/4" x 9 1/2"). Very good overall condition...
The Latin text discusses the origins of Turkish people and shows a man wearing a kaftan-like garment and a pointed hat. He is armed with a scimitar suspended from his twisted belt.
On top the hand-colored woodcut of king Pepin the Short (714-768 AD) holding sceptre and globe. Pepin was the first Carolingian king and father of Charlemagne.
Below is the figure of St...
Albert Abramovitz, Latvian/American, 1879-1963, "The Family," etching, 10 1/2 x 8 inch linocut on wove-type paper. Pencil signed and titled. C. 1932. Plate initialed in the lower right corner.
Scene from a Noh play from the series “100 Noh Plays” published 1922-1926
Signed Kogyo with artists’s seal on L.L., fan-shaped publisher’s seal, very good impression and color, small soil mark on upper left corner, wrinkle from the printing across upper right corner, corner creased, light soiling, large red collector’s seal on verso.
Oban tate-e: 10 x 14 ¾ in.
A wood engraving, late 19th century, titled at bottom center "The Yosemite Valley, California", the image a breathtaking panorama of the waterfalls and sheer cliffs of the world-renowned natural wonder, set off by foreground trees and rocky ledges. Although the vintage print is perhaps not an actual Harper's Weekly work, it is in that vein and style. Not examined out of the frame, which is an attractive dark distressed burl wood or quality wood simulation...
¡°The two adversaries (left)¡± and ¡°The two adversaries (right)¡± were published 5 December,1950. The carver was Maeda; the printers were Honda, Uchikawa and Onodera. Both have Paul Jacoulet¡¯s pencil signature and red Arrow seal on the lower corner. They are in excellent condition.
¡°This simple but highly symbolic pair reveals Jacoulet's feelings toward the North Koreans...
Poem S B. This small and unpretentious print was a sleeper. Whoever sold it knew not what he had. Indeed neither did I until well after it came here to Beijing. It is a very rare 1968 Maki print. Not 1967 and not 1969. It has the kanji for Rope in the center and that is placed on a subtle but firmly done kanji for STONE - but the kanji is in there ass backwards. The correct rendering is in image 5. Mysteries abound.I have never seen the sub-title SB in a Maki print...
Hand-colored page with an attractive woodcut showing heavily armed Amazons, who must have appeared very alien at the time...
Artist’s proof of the print LAUGHING FACE from the “Folk Sayings” series by Clifton Karhu...
Thomas W. Nason
1889-1971
New England
This is a fine original wood engraving by American artist Thomas Nason. The title of this work is: Spring in the Poconos, it was created and printed in 1938 in an edition of 100. Done for the Buck Hill Falls Art Association. The image measures 6 1/2X8 1/8 inches. Hand signed and dated in pencil in the lower border.
TWO JAPANESE WOODBLOCK PRINTS COMMEMORATING FREDERICK STARR & NOSATSU.
Frederick Starr was a professor of anthropology at Chicago University who first visited Japan in 1904 and made many subsequent visits. He wrote many papers on Japanese subjects but is probably best known in Japan for his interest in pilgrimage, he dressed in traditional pilgrim’s clothing and performed the Shikoku pilgrimage in 1917 and 1921. He became fascinated with the tradition of nailing name slips (nosatu) to te...
A Very Fine Haku Maki (1924-2000) Japanese Woodblock Print with Persimmon
This print is a striking reddish orange persimmon with leaves tipped with a special Japanese lacquerand the thin and thick contrasted dark back ground.
Title: 81-10, Persimmon,
Signed Haku Maki, sealed Haku Maki in red seal
Edition: 86/190 on the bottom margin.
It’s in very good condition with full margins and a frame without any lay down with glue.(
it just has been made a frame with a cardboard back with a ...
Hasui Kawase, oban tate-e, ¡°Yuimachi, Suruga Province¡±, dated Showa 9 (1934), published by Watanabe, slightly toned, fine impression and color.
A vintage woodcut print in black with touches of yellow and red in the windows of the picturesque seaside structures, unsigned, titled in the image "NOEL", white speckles (sprayed?) indicating snowflakes, 12 1/2" by 9 1/2" framed. The scene resembles Maine villages such as Port Clyde or Castine. Likely a work from that region, circa 1940's, possibly 1930's. I opened up the backing and found no further information.
Temple scene, issued ca. 1960s
Heavy black ink on thick paper, slight embossing effect, minor soiling, slight creasing to corners, not backed
Overall size: 10 x 14 ¼ in.