Samuel Chamberlain, American, 1895-1975, etching, "Amalfi", image size: 7 x 7 inches, numbered 88/100, 1925, cat. Chamberlain and Kingsland-8, pencil signed lower right, framed.

**FOUR** identically framed early (1830) color aquatint engraving prints of classic English sporting art subject, the Grand Leicestershire Steeple Chase, 1829, printed by the noted R. Ackermann Jr. of Regent Street, London. The plates are from a series, though this is not a complete series; the group includes Plate 1, Plate 5, Plate 6, and Plate 7. They all measure 14" by 17 1/4" inside the framing (18 1/2" by 21 1/2" framed)...

Arthur Heintzelman, American, 1891-1965, drypoint etching, "Adolphe Appia, Jeune Artiste Philosophe", drypoint etching, image size: 12 3/8 x 8 1/4 inches, 1934, cat. Smith-92, edition of 100, pencil signed.

I offer this work on paper, 19" by 25" inside the mat, 26 1/2" by 33" framed in simple black frame (to be shipped without glass), as a print of some kind by the important Swiss modern artist HANS ERNI (1909-2015). Signed in the plate at lower right and dated there "60", this would appear to be a monotype, or possibly a lithograph, with hand coloring added. Several examples are to be seen in the auction record, and they are I believe mistakenly described as gouache, original, unique works...

Done in 1992, Poem 5 is a very stylized take on the kanji for woman女. Maki did many, many versions of woman. All of them are interesting, most of them striking. To me, this dramatic rendering strays the furthest from the actual character. Daniel Tretiak called this a Square Woman. This was done using the silkscreen process; it is not an embossed woodblock print. It measures 11.5in x 11.5 in.

Original lithograph print "The Great East River Suspension Bridge" (the Brooklyn Bridge), 1881, by the noted American printmakers Currier and Ives. The image shows the bridge, sailing and steam craft around it, including a steam paddlewheeler. The bridge was an engineering marvel of the world at the time and a point of great civic pride...

Early Japanese limited edition sosaku hanga “kappa-ban” (stencil print) by Yoshitoshi Mori (1898-1992) titled “Okeya” depicting two barrel makers at work. This image is from a 1973 series of prints featuring artisans. The series is illustrated in a 1985 exhibition catalogue titled “Mori Yoshitoshi Kappa-ban.” The print is pencil-signed “Y. Mori” at the lower right, with the artist’s red seal above. It is dated ’73 and numbered 66/70...

Aquatint on paper laid on board, 1924, "Le Village d'Herouville", 18 3/4 " by 24" inside the mat, and 26 1/4" by 31" framed, after an original by the famous and important French modern artist MAURICE de VLAMINCK (1876-1958), adopted for reproduction by equally noted artist Jacques Villon (11875-1963). Vlaminck is known as a Fauvist and later simply as an expressionist. At auctions, his works in oil bring from the low hundreds of thousands of dollars to the low millions...

Original Currier and Ives lithograph print "The Straw-Yard, Winter", 12 3/4" by 15 1/2" inside the overmat, 20" by 22 1/2" as framed, the subject quite desirable: a white horse, a dark brown horse in the center, surrounded by a veritable menagerie of a winter barnyard in the country, including contented pigs eating their turnips at left, ducks and pigeons pecking away underneath and around the horses, and a pigeon even perched on a snowy fence post, face to face with the white horse, as other h...

Leo Meissner, American, 1895-1977, wood engraving, "Hannah," image size 10 x 8 inches, numbered "Trial Proof 10," signed in pencil.

Max Slevogt, German, 1868-1932, drypoint etching, "Two Tigers", image size: 4 1/8 x 5 1/2 inches, 1913, edition of 35, pencil signed. From "10 Radierte Tierstudien von Max Slevogt."

Arthur William Heintzelman, American, 1891-1965, "Ma Petite Voisine", drypoint etching, image size: 11 1/8 x 7 3/4 inches, ed. 80, 1935 cat. Smith-204, pencil signed lower right

Joseph Simpson, British, 1879-1939, etching, "Betty," image size 12 x 9 7/8 inches, 1927, edition of 75, pencil signed. Provenance: The Blanton Museum of Art, Austin, Texas.

Pieter Stevens van Gunst, 1659-1724, Dutch, engraving after van Dyck, "Charles the First, King of Great Britain", image size 18 x 11 5/8, plate size 20 1/4 x 13 inches, sheet size 22 3/4 x 16 inches

Joseph Simpson, British, 1879-1939, etching, "Lucy in Galloway," image size 11 7/8 x 8 1/2 inches, 1927, edition of 75, pencil signed. Provenance: The Blanton Museum of Art, Austin, Texas.

Carl Pickhardt, American, 1908- , Lithograph, "Center Ring", 1936, image size: 11 1/2X8 1/8", pencil signed

Gerard Audran, European, 1640-1703, Engraving after Mignard, "Ego Sum Pastor Bonus", image size: 12 1/4 x 8 7/8 inches, sheet size: 18 1/2 x 12 3/4 inches, Fogg Museum provenance, Randall collection #4065

This large print is an etching on paper in dark brown ink, and a heavily inked example at that, the subject apparently "Turkish Cemetery", according to a pencil notation in the upper left margin. Measuring 19" by 20" inside the mat (28" by 28 1/2" as framed), the work is signed in pencil in margin at lower left with the distinctive signature of the noted English modern art figure FRANK BRANGWYN (1867-1956)...